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The Cauldron50
Transformation and nourishment lead to inner and outer change. Embrace renewal by discarding the old and refining the new.
↓ Line 4
A warning of potential failure due to instability or lack of support. Care must be taken to avoid disaster.
↓ Line 5
A time of stability and prosperity. Continued effort will bring further success.
↓ Line 6
The culmination of efforts leads to great success and recognition. Everything is favorable.
↓ The Well48
Seek renewal and sustenance from shared resources and deep wells of knowledge. Nurture the source to ensure lasting abundance.
Original Readings
50 The Cauldron
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?
Line 4
Legge: The fourth line, dynamic, shows the sacrificial vessel with its feet broken, and its contents, designed for the ruler's use, overturned and spilled. Its subject will be made to blush for shame. There will be evil.
Wilhelm/Baynes: The legs of the cauldron are broken. The prince's meal is spilled and his person soiled. Misfortune.
Blofeld: The legs of the Ting snap. The prince's food is overturned and his person soiled -- misfortune! [Through gross carelessness an opportunity to advance our interests is not only lost but transformed into an occasion of trouble.]
Liu: The legs of the cauldron are split. The duke's meal is spilled and his face turns red. Misfortune.
Ritsema/Karcher: The Vessel: a severed stand. Overthrowing a princely stew. Its form soiled. Pitfall.
Shaughnessy: The cauldron's broken leg: Overturns the duke's stew; his punishment is execution-in-chamber; inauspicious.
Cleary (1): The cauldron’s legs are broken, spilling the food received for service. The physical being is enriched, but there is misfortune.
Cleary (2): The cauldron breaks its legs, spilling your food; your face drips. This is unfortunate.
Wu: The cauldron’s legs are broken. The duke’s feast is spilled over, resulting in capital punishment. Foreboding.
COMMENTARY
Confucius/Legge: How can he be trusted? Wilhelm/Baynes: How can one still trust him? Blofeld: The prince's meal is overturned -- how is it possible to continue enjoying his confidence? Ritsema/Karcher: Wherefore trustworthy thus indeed? Cleary (2): Now that you have spilled your food, what happened to your confidence? Wu: How can there be trust?
The Master said:"Virtue small and office high; wisdom small and plans great; strength small and burden heavy: where such conditions exist, it is seldom that they do not end in evil. As it is said in the I Ching, `The tripod's feet are overthrown, and the ruler's food is overturned. The body of him who is thus indicated is wet with shame: there will be evil.'"
Legge: Line four is the minister charged with difficult duties. Although dynamic, he is in a magnetic position with a magnetic correlate in line one. Weak in himself, and without an able helper, he has failed to do his proper work, and cannot be trusted again.
NOTES AND PARAPHRASES
Siu: The man fails to discharge his responsibilities because of personal inadequacies. Great plans supported by limited knowledge, heavy loads by meager strength, high office by weak character -- these result in shame and disaster.
Wing: You do not have the capability to achieve the goals you have in mind. You have not been realistic about your position. You are lacking in either energy, commitment, information, or assistance. Going forth with your plans will invite disaster.
Editor: The image suggests misfortune brought about by inexperience, incompetence, lack of capacity, divided loyalties, willful disobedience, or plain ignorance. In my experience, the line does not necessarily always imply blame: sometimes, with the best will in the world, one just isn't capable of coping with superior forces in a situation. If this is the only changing line, the new hexagram becomes #18, Work on What has been Spoiled, implying that you should clean up the mess you’ve just made.
If you have assumed a character above your strength, you have both acted in this matter in an unbecoming way, and you have neglected that which you might have fulfilled. Epictetus
A. A failure is portended. Only you can determine if blame is involved.
Line 5
Legge: The fifth line, magnetic, shows the cauldron with yellow ears and rings of metal in them. There will be advantage in being firm and correct.
Wilhelm/Baynes: The cauldron has yellow handles, golden carrying rings. Perseverance furthers.
Blofeld: The Ting has yellow handles with golden rings attached -- righteous persistence brings reward! [The faults described in the last two notes have now been put right; the position is even better than before they were committed.]
