One reconnects with one's former companions until certain questions are resolved. taoscopy.com
Abundance55
Abundance and prosperity surround you, but be mindful not to let them lead to arrogance or distraction. Stay focused and genuine in the present moment to make the most of your opportunities.
↓ Line 3
Overabundance can obscure vision. Sacrifices may be necessary, but they do not bring blame.
↓ Line 6
Isolation and excessive focus on personal abundance lead to misfortune and loss of connection.
↓ Biting Through21
Face conflicts head-on to clear blockages; decisive action breaks through obstacles.
Original Readings
55 Abundance
Other titles: Abundance, Fullness, The Symbol of Prosperity, Greatness, Abounding, Richness, Prolific, Fruitful, Luxuriant, Zenith, Affluence, Correct Action, Lucid Behavior, "Generally means that one will have enough for one's needs with a little over. Does not mean large wealth as a rule." -- D.F. Hook
Judgment
Legge: Expansion of Awareness means progress and development. When the king is enlightened there is no need to fear a change. Let him be as the sun at noon.
Wilhelm/Baynes:Abundance has success. The king attains abundance. Be not sad. Be like the sun at midday.
Blofeld:Abundance -- success! The King inspires them. Do not be sad; it is fitting to be like the sun at its zenith. [Abundance in itself is often good; but it is generally followed by the waning of what was abundant; moreover, as we shall see, there can be abundance of darkness, or anything else unpleasant. (The Judgment itself) may be taken as an auspicious omen.]
Liu: Greatness. Success. The king attains greatness, without sadness; he should be like the sun at midday.
Ritsema/Karcher:Abounding, Growing. The king imagining it. No grief. Properly sun centering. [This hexagram describes your situation in terms of profusion and abundance reaching culmination. It emphasizes that exuberantly increasing things to their fullest is the adequate way to handle it...]
Shaughnessy: Abundance: Receipt; the king approaches it; do not be sad. It is proper for the middle of the day.
Cleary (1): Richness is developmental. Freedom from worry when the king is great is suited to midday.
Cleary (2):Richness is success; a king attains this. Do not worry. Take advantage of the sun at noon.
Wu: A sage king will attain abundance. There is no need to worry, for he knows the expedience of observing the midday sun.
The Image
Legge: The superior man, in accordance with this, decides cases of litigation, and apportions punishments with exactness.
Wilhelm/Baynes: Both thunder and lightning come: the image of Abundance. Thus the superior man decides lawsuits and carries out punishments.
Blofeld: This hexagram symbolizes thunder and lightning occurring simultaneously. The Superior Man decides law suits and inflicts the necessary penalties.
Liu: Thunder and lightning coming together symbolize Greatness. The superior man judges lawsuits and imposes punishments.
Ritsema/Karcher: Thunder, lightning, altogether culminating. Abounding. A chun tzu uses severing litigating to involve punishing.
Cleary (1): Thunder and lightning both arrive, abundant. Thus do superior people pass judgment and execute punishment.
Cleary (2): Thunder and lightning both come in richness. Thus do leaders pass judgments and execute punishments.
Wu: Thunder and lightning come together; this is Abundance. Thus the jun zi decides the verdicts and exacts the punishments.
COMMENTARY
Confucius/Legge: The greatness of Expansion of Awareness is due to Movement directed by Clarity. Although the king has attained this state, he must still make it greater. But there is no need for anxiety -- let him be as the sun at noon: let his clarity shine on all under the sky. As soon as sun and moon reach zenith their light begins to wane. The intercourse of heaven and earth alternates between abundance and scarcity. It waxes and wanes according to the seasons. How much more so with men or spiritual forces! [Ritsema/Karcher translate "spiritual forces" [Kuei Shen] as: "The whole range of imaginal beings both inside and outside the individual; spiritual powers, gods, demons, ghosts, powers, fetishes." -- Ed.]
Legge: The written Chinese character denoting Expansion of Awarenessis the symbol of being large and abundant -- a condition of prosperity. In human affairs, prosperity often gives place to its opposite. The lesson of the hexagram is to show how the ruler may preserve the prosperity of his state and people. The component trigrams show Motive Force under the direction of Intelligence. A ruler with these attributes will not fail to maintain the progress and development of his kingdom. He is told not to be anxious, but to study how he may always be like the sun at its zenith, cheering and enlightening all.
It must be noted that a change has been introduced in this hexagram in explaining the symbolism of the lines. Normally, for two lines to have a correct relationship one must be female (magnetic) and the other male (dynamic). Here two dynamic male lines make a proper correlation in the first and fourth places.
