Wiki I Ching

The Cauldron 50.2.3.5.6 45 Gathering Together

From
50
The Cauldron
To
45
Gathering Together

One visits several places to find a rare pearl.
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The Cauldron 50
Transformation and nourishment lead to inner and outer change.
Embrace renewal by discarding the old and refining the new.


Line 2
You have something valuable to offer.
Others may be envious, but they cannot affect your success.


Line 3
There may be obstacles or changes that disrupt your plans, but perseverance will lead to eventual success.


Line 5
A time of stability and prosperity.
Continued effort will bring further success.


Line 6
The culmination of efforts leads to great success and recognition.
Everything is favorable.


Gathering Together 45
Coming together for a shared purpose; unity and collective effort lead to strength.
It's time to rally support and focus on communal goals.



Original Readings

50
The Cauldron


Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook

 

Judgment

Legge: The Sacrificial Vessel means great progress and success.

Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.

Blofeld: A Sacrificial Vessel -- supreme success!

Liu:The Cauldron. Great good fortune. Success.

Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]

Shaughnessy:The Cauldron: Prime auspiciousness; receipt.

Cleary (1): The cauldron is basically good; it is developmental.

Cleary (2): The Cauldron is very auspiciously developmental.

Wu: The Cauldron indicates great auspiciousness and pervasiveness.

 

The Image

Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.

Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.

Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.

Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.

Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.

Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.

Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.

Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.

 

COMMENTARY

Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.

Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.

The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.

 

NOTES AND PARAPHRASES

Judgment: You are the Sacrificial Vessel.

The Superior Man holds to the principles of the Work to attain transcendence.

The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.

When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.

The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel.
M.E. Harding -- Psychic Energy

Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:

The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle.
Liu I-ming

 

SUGGESTIONS FOR MEDITATION

In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?


Line 2

Legge: The second line, dynamic, shows the cauldron with the things to be cooked in it. If he can say, "My enemy dislikes me, but he cannot approach me," there will be good fortune.

Wilhelm/Baynes: There is food in the cauldron. My comrades are envious, but they cannot harm me. Good fortune.

Blofeld: The Ting possesses solidity. My enemies are in difficulty and there is nothing they can do to me -- good fortune!

Liu: The cauldron is filled with food. My associates are jealous, but they cannot harm me. Good fortune. [Even though a person profits from his business or performs his work carefully and well, he should still beware lest others harm or disturb him.]

Ritsema/Karcher: The Vessel possesses substance. My companion possesses affliction. Not me able to approach. Significant.

Shaughnessy: The cauldron has substance: my enemy has an illness; it is not able to approach me; auspicious.

Cleary (1): The cauldron is filled. One’s enemy is jealous, but cannot get at one; this is lucky.

Cleary (2): The cauldron has content. My enemy is afflicted, but luckily cannot get to me.

Wu: The cauldron is full. My associates have ill feelings about me, but they cannot do anything to me. This is auspicious.

 

COMMENTARY

Confucius/Legge: Let the subject of the line be careful where he goes. My enemy dislikes me, but there will in the end be no fault to which he can point. Wilhelm/

Baynes: Be cautious about where you go. This brings no blame in the end. Blofeld: The first sentence indicates a need for caution. "My enemies are in trouble" indicates that I shall remain blameless to the end. Ritsema/Karcher: Considering places it indeed. Completing without surpassing indeed. Cleary (2): Being careful about where one goes. After all there is no resentment. Wu: Be mindful of where to go. There will be no resentment in the end.

Legge: The enemy is the first line which solicits. Line two is able to resist the solicitation, and the auspice is favorable.

 

NOTES AND PARAPHRASES

Siu: The man achieves great success, thereby incurring the envy of others. No harm will come to him, since he is not distracted from his purpose.

Wing: You may feel a need to stand apart from your fellow man to achieve a significant aim. Such a stance will invite envy, but this will not create a problem for you. Good fortune is indicated.

