Keeping one's secrets
Others may ask for proofs without the need to satisfy them. taoscopy.com
Critical Mass28
Embrace resilience during times of overwhelming pressure. Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse. Balance is crucial for enduring success.
↓ Line 1
Taking precautions to prevent damage. A solid foundation is necessary.
↓ Line 2
New growth and renewal are possible even in difficult situations. Harmonious unions bring success.
↓ Line 3
Overburdening leads to collapse. Caution is needed to avoid disaster.
↓ Line 4
Stabilizing the situation brings good fortune, but hidden agendas can lead to disgrace.
↓ Difficulty3
Embrace challenges and uncertainty; growth is difficult but necessary. Encouragement and persistence lead to success.
Original Readings
28 Critical Mass
Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma
Judgment
Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.
Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.
Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]
Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.
Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]
Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.
Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]
Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.
Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.
The Image
Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.
Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.
Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]
Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.
Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.
Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.
Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]
Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.
CONFUCIAN COMMENTARY
Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.
Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.
NOTES AND PARAPHRASES
Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)
The Superior Man serves The Work by going his own way, regardless of public opinion.
Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.
In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)
Legge’s translation of the Judgment is:
"...It is advantageous to move in any direction whatever. "
This is a different message than Wilhelm's:
"...It furthers one to have somewhere to go."
Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:
When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.
Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):
The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor. G. Knight -- A Practical Guide to Kabbalistic Symbolism
SUGGESTIONS FOR MEDITATION
Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.
Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.
Line 1
Legge: The first line, magnetic, shows one placing mats of the white mao grass under things set on the ground. There will be no error.
Wilhelm/Baynes: To spread white rushes underneath. No blame.
Blofeld: For mats, use white rushes -- no error! [White rushes are less common than ordinary ones and probably make more beautiful mats. The implication may be that, if we decide to do things rather nicely, we might as well go a little further and do them as charmingly as possible.]
Liu: To spread white rushes below leads to no blame.
Ritsema/Karcher: A sacrifice availing-of white thatch grass. Without fault.
Shaughnessy: For the mat use white cogon-grass; there is no trouble.
Cleary (1): Spreading white reeds; no fault.
Cleary (2): Spreading a mat of white reeds, there is no blame.
Wu: Use of white mats in making offerings is blameless.
CONFUCIAN COMMENTARY
Confucius/Legge: She feels the weakness of being in the lowest place, and uses extraordinary care. Wilhelm/Baynes: The yielding is underneath.
Blofeld: The reference is derived from the position of this yielding line below so many firm ones. [A further commentary explains that they symbolize treating things with gentleness.]Ritsema/Karcher: Supple located below indeed. Cleary (2): Flexibility in a low position. Wu: Because the meek is in the low position.
The Master said: To place the things on the ground might be considered sufficient; but when one places mats of the white grass beneath them, what occasion for blame can there be? Such a course shows the height of carefulness. The white grass is a trivial thing, but through the use made of it, it may become important. One who goes forward using such careful art will not fall into any error.
Legge: The first line is magnetic, at the bottom of both the hexagram and the lower trigram of Humility or Flexibility. Therefore she is distinguished by carefulness, as in the matter mentioned, and there is a good auspice.
NOTES AND PARAPHRASES
Siu: At the outset, the man displays considerable care in embarking upon an important enterprise.
Wing: When embarking on an important endeavor, it is necessary to pay particular attention to details at the beginning. The times are indeed extraordinary, and you must be particularly careful to proceed in the right way. Being overcautious is not a mistake.
Editor: The idea is to lay a careful foundation for any enterprise to prevent later instability. Make careful choices now to prevent evil consequences later on.
Don't you know that the beginning is the most important part of every work and that this is especially so with anything young and tender? For at that stage it's most plastic, and each thing assimilates itself to the model whose stamp anyone wishes to give it. Plato --The Republic
A. Begin carefully.
B. Extreme caution is indicated.
Line 2
Legge: The second line, dynamic, shows a decayed willow producing shoots, or an old husband in possession of his young wife; there will be advantage in every way.
Wilhelm/Baynes: A dry poplar sprouts at the root. An older man takes a young wife. Everything furthers.
Blofeld: The withered willow tree puts forth new shoots -- an old man takes to wife a young girl. Everything is favorable.
