Legge: Upon fulfillment of the conditions implied in Initiative, there will be free course and success. Advantage depends upon firm correctness, as in marrying a young lady. Good fortune.
Wilhelm/Baynes:Influence. Success. Perseverance furthers. To take a maiden to wife brings good fortune.
Blofeld: Attraction. Success! Righteous persistence brings reward. Taking a wife will result in good fortune.
Liu: Attraction. Success. To continue is of benefit. To marry a girl is good fortune.
Ritsema/Karcher: Conjoining, Growing. Harvesting Trial. Grasping womanhood significant. [This hexagram describes your situation in terms of the influence that separated parts of an intrinsic whole have on each other. It emphasizes that bringing these parts into contact is the adequate way to handle the situation...]
Shaughnessy: Feelings : Receipt; beneficial to determine; to take to wife a woman is auspicious.
Cleary (1): Sensitivity is developmental. It is beneficial to be correct. Marriage brings good fortune.
Cleary (2):Sensing gets through, beneficial if correct. Marriage is auspicious.
Wu:Affection indicates pervasion and advantage to be persevering. There will be good fortune to marry a young woman.
The Image
Legge: The image of a marsh over a mountain forms Initiative. The superior man frees his mind of preoccupation so that he is open to the influence of others. [Lit: "Thus the superior man receives people by virtue of emptiness."]
Wilhelm/Baynes: A lake on the mountain: the image of Influence. Thus the superior man encourages people to approach him by his willingness to receive them.
Blofeld: This hexagram symbolizes a lake situated upon a mountain. In dealing with men, the Superior Man shows himself to be entirely void of selfishness.
Liu: The lake on top of the mountain symbolizes Attraction. With a humble manner the superior man receives people.
Ritsema/Karcher: Above mountain possessing marsh. Conjoining. A chun tzu uses emptiness to acquiesce people.
Cleary (1): There is a lake on a mountain. Thus does the superior person accept people with openness.
Cleary (2): There is a lake atop a mountain – Sensing. Developed people accept others with openness.
Wu: There is a marsh in the mountain; this is Affection. Thus the jun zi receives people with humility.
COMMENTARY
Confucius/Legge: Initiative is here used in the sense of mutually influencing. The magnetic trigram is above and the dynamic trigram is below -- their two influences move, respond and unite with each other. The male is placed below the female -- his repression is her satisfaction and brings fulfillment. Advantage depends upon firm correctness, as in the marrying of a young lady. Heaven and earth stimulate each other and all things attain birth. The sages stimulate the minds of men and harmony is born. If we examine the pattern of these influences, the nature of heaven and earth is revealed.
Legge: The lines of the hexagram all deal with moving or influencing to movement, and the figure is an essay on the different ways of creating an influence, and the results engendered thereby. The lower trigram of the youngest son supports the upper trigram of the youngest daughter in happy union. This is correct because the lower trigram (here yang) should always take the initiative. No influence is so powerful and constant as that between husband and wife, and where they are both young, it is especially active. Therefore, mutual influence, correct in itself, and for correct ends is sure to be effective.
NOTES AND PARAPHRASES
Judgment: Initiative succeeds only when it originates from the Self.
The Superior Man clears his mind and remains receptive to the will of the Self.
Wilhelm's translation of the name of this hexagram is Influence, but I have chosen Initiative to emphasize the idea of the proper source of the influence implied in the symbolism. Webster's Third New International Dictionary defines initiative as follows:
Initiative 1 : an introductory step or movement: an act designed to originate or set on foot, as a process or train of events. Often used in the phrase: on one's own initiative, as in: "Don't blame me, he acted on his own initiative."
The Judgment states that the situation can be furthered only by the firm correctness associated with the proper contracting of a marriage. We already know that the symbolism of marriage refers to a union of opposites within the psyche. To understand what is meant by the proper contracting of a marriage, we need only look at hexagram number fifty-four,Propriety (The Marrying Maiden), to see the improper way to do it -- that is, when the woman takes the initiative.