Editor: If the Sacrificial Vessel is seen as an analogue of the psyche, it is easy to see this line as a commentary on not allowing inner forces (appetites, passions, emotions, etc.) to overcome the ego's control of the Work. Note that the Wilhelm, Blofeld and Liu translations are not conditional like Legge's: "If he can say..." Liu's note is derived from the Confucian commentary, which seems unduly grave: note that the original line is not overtly cautionary. Generally, you are protected despite any perceived threats.

The Oracles urge men to devote themselves to things divine, and not to give way to the promptings of the irrational soul, for, to such as fail herein, it is significantly said, "Thy vessel the beasts of the earth shall inhabit."
W.W. Westcott -- The Chaldean Oracles of Zoroaster

A. The situation is favorable, but you must be on guard to maintain it.

B. Divisive forces covet that which is under your control, but cannot harm you if you are careful.

C. Your idea has merit. (A cauldron with food in it.) Develop it carefully and don't get carried away. (Protect it from the enemies of doubt, over-enthusiasm, etc.)

Line 3

Legge: The third line, dynamic, shows the cauldron with the places of its ears changed. The progress of its subject is thus stopped. The fat flesh of the pheasant which is in the cauldron will not be eaten. But the genial rain will come, and the grounds for repentance will disappear. There will be good fortune in the end.

Wilhelm/Baynes: The handle of the cauldron is altered. One is impeded in his way of life. The fat of the pheasant is not eaten. Once rain falls, remorse is spent. Good fortune comes in the end.

Blofeld: The handles of the Ting have been detached, so it is difficult to move it. [A delay due to some remissness on our part.] The fat of the pheasant is not eaten. [Because of our remissness an opportunity goes to waste.] Suddenly rain [An omen of good fortune, of heaven’s nourishing powers] comes, regret wanes and, ultimately, there is good fortune.

Liu: The handles of the cauldron are changed. Its activity will be obstructed. The fat of the pheasant is not eaten. Once the rain comes, regret vanishes. Good fortune in the end.

Ritsema/Karcher: The Vessel: the ears skinned. Its movement clogged. Pheasant juice not taken-in. On-all-sides rain lessens repenting. Completing significant.

Shaughnessy: The cauldron's ears are bridled: his motion is blocked; the pheasant fat is not edible; the countryside rain diminishes; regret, in the end auspicious.

Cleary (1): The lifting hooks of the cauldron are removed; the activity is impeded. Rich meat is not eaten. When it rains, lack is regretted. It turns out well.

Cleary (2): The knobs of the cauldron are removed, so its use is impeded. Pheasant fat is not eaten. When it rains, regret is removed and all is well in the end.

Wu: The cauldron’s earrings malfunction. It cannot be carried. The delicious pheasant dish is not enjoyed. Timely rain washes regret away. There will be auspiciousness in the end.

 

COMMENTARY

Confucius/Legge: There is the cauldron with the places for its ears changed -- he has failed in what was required of him in his situation. Wilhelm/Baynes: He has missed the idea. Blofeld: What is said about the handles of the Ting implies our failure in carrying out our duty. Ritsema/Karcher: Letting-go its righteousness indeed. Cleary (2): When the knobs of the cauldron are removed, it loses its meaning. Wu: It loses its usefulness.

Legge: Line three is dynamic in his proper place -- if his correlate were the magnetic line five, the auspice would be entirely good. But instead of five, his correlate is the dynamic six. What is required is that he and line five, instead of six, should be correlates. The place of the ears at five has been changed and the advance of line three is thereby stopped; the good meat in the cauldron will not be eaten. But if he keeps firm line five will eventually seek his company, the yin and the yang will mingle, and their union will be followed by the genial rain. The issue will be good.

 

NOTES AND PARAPHRASES

Siu: The man is faced with obstacles. His abilities go unnoticed and talents unused. But this is only a temporary setback, as the tension will be relieved.

Wing: Your unique talents are not being used because they are not recognized. This may be due to erroneous thinking on your part. Maintain a positive attitude about yourself, and things will change for the better.