Liu: The withered poplar tree sprouts new shoots. The old man marries a young wife. Everything is favorable.
Ritsema/Karcher: A withered willow giving birth-to a sprig. A venerable husband acquiring his woman consort. Without not Harvesting.
Shaughnessy: The bitter poplar gives life to sprouts: The old fellow gets his maiden consort; there is nothing not beneficial.
Cleary (1): A withered willow produces sprouts; an old man gets a girl for a wife. Altogether beneficial.
Cleary (2): … None do not benefit.
Wu: A withered willow tree grows a young shoot. An old man takes a young wife. Everything is advantageous. [Ancient society gave approval to this kind of matrimony for the desire of having children in the family. Willow trees like water and do well on the bank of marshes. It is not uncommon for a withered old tree to have new shoots.]
CONFUCIAN COMMENTARY
Confucius/Legge: Such association is extraordinary. Wilhelm/Baynes: The extraordinary thing is their coming together. Blofeld: He weds her because they have been overmuch together. [From his point of view, it is in any case a matter for satisfaction, so it is taken here to symbolize favorable circumstances. Some commentaries suggest another implication, namely that the old man is able to take on tasks normally difficult for the elderly.] Ritsema/Karcher: Exceeding uses mutual associating indeed. Cleary (2): (He) has her for a companion in spite of being older. Wu: (They) will make a harmonious couple.
Legge: Line two has no proper correlate above, hence he inclines to the magnetic first line below him. This suggests an old husband with a young wife who will yet have children. The action will turn out favorably.
NOTES AND PARAPHRASES
Siu: An extraordinary reinvigoration occurs. During unusual occasions it may be desirable to join the lowly in order to permit a new outlook and growth.
Wing: Look to those who are modest in attitude, or are beginners themselves, to help you in your endeavors. This way you are in the company of persons who can understand and share the enthusiasm of your goals. Things will move smoothly and the situation will become revitalized.
Editor: The trigram for Wood beneath the trigram for a Lake or Marsh suggests the idea of a tree that grows near water, hence: a willow tree. Whether dry, withered, decayed or bitter, this old tree experiences an unexpected renewal of life. The elderly husband and young wife are a different metaphor for the same idea, and the symbolism can sometimes refer to a union of thought and feeling. Psychologically implicit is the idea of intellect as mentor and guide to emotional responses: an archetypal relationship.
In such dream wanderings one frequently encounters an old man who is accompanied by a young girl, and examples of such couples are to be found in many mythic tales. Jung -- Memories, Dreams, Reflections
A. A fruitful renewal.
B. Old ideas are reinvigorated by fresh insights.
C. A creative balance of knowledge and ability.
Line 3
Legge: The third line, dynamic, shows a beam that is weak. There will be evil.
Wilhelm/Baynes: The ridgepole sags to the breaking point. Misfortune.
Blofeld: The ridgepole sags -- misfortune!
Liu: The ridgepole bends under pressure; misfortune.
Ritsema/Karcher: The ridgepole buckling. Pitfall.
Shaughnessy: The ridgepole sags; inauspicious.
Cleary (1): The ridgepole bends; misfortune.
Cleary (2): The ridgepole bending is foreboding.
Wu: The beam warps. Foreboding.
CONFUCIAN COMMENTARY
Confucius/Legge: No help can be given to the condition thus represented. Wilhelm/Baynes: The misfortune of the sagging and breaking of the ridgepole is due to its finding no support. Blofeld: The misfortune of being without adequate support. Ritsema/Karcher: Not permitted to use possessing bracing indeed. Cleary (2): There is no way to help. Wu: Because no support will help.
Legge: The third line is dynamic in a dynamic place and confident in his own strength. But his correlate line six is magnetic. Alone, he is unequal to the extraordinary strain. Any attempt to sustain the broken beam will have no effect in supporting the roof.
NOTES AND PARAPHRASES
Siu: The man becomes overconfident in his limited strength. He rushes ahead in opposition to advice from those in a position to help. This leads to the loss of voluntary support. His burdens increase, and he proves unequal to the task.
Wing: You are inclined to force your way forward when, in fact, there are obstacles that cannot be overcome in this way. Even worse, you cannot accept advice from others because it is not what you wish to hear. Misfortune will inevitably follow.
