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Grace22
Refinement and grace enhance your presence. Focus on beauty and elegance in actions, but do not let appearance overshadow substance. Simplicity often holds the truest value.
↓ Line 1
Simple grace is best. Avoid ostentation and proceed with humility.
↓ Line 4
True grace is natural and unforced. Wait for the right moment to act.
↓ Line 6
True grace is simple and unadorned. Avoid excess and remain true to oneself.
↓ Small Powers62
Focus on the details. Embrace humility and small steps to achieve success. Avoid overreaching or taking on too much to prevent failure.
Original Readings
22 Grace
Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook
Judgment
Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.
Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.
Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]
Liu:Gracefulness, success. Small undertakings benefit.
Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]
Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.
Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.
Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.
Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]
The Image
Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.
Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]
Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.
Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.
Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]
Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.
COMMENTARY
Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.
Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.
The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.
The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.
"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”
NOTES AND PARAPHRASES
Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.
The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.
Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.
Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:
(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks. Jung -- The Relations between the Ego and the Unconscious
For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.
The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious. Elisabeth Haich --Initiation
To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?
Line 1
Legge: The first line, dynamic, shows one adorning the way of his feet. He can discard a carriage and walk on foot.
Wilhelm/Baynes: He lends grace to his toes, leaves the carriage and walks.
Blofeld: Elegantly shod, he leaves his carriage and proceeds on foot.
Liu: He decorates his toes and leaves the carriage. He would rather walk. [Activity benefits, but stagnation does not.]
Ritsema/Karcher: Adorning one's feet. Stowing-away the chariot and-also afoot.
Shaughnessy: Making luxurious his feet; discarding the chariot and going on foot.
Cleary (1): Adorning the feet, leaving the car and walking.
Cleary (2): Adorn the feet; leave the car and walk.
Wu: He adorns his toes, leaves the carriage behind and walks.
COMMENTARY
Confucius/Legge: Righteousness requires that he should not ride. Wilhelm/ Baynes: It accords with duty not to ride. Blofeld: He declines to make use of the carriage at his disposal. [This implies progressing in the way we know to be right and declining the help of those who are anxious to lead us from the path of rectitude.] Ritsema/Karcher: Righteously nothing to ride indeed. Cleary (2): It is right not to ride. Wu: Because it is right not to ride in it.
Legge: Line one is dynamic in a dynamic place at the bottom of the hexagram. He is also the first line in the trigram of fire or light, suggesting what is elegant and bright. He has nothing to do but to attend to himself; therefore he cultivates (adorns) himself in his humble position. If righteousness demands it he can give up every luxury and indulgence. He neither cares for nor needs adornment, and will walk in the way of righteousness without it.
NOTES AND PARAPHRASES
Siu: At the outset, the man is tempted to create a falsely flattering public image for himself. A simple demeanor is more gracious and fitting to his position.
Wing: Move forward under your own power and avoid false appearances, dubious shortcuts, or ostentatious behavior. It is most important now that you rely upon your own worth.
Wilhelm: (from Lectures on the I Ching): Now the attribute of art, or grace, consists of discarding all nonessential adornments. It consists of leaving out everything superfluous and of confining art to its appointed place.
Editor: The feet here are regarded as more substantive than the carriage, suggesting that one must rely on one's own inner worth rather than a "vehicle" of ostentatious superficiality. Suggested is the need to abandon a crutch of some kind.
The Self is the entity, then, that "plots" the way for an individual life, that directs and demands in an individual fashion. But the Self also insists that the ego take responsibility within the limits that are set for it. The wisdom of life lies in discovering where individual will and choice can operate, where limitations and responsibility begin and end. E.C. Whitmont -- The Symbolic Quest
A. You are able to make your own decisions: you can "stand on your own two feet." Rely now upon your own resources and initiative. (Could be a test.)
Line 4
Legge: The fourth line, magnetic, shows one looking as if adorned, but only in white. As if mounted on a white horse, and furnished with wings, she seeks union with the subject of the first line, while the intervening third pursues, not as a robber, but intent on a matrimonial alliance.
Wilhelm/Baynes: Grace or simplicity? A white horse comes as if on wings. He is not a robber, he will woo at the right time.
Blofeld: He so adorns himself as to seem white as snow. He is, as it were, a white steed. What delays his progress is not an obstacle but a matter of betrothal.
Liu: Simple decoration. A white horse comes as though flying. Not a robber, but a suitor.
Ritsema/Karcher: Adorning thus, hoary thus. A white horse, soaring thus. In-no-way outlawry, matrimonial allying.
Shaughnessy: Luxuriantly, lushly, the white horse is lofty-like; it is not the robbers who confusedly slander.
Cleary (1): Adorned or plain? A white horse runs swiftly. It is not an enemy but a mate. [It is best if one finds what is right when one is weak; the true heart and genuine intention come forth spontaneously, not forced – when there is no enmity or injury, then it is desirable to seek partnership. This is the adornment of the weak seeking clarity.]
Cleary (2): Adorned plainly, a white horse runs swiftly. They are not enemies but partners.
Wu: He adorns himself in white like a white horse with wings. He is a suitor, not a transgressor.
COMMENTARY
Confucius/Legge: The place occupied by the fourth line affords ground for doubt as to its subject. But because the third line pursues not as a robber, but intent on marriage, she will in the end have no grudge against him. Wilhelm/Baynes: The fourth place is in doubt; this accords with its place. "He is not a robber, he will woo at the right time.” In the end, one remains free of blame. Blofeld: This ruling line indicates the existence of suspicion; however, as revealed by the last sentence, nothing blameworthy is involved. [It would seem that someone is suspected of loitering or hesitating for a somewhat sinister reason, but that his motive is in fact an honorable one.] Ritsema/Karcher: Appropriate situation to doubt indeed. In- no-way outlawry, matrimonial allying. Completing without surpassing indeed. Cleary (2): The fourth (magnetic line), in its place, doubts. They are not enemies but partners, and ultimately have no grudge. Wu: If he is a suitor, not a transgressor, he will have nothing to worry about at all.