Editor: The Wilhelm, Blofeld and Liu translations all refer to the "ears" as "handles." We are justified therefore in combining the ideas of both. Ears are the organs by which we hear, and handles are devices by which something is grasped. To hear and to comprehend what is heard are the ideas conveyed. However, the ears have been changed or altered, so the image suggests that a different message or new set of rules and/or circumstances is now operative; the old rules or concepts no longer apply. The situation has evolved, but progress is stopped because one hasn't comprehended the changes yet. "The fat of the pheasant is not eaten" is just another way of saying that one has missed the point, or has not been nourished by the new insight. However, the situation will not remain static -- a coming union of thought and feeling will create the catharsis needed to effect the transformation.

The rain showed that the tension between consciousness and the unconscious was being resolved. Although at the time I was not able to understand the meaning of the dream beyond these few hints, new forces were released in me which helped me to carry the experiment with the unconscious to a conclusion.
Jung -- Memories, Dreams, Reflections

A. The dynamics of your situation have changed, but you are still operating on old assumptions and have missed the point or not gotten the message. However, the condition is temporary and will resolve itself naturally.

B. The image suggests a stalemate followed by eventual resolution.

Line 5

Legge: The fifth line, magnetic, shows the cauldron with yellow ears and rings of metal in them. There will be advantage in being firm and correct.

Wilhelm/Baynes: The cauldron has yellow handles, golden carrying rings. Perseverance furthers.

Blofeld: The Ting has yellow handles with golden rings attached -- righteous persistence brings reward! [The faults described in the last two notes have now been put right; the position is even better than before they were committed.]

Liu: The cauldron has yellow handles and golden carrying rings. Continuing brings advantage. [A time of benefit.]

Ritsema/Karcher: The Vessel: yellow ears, metallic rings. Harvesting Trial.

Shaughnessy: The cauldron's yellow ears and metal bar; beneficial to determine.

Cleary (1): The cauldron has yellow hooks with a gold handle. It is beneficial to be single-minded.

Cleary (2): ... It is beneficial to be correct.

Wu: The cauldron’s ears are yellow and its carrying pole is covered with gold. It is advantageous to be persevering.

 

COMMENTARY

Confucius/Legge: The central position of the line is taken as a proof of the solid virtue of its subject. Wilhelm/Baynes: The yellow handles of the cauldron are central, in order to receive what is real. Blofeld: The central position of this line in the upper trigram implies solid worth. Ritsema/Karcher: Centering uses activating substance indeed. Cleary (2): The knobs of the cauldron are filled through the center. Wu: What it holds is substantial.

Legge:"Line five," says the Daily Lecture, "praises the ruler as condescending to the worthy with his humble virtue." Yellow has occurred repeatedly as a "correct color," and here the yellow ears and strong rings of metal are intended to intensify our appreciation of the occupant of line five. As the line is magnetic, a caution is added about being firm and correct.

 

NOTES AND PARAPHRASES

Siu: The man is modest and approachable. He thereby attracts associates, who can provide able help and advice.

Wing: If he is humble and receptive, a person in a position of authority will make further progress in the development of his character. He will attain insights and wisdom. He should continue developing his expanding awareness.

Editor: The Wilhelm version of the Confucian commentary gives us a more accessible clue as to the meaning of this line: "...In order to receive what is real." The essential idea is that of the ruler's receptivity to a higher power. Openness to advice is the basic gestalt -- "ears" are receptive to messages, and "handles" suggest grasp or comprehension. Metal is often symbolic of the mental qualities, and yellow metal, rendered as "gold" in most translations of this line, suggests the highest form of mentality -- wisdom, divine intelligence, cosmic truth, etc. Gold also often symbolizes intuition, the highest form of comprehension.

The attitude of the serious adept was genuinely religious, and the most important of the philosophical alchemists confessed in their writings that the religious side of their "art" was the focus of their interest and endeavors -- above all their inner experiences during the opus.
A. Jaffe -- The Myth of Meaning

A. The images suggests an open receptivity to harmonious influences: Go to center and listen to your inner voice.

Line 6

Legge: The sixth line, dynamic, shows the cauldron with rings of jade. There will be great good fortune, and all action taken will be in every way advantageous.

Wilhelm/Baynes: The cauldron has rings of jade. Great good fortune. Nothing that would not act to further.

Blofeld: The Ting has jade handles -- great good fortune! [A further improvement on the progress indicated in the preceding note.]

