One apologizes to all those whom one unjustly condemned. taoscopy.com
The Wanderer56
Embrace the journey. Stay adaptable and attentive. Balance independence with humility. Success comes from accepting change and being resourceful.
↓ Line 1
Focus on what is important and avoid distractions to prevent misfortune.
↓ Line 2
Finding a temporary place of rest and support can lead to stability and assistance.
↓ Line 3
Unexpected events can lead to loss and instability; be prepared for challenges.
↓ Line 6
Neglect and carelessness lead to loss and regret; maintain vigilance to avoid misfortune.
↓ The Marrying Maiden54
Proceed cautiously, recognizing limitations and external influences. Adapt to circumstances with humility and patience, but remain aware of your own path and intentions.
Original Readings
56 The Wanderer
Other titles: The Wanderer, The Symbol of the Traveler, The Exile, Sojourning, The Newcomer, To Lodge, To Travel, Traveling, The Stranger, Strangers, The Traveling Stranger, The Outsider, The Alien, The Gnostic, The Tarot Fool, Wandering, Homeless, Uncommitted, On Your Own, "Can refer to being out of one's element." -- D.F. Hook
Judgment
Legge: Transition means that small attainments are possible. If the traveling stranger is firm and correct, there will be good fortune.
Wilhelm/Baynes:The Wanderer. Success through smallness. Perseverance brings good fortune to the wanderer.
Blofeld:The Traveler -- success in small matters. Persistence with regard to traveling brings good fortune.
Liu: The Exile. Small success. To continue leads to good fortune.
Ritsema/Karcher:Sojourning, the small: Growing. Sojourning, Trial: significant. [This hexagram describes your situation in terms of wandering journeys and living in exile. It emphasizes that mingling with others as a stranger whose identity comes from a distant center is the adequate way to handle it...]
Shaughnessy:Traveling. Small receipt. Traveling; determination is auspicious.
Cleary (1): Travel is developmental when small; if travel is correct, it leads to good fortune.
Cleary (2): Travel has a little success. Travel is auspicious if correct.
Wu:Traveling indicates small pervasion. Perseverance will bring auspiciousness.
The Image
Legge: A fire on the mountain -- the image of Transition. The superior man exerts cautious wisdom in his punishments, and does not permit prolonged litigation.
Wilhelm/Baynes: Fire on the mountain: the image of The Wanderer. Thus the superior man is clear-minded and cautious in imposing penalties, and protracts no lawsuits.
Blofeld: This hexagram symbolizes fire upon a mountain. The Superior Man employs wise caution in administering punishments and does not suffer the cases brought before him to be delayed.
Liu: Fire over the mountain symbolizes the Exile. The superior man is careful and clever in imposing punishments, and does not delay the cases brought.
Ritsema/Karcher: Above mountain possessing fire. Sojourning. A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating.
Cleary (1): There is fire atop a mountain, transient. Thus superior people apply punishments with understanding and prudence, and do not keep people imprisoned.
Cleary (2): Fire on a mountain – traveling. Etc.
Wu: There is fire on the mountain; this is Traveling. Thus the jun zi exercises the utmost deliberations in exacting punishments such that prisoners will not be detained without cause.
COMMENTARY
Confucius/Legge:Transition indicates that there may be some small attainment and progress -- the magnetic line occupies the central place in the upper trigram, and is obedient to the dynamic lines above and below it. We also have the attributes of Keeping Still connected with Intelligence in the lower and upper trigrams. Hence it is said that there may be some small attainment and progress. If the traveling stranger is firm and correct as he ought to be, there will be good fortune. Great is the time and great is the right course to be taken under these circumstances!
Legge: The written Chinese character for this hexagram denotes people traveling abroad, and is often translated as Strangers. The figure addresses itself to traveling strangers, and tells them how they ought to comport themselves through the cultivation of humility and firm correctness. By means of these they would escape harm, and make progress. The status of traveling stranger is seen as too low to expect great things of them.
It is assumed that the wanderer is in the position of the fifth line. The ideas of humility, docility, calmness and intelligence are derived from the attributes of the component trigrams. These are all characteristics which are proper to a stranger, and are likely to lead to advancement and attainment of his desires. Concerning the Image, K'ung Ying-ta comments: "A fire on a mountain lays hold of the grass, and runs with it over the whole space, not stopping anywhere long, and soon disappearing -- such is the emblem of the traveler."
NOTES AND PARAPHRASES
Judgment: During a Transition, keep your willpower great and your expectations small.
The Superior Man sees clearly and does not embroil himself in complexity. He is clear-minded and cautious in judging the truth of the situation, maintaining detachment from the social milieu.
Wilhelm's translation of the title of this hexagram is The Wanderer. A wanderer is one who has no home, or who is between one home and another. This reminds us of the gnostic notion of the "Alien": the incarnate soul exiled to wander in the space-time dimension (i.e., this world).
The alien is that which stems from elsewhere and does not belong here ... The stranger who does not know the ways of the foreign land wanders about lost; if he learns its ways too well, he forgets that he is a stranger and gets lost in a different sense by succumbing to the lure of the alien world and becoming estranged to his own origin ... The recollection of his own alienness, the recognition of his place of exile for what it is, is the first step back; the awakened homesickness is the beginning of the return. Hans Jonas -- The Gnostic Religion
In the broadest interpretation then, the message in the Judgment: "If the traveling stranger is firm and correct, there will be good fortune" can refer to not becoming entangled in the affairs of this world in which we wander -- an idea emphasized in the first line. Ritsema/Karcher state it explicitly -- defining our challenge as "mingling with others as a stranger whose identity comes from a distant center." This is good general advice for anyone seriously engaged in the Work, since the "distant center" ("God," or the Self) represents the essence we incarnated to serve.
