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The Cauldron50
Transformation and nourishment lead to inner and outer change. Embrace renewal by discarding the old and refining the new.
↓ Line 1
The beginning of a process of transformation. It is beneficial to clear away the old to make way for the new.
↓ Line 3
There may be obstacles or changes that disrupt your plans, but perseverance will lead to eventual success.
↓ Line 4
A warning of potential failure due to instability or lack of support. Care must be taken to avoid disaster.
↓ Decrease41
Simplify and reduce. Embrace minimalism to gain clarity and focus on what truly matters. Letting go can bring unexpected abundance.
Original Readings
50 The Cauldron
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?
Line 1
Legge: The first line, magnetic, shows the cauldron overthrown and its feet turned up. But there will be advantage in getting rid of what was bad in it. Or it shows us the concubine whose position is improved by means of her son. There will be no error.
Wilhelm/Baynes: A cauldron with legs upturned. Furthers removal of stagnating stuff. One takes a concubine for the sake of her son. No blame.
Blofeld: To rid it of decaying remnants of meat, the vessel is turned upside down. [Some actions, though highly improper in themselves, may be properly performed if circumstances so require; a merely ritualistic conception of right and wrong is not desirable.] It is not shameful to take a concubine for the sake of bearing sons. [This is added as an example, immediately acceptable to a traditionally minded Chinese of something improper in itself which becomes proper when the motive is acceptable.]
Liu: A cauldron overturned by its legs -- it is beneficial to clean out the stagnating matter. One takes a concubine to get a son. No blame.
Ritsema/Karcher:The Vessel: toppling the foot. Harvesting: issuing-forth-from obstruction. Acquiring a concubine, using one's sonhood. Without fault.
Shaughnessy: The cauldron's upturned legs; beneficial to expel the bad; getting a consort together with her son; there is no trouble.
Cleary (1): When the cauldron overturns on its base, it is beneficial to eject what is wrong. Getting a concubine, because of her child she is not faulted.
Wu: The cauldron tips over and conveniently spills its stale food, like a man taking a secondary wife because of her son. There will be no error.
COMMENTARY
Confucius/Legge: The cauldron is emptied -- this is not incorrect. There will be advantage in getting rid of what was bad so that the subject of the line will thereby follow the more noble subject of line four. Wilhelm/Baynes: This is still not wrong. To follow the man of worth. Blofeld: There is nothing improper about up-ending a sacrificial vessel to rid it of decaying matter. Such actions are necessary in the pursuit of what is noble. Ritsema/Karcher: Not-yet rebelling indeed. Using adhering-to valuing indeed. Cleary (2): That is not bad. To go along with what is valuable. Wu: There is nothing to worry about. The outlook is after prominence.
Legge: Line one is magnetic, and little can be expected from her, but she has a proper correlate in the dynamic fourth line. The overthrow of the cauldron, causing its feet to be turned upward towards the fourth place empties it of what was bad in it. This is deemed fortunate, because it thereby hastens the cooperation between the two lines. A similar idea is that a concubine is less honorable than a wife --like the overthrown cauldron. But if she has a son, while the wife has none, he will be his father's heir, and the concubine-mother will share in the honor of his position.
NOTES AND PARAPHRASES
Siu: At the outset, the evil is being discarded. This opens up opportunities for renewal, no matter how lowly a position the man may temporarily occupy.
Wing: To attain a goal that is worthy in itself, you may need to use means that are considered unorthodox. If this goal has been a long-term objective, you may have to begin again, using entirely new methods. This is not a mistake. You can succeed no matter how inexperienced you are.
Editor: An alchemical vessel is a metaphor for the psyche undergoing the transformation of the Work. To rid the vessel of what is "bad" (Wilhelm calls it "stagnating stuff") is to rid oneself of limiting beliefs, negative emotions or whatever harmful element may be suggested by the matter at hand. After years of work, the testing process becomes increasingly refined -- one goes through long periods of stress with perfect equanimity, and begins to take pride in one's strength of will. At about that point, something will happen to evoke an emotional response, and one becomes suddenly aware that the refining process is not complete until all of the scum comes to the top and is eliminated from the psyche. The symbolism of the concubine suggests a rather humble or simple emotional component, union with which produces a new and promising synthesis.