Legge: Line four has its proper correlate in line one, from whose strength she should receive adornment. But lines two and three intervene and keep them apart so that the only adornment is white. The fourth line is faithful to line one however, and desires their union. Finally line three appears in a good character, and not with the purpose to injure, so that the union between one and four takes place. All this in intended to show how adornment recognizes the superiority of solidity. Compare hexagram lines 3:2 and 38:6. Because of their separation we might doubt how far line four would remain loyal to line one. The loyalty is insured through the character and object of line three.
NOTES AND PARAPHRASES
Siu: The man is faced with the choice between a life of brilliance and one of simplicity. All considerations suggest simplicity. Renouncing potential comforts may seem disappointing at first, but peace of mind will be attained through proper relationship with the sincere supporter.
Wing: You have a choice of two paths. One is the path of adornment and external brilliance; the other is the path of simplicity and inner worth. Your considerations suggest a deeper connection with your true Self. The path of simplicity will lead to more meaningful relationships with others and greater self-knowledge.
Wilhelm (from Lectures on the I Ching): Here is the point where life is silent for a moment, and now the decision must be made how to continue shaping life.
Editor: There are three main ideas here -- first, the idea of being "adorned in white." Clothing symbolizes the opinions and attitudes which "adorn" our personality. To be dressed in white therefore, is to be simple and unpretentious – the opposite of complexity and ostentation.
Second , the image of a flying white horse. This suggests purified (white) psychic energy (horsepower) united with the wings of intellectual aspiration. Wings enable entities to fly in the air -- symbolically, the realm of thought. We are immediately reminded of Pegasus, and although we can assume that the Duke of Chou knew nothing of Pegasus, the symbolic associations are not irrelevant here. Pegasus is associated in Greek mythology with the Muses -- the sources of creativity and inspiration.
The third idea is of marriage -- the conjunction of masculine and feminine in a holy union or hieros gamos: the creative synthesis of thought and feeling within the psyche. However, the suitor can't unite with the subject of the line until all confusion has been eliminated from the situation. He is perceived as a "robber" because the barriers to union must be removed ("stolen") before the alliance can take place: in other words, an illusion prevails.
This line (and indeed the entire hexagram) is often received in answer to questions concerning creativity or the creative process. If this is the only changing line, the new hexagram created is number thirty, Clarity.
I discriminate between the ordinary ego-consciousness of the man and his creative personality. Very often there is a striking difference. Personally a creative man can be an introvert, but in his work he is an extravert and vice versa. Jung -- Letters
A. You don't understand the matter at hand. Unseen forces are working toward unity however, and clarity will eventually dawn.
B. The image suggests the gestation of a creative idea.
C. Don't complicate the situation -- a creative solution will mature in the course of time.
Line 6
Legge: The sixth line, dynamic, shows one with white as his only ornament. There will be no error.
Wilhelm/Baynes: Simple grace. No blame.
Blofeld: Simple elegance. No error!
Liu: Simple decoration. No blame.
Ritsema/Karcher: White adorning. Without fault.
Shaughnessy: White luxury; there is no trouble.
Cleary (1): Adornment by simplicity is impeccable.
Wu: He is unadorned and there will be no error.
COMMENTARY
Confucius/Legge: The line shows how he has attained his aim. Wilhelm/ Baynes: The one above attains his will. Blofeld: This top line indicates the fulfillment of our will. Ritsema/Karcher: Acquiring purpose above indeed. Cleary (2): One attains one’s aspiration above. Wu: His aspiration has prevailed.
Legge: At the top of the hexagram ornament has run its course and there is a return to pure white simplicity. Substantiality is better than ornament. The subject of the sixth line shows more of the spirit of the hexagram than most. His being clothed in simple white crowns the lesson that ornament must be kept in a secondary place.
NOTES AND PARAPHRASES
Siu: The man reaches the peak of his development, and displays perfect grace through the true expression of his character without pretensions. He understands the patterns of human frailties.
Wing: You can rely now upon the sincerity of your true nature to supply your external radiance. Pretensions, form, and adornments are no longer necessary to achieve your aims. Simplicity is the path you must take. In this way you will make no mistakes.
Wilhelm (from Lectures on the I Ching): Highest spirituality is connected with complete absence of outward pretense.
Editor: Questions concerning artistic creativity are sometimes addressed by this line -- differentiating the intent of the muse (Self) from the ambitions of the artist (ego). We are reminded of the difference between unity and multiplicity -- unity being one simple whole, multiplicity being many diverse complexities or "ornaments."
Only the truly intelligent understand this principle of the leveling of all things into One. They discard the distinctions and take refuge in the common and ordinary things. The common and ordinary things serve certain functions and therefore retain the wholeness of nature. From this wholeness, one comprehends, and from comprehension, one comes near to Tao. There one stops. To stop without knowing how one stops -- this is Tao. Chuangtse
A. "Keep it simple."
62 Small Powers
Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook
Judgment
Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.
Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.
Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]
Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]
Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small
Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]
Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.
Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.
Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.
Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.
The Image
Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.
Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]
Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.
Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.
Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.
Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.
Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.
Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.
COMMENTARY
Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.
Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.
NOTES AND PARAPHRASES
Judgment: Ground your flights of fancy.
The Superior Man bends over backwards to be correct.
Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.
In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive. E.C. Whitmont --The Symbolic Quest
Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."