Liu: The cauldron has yellow handles and golden carrying rings. Continuing brings advantage. [A time of benefit.]
Ritsema/Karcher: The Vessel: yellow ears, metallic rings. Harvesting Trial.
Shaughnessy: The cauldron's yellow ears and metal bar; beneficial to determine.
Cleary (1): The cauldron has yellow hooks with a gold handle. It is beneficial to be single-minded.
Cleary (2): ... It is beneficial to be correct.
Wu: The cauldron’s ears are yellow and its carrying pole is covered with gold. It is advantageous to be persevering.
COMMENTARY
Confucius/Legge: The central position of the line is taken as a proof of the solid virtue of its subject. Wilhelm/Baynes: The yellow handles of the cauldron are central, in order to receive what is real. Blofeld: The central position of this line in the upper trigram implies solid worth. Ritsema/Karcher: Centering uses activating substance indeed. Cleary (2): The knobs of the cauldron are filled through the center. Wu: What it holds is substantial.
Legge:"Line five," says the Daily Lecture, "praises the ruler as condescending to the worthy with his humble virtue." Yellow has occurred repeatedly as a "correct color," and here the yellow ears and strong rings of metal are intended to intensify our appreciation of the occupant of line five. As the line is magnetic, a caution is added about being firm and correct.
NOTES AND PARAPHRASES
Siu: The man is modest and approachable. He thereby attracts associates, who can provide able help and advice.
Wing: If he is humble and receptive, a person in a position of authority will make further progress in the development of his character. He will attain insights and wisdom. He should continue developing his expanding awareness.
Editor: The Wilhelm version of the Confucian commentary gives us a more accessible clue as to the meaning of this line: "...In order to receive what is real." The essential idea is that of the ruler's receptivity to a higher power. Openness to advice is the basic gestalt -- "ears" are receptive to messages, and "handles" suggest grasp or comprehension. Metal is often symbolic of the mental qualities, and yellow metal, rendered as "gold" in most translations of this line, suggests the highest form of mentality -- wisdom, divine intelligence, cosmic truth, etc. Gold also often symbolizes intuition, the highest form of comprehension.
The attitude of the serious adept was genuinely religious, and the most important of the philosophical alchemists confessed in their writings that the religious side of their "art" was the focus of their interest and endeavors -- above all their inner experiences during the opus. A. Jaffe -- The Myth of Meaning
A. The images suggests an open receptivity to harmonious influences: Go to center and listen to your inner voice.
Line 6
Legge: The sixth line, dynamic, shows the cauldron with rings of jade. There will be great good fortune, and all action taken will be in every way advantageous.
Wilhelm/Baynes: The cauldron has rings of jade. Great good fortune. Nothing that would not act to further.
Blofeld: The Ting has jade handles -- great good fortune! [A further improvement on the progress indicated in the preceding note.]
Liu: The cauldron has carrying rings of jade. Great good fortune. Benefit in everything.
Ritsema/Karcher: The Vessel: jade rings. The great significant. Without not Harvesting.
Shaughnessy: The cauldron's jade bar; greatly auspicious; there is nothing not beneficial.
Cleary (1): The cauldron has a jade handle. This is very auspicious, entirely beneficial.
Cleary (2): The jade handle of the cauldron is very auspicious, beneficial to all.
Wu: The cauldron’s carrying pole is decorated with jade. There will be great fortune and nothing disadvantageous.
COMMENTARY
Confucius/Legge: The rings of jade are at the very top -- the dynamic and magnetic meet in their due proportions. Wilhelm/Baynes: The jade rings in the highest place show the firm and the yielding complementing each other properly. Blofeld: The first part of the passage is indicated by this top line-- a firm line which meets the yielding fifth harmoniously. Ritsema/Karcher: Solid and supple articulating indeed. Cleary (2): The jade handle is above. Hard and soft join. Wu: The strong and the weak are balanced.
Legge: Line six is dynamic, but his strength is tempered by being in a magnetic place. It is this which makes the handle to be of jade, which, though very hard has a peculiar and rich softness all its own. The auspice of the line is excellent. The Great Minister (line six) performs for the ruler (line five) by helping his government and nourishing the worthy. This is the part that the handle does for the cauldron.