When this part of the work has been accomplished it is as if the individual had built a psychic container, and this must be done to the very best of his ability, or it may go to pieces when the strains and stresses of the transformation process begin. For there will still remain certain things, and these usually the very darkest, that will come to light when he explores the unconscious ... These blackest shadows, that the alchemists called the state of nigredo, will probably prove to be connected with the unadapted emotions representing the nonpersonal part of the psyche, and it is most painful to realize that they actually exist within oneself. M.E. Harding -- Psychic Energy
A. After ridding oneself of limiting beliefs, a conscious connection with basic principles brings forth new and valuable insights.
B. Expel dross and embrace simplicity.
C. The simplest, least complicated solution is the best one.
D. An image of dealing with unconscious material -- confronting one's hidden issues.
Line 3
Legge: The third line, dynamic, shows the cauldron with the places of its ears changed. The progress of its subject is thus stopped. The fat flesh of the pheasant which is in the cauldron will not be eaten. But the genial rain will come, and the grounds for repentance will disappear. There will be good fortune in the end.
Wilhelm/Baynes: The handle of the cauldron is altered. One is impeded in his way of life. The fat of the pheasant is not eaten. Once rain falls, remorse is spent. Good fortune comes in the end.
Blofeld: The handles of the Ting have been detached, so it is difficult to move it. [A delay due to some remissness on our part.] The fat of the pheasant is not eaten. [Because of our remissness an opportunity goes to waste.] Suddenly rain [An omen of good fortune, of heaven’s nourishing powers] comes, regret wanes and, ultimately, there is good fortune.
Liu: The handles of the cauldron are changed. Its activity will be obstructed. The fat of the pheasant is not eaten. Once the rain comes, regret vanishes. Good fortune in the end.
Ritsema/Karcher: The Vessel: the ears skinned. Its movement clogged. Pheasant juice not taken-in. On-all-sides rain lessens repenting. Completing significant.
Shaughnessy: The cauldron's ears are bridled: his motion is blocked; the pheasant fat is not edible; the countryside rain diminishes; regret, in the end auspicious.
Cleary (1): The lifting hooks of the cauldron are removed; the activity is impeded. Rich meat is not eaten. When it rains, lack is regretted. It turns out well.
Cleary (2): The knobs of the cauldron are removed, so its use is impeded. Pheasant fat is not eaten. When it rains, regret is removed and all is well in the end.
Wu: The cauldron’s earrings malfunction. It cannot be carried. The delicious pheasant dish is not enjoyed. Timely rain washes regret away. There will be auspiciousness in the end.
COMMENTARY
Confucius/Legge: There is the cauldron with the places for its ears changed -- he has failed in what was required of him in his situation. Wilhelm/Baynes: He has missed the idea. Blofeld: What is said about the handles of the Ting implies our failure in carrying out our duty. Ritsema/Karcher: Letting-go its righteousness indeed. Cleary (2): When the knobs of the cauldron are removed, it loses its meaning. Wu: It loses its usefulness.
Legge: Line three is dynamic in his proper place -- if his correlate were the magnetic line five, the auspice would be entirely good. But instead of five, his correlate is the dynamic six. What is required is that he and line five, instead of six, should be correlates. The place of the ears at five has been changed and the advance of line three is thereby stopped; the good meat in the cauldron will not be eaten. But if he keeps firm line five will eventually seek his company, the yin and the yang will mingle, and their union will be followed by the genial rain. The issue will be good.
NOTES AND PARAPHRASES
Siu: The man is faced with obstacles. His abilities go unnoticed and talents unused. But this is only a temporary setback, as the tension will be relieved.