In the Image, lightning appears as the natural phenomenon of which Clarity is the symbol in the lower trigram. The virtues of Clarity and Movement are required of the superior man in judging litigation.
NOTES AND PARAPHRASES
Judgment: Don't grieve when the truth hurts: a loss of illusion is a gain in awareness. Once truly attained, enlightenment cannot be lost, it can only be increased.
The Superior Man acts with clarity by accurately evaluating cause and effect. [Or: The objective assessment of any contradiction is the road to comprehending it.]
The fifty-fifth hexagram is very intriguing in that it appears to have a misleading title in the original Chinese, which is usually translated as Abundance,Fullness, Prosperity, etc. All of the internal clues, plus empirical experience with the figure have convinced me that the title Expansion of Awareness is a more accurate description of the forces operating in this hexagram. Here is my reasoning:
First, the component trigrams of Clarity and Movement portray action directed by clear comprehension, as well as awareness itself in motion or expansion. The title of Abundance seems misleading because it suggests a relatively static condition, whereas the combined trigrams in the figure symbolize Clear Movement. These trigrams appear in reverse sequence in hexagram number twenty-one, Discernment, which symbolizes the act of comprehending -- a dynamic function of consciousness described in the Image here as a quest for justice: "Thus the superior man decides lawsuits and carries out punishments." (Wilhelm) Notice also that the message for the superior man in this Image is almost identical with that in Discernment:"Thus the kings of former times made firm the laws through clearly defined penalties." (Wilhelm) The ancient kings can always be taken as symbolic of archetypal forces (the "gods"), so their laws are those of nature, not of humankind. Interpreted broadly, both messages counsel us to: "Comprehend the law of Tao, or suffer the penalties of ignorance." Which is to say: "expand your awareness."
Second, note the message in the Judgment. Most of the translators render this by comparing the king at the peak of his power with the sun at the peak of its illumination at noon. The sun is the symbol of clarity and enlightenment, and the sun at its zenith therefore symbolizes a high point of awareness.
Third, notice that lines two, three and four depict an eclipse of the sun through its waxing, full and waning phases. This suggests ignorance gradually evolving toward comprehension, which is finally attained in line five. The progression in the hexagram is from ignorance to clarity, and then in line six, ignorance within clarity -- i.e., an image of one who remains obtuse while surrounded by the light of illumination.
Fourth, the combined trigrams of shock and light (thunder and lightning) suggest a sudden and numinous illumination: the sort of en-light-enment (expansion of awareness) described by Yogis:
Suddenly, with a roar like that of a waterfall, I felt a stream of liquid light entering my brain through the spinal cord ... The illumination grew brighter and brighter, the roaring louder, I experienced a rocking sensation and then felt myself slipping out of my body, entirely enveloped in a halo of light ... I was no longer myself, or to be more accurate, no longer as I knew myself to be, a small point of awareness confined in a body, but instead was a vast circle of consciousness in which the body was but a point, bathed in light and in a state of exaltation and happiness impossible to describe. Gopi Krishna --Kundalini, the Evolutionary Energy in Man
It is possible that the written character translated into English as Abundance has these associations in Chinese. Unfortunately, the title of Abundance itself does not immediately suggest in the English language the ideas that are integral in the symbolism of the hexagram.
Line 3
Legge: The third line, dynamic, shows its subject with an additional screen of a large and thick banner, through which at midday he can see the small Mei star. In the darkness he breaks his right arm; but there will be no error.
Wilhelm/Baynes: The underbrush is of such abundance that the small stars can be seen at noon. He breaks his right arm. No blame.
Blofeld: So copious is the rain that, even at midday, there is obscurity. He breaks his right forearm -- no error!
Liu: Heavy clouds -- a fine drizzle can be seen. He hurts his right arm. No blame.
Ritsema/Karcher: Abounding: one's profusion. Sun centering: visualizing froth. Severing one's right arm. Without fault.
Shaughnessy: Making abundant his screen; in the middle of the day one sees small stars; breaking his right bow, there is no trouble.
Cleary (1): Increasing shade, seeing glimmering stardust at midday. One breaks one’s right arm. No one is to blame.
Cleary (2): With abundant rain, you see the drops in the sunlight. You break your right arm but are not to blame.
Wu: He makes abundance of heavy curtains. His house is so dimmed as if he could see small stars with the sun at noon. He breaks his right forearm. No error.