Far from being a sexist idea, the symbolism reveals a profound archetypal truth. The polarity of forces in the psyche shows the ego as magnetic to the dynamic Self. That is, the conscious ego-complex in any psyche, male or female, is feminine, or magnetic in relation to the Self, which is masculine, or dynamic. In the I Ching the Self is symbolized by heaven, and the ego is symbolized by earth. This primordial relationship between the two qualities is found in many symbol systems. Here's the Kabbalistic version:
This clearly indicates the function of polarity that prevails between the planes of form and the planes of force; the planes of form being the female aspect, polarized and made fertile by the influencesof the planes of force. D. Fortune -- The Mystical Qabalah
The Hermetic tradition describes it this way:
There is this dual aspect in the mind of every person. The "I" [Self] represents the Masculine Principle of Mental Gender -- the "Me" [ego] represents the Female Principle. The Kybalion
In the contracting of a marriage between heaven and earth (uniting the polarities within the divided psyche), the ego must learn, usually through great suffering, that its correct role is a magnetic one in relation to that of the Self. The Work cannot progress until this lesson has been learned and accepted completely. As long as the ego insists on taking dynamic initiative “as usual" in the illusory world of appearances, the results can only be the kind of objective world we inhabit -- one of chaos and strife. The lesson of this hexagram then, is the realization that the only correct source of power lies with the Self, and that the ego must yield to that source as a bride to her bridegroom. (Unfortunately, the contemporary relationship between the sexes has become so confused that this metaphor is seldom effective in conveying the profound truth it represents.)
The Self (the Causal Body of Theosophy) dwells beyond the restrictions of spacetime and is pre-eminently suited for directing the Work, since it can "see ahead” so to speak, and it knows the effects of all of the available choices. The ego, on the other hand, dwells in spacetime and is able to take action: by its choices it makes or breaks the Work. The ideal reciprocity between ego and Self is a simple and logical division of labor -- the Self can see ahead but cannot take direct action, and the ego can take direct action but cannot see ahead. For the ego to act without direction from the Self is to grope blindly in the dark -- and the Work clearly cannot progress under such circumstances. The superior man therefore, "clears his mind and remains receptive to the will of the Self.” Obviously, it takes time to learn how to do this properly; in its initial stages, that's what the Work is all about.
The majority of people are more or less the slaves of heredity, environment, etc., and manifest very little freedom. They are swayed by the opinions, customs and thoughts of the outside world, and also by their emotions, feelings, moods, etc. They manifest no Mastery, worthy of the name. The Kybalion
The second and third sentences in the Confucian commentary elicit the sexual symbolism in this hexagram quite clearly: "The [female] trigram is above and the [male] trigram is below -- their two influences move, respond and unite with each other. The male is placed below the female -- his repression is her satisfaction and brings fulfillment.” Blofeld comments on this in a footnote:
I doubt if this should be regarded as shedding light upon the ancient Chinese concept of the most acceptable position for intercourse; it is more likely to mean that the girl is able to depend upon the man as a plant depends upon the earth for its nourishment.
Symbolism works on many levels, and Blofeld's aborted insight does apply to some of them. It is an established fact that the sentences in question accurately describe tantric sexual techniques practiced in the Orient for millennia. To understand the principles of the Work we must be able to see the "obvious" as symbolic of an abstraction -- and vice- versa. Sexual polarity is a very tricky and volatile symbol because we are predisposed to confine it to its most literal meaning. The hardest part of symbolic interpretation is to know where in the continuum a specific symbol belongs in any given situation.
Without changing lines this hexagram suggests that you examine your impulses and motivations to act and see if they are truly in accordance with the goals of the Work. The figure can sometimes take on the meaning of importuning: "to press or urge with frequent or unreasonable requests or troublesome persistence.” In other words, you might be importuning the oracle for answers which it is of no mind to give you. It is also significant to note that every line has a more or less negative connotation. These are all very strong warnings to the ego to control its compulsive need to take the Initiative, to influence the situation. Calm down -- reality is not what it appears to be. Please allow the Self to direct the Work.
SUGGESTIONS FOR MEDITATION
Compare the concepts in this hexagram with hexagram number fifty-four,Propriety; number fifty-three, Gradual Progress; and number eleven, Harmony. How do they all deal with the symbol of marriage as an aspect of the Work? Compare the first three lines with hexagram number 52,Keeping Still.