Wing: Your unique talents are not being used because they are not recognized. This may be due to erroneous thinking on your part. Maintain a positive attitude about yourself, and things will change for the better.
Editor: The Wilhelm, Blofeld and Liu translations all refer to the "ears" as "handles." We are justified therefore in combining the ideas of both. Ears are the organs by which we hear, and handles are devices by which something is grasped. To hear and to comprehend what is heard are the ideas conveyed. However, the ears have been changed or altered, so the image suggests that a different message or new set of rules and/or circumstances is now operative; the old rules or concepts no longer apply. The situation has evolved, but progress is stopped because one hasn't comprehended the changes yet. "The fat of the pheasant is not eaten" is just another way of saying that one has missed the point, or has not been nourished by the new insight. However, the situation will not remain static -- a coming union of thought and feeling will create the catharsis needed to effect the transformation.
The rain showed that the tension between consciousness and the unconscious was being resolved. Although at the time I was not able to understand the meaning of the dream beyond these few hints, new forces were released in me which helped me to carry the experiment with the unconscious to a conclusion. Jung -- Memories, Dreams, Reflections
A. The dynamics of your situation have changed, but you are still operating on old assumptions and have missed the point or not gotten the message. However, the condition is temporary and will resolve itself naturally.
B. The image suggests a stalemate followed by eventual resolution.
Line 4
Legge: The fourth line, dynamic, shows the sacrificial vessel with its feet broken, and its contents, designed for the ruler's use, overturned and spilled. Its subject will be made to blush for shame. There will be evil.
Wilhelm/Baynes: The legs of the cauldron are broken. The prince's meal is spilled and his person soiled. Misfortune.
Blofeld: The legs of the Ting snap. The prince's food is overturned and his person soiled -- misfortune! [Through gross carelessness an opportunity to advance our interests is not only lost but transformed into an occasion of trouble.]
Liu: The legs of the cauldron are split. The duke's meal is spilled and his face turns red. Misfortune.
Ritsema/Karcher: The Vessel: a severed stand. Overthrowing a princely stew. Its form soiled. Pitfall.
Shaughnessy: The cauldron's broken leg: Overturns the duke's stew; his punishment is execution-in-chamber; inauspicious.
Cleary (1): The cauldron’s legs are broken, spilling the food received for service. The physical being is enriched, but there is misfortune.
Cleary (2): The cauldron breaks its legs, spilling your food; your face drips. This is unfortunate.
Wu: The cauldron’s legs are broken. The duke’s feast is spilled over, resulting in capital punishment. Foreboding.
COMMENTARY
Confucius/Legge: How can he be trusted? Wilhelm/Baynes: How can one still trust him? Blofeld: The prince's meal is overturned -- how is it possible to continue enjoying his confidence? Ritsema/Karcher: Wherefore trustworthy thus indeed? Cleary (2): Now that you have spilled your food, what happened to your confidence? Wu: How can there be trust?
The Master said:"Virtue small and office high; wisdom small and plans great; strength small and burden heavy: where such conditions exist, it is seldom that they do not end in evil. As it is said in the I Ching, `The tripod's feet are overthrown, and the ruler's food is overturned. The body of him who is thus indicated is wet with shame: there will be evil.'"
Legge: Line four is the minister charged with difficult duties. Although dynamic, he is in a magnetic position with a magnetic correlate in line one. Weak in himself, and without an able helper, he has failed to do his proper work, and cannot be trusted again.
NOTES AND PARAPHRASES
Siu: The man fails to discharge his responsibilities because of personal inadequacies. Great plans supported by limited knowledge, heavy loads by meager strength, high office by weak character -- these result in shame and disaster.
Wing: You do not have the capability to achieve the goals you have in mind. You have not been realistic about your position. You are lacking in either energy, commitment, information, or assistance. Going forth with your plans will invite disaster.