Editor: This is the weak beam referred to in the Judgment. In the metaphor of Wing’s title of Critical Mass, the situation is about to detonate
Owing to neglect the rooftree gives way;
for want of care the house lets in the rain.
Ecclesiastes 10: 18
A. The situation is unstable.
B. You have no support in the matter at hand.
C. Your assumptions have no foundation.
Line 4
Legge: The fourth line, dynamic, shows a beam curving upwards. There will be good fortune. If the subject of the line looks for other help but that of line one, there will be cause for regret.
Wilhelm/Baynes: The ridgepole is braced. Good fortune. If there are ulterior motives, it is humiliating.
Blofeld: The ridgepole is upheld -- good fortune! Were it otherwise, there would be cause for blame.
Liu: The ridgepole is strengthened; good fortune. But something else may cause humiliation.
Ritsema/Karcher: The ridgepole crowning. Significant. Possessing more: abashment.
Shaughnessy: The ridgepole bows upward; auspicious; there is harm; distress.
Cleary (1): The ridgepole is raised; good fortune. There is another shame.
Cleary (2): … This is auspicious, but there is another shame.
Wu: The beam is held upright, and there will be good fortune. There may be humiliation in unexpected situations.
CONFUCIAN COMMENTARY
Confucius/Legge: The good fortune arises because it does not bend toward what is below. Wilhelm/Baynes: It does not sag downward and break. Blofeld: Good fortune in the sense that it does not fall. [This would seem to be good fortune of a negative kind; not so much good fortune as the failure of expected bad fortune to materialize.] Ritsema/Karcher: Not sagging, reaching-to the below indeed. Cleary (2): It does not bend down. Wu: The beam (is) held upright, not warping downward.
Legge: Line four is just below the fifth line ruler. His duty is to meet the extraordinary exigency of the time. Although dynamic, he is in a magnetic place and his strength is tempered -- he will be equal to his task. Should he seek help from line one, that would affect him with another element of weakness, and his action would give cause for regret.
NOTES AND PARAPHRASES
Siu: The man becomes the master of the difficult situation by refusing the assistance of weak men. He relies on his own strength of character.
Wing: You can now find within yourself the strength and vision to achieve a successful outcome in your endeavors. Do not rely upon people or things outside of your Self for guidance. Dependence now on external things leads to humiliation.
Editor: This is one of those maddening lines of which every translator renders a subtly different version. Some aren't even internally consistent: Legge's translation says that there will be cause for regret if the subject "looks for other help but that of line one,” which I take to mean: "Only line one is the proper source of assistance.” Inexplicably, his exposition then cautions against such assistance, as does his Confucian commentary. Blofeld's version is a tautology effectively removing serious warning from the line. The Wilhelm and Liu translations are least confusing and imply that we are protected as long as we suppress our lower impulses and maintain allegiance to a higher principle. In my experience, this interpretation has been most accurate.
The patient must be alone if he is to find out what it is that supports him when he can no longer support himself. Only this experience can give him an indestructible foundation. Jung -- Psychology and Alchemy
A. The Work is protected if you keep the faith.
3 Difficulty
Other titles: Difficulty at the Beginning, The Symbol of Bursting, Sprouting, Hoarding, Distress, Organizational Growth Pains, Difficult Beginnings, Growing Pains, Initial Obstacles, Initial Hardship
Judgment
Legge: Difficulty indicates progress and success through firm correctness. Action should not be undertaken lightly, and it is wise to seek help.
Wilhelm/Baynes:Difficulty at the Beginning works supreme success, furthering through perseverance. Nothing should be undertaken. It furthers one to appoint helpers.
Blofeld: Difficulty followed by sublime success! Persistence in a righteous course brings reward; but do not seek some new goal (or destination); it is highly advantageous to consolidate the present position. [The fundamental idea of this hexagram is that of birth and growth amidst difficulty, as with a sprouting seed becoming a young plant and forcing its way through the earth. Our affairs, being still in their early stages, are vulnerable; we must not wander forth, but attend to them until they ripen; then, with proper care, the seed will bring forth a splendid tree. The upper trigram, a pit, suggests a need for caution; but, if we heed these omens, our success is assured.]
Liu: Difficulty in the Beginning : great success. It is of benefit to continue without planning to go someplace. One should find helpers.