Initiativeis the first hexagram of Part II of the I Ching. Why do you suppose the book was divided into two unequal sections? Why did the division appear between the thirtieth and thirty-first hexagrams? (An even division would be between the thirty-second and thirty-third.)
The (I Ching) was originally divided into two books. (Appendix VI) considers the first of these as dealing with the world of nature, and the second as dealing with that of man. Fung Yu-Lan -- A Short History of Chinese Philosophy
What insights does the alchemical concept of the Unus Mundus bring to bear on these questions?
Line 1
Legge: The first line, magnetic, shows one moving her great toes.
Wilhelm/Baynes: The influence shows itself in the big toe.
Blofeld: Sensation in the toe.
Liu: Stimulation in the big toe. [If you get this line you will plan an undertaking, but if it is planned hastily, it will be difficult to carry out.]
Ritsema/Karcher: Conjoining one's big toes.
Shaughnessy: Feeling his big toe.
Cleary (1): Sensing in the big toe is inauspicious. [The big toe can move but not walk; to feel something one can not carry out is not right sensing. This is sensitivity that stirs the human mentality.]
Cleary (2): Sensing in the big toe.
Wu: He moves his big toes.
COMMENTARY
Confucius/Legge: Her mind is set on what is beyond herself. Wilhelm/ Baynes: The will is directed outward. Blofeld: This implies that the will is fastened upon external matters. Ritsema/Karcher: Purpose located outside indeed. Cleary (2): The aspiration is outside. Wu: His affection is outward.
Legge: The first line is magnetic at the commencement of the figure. Although the fourth line is a proper correlate, his influence will be ineffective. However much she moves her toes, that won't enable her to walk. What is "beyond herself" is represented by the fourth line. There is the desire to influence but no strength and/or ability to do so.
NOTES AND PARAPHRASES
Siu: At the outset, something is beginning to happen which is not yet apparent to everyone.
Wing: There is something in the air. Perhaps it's the beginning of a compelling attraction or an idea just coming to light. Whatever it is, it is of little significance, since a great deal more must be done to make it a reality.
Editor: Although the image is simple, the concept behind it is not. Wilhelm's commentary suggests the idea of a hidden influence, a latent force within the situation, which has not yet become apparent. This energy is focused on what is beyond itself -- i.e., it wants to become manifest, but as yet is not powerful enough to do so. (There is a suggestion of impatience to take action.) At its most neutral, the line can image a concern with something distant in time or space -- even an abstract idea. Legge's Confucian commentary is a good paraphrase.
In times of stress, physical or mental, he might astonish his friends and even himself by the undisciplined and primitive reactions that suddenly usurp the attitudes of the well-drilled persona. Such reactions do not come from the conscious part of the psyche; they arise from the nonpersonal part and reveal not the conscious characterbut the stage of development that the nonpersonal psyche has reached. M.E. Harding -- Psychic Energy
A. Unseen forces work toward change. An image of a subliminal influence or latent energy.
B. An image of a restless ego -- a mind seething with "great plans," schemes or intentions.
C. "Don't cross your bridges until you come to them."
Line 2
Legge: The second line, magnetic, shows one moving the calves of her legs. There will be evil. If she abides quietly in her place, there will be good fortune.
Wilhelm/Baynes: The influence shows itself in the calves of the legs. Misfortune. Tarrying brings good fortune.
Blofeld: Sensation in the legs -- misfortune! [I.e. Misfortune if we yield to the urge to exercise our legs by going somewhere else.] Good fortune comes to those who do not venture forth.
Liu: Stimulation in the calves of the legs. Misfortune. Stillness invites good fortune.
Shaughnessy: Feeling his calf; inauspicious; to dwell is auspicious.
Cleary (1): Sensing in the calf is inauspicious. Biding is auspicious.
Cleary (2): Sensing in the calf bodes ill. To stay put bodes well.
Wu: He moves his calves. It will be foreboding. Should he stay, there will be good fortune.