Editor: The image suggests misfortune brought about by inexperience, incompetence, lack of capacity, divided loyalties, willful disobedience, or plain ignorance. In my experience, the line does not necessarily always imply blame: sometimes, with the best will in the world, one just isn't capable of coping with superior forces in a situation. If this is the only changing line, the new hexagram becomes #18, Work on What has been Spoiled, implying that you should clean up the mess you’ve just made.
If you have assumed a character above your strength, you have both acted in this matter in an unbecoming way, and you have neglected that which you might have fulfilled. Epictetus
A. A failure is portended. Only you can determine if blame is involved.
41 Decrease
Other titles: Decrease, The Symbol of Lessening, Loss, Diminishing, Reduction, Diminution of Excesses, Decline, Bringing into Balance, Dynamic Balance, Sacrifice, "Not necessarily material loss. Can mean decreasing the lower self to increase the higher." -- D.F. Hook
Judgment
Legge: Compensating Sacrifice means that sincerely maintained rectitude brings great success. Action is appropriate if one's sacrifice is sincere -- even two baskets of grain, though there be nothing else, may be offered.
Wilhelm/Baynes:Decrease combined with sincerity brings about supreme good fortune without blame. One may be persevering in this. It furthers one to undertake something. How is this to be carried out? One may use two small bowls for the sacrifice.
Blofeld: Loss accompanied by confidence -- sublime good fortune and no error! It is favorable to have in view some goal (or destination). If there is doubt as to what to use for the sacrifice, two small bowls will suffice.
Liu:Decrease with sincerity: great good fortune, no blame. One may continue. It is beneficial to go somewhere. How can this (decrease with sincerity) be done? One may use two bamboo containers of grain for a sacrifice.
Ritsema/Karcher: Diminishing, possessing conformity. Spring significant. Without fault, permitting Trial. Harvesting: possessing directed going. Asking-why: having availing of. Two platters permit availing-of presenting. [This hexagram describes your situation in terms of sacrifice and loss. It emphasizes that lessening yourself and decreasing your involvements is the adequate way to handle it...]
Shaughnessy: There is a return; prime auspiciousness; there is no trouble. It can be determined. Beneficial to have someplace to go. Why use two tureens; you can use aromatic grass.
Cleary (1): Reduction with sincerity is very auspicious, impeccable. It should be correct. It is beneficial to go somewhere. What is the use of the two bowls? They can be used to receive.
Cleary (2): … It is beneficial to have somewhere to go, etc … They can be used for presentation.
Wu: Loss indicates that with confidence there will be great fortune, no error, perseverance, and advantage to have undertakings. What to use in offerings? Two boxes of grain are adequate.
The Image
Legge: The image of a mountain and beneath it the waters of a marsh form Compensating Sacrifice. The superior man, in accordance with this, restrains his wrath and represses his desires.
Wilhelm/Baynes: At the foot of the mountain, the lake: the image of Decrease. Thus the superior man controls his anger and restrains his instincts.
Blofeld: This hexagram symbolizes a marshy lake at the foot of a mountain. The Superior Man keeps his anger under control and is moderate in his desires.
Liu: The lake beside the mountain symbolizes Decrease. The superior man curbs his indignation and restricts his desires.
Ritsema/Karcher: Below mountain possessing marsh. Diminishing. A chun tzu uses curbing anger to block the appetites.
Cleary (1): There is a lake under a mountain, reducing it. Thus does the superior person eliminate wrath and cupidity.
Cleary (2): Lake below a mountain – Reducing. Thus do developed people eliminate anger and greed.
Wu: There is a marsh below the mountain; this is Loss. Thus the jun zi mitigates his anger and restrains his desires.
COMMENTARY
Confucius/Legge: In Compensating Sacrificethe lower trigram is diminished to increase the upper, and the flow is upward. The two baskets of grain accord with the time. There is a time when the strong should be diminished and the weak strengthened. Decrease and increase, overflowing and emptiness, take place in harmony with the demands of the time.