Ritsema/Karcher: Sprouting . Spring Growing Harvesting Trial. No availing-of possessing directed going. Harvesting: installing feudatories. [This hexagram describes your situation in terms of beginning growth. It emphasizes that collecting potential in preparation for arduous labor is the adequate way to handle it...]
Shaughnessy: Hoarding : Prime receipt; beneficial to determine. Do not herewith have someplace to go; beneficial to establish a lord.
Cleary(1): In difficulty, creativity and development are effective if correct. Do not use. There is a place to go. It is beneficial to set up a ruler.
Cleary(2):Creativity is successful. It is beneficial to be correct. Do not make use of going somewhere. It is beneficial to set up lords.
Wu:Distress is primordial, pervasive, prosperous, and persevering. The subject should proceed with caution. It will be advantageous to establish marquisates.
The Image
Legge: The image of clouds and thunder formsDifficulty. The superior man, in accordance with this, adjusts his measures of government as in sorting the threads of the warp and woof.
Wilhelm/Baynes: Clouds and thunder: the image of Difficulty at the Beginning. Thus the superior man brings order out of confusion.
Blofeld: This hexagram symbolizes lightning spewed forth by the clouds -- difficulty prevails! The Superior Man busies himself setting things in order.
Liu: Clouds and thunder symbolize Difficulty at the Beginning. The superior man makes order out of disorder.
Ritsema/Karcher: Clouds, Thunder, Sprouting. A chun tzu uses the canons to coordinate. [Canons: standards, laws; regular, regulate; the Five Classics. The ideogram: warp-threads in a loom.]
Cleary(1): Thunder in the clouds is held back; the superior person orders and arranges.
Cleary(2): Clouds and thunder – Difficulty. Thereby leaders organize.
Wu: Clouds and thunder form hexagram Distress. Thus the jun zi plans and organizes.
COMMENTARY
Confucius/Legge:Difficultyis experienced as Heaven and Earth begin their intercourse, but correct action succeeds in the face of danger. By the action of thunder and rain, which are the attributes of the lower and upper trigrams, all between Heaven and Earth is filled up. But the conditions of the time are irregular and obscure. Authority should be delegated, but the feeling that rest and peace have been secured should not be indulged in even then.
Legge: The written character for Difficultyis pictorial, and shows a plant struggling with difficulty as it rises above the surface of the earth. This initial difficulty is a metaphor for how struggle is the condition of a state which is emerging from disorder after a revolution. The author saw his social and political world in great disorder and difficult to reform, yet he had faith in himself and the destiny of his House. Let there be prudence and caution, with unswerving adherence to the right. Let the government of the different states be entrusted to good and able men -- then all will be well.
According to the arrangement of the eight trigrams, Heaven and Earth are the parents of the other six, who are their children. The first-born son is the lower trigram of Movement, and the second-born son is the upper trigram of Peril. McClatchie renders here: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering."
The power to move in the lower trigram is likely to produce great effects; to do this in perilous and difficult circumstances (symbolized by the upper trigram) requires firmness and correctness. Good princes throughout the realm will help to remedy the political and social disorder of the times, but the supreme ruler should not trust his subordinates to the point of relaxing his vigilance.
The lower trigram represents thunder, the upper represents rain clouds. The hexagram therefore places us in the atmosphere of a thunderstorm -- a metaphor for the situation of a political state in difficulty. When the thunder has pealed, and the clouds have discharged their burden of rain, the atmosphere is cleared and there is a feeling of relief.
Anthony: This hexagram means that we have not yet found the correct path.
It also means confusion: too many possibilities. Nothing is clear. This lack of clarity is the “hindrance” referred to in the first line of the hexagram. In the second line, the remedies that come forth are inappropriate. In the first stages of dealing with a problem, we are tempted to grasp at solutions, whereas we should wait until the proper actions become clear.
NOTES AND PARAPHRASES
Judgment: Under the conditions of Difficulty it is best to mark time while seeking assistance.
The superior man uses careful analysis to separate order from confusion.
Wilhelm’s title for this hexagram is Difficulty at the Beginning. I prefer Difficulty, because it is a situation encountered at any phase of the Work, not just the beginning.