COMMENTARY
Confucius/Legge: Great things should not be attempted in such circumstances. His broken arm means that in the end he will not be fit to be employed. Wilhelm/Baynes: One can carry out no great transactions. In the end, one must not try to do anything. Blofeld: There is nothing great we can accomplish now. His breaking his right forearm indicates uselessness up to the very end. [It is not clear whether the omen refers to our own uselessness for the task we have set ourselves or to that of someone on whom we have been depending. We must interpret the line in the context of our enquiry.] Ritsema/Karcher: Not permitting Great Affairs indeed. Completing, not permitting availing-of indeed. Cleary (2): When the rain is abundant, you cannot do great works. When you break your right arm, it cannot be used. Wu: He will not have big achievements. (His arm) will no longer be used again.
Legge: Line three is dynamic in its proper place in the trigram of Clarity. This seems to favor his action, but his correlate is the magnetic sixth line at the extremity of the trigram of Movement. Since the sixth line is powerless, line three has no one to cooperate with him. His situation is worse than that of line two, but his own proper goodness and capacity will save him from error. Mei is a small star in or near the constellation of the Bushel. The light in line three is hidden, and this blindness unfits him for employment.
NOTES AND PARAPHRASES
Siu: The prince is so eclipsed that even insignificant personalities push themselves onto the stage. Although the man is in a key position, he is powerless to achieve anything. But he remains free of error.
Wing: Incompetence is at its Zenith. Be patient.
Editor: Midday is noon -- normally the zenith of illumination, and hence symbolic of awareness or truth. Here however, a condition equivalent to a full solar eclipse is portrayed. (The exact opposite of the position of the king in the Judgment.) The "small Mei star" is a distant sun, a lesser light: symbolically, a feeble comprehension. Darkness is ignorance, and the right arm represents one's power or ability to act. Blofeld, Liu, Ritsema/Karcher and Cleary (2) state that rain or "froth" is screening the light -- a hint that emotion may be clouding clear perception. (Water symbolizes the emotional realm.) These somewhat confused images nevertheless all agree that clear choice is eclipsed by ignorance: you are essentially powerless, and should refrain from significant action.
I am an empiricist, not a philosopher; I cannot let myself presuppose that my peculiar temperament, my own attitude to intellectual problems, is universally valid. Apparently this is an assumption in which only the philosopher may indulge, who always takes it for granted that his own disposition and attitude are universal, and will not recognize the fact, if he can avoid it, that his "personal equation" conditions his philosophy. Jung -- The Archetypes and the Collective Unconscious
A. You are hampered by incomplete data: "There is more to the subject than meets the eye.” Useful action is impeded: Don’t act when you don’t know.
Line 6
Legge: The sixth line, magnetic, shows its subject with her house made large, but only serving as a screen to her household. When she looks at her door, it is still, and there is nobody about it. For three years no one is to be seen. There will be evil.
Wilhelm/Baynes: His house is in a state of abundance. He screens off his family. He peers through the gate and no longer perceives anyone. For three years he sees nothing. Misfortune.
Blofeld: There is abundance in his dwelling and a wall around his house; yet, peering through the gate, he sees no one. For three years, he sees nobody -- misfortune!
Liu: One's house is big and luxurious; later it will be overgrown. Someone looks in at the gate and does not see anyone. For three years he sees nothing. Misfortune.
Ritsema/Karcher: Abounding: one's roof. Screening one's dwelling. Peeping-through one's door. Living-alone, one without people. Three year's-time not encountering. Pitfall.
Shaughnessy: Making abundant his room, screening his house, and arching his window; he is alarmed at his having no people; for three years he does not follow; inauspicious.
Cleary (1): Embellishing the room, shading the house; peeking in the door, it is quiet, with no one there, unseen for three years. Inauspicious.
Cleary (2): Making the house rich, shading the home. A peek in the door finds quiet, etc.
Wu: He has his house richly decorated. He uses curtains to shield his home. Peeping through its door, one sees not a single soul. For three years, nobody has been seen therein. Foreboding.
COMMENTARY
Confucius/Legge: She has made her house large -- she soars in her pride to the heavens. She looks at her door, which is still, with no one about it -- she only keeps herself withdrawn from all others. Wilhelm/Baynes: He flutters about at the border of heaven. He screens himself off. Blofeld: He seems to be hovering on the border of the skies. He has deliberately hidden himself. [The whole of this refers to someone who had done very well for himself but who, out of snobbery or for a similar reason, refuses to share his good fortune and therefore remains alone and miserable amidst his splendid possessions.] Ritsema/Karcher: The heavenly border, hovering indeed. Originating-from concealing indeed. Cleary (2): Making the house rich is pride. For one has hidden oneself. Wu: He has made himself feel like flying high in the sky. For he has hidden himself from the rest of the world.