Legge: Ch'eng-tzu says: "Every diminution and repression of what we have in excess to bring it into accordance with right and reason is comprehended under Compensating Sacrifice. If there is sincerity in doing this it will lead to success and happiness, and even if the offering is small, yet it will be accepted."
The K'ang-hsi editors say: "What is meant by diminishing in this hexagram is the regulation of expenditure or contribution according to the time. This would vary in a family according to its poverty or wealth, and in a state according to the abundance or scantiness of its resources. If one supplements the insufficiency of his offering with the abundance of his sincerity, the insignificance of his two baskets will not be despised."
The waters of a marsh are continually rising up in vapor to bedew the hill above it, and thus increase its verdure. What is taken from the marsh gives increase to the hill.
NOTES AND PARAPHRASES
Judgment: A sacrifice creates equilibrium.
The Superior Man sacrifices his appetites to a higher principle.
The traditional name for this hexagram is Decrease, but the lines and commentary all describe a compensating exchange of forces to attain equilibrium. The idea of "sacrifice" is mentioned in the Judgment, and that also might make a good title, though the image of two baskets of grain suggests a balancing scale: a "compensating" device. In this hexagram, the flow of energy moves from below upwards -- the waters of the lake or marsh are dispersed to enrich the mountain. In psychological terms we think of the ego sacrificing or decreasing its autonomy to achieve psychic equilibrium with the Self: we forfeit something valuable to obtain something even more valuable. Without this quid pro quo, the concept of sacrifice is meaningless and irrational.
A sacrifice is meant to be a loss, so that one may be sure that the egoistic claim no longer exists. Therefore the gift should be given as if it were being destroyed. But since the gift represents myself, I have in that case destroyed myself, given myself away without expectation of return. Yet, looked at in another way, this intentional loss is also a gain, for if you can give yourself it proves that you possess yourself. Nobody can give what he has not got. Jung -- Transformation Symbolism in the Mass
Compare the Image message from hexagram number 15, Temperance with the notion of a compensating balance: "The superior man, in accordance with this, diminishes his excesses to augment his insufficiencies, thus creating a just balance." We are reminded of another "Temperance" -- the 14th Arcanum of the Tarot, which depicts an angel pouring water from one vessel into another: "compensating." A comparison of its symbolism with that of hexagram number 41 yields many insights:
The Path of ... TEMPERANCE, leads from ... the Personality [ego] to the Higher Self ... The whole experience is one of preparation of the Personality [ego], and the body in which it is operating, to deal with an influx of Light which would be devastating to a system unready to handle such energy. Most important here is the monitoring of progress, the continual testing from above. It is the angel here which is at once the Higher Self and the initiatory forces of Nature, which pours the elixir from vase to vase. This is an ongoing process of testing; measuring to see how much the physical vehicle can bear. R. Wang --The Qabalistic Tarot
Without belaboring the point, we can see that all sacrifice is a kind of remuneration: it couldn't be otherwise in an interconnected universe. The Image instruction for the superior man to “control his anger” is also echoed in the Temperance card. This relates to:
...an aspect of the Mysteries only rarely discussed, and certainly germane to the Twenty-Fifth Path [the Kabbalistic equivalent of the relationship between lines one and four in this hexagram]: this is the very real hostility often felt by the student toward the Path itself, as he works day after day and seems to be getting nowhere. Such hostility and frustration is in itself a major test; it is part and parcel of the work prior to the emergence of inner proofs. -- Ibid
"Decrease with sincerity" (Liu) refers to one's continuous sacrifice for the goals of the Work, and "curbing anger" (Ritsema/Karcher) is how one handles the archetypal forces evoked when the decrease seems endless and you've yet to receive anything in return. Like any other hexagram, Compensating Sacrifice can symbolize an infinity of possible situations, but psychologically speaking we can first regard it as an image of sacrifice for the purpose of attaining a balance of power within the psyche. Without the sacrificial devotion of the ego, the Self cannot attain its will; and if the Self can't make it, the ego is doomed by default.