Putting an end to regrets
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The Cauldron50
Transformation and nourishment lead to inner and outer change. Embrace renewal by discarding the old and refining the new.
↓ Line 4
A warning of potential failure due to instability or lack of support. Care must be taken to avoid disaster.
↓ Line 6
The culmination of efforts leads to great success and recognition. Everything is favorable.
↓ Pushing Upward46
Steady growth and progress through perseverance and effort. Step-by-step advancement leads to success.
Original Readings
50 The Cauldron
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?
Line 4
Legge: The fourth line, dynamic, shows the sacrificial vessel with its feet broken, and its contents, designed for the ruler's use, overturned and spilled. Its subject will be made to blush for shame. There will be evil.
Wilhelm/Baynes: The legs of the cauldron are broken. The prince's meal is spilled and his person soiled. Misfortune.
Blofeld: The legs of the Ting snap. The prince's food is overturned and his person soiled -- misfortune! [Through gross carelessness an opportunity to advance our interests is not only lost but transformed into an occasion of trouble.]
Liu: The legs of the cauldron are split. The duke's meal is spilled and his face turns red. Misfortune.
Ritsema/Karcher: The Vessel: a severed stand. Overthrowing a princely stew. Its form soiled. Pitfall.
Shaughnessy: The cauldron's broken leg: Overturns the duke's stew; his punishment is execution-in-chamber; inauspicious.
Cleary (1): The cauldron’s legs are broken, spilling the food received for service. The physical being is enriched, but there is misfortune.
Cleary (2): The cauldron breaks its legs, spilling your food; your face drips. This is unfortunate.
Wu: The cauldron’s legs are broken. The duke’s feast is spilled over, resulting in capital punishment. Foreboding.
COMMENTARY
Confucius/Legge: How can he be trusted? Wilhelm/Baynes: How can one still trust him? Blofeld: The prince's meal is overturned -- how is it possible to continue enjoying his confidence? Ritsema/Karcher: Wherefore trustworthy thus indeed? Cleary (2): Now that you have spilled your food, what happened to your confidence? Wu: How can there be trust?
The Master said:"Virtue small and office high; wisdom small and plans great; strength small and burden heavy: where such conditions exist, it is seldom that they do not end in evil. As it is said in the I Ching, `The tripod's feet are overthrown, and the ruler's food is overturned. The body of him who is thus indicated is wet with shame: there will be evil.'"
Legge: Line four is the minister charged with difficult duties. Although dynamic, he is in a magnetic position with a magnetic correlate in line one. Weak in himself, and without an able helper, he has failed to do his proper work, and cannot be trusted again.
NOTES AND PARAPHRASES
Siu: The man fails to discharge his responsibilities because of personal inadequacies. Great plans supported by limited knowledge, heavy loads by meager strength, high office by weak character -- these result in shame and disaster.
Wing: You do not have the capability to achieve the goals you have in mind. You have not been realistic about your position. You are lacking in either energy, commitment, information, or assistance. Going forth with your plans will invite disaster.
Editor: The image suggests misfortune brought about by inexperience, incompetence, lack of capacity, divided loyalties, willful disobedience, or plain ignorance. In my experience, the line does not necessarily always imply blame: sometimes, with the best will in the world, one just isn't capable of coping with superior forces in a situation. If this is the only changing line, the new hexagram becomes #18, Work on What has been Spoiled, implying that you should clean up the mess you’ve just made.
If you have assumed a character above your strength, you have both acted in this matter in an unbecoming way, and you have neglected that which you might have fulfilled. Epictetus
A. A failure is portended. Only you can determine if blame is involved.
Line 6
Legge: The sixth line, dynamic, shows the cauldron with rings of jade. There will be great good fortune, and all action taken will be in every way advantageous.
Wilhelm/Baynes: The cauldron has rings of jade. Great good fortune. Nothing that would not act to further.