Liu: The cauldron has carrying rings of jade. Great good fortune. Benefit in everything.

Ritsema/Karcher: The Vessel: jade rings. The great significant. Without not Harvesting.

Shaughnessy: The cauldron's jade bar; greatly auspicious; there is nothing not beneficial.

Cleary (1): The cauldron has a jade handle. This is very auspicious, entirely beneficial.

Cleary (2): The jade handle of the cauldron is very auspicious, beneficial to all.

Wu: The cauldron’s carrying pole is decorated with jade. There will be great fortune and nothing disadvantageous.

 

COMMENTARY

Confucius/Legge: The rings of jade are at the very top -- the dynamic and magnetic meet in their due proportions. Wilhelm/Baynes: The jade rings in the highest place show the firm and the yielding complementing each other properly. Blofeld: The first part of the passage is indicated by this top line-- a firm line which meets the yielding fifth harmoniously. Ritsema/Karcher: Solid and supple articulating indeed. Cleary (2): The jade handle is above. Hard and soft join. Wu: The strong and the weak are balanced.

Legge: Line six is dynamic, but his strength is tempered by being in a magnetic place. It is this which makes the handle to be of jade, which, though very hard has a peculiar and rich softness all its own. The auspice of the line is excellent. The Great Minister (line six) performs for the ruler (line five) by helping his government and nourishing the worthy. This is the part that the handle does for the cauldron.

 

NOTES AND PARAPHRASES

Siu: The sage imparts wise counsel to the benefit of the worthy recipient. His gentle and sincere behavior pleases the heavens, which dispense good fortune to all.

Wing: There exists a general atmosphere of clarity and greatness. All circumstances are favorable. The inner self has reached a highly developed stage. Everyone will benefit.

Editor: The top line of a hexagram often represents the sage or holy man. Here the wisdom of the sage is offered to the ruler. Psychologically, the ego is receptive to instruction from its higher Self. The Confucian commentary alludes to the proper union of dynamic and magnetic forces -- this is the Holy Marriage of the Perennial Philosophy. The image suggests the Chinese concept of Li, the character for which combines the ideas of heaven's ordinances with that of a receptive vessel.

The term Li signifies one of the most important concepts in Confucian ethics. [The character] is made up of two elements, one representing influence coming down from heaven, and the other ... representing a sacrificial vessel ... Li came to include all the customary regulations and acknowledged practices which govern social relationships.
D.H. Smith --Confucius

A. One is receptive to the highest influence.

B. An image of the harmonious union of thought and feeling.

45
Gathering Together


Other titles: Gathering Together, Massing, The Symbol of Gathering into One, Assembling, Congregation, Gathering, Unity, Accord, Making Whole, Focusing, Marshalling One's Forces, Clustering, Finished

 

Judgment

Legge: When forces are gathering, the King goes to his ancestral temple. For successful progress, maintain firm correctness and see the great man. A large sacrifice brings good fortune -- proceed toward your destination.

Wilhelm/Baynes: Gathering Together . Success. The king approaches his temple. It furthers one to see the great man. This brings success. Perseverance furthers. To bring great offerings creates good fortune. It furthers one to undertake something.

Blofeld: Gathering Together -- success! The King approaches the temple. It is advisable to see a great man, which will ensure success. Persistence in a righteous course brings reward. Great sacrifices are offered -- good fortune! [These were religious sacrifices, but they may be taken to mean that the time has come for us to make important sacrifices of another sort.] It is favorable to have in view a goal (or destination).

Liu:Gathering. Success. The king attends the temple. It is of benefit to see the great man; this leads to success. Continuance benefits. Offering a great sacrifice leads to good fortune. It benefits one to go somewhere.

Ritsema/Karcher:Clustering, Growing. The king imagines possessing a temple. Harvesting: visualizing Great People. Growing. Harvesting Trial. Availing-of the great: sacrificial-victims significant. Harvesting: possessing directed going. [This hexagram describes your situation in terms of collecting and assembling. It emphasizes that bringing people and things together through a common feeling or goal is the adequate way to handle it...]