Difficulty is experienced because confusion and multiplicity prevail during the initial phase of any creative activity -- thoughts and feelings proliferate and threaten to overwhelm the mind with infinite complexity. The only way to proceed under such circumstances is to carefully sort out the components of the situation and arrange them in categories and in order of importance. To "sort the threads of the warp and woof" is to weave a tangled mess into a tapestry.
The Orderly Sequence of the Hexagrams gives us an image of what takes place under the hexagram of Difficulty:
When there were Heaven and Earth, then afterwards all things were produced. What fills up the space between Heaven and Earth are those individual things. Hence the Dynamic and Magnetic are followed by Difficulty. Difficulty means filling up.
"Filling up," is rendered as "fullness" in some translations. This is the exact meaning of the gnostic term: "Pleroma," or "Fullness" which Jung correlates with the Collective Unconscious or Objective Psyche. These are interior dimensions from which emanate the archetypal energies which we experience as instinctual drives and emotional complexes. This is the "hyperspace" from which the Self, via the oracle, responds to our queries and directs the Work.
Thus we see that the third hexagram, following the creation of the cosmic pair of opposites in the first two figures, represents a dialectical progression. Lao Tse, who wrote the Tao Te Ching some six-hundred years after the I Ching was committed to writing, describes this unfolding process:
Out of Tao, One is born;
Out of One, Two;
Out of Two, Three;
Out of Three, the created universe.
The created universe carries the yin at its back
and the yang in front;
Through the union of their pervading principles
it reaches harmony.
The identical idea is found in many traditions, giving it the status of an archetype within human consciousness. It is not necessary to be familiar with the technical terminology of Kabbalah to recognize that the same idea is being discussed in the following passage:
In Chokmah and Binah we have the archetypal Positive and Negative; the primordial Maleness and Femaleness, established while "countenance beheld not countenance" and manifestation was incipient ... It is between these two polarizing aspects of manifestation -- the Supernal Father and the Supernal Mother -- that the web of life is woven; souls going back and forth between them like a weaver's shuttle. In our individual lives, in our physiological rhythms, and in the history of the rise and fall of nations, we observe the same rhythmic periodicity. D. Fortune --The Mystical Qabalah
This idea has been stated very simply:
All things are a single form which has divided and multiplied in time and space. W.B. Yeats -- A Vision
Is not the sky a father and the earth a mother, and are not all living things with feet or wings or roots their children? -- Black Elk
And also with poetic complexity:
In the beginning God created the heavens and the earth. Now the earth was a formless void, there was darkness over the deep, and God's spirit hovered over the water ... God said, "Let the waters teem with living creatures, and let birds fly above the earth within the vault of heaven." And so it was ... God blessed them, saying, "Be fruitful, multiply, and fill the waters of the seas; and let the birds multiply upon the earth. Genesis
There are some profound ideas in these images about the structure of human consciousness and the contents of the unconscious psyche. The basic idea is that of Emanation -- the creation of physical reality from a supreme principle in ordered hierarchies of increasing complexity. This concept is essential for a full understanding of the Work.
The involution of man was his descent from the sphere of the spirit, developing bodies of a mental, emotional and then physical nature until he manifested upon this planet. His evolution is to civilize this planet and to develop mastery of the physical, emotional and mental planes and relink himself in unity with God once more, thus completing the cycle. He came from God as an inexperienced Spark of Divine Fire and returns to Him, with all the experience of manifestation, as a Lord of Humanity. Gareth Knight -- The Work of a Modern Occult Fraternity
In many systems of thought, the proliferation of forces is seen in sexual terms -- the cosmic parents produce entities in male and female pairs (gnostic syzygies), which in turn produce offspring. Hence, Confucius says: "Difficulty is experienced as Heaven and Earth begin their intercourse." That this has an explicit sexual connotation is confirmed by McClatchie: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering." Thus we see that the correct and incorrect correlation ("intercourse") of dynamic (male) and magnetic (female) lines in anyI Ching hexagram symbolizes the favorable (life-enhancing) or unfavorable (life-negating) combinations of thought and feeling within the psyche.
SUGGESTIONS FOR MEDITATION
The sexual intercourse of Heaven and Earth is also described in hexagram number eleven,Harmony. In terms of these sexual metaphors, what does the term "adultery" imply in regard to the Work? See hexagram number forty-four, Temptation, for further insight on this theme.