Blofeld: The Ting has jade handles -- great good fortune! [A further improvement on the progress indicated in the preceding note.]
Liu: The cauldron has carrying rings of jade. Great good fortune. Benefit in everything.
Ritsema/Karcher: The Vessel: jade rings. The great significant. Without not Harvesting.
Shaughnessy: The cauldron's jade bar; greatly auspicious; there is nothing not beneficial.
Cleary (1): The cauldron has a jade handle. This is very auspicious, entirely beneficial.
Cleary (2): The jade handle of the cauldron is very auspicious, beneficial to all.
Wu: The cauldron’s carrying pole is decorated with jade. There will be great fortune and nothing disadvantageous.
COMMENTARY
Confucius/Legge: The rings of jade are at the very top -- the dynamic and magnetic meet in their due proportions. Wilhelm/Baynes: The jade rings in the highest place show the firm and the yielding complementing each other properly. Blofeld: The first part of the passage is indicated by this top line-- a firm line which meets the yielding fifth harmoniously. Ritsema/Karcher: Solid and supple articulating indeed. Cleary (2): The jade handle is above. Hard and soft join. Wu: The strong and the weak are balanced.
Legge: Line six is dynamic, but his strength is tempered by being in a magnetic place. It is this which makes the handle to be of jade, which, though very hard has a peculiar and rich softness all its own. The auspice of the line is excellent. The Great Minister (line six) performs for the ruler (line five) by helping his government and nourishing the worthy. This is the part that the handle does for the cauldron.
NOTES AND PARAPHRASES
Siu: The sage imparts wise counsel to the benefit of the worthy recipient. His gentle and sincere behavior pleases the heavens, which dispense good fortune to all.
Wing: There exists a general atmosphere of clarity and greatness. All circumstances are favorable. The inner self has reached a highly developed stage. Everyone will benefit.
Editor: The top line of a hexagram often represents the sage or holy man. Here the wisdom of the sage is offered to the ruler. Psychologically, the ego is receptive to instruction from its higher Self. The Confucian commentary alludes to the proper union of dynamic and magnetic forces -- this is the Holy Marriage of the Perennial Philosophy. The image suggests the Chinese concept of Li, the character for which combines the ideas of heaven's ordinances with that of a receptive vessel.
The term Li signifies one of the most important concepts in Confucian ethics. [The character] is made up of two elements, one representing influence coming down from heaven, and the other ... representing a sacrificial vessel ... Li came to include all the customary regulations and acknowledged practices which govern social relationships. D.H. Smith --Confucius
A. One is receptive to the highest influence.
B. An image of the harmonious union of thought and feeling.
46 Pushing Upward
Other titles: The Symbol of Rising and Advancing, Ascending, Ascension, Rising, Promotion, Advancement, Sprouting from the Earth, Organic Growth
Judgment
Legge:Pushing Upward means successful progress. Have no anxiety about meeting with the great man. An advance to the south is fortunate.
Wilhelm/Baynes:Pushing Upward has supreme success. One must see the great man. Fear not. Departure toward the south brings good fortune.
Blofeld: Ascending. Supreme success! It is essential to see a great man, so as to banish anxiety. Progressing towards the south brings good fortune.
Liu: Ascending. Great Success. One should see a great man. Without fear. An expedition to the south leads to good fortune.
Ritsema/Karcher:Ascending, Spring Growing. Availing-of visualizing Great People. No cares. The South, chastising significant. [This hexagram describes your situation in terms of rising to a higher level. It emphasizes that setting a higher goal and working toward it step by step is the adequate way to handle it. To be in accord with the time, you are told to: ascend!]
Shaughnessy:Ascending: Prime receipt; beneficial to see the great man. Do not pity. For the southern campaign, auspicious.
Cleary(1): Rising is greatly developmental; it calls for seeing a great person, so there will be no grief. An expedition south brings good fortune.
Cleary (2):Rising is very successful, etc.