Shaughnessy: Finished: The king enters into the temple; beneficial to see the great man; receipt; beneficial to determine. Using the great animal offering is auspicious; beneficial to have someplace to go.

Cleary (1): Gathering is developmental. The king comes to have a shrine. It is beneficial to see a great person; this is developmental. It is beneficial to be correct. It is good to make a great sacrifice. It is beneficial to go somewhere.

Cleary (2):Gathering is successful. The king goes to his shrine. It is beneficial to see a great person; this leads to success, etc.

Wu: Congregation indicates that the king comes to his ancestral temple. It will be advantageous to see the great man. There will be pervasion, if persevering. It will be auspicious to use big sacrificial animals in the offerings. It will be good to have undertakings.

 

The Image

Legge: A marsh above the earth -- the image of Contraction. The superior man, in accordance with this, assembles his weapons in readiness for unseen contingencies.

Wilhelm/Baynes: Over the earth, the lake: the image of Gathering Together. Thus the superior man renews his weapons in order to meet the unforeseen.

Blofeld: This hexagram symbolizes a marshy lake rising above the earth. The Superior Man gathers together his weapons in order to provide against the unforeseen. [This is a time when foresight is required of us, too.]

Liu: The lake on the earth symbolizes Gathering. The superior man keeps his weapons prepared to meet the unexpected.

Ritsema/Karcher: Above marsh with-respect-to earth. Clustering. A chun tzu uses eliminating arms to implement. A chun tzu uses warning, not precautions.

Cleary (1): Moisture rises onto the earth, gathering. Thus do superior people prepare weapons to guard against the unexpected. [When practitioners of the Tao get to where the five elements are assembled and have been returned to the source, when everything acquired is obedient to their will, if they do not know how to prevent danger and take perils into consideration, eventually what has been gathered will again disperse, and they will not be able to avoid the trouble of losing what has been gained… “Weapons” means the tools of wisdom, the work of silent operation of spiritual awareness. When the primordial has been congealed, it is not subject to injury by acquired conditioning, but it is still necessary to dissolve the influence of personal history before nature and life can be stabilized. If there is any remaining contamination, eventually conditioning will reassert itself and the primordial will again become fragmented. Therefore the work of guarding is indispensable.]

Wu: The marsh is above the earth; this is Congregation . Thus the jun zi causes the nation to be armed in preparation for contingencies.

 

COMMENTARY

Confucius/Legge: Contraction shows massing for union through Cheerfulness and Obedience. The dynamic line is responded to in his ruling central place, hence the idea of union. With the utmost piety the king presents his offerings to the spirits in his ancestral temple. Union with the great man is effected through correctness. The law of heaven demands a sacrifice. Contemplation of the way forces are gathered shows us the way of heaven, earth and all of nature.

Legge:Contractionmeans collecting together, or things so collected. The hexagram deals with the union between the ruler and his ministers -- between high and low in the kingdom. This state is to be preserved through the influence of religion and the great man, who is a kind of philosopher king who meets the spirits of his ancestors in the temple. Whatever he does will succeed because he is correct and right, and his great sacrifices are in harmony with the times.

The two trigrams represent Docility and Cheerfulness. The dynamic fifth line has his proper magnetic correlate in line two -- which gives the idea of union. Ch'eng-tzu says that the ordinances of heaven are simply the natural and practical outcome of heavenly principle.

A marsh above the earth must be kept in by dykes -- so the Contraction must be preserved by precautionary measures, the chief of which is to be prepared to resist attack from without, and to quell internal rebellion.

 

NOTES AND PARAPHRASES

Judgment: Forces are assembling for integration -- focus inward, sacrifice your autonomy and allow the Self to guide the Work.

The Superior Man pulls himself together to face the unknown and preserve the Work. “Forewarned is forearmed.”

Psychologically, Contraction depicts a time when inner components of the psyche assemble for recombination into a new pattern. It is significant that this is the time when “the king goes to his ancestral temple.” That is, the governing intelligence turns toward the template or ideal image of the Work as it exists in its consummate state. (See commentary on hexagram number fifty-nine, Expansion, for further discussion of the symbolism of the ancestral temple.) If the gathering forces integrate in conformity with this archetype, the Work is thereby advanced.