Legge: All the conditions of line six are unfavorable, and she is left to herself without any helpers. Her long isolation undoes her -- the issue is only evil. No one but herself has any confidence in her. She holds herself aloof from others, and they leave her to herself.
Anthony: If, after being helped, as in the fifth line, we seek only to have our own way, or to be master of the situation, we lose all the benefits of acting correctly. If we are to make progress, we must keep our motives pure.
NOTES AND PARAPHRASES
Siu: The man is overwhelmed by his pride as he seeks personal splendor, alienating even members of his own household. He becomes isolated and is undone.
Wing: Your quest for abundance has made you proud. Your desire to maintain it has isolated you. You are out of harmony with the times and out of touch with those close to you. Therefore you have already lost your greatest possessions.
Editor: A "house made large" symbolizes an expanded psyche, or a situation of abundant choice. That this is "a screen to her household” tells us that important aspects of the situation are unrecognized: She "can't see the trees for the forest.” Legge's "still” door is a portal closed to awareness. In short, because of self-chosen isolation, she doesn't take advantage of an abundance of unperceived opportunities. A hermit’s life of renunciation may bring about an expansion of awareness, but it is wasted if one does not take appropriate action in the world. Ironically, the hexagram created when this is the only changing line is number 30, Clarity, offering a clear image of what she is missing in life.
Communication must be radiation and receiving and exchange. Whenever irritation is involved, then we are not able to see properly and fully and clearly the spacious quality of that which is coming toward us, that which is presenting itself as communication. The external world is immediately rejected by our irritation which says, “No, no, this irritates me, go away.” Such an attitude is the complete opposite of transcendental generosity. So the bodhisattva must experience the complete communication of generosity, transcending irritation and self-defensiveness. Otherwise, when thorns threaten to prick us, we feel that we are being attacked, that we must defend ourselves. We run away from the tremendous opportunity for communication that has been given to us, and we have not been brave enough even to look to the other shore of the river. We are looking back and trying to run away. Chogyam Trungpa
A. You are out of touch with reality -- blind to the light which surrounds you, too myopic to see your options.
21 Biting Through
Other titles: Biting Through, Gnawing, The Symbol of Mastication and Punishment by Pressing and Squeezing, Gnawing Bite, Severing, Chewing, Punishment, Reformation, Reform, Differentiation, Discrimination, Making a Distinction, Getting the message "Something which should be, or has to be bitten through. This is essentially the legal hexagram. When asking about a man's intentions, he is probably married." -- D.F. Hook
Judgment
Legge: Success is found in Discernment. The restrictions of the law bring advantage.
Wilhelm/Baynes:Biting Through has success. It is favorable to let justice be administered.
Blofeld: Gnawing. Success! The time is favorable for legal processes. [The concept of gnawing is suggested by the component trigrams, which are regarded (owing to the arrangement of their lines) as not commingling; they are as separate from each other as the upper and lower jaw when something tough is being gnawed.]
Liu: Chewing: Success. It benefits to administer justice. [Chewing indicates success through hard work. Those who get this hexagram will have trouble in the beginning.]
Ritsema/Karcher:Gnawing Bite, Growing. Harvesting: availing of litigating. [This hexagram describes your situation in terms of confronting a tenacious obstacle. It emphasizes that biting through and picking things clean until the essential is revealed is the adequate way to handle it. To be in accord with the time, you are told to: gnaw and bite through!]
Shaughnessy: Biting and chewing: Receipt; beneficial to use a court case.
Cleary (1):Biting through is developmental. It is beneficial to administer justice.
Cleary (2): Biting through is successful. It is beneficial to apply justice.
Wu: Discernment is pervasive. It will be advantageous to exact punishments.
The Image
Legge: The images of thunder and lightning form Discernment. Thus the ancient kings promulgated their laws and framed their penalties with intelligence.
Wilhelm/Baynes: Thunder and lightning: The image of Biting Through. Thus the kings of former times made firm the laws through clearly defined penalties.
Blofeld: This hexagram symbolizes lightning accompanied by thunder. The ancient rulers, after making their legal code perfectly clear to all, enforced the laws vigorously. [The firm and yielding lines more or less alternate; or the lower trigram can be regarded as filled with the power of thunderous force, while the upper trigram, representing beauty, is soft and yielding. (Li, the upper trigram, stands for lightning as well as for fire, beauty, etc.) I do not know what the ancient Chinese views on thunder and lightning were; it appears from this that they were regarded as two forces which, like steel and flint, emitted brilliance when brought into sharp contact with each other. A pair of trigrams both with yielding centers is not felt to be a good arrangement; that it nevertheless favors the process of the law may have been suggested to the writer of the Text by the fact that the weak lines (morally weak people?) are fully contained by the strong (prison walls, warders and so forth?)]