Wu:Ascension indicates great pervasion. It will be useful to see the great man. No anxiety. It will be auspicious to go south.
The Image
Legge: Wood growing in the earth -- the image of Pushing Upward. The superior man accumulates small increments of virtue until it becomes high and great.
Wilhelm/Baynes: Within the earth, wood grows: the image of Pushing Upward. Thus the superior man of devoted character heaps up small things in order to achieve something high and great.
Blofeld: This hexagram symbolizes tress growing upwards from the earth. The Superior Man most willingly accords with virtuous ways; starting from small things, he accumulates a great heap of merit.
Liu: The wood grows in the earth, symbolizing Ascending. The superior man devotes his virtue to building things up from the small to the high and great.
Ritsema/Karcher: Earth center giving-birth-to wood. Ascending. A chun tzu uses yielding to actualize-tao. A chun tzu uses amassing the small to use the high great.
[Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Trees grow on the earth, rising. Thus do superior people follow virtue, accumulating the small to lofty greatness.
Wu: Trees grow from earth; this is Ascension. Thus the Jun zi diligently cultivates his virtues little by little to become tall and large like trees growing.
COMMENTARY
Confucius/Legge: The magnetic line ascends as opportunity permits. We have Flexibility, Obedience and a dynamic line below with his magnetic correlate above: this means successful progress. See the great man -- his will is accomplished in the south.
Legge: The character for this hexagram means advancing in an upward direction, or ascending. The figure symbolizes the promotion of an able officer to the highest pinnacle of distinction. The action of the dynamic second line is tempered by being in the magnetic central position of the lower trigram. As the representative of Pushing Upward he is forceful, yet modest and the magnetic fifth line ruler welcomes his advance. The officer therefore has the qualities that fit him to ascend as well as a favorable opportunity to do so.
After he has met with the "great man" in line five, advance to the south will be fortunate. Chu Hsi says that this is equivalent to "advancing forwards.” Since the south is the region of brightness and warmth, the progress will be easy and agreeable.
The lower trigram symbolizes Wood, and its weak first line is the root of a tree buried in the earth of the upper trigram. The gradual growth of this root pushes the trunk upward as the circumstances of time permit.
NOTES AND PARAPHRASES
Judgment: Ascend in accordance with the will of the Self. Turn toward clarity.
The Superior Man grows a little every day.
The image of the 46th hexagram is of a plant growing in the earth, gradually pushing upward toward the sun. That "an advance to the south is fortunate" means that as all plants turn southward toward the sun, their source of nourishment, so should we turn toward the light and clarity of the "great man" or Self within us.
The upward advancement of the Work is an organic process. There is no such thing as "instant enlightenment." The many stories and parables of instant Satori which are common in the Zen Buddhist tradition are actually just dramatic accounts of the final few moments' resolution that come after a lifetime of slow and patient devotion. The Work progresses at the pace of a tree -- what started out as an acorn eventually becomes a forest giant, but it doesn't happen overnight.
Remember ever that Mind in its entirety is ever the Builder. For it is step by step, line upon line, precept upon precept, here a little, there a little, that the attaining is accomplished in the mental, the spiritual, the material applications of an entity in this material world. Edgar Cayce – Book of Changes
This slow growth is an accumulation of countless "gathering togethers" as depicted in the preceding hexagram, of whichPushing Upward is the upside-down image. It is estimated that an adult human being grows from a single cell to about one-hundred billion cells through a process of fifty-billion mitotic divisions. It is interesting to observe that "one-hundred-billion" is the scientific estimate of the number of stars in any given galaxy. If we apply the Hermetic Axiom: "As above, so below" to this relationship of macrocosm to microcosm we get the image of our solar system as a single atom in the "body" of a galactic entity.
That should put the Work into perspective!
Understand that thou art a second little world and that the sun and the moon are within thee, and also the stars. Origen --Homiliae in Leviticum