NOTES AND PARAPHRASES
Siu: The sage imparts wise counsel to the benefit of the worthy recipient. His gentle and sincere behavior pleases the heavens, which dispense good fortune to all.
Wing: There exists a general atmosphere of clarity and greatness. All circumstances are favorable. The inner self has reached a highly developed stage. Everyone will benefit.
Editor: The top line of a hexagram often represents the sage or holy man. Here the wisdom of the sage is offered to the ruler. Psychologically, the ego is receptive to instruction from its higher Self. The Confucian commentary alludes to the proper union of dynamic and magnetic forces -- this is the Holy Marriage of the Perennial Philosophy. The image suggests the Chinese concept of Li, the character for which combines the ideas of heaven's ordinances with that of a receptive vessel.
The term Li signifies one of the most important concepts in Confucian ethics. [The character] is made up of two elements, one representing influence coming down from heaven, and the other ... representing a sacrificial vessel ... Li came to include all the customary regulations and acknowledged practices which govern social relationships. D.H. Smith --Confucius
A. One is receptive to the highest influence.
B. An image of the harmonious union of thought and feeling.
48 The Well
Other titles: Welling, Potentialities Fulfilled, The Source, The Deep Psyche, "A resurrection or transformation. Generations coming and going and the continuance of life and development." -- D.F. Hook
Judgment
Legge: Although a town site may be altered, The Well remains the same. Its water level neither disappears nor receives any great increase, and the people can draw from it freely. Misfortune ensues if the rope breaks or the bucket is broken before it reaches the water.
Wilhelm/Baynes:The Well. The town may be changed, but the well cannot be changed. It neither decreases nor increases. They come and go and draw from the well. If one gets down almost to the water and the rope does not go all the way, or the jug breaks, it brings misfortune.
Blofeld: A Well. A city may be moved, but not a well. [The building of a city depends upon ourselves; but wells cannot be moved to places where nature supplies no water. The implication is that our activities are limited by natural conditions.] A well suffers from no decrease and no increase; but often, when the people come to draw water there, the rope is too short or the pitcher gets broken before reaching the water -- misfortune! [What we desire is there for the taking, but we may not succeed in getting it.]
Liu: The Well. The city might be moved; but not the well. It neither overflows nor runs dry. People come and go, drawing from the well. The rope nearly reaches the water, but not quite; the jug breaks -- misfortune.
Ritsema/Karcher: The Well: amending the capital, not amending the Well. Without losing, without acquiring. Going, coming: Welling, Welling. Muddy culmination: truly not-yet the well- rope Well. Ruining one's pitcher: Pitfall. [This hexagram describes your situation in terms of the life water coming from the depths that everyone may draw on. It emphasizes that maintaining access to this central source is the adequate way to handle it. To be in accord with the time, you are told to go to the well!]
Shaughnessy: The Well: Changing the city but not changing the well; there is no loss, there is no gain. Going and coming so orderly; when the drying up arrives one also has not yet drawn from the well; burdening its formed earthenware jug; inauspicious.
Cleary (1):The Well: Changing the village, not changing the well; no loss, no gain. Those who come and go use the well as a well. If the rope does not reach all the way into the well, of if the bucket breaks, that is unfortunate.
Cleary (2): … People come and go, but the well remains a well. Lowering the bucket to the water, if you overturn the bucket before drawing it up from the well, this is unlucky.
Wu:The Well indicates that the planning of a district may be changed, but the location of the well may not. The water level of a well will neither increase nor decrease from use. There are wells here and there. When one is drawing water from a well, if he tangles the rope and damages the bucket just before it clears the well, it will be foreboding.
The Image
Legge: The image of water over wood forms The Well. The superior man comforts the people and stimulates their mutual cooperation.
Wilhelm/Baynes: Water over wood: the image of The Well. Thus the superior man encourages the people at their work and exhorts them to help one another.
Blofeld: This hexagram symbolizes water over wood. The Superior Man encourages the people with advice and assistance.
Liu: Water on wood symbolizes The Well. The superior man inspires people to work diligently, and advises them to help each other.