He, therefore, who perceives himself to associate with God, will have himself the similitude of Him. And if he passes from himself as an image to the archetype, he will then have the end of his progression.
Plotinus

In addition to being a gestalt of future perfection, the temple is the home of the ancestors: a karmic repository of all that has gone into the Work via the will and intent of former historical ego-personalities. This archetype of "the ancestors" is described by the Lakota shaman, Black Elk, in his Great Vision. Note that the "grandfathers and grandmothers" are present when the people are "walking in a sacred manner" -- i.e., conforming to the ideal archetypal pattern of the Work:

But I was not the last; for when I looked behind me there were ghosts of people like a trailing fog as far as I could see -- grandfathers of grandfathers and grandmothers of grandmothers without number. And over these a great Voice -- the Voice that was the South -- lived, and I could feel it silent. And as we went the Voice behind me said: "Behold a good nation walking in a sacred manner in a good land!"

The Ancestral Temple then, symbolizes the Work in progress as it exists outside of temporal awareness. At death the karmic complexes of the psyche, released from their spacetime ego-body, assume new configurations in hyperspace in accordance with the accomplishments of the just completed lifetime. Ideally, the ancestors and their heirs (choices and their consequences) within the Ancestral Temple undergo purification: this is what Individuation (the Work) is all about.

At the end of the dying process consciousness divides into the consciousness of one's parents and one’s children, and then it moves through these modalities, and then divides again. It's moving forward into the future through the people who come after you, and backward into the past through your ancestors.
Terence McKenna --The Archaic Revival

In the multidimensional realms "beyond" our material world, time does not exist. In some way unimaginable to us, past, present and future are consolidated into an eternal Here and Now. Thus our choices in spacetime can have consequences in hyperspace which are inconceivable to us in the current situation. So if the Self (as manifested in the oracle) often seems to be tyrannically unreasonable, it is arguably because of the ego's dimensional myopia.

The Spirit ... may know the most violent love and hatred possible, for it can see the remote consequences of the most trivial acts of the living, provided those consequences are part of its future life. In trying to prevent them it may become one of those frustrators dreaded by certain spirit mediums. It cannot, however, without ... assistance ... affect life in any way except to delay its own rebirth. With that assistance it can so shape circumstances as to make possible the rebirth of a unique nature.
W. B. Yeats --A Vision

Such conceptions of cause and effect seem irrational to ordinary awareness, yet quantum physicists hypothesize future events which affect the present as well as the past. The idea is not a new one:

Indeed, the hero of Hebrew myth is not only profoundly influenced by the deeds, words and thoughts of his forebears, and aware of his own profound influence on the fate of his descendants; he is equally influenced by the behavior of his descendants and influences that of his ancestors. Thus King Jeroboam set up a golden calf in Dan, and this sinful act sapped the strength of Abraham when he pursued his enemies into the same district a thousand years previously.
Graves and Patai --Hebrew Myths

Should the ego's choices and their consequences not conform to the Self's intent, a rather cancerous growth is implied in which dynamic and magnetic forces are improperly consolidated -- in I Chingterms, dynamic and magnetic are mismatched. Through this "infidelity" of correlates the Work is thus adulterated and falls short of the archetypal ideal.

That the greatest effects come from the smallest causes has become patently clear not only in physics but in the field of psychological research as well. How often in the critical moments of life everything hangs on what appears to be a mere nothing!
Jung -- The Phenomenology of the Spirit in Fairytales

Contraction is a compression inward toward a center. Psychologically, this can be regarded as an integration of complexes. Once the implosion completes itself, it is implied that the growth cycle reverses itself to expand away from the center. (Cf., hexagram number fifty-nine, Expansion, in which the ancestral temple is also mentioned.) The following hexagram, Pushing Upward,is the inverse of this one, and depicts a similar upward expansion of energy.

The archetypal themes displayed here are those of Solve et coagula, Implosion-Explosion, Contraction-Expansion, Black Hole-White Hole, Day and Night of Brahma, etc.