COMMENTARY
Confucius/Legge: If she abides quietly in her place and complies with the circumstances of her condition there will be no injury. Wilhelm/Baynes: Even though misfortune threatens, tarrying brings good fortune. One does not come to harm through devotion. Blofeld: If we gladly accord with others, we shall come to no harm. Ritsema/Karcher: Yielding, not harming indeed. Cleary (2): Because obedience does no harm. Wu: His rash move will be foreboding. Patience will turn into good fortune, as observance will keep out humiliation.
Legge: The calves cannot move of themselves -- they follow the moving of the feet. She is too anxious to move. However, she is magnetic and central, so if she abides quietly in her place until she is acted upon from above, there will be good fortune.
NOTES AND PARAPHRASES
Siu: The influence of the man increases, yet it is not obvious. He is eager to act but should wait for more favorable circumstances.
Wing: You may feel compelled to move, to take some kind of action, yet you really don't know what you're doing. It's a little like sleepwalking. Avoid action until you wake up to what's going on. Otherwise there is some danger of getting into trouble.
Editor: This image of the calves of the legs might be rendered in Western idiom as "knee-jerk responses." The meaning is analogous, if not identical.
During the years of our indiscretion, while we are driven hither and thither by our various likes and dislikes, we serve many Masters, who often prove veritable tyrants to us, but when we have had enough of them, we find that there is a Master of a different stamp, who lives not by our passions and desires, but rather by their suppression and subdual. E. Gewurz -- The Hidden Treasures of the Ancient Qabalah
A. Control your knee-jerk responses. Do not pursue this train of thought, line of speculation, hypothesis, etc. Wait for inspiration from the Self.
Line 6
Legge: The sixth line, magnetic, shows one moving her jaws and tongue.
Wilhelm/Baynes: The influence shows itself in the jaws, cheeks, and tongue.
Shaughnessy: Feeling his cheeks, jowls, and tongue.
Cleary (1): Sensing in the jaws and tongue. [When the mouth moves, the mind moves. This is sensitivity using the human mentality, utterly lacking the mind of Tao.]
Wu: He moves his tongue and cheeks.
COMMENTARY
Confucius/Legge: She only talks with loquacious mouth. Wilhelm/Baynes: He opens his mouth and chatters. Blofeld: This is a way of saying that we open wide our mouths and talk too much. Ritsema/Karcher: The spouting mouth stimulating indeed. Cleary (2): Sensing in the jaws and tongue is speaking a lot. Wu: He likes chattering.
Legge: Line six is magnetic in a magnetic place at the top of the trigram of Frivolity. Her influence by means of speech will only be that of garrulous flattery.
NOTES AND PARAPHRASES
Siu: The man resorts to superficial ways of influencing others through nothing but talk. The results are negligible.
Wing: Words are only words. Ideas mean little unexecuted. What are you doing?
Editor: The divided line at the top of the upper trigram is said to symbolize an open mouth. To talk is to use words, and words are a product of the mental realm. The image is of empty rhetoric -- perhaps a too-intellectual approach to the situation at hand. This blather can be inner as well as outer, and the line sometimes refers to the excesses of reason and logic which can blind us to the truths of an expanded awareness. Often in the course of the Work we are severely tested by choices which demand the abandonment of common sense in favor of faith in the Self to carry us to a realm transcending reason. Such tests are excruciating, and often we fail them because we cannot let go of our faith in logic, words and "common sense." Compare with line five of Hexagram 52.
I gradually form the habit of listening inwardly, whenever I want to say something, to be sure I have authority to say it. Gradually I learn to keep my mouth shut except when I really have something to say. And I come to recognize two beings in my self: a personal ego which is often inclined to chatter, without control, purely for the sake of communicating and attracting attention to my person -- and in the background of my consciousness a higher self which restrains my personal ego, telling it when and what it is to speak or do, and when it is to remain silent or passive. The important thing is to pay attention and obey the orders of this higher self. Merely to hear its commands is not enough; everybody does that! Elisabeth Haich -- Initiation
A. An image of rationalization or intellectual drivel. Your idea is without merit.
1 The Creative
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.