Liu: Thunder and lightning symbolize Chewing. The ancient kings made the laws and clarified the penalties.
Ritsema/Karcher: Thunder, lightning. Gnawing Bite. The Earlier Kings used brightening flogging to enforce the laws.
Cleary (1): Thunder and lightning, biting through. Thus did the kings of yore clarify penalties and proclaim laws. [Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life.]
Wu: Thunder and lightning form Discernment. Thus the ancient kings made just punishments and upheld the law of the land.
COMMENTARY
Confucius/Legge: The existence of something between the jaws gives rise to the name Discernment-- union by means of biting through the intervening article. The dynamic and magnetic lines are equally divided in the figure. Movement is denoted by the lower trigram, and Clarity by the upper -- thunder and lightning uniting in them, and having brilliant manifestation. The magnetic fifth line is in the center, and acts in her high position. Although she is not in her proper place, this is advantageous for the use of legal constraints.
Legge: Discernment means literally "union by gnawing." The figure consists of undivided lines in the top, bottom and fourth places -- giving the image of open jaws with something in them "being gnawed." When the object has been bitten through, the upper and lower jaws come together in union -- hence: " Union by gnawing." Remove the obstacles to union and high and low will meet together in understanding. The force exerted by gnawing suggests the idea of legal constraints.
The equal division of the dynamic and magnetic lines is seen by taking them in pairs, though the order of the first pair is different from the other two. The magnetic fifth line is the ruler of the hexagram, indicating that judgment is tempered by leniency.
Ch'eng-tzu says that thunder and lightning are always found together, and hence their trigrams go together to give the idea of union intended in Discernment: one trigram symbolizing majesty and the other intelligence.
Cleary (1): Practice of the Tao is like administering justice: Discerning true and false, right and wrong, is like the judge deciding good and bad; getting rid of falsehood and keeping truth, so as to preserve essence and life, is like the [just] administration rewarding the good and punishing the bad, so as to alleviate the burden of injustice.
NOTES AND PARAPHRASES
Judgment: Further the Work through careful Discernment between what is true and false, right and wrong, correct and incorrect.
The Image portrays the connection between cause and effect, where consequences are always based on the inexorable laws of nature.
To bite is to comprehend, and to bite through is to make distinctions. The top and bottom lines of the hexagram represent the upper and lower jaws, and both bear images of restriction and punishment. Each of the lines between them portrays some version of biting through flesh. Hence, the jaws define the general problem, and the teeth differentiate the details.
The symbol of losing teeth has the primitive meaning of losing one's grip because under primitive circumstances and in the animal kingdom, the teeth and mouth are the gripping organ. If one loses teeth, one loses the grip on something. Now this can mean a loss of self-control, etc. The English word grip is contained in the German word begriff (conception or notion). The Latin word conceptio means the same, i.e., catching hold of something, having a grip on something. Jung -- Letters
In I Ching symbolism, the "ancient kings” are always synonymous with spiritual authority. Analogous to gods or cosmic forces, their "laws" are like the laws of karma or of nature -- inexorable in their outcome. Therefore, the punishment theme in the hexagram warns us that a lack of Discernment in the matter at hand has built-in penalties: i.e., "Get the message or suffer the consequences.”
Behold, sin and punishment are one, and the fire of punishment is the fire that refines my works. Even in the sinner I am the actor, and I, too, am the sufferer in the experience of punishment. P.F. Case -- The Book of Tokens
To receive this hexagram without changing lines indicates a need to make some important distinctions in the matter at hand. “Figure it out” might make a good alternate title at such times. Cleary’s Taoist note on the image (“Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life”) is a clear admonition to get all of your facts straight before proceeding with your inquiry. That you don’t know or understand something is implied.
SUGGESTIONS FOR MEDITATION
The twenty-first hexagram turned upside down becomes the twenty-second. The message for the superior man in the Image of each concerns the enforcement of law. What is the relationship between Discernmentand Persona in such a context? The component trigrams of these two figures also make up hexagrams number fifty-five, Expansion of Awareness and number fifty-six, Transition.The messages for the superior man in each of these figures also relate to litigation. Why? What do the four hexagrams suggest about the nature of the Work?