Ritsema/Karcher: Above wood possessing stream. The Well. A chun tzu uses toiling commoners to encourage mutualizing.
Cleary (1): There is water above wood – A Well. Thus do superior people comfort the people and encourage reciprocity.
Wu: There is water above wood; this is The Well. Thus, the jun zi encourages people to work for the good of the public and to help one another for a better life.
COMMENTARY
Confucius/Legge: Wood penetrates the water and raises it, giving the image ofThe Wellwhich gives nourishment yet is not exhausted. The dynamic central lines in the second and fifth places indicate that the town site may change, but the well does not. If the rope does not reach the water the well does not serve its purpose. A broken bucket brings about evil.
Legge: The upper trigram represents Water, and the lower symbolizes Wood, giving the image of a wooden bucket in the water of a well. What is said on this hexagram might be styled: "Lessons to be learned from a well for the proper government of a country." A well is to its users what a government is to its subjects, and if rulers would only apply the ancient precepts of government to the present circumstances, they and their people would benefit greatly.
In the Judgment we see the well remaining substantially the same through many changes of society -- a dependable source of refreshment to its users. As the fashion of the well remains changeless, so do the principles of human nature and good government. The value of the well depends upon the water being drawn up and used -- and so must the principles of good government be implemented.
Anthony: This hexagram usually indicates that we have a hidden doubt or fear. We may secretly disbelieve our path.
NOTES AND PARAPHRASES
Judgment: Amid the changes of life the only constant is the psyche itself -- to be alive is to draw upon its energy. The ego’s challenge lies in the correct comprehension of its images.
The Superior Man promotes the harmonious interplay of his thoughts and feelings. (Works on the integration of his complexes.)
A well is a universal symbol of a source of inner truth, and is often associated with a place that is sacred to the gods:
There he built an altar and invoked the name of Yahweh. There he pitched his tent, and there Isaac's servants sank a well. Genesis 26: 25
From the first well, which is of animal nature and deep, the father drinks, together with his children and cattle; from the second, which is yet deeper and on the very margin of nature, there drink only the children of men, namely those whose reason has awakened and whom we call philosophers; from the third, the deepest of all drink the sons of the All-Highest, whom we call gods and true theologians. Cardinal Nicholas of Cusa
Psychologically interpreted, a well symbolizes the continuously flowing unconscious psyche, the fountain of all awareness. In this hexagram each line represents a level within the well -- by extension suggesting a hierarchy of value in the unconscious. It is important to remember that not all of our inner images, intuitions or impulses come from the Self. Note that lines one through four all show the water of the well not being utilized for one reason or another -- only in lines three, five and six is it actually available for use.
In some sensitive individuals there is an awakening of para-psychological perceptions. They have visions, which they believe to be of exalted beings; they may hear voices, or begin to write automatically, accepting the messages at their face value and obeying them unreservedly. The quality of such messages is very varied. Sometimes they contain fine teachings, but they should always be examined with much discrimination and sound judgment, and without being influenced by their uncommon origin or by any claim by their alleged transmitter. No validity should be attributed to messages containing definite orders and commanding blind obedience, and to those tending to exalt the personality of the recipient. Roberto Assagioli --Psychosynthesis
The ego's point of view in relation to The Well is from the outside looking in – the insights emerge from beneath the surface of awareness and can be held in the light of consciousness only if one’s comprehension is able to contain them. If "the bucket breaks," our understanding is unequal to our observation and the insights are lost. (One might plausibly find the image for a cancer cure within one's psyche, but without a conscious frame of reference to acknowledge it, it would be unrecognized and lost.) Those who closely monitor their dreams know that there is an endless outpouring of strange images within the psyche which might be of inestimable value if only we knew what they referred to.
Wilhelm emphasizes the idea of "nourishing the people," which psychologically means that the role of the ego is to facilitate the cooperation of intra-psychic forces.
The solution lies, rather, along the lines of a harmonious integration of all drives into the total personality, first through the proper subordination and coordination, and then through the transformation and sublimation of the excessive or unused quota of energy. Roberto Assagioli --Psychosynthesis