We are strangers in this world, and the body is the tomb of the soul, and yet we must not seek to escape by self- murder; for we are the chattels of God who is our herdsman, and without his command we have no right to make our escape. Pythagorean ethic
In more specific situations, the hexagram symbolizes a transitional phase. Lines two, three and four all depict "Inns" or temporary resting places (commonly experienced in dreams as images of hotels or motels). The symbolism is identical: the psyche is reflecting an interim situation during a state of Transition.
By definition, a transition is fluid and not yet fixed. Depending upon the choices made, one can go in different directions. In terms of consciousness, it is obvious that the transition can be from a lower state of awareness to a higher one, or vice-versa. Because a transition is an opportunity for deliberate choice-making, the Confucian commentary concludes with: "Great is the time and great is the right course to be taken under these circumstances!"
Lines one, three and six depict very negative situations involving ignorant, arrogant choices. We think of the ego blindly pushing the river of its desires, unable to see the unfortunate consequences it thereby engenders. Line two suggests a solid resting place during our journey, while line four depicts a tenuous, though not necessarily incorrect, similar situation. The fifth line counsels a kind of sacrifice to the ruler (the Self) which results in an eventual reward. The message is to let the Self guide you through a Transition.
SUGGESTIONS FOR MEDITATION
Hexagram number fifty-six is the reverse of hexagram number fifty-five. Compare the role of the superior man in the Image of each figure. How are they the same? How are they different? What are the differences and similarities of the component trigrams of each hexagram, and how do they affect their respective meanings?
Notes, August 15, 2009: A new paraphrase of the Judgment and Image:
The Gnostic Alien. Small attainments are possible if the Alien keeps a clear head and maintains his self-discipline. The initiated Adept is intelligent, discreet, and displays vigilant wisdom: he maintains and protects his gnosis via cautious reserve in worldly disputes, eschewing needless contention. [He can do this because he knows that this is an illusory reality: a set-up, a trap, a Loosh factory created by the Demiurge.] A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating. [In other words “do the work in the place in which you find yourself” quickly, and efficiently, with as few entanglements as possible under the circumstances. Shun new karma. Implicit is that this experience is preparation for the bodhisattva vow.]
Line 1
Legge: The first line, magnetic, shows the stranger mean and meanly occupied. It is thus that she brings on herself further calamity.
Wilhelm/Baynes: If the wanderer busies himself with trivial things, he draws down misfortune upon himself.
Blofeld: Trifling with unimportant matters, the traveler draws upon himself calamity.
Liu: If the exile dallies with petty matters, he will draw disaster on himself.
Shaughnessy: Traveling so trivially; this is the fire that he has taken.
Cleary (1): Restless in travel, this is the misfortune you get.
Cleary (2): Petty fussing on a journey brings misfortune.
Wu: The traveler complains about trivial things and he is poorly received.
COMMENTARY
Confucius/Legge: Her aim has become of the lowest character, and calamity will ensue. Wilhelm/Baynes: Thereby his will is spent, and this is a misfortune. Blofeld: The calamity attendant upon having no will of our own. Ritsema/Karcher: Purpose exhausted, calamity indeed. Cleary (2): The misfortune of frustration. Wu: His small-mindedness causes poor reception.
Legge: Line one is magnetic in a dynamic place at the bottom of the hexagram, thus the unfavorable auspice. The meanness of the first line doesn't arise from the nature of her occupation, but from her mind and aim being emptied of all that is good and ennobling.
NOTES AND PARAPHRASES
Siu: At the outset, the newcomer in a lowly position is occupying himself with disgraceful machinations. His aspirations invite troubles.
Wing: Do not assume a demeaning role in the general situation. Do not pay attention to trivial matters. This is not a way to gain entry into a group or situation. Maintain a dignified attitude about yourself. Through self-abasement you will only invite ridicule.
Editor: Legge's "Mean" is rendered by the other translators as: "trivial,""unimportant," and "petty." The Confucian commentaries are translated as a failure of willpower which brings about disaster. Implied is loss of purpose and hence of being unclear or ignorant of the situation at hand.
All men, from birth onward, live more by sensation than by thought, forced as they are by necessity to give heed to sense impressions. Some stay in the sensate their whole life long. For them, sense is the beginning and end of everything. Good and evil are the pleasures of sense and the pains of sense; it is enough to chase the one and flee the other. Those of them who philosophize say that therein wisdom lies. Like big earthy birds are they, prevented by their bulk from rising off the ground even though they have wings. Plotinus --The Enneads
A. Don't waste your energy on unimportant matters.
B. "Trivial pursuit."
Line 2
Legge: The second line, magnetic, shows the stranger occupying her lodging-house, carrying her means of livelihood, and provided with good and trusty servants.
Wilhelm/Baynes: The wanderer comes to an inn. He has his property with him. He wins the steadfastness of a young servant.
Blofeld: The traveler reaches an inn with his valuables still nestling safely in the bosom of his robe. He gains the loyalty of a young servant. [This implies that we need fear no loss upon our journey.]
Liu: The exile arrives at an inn. He carries valuables. He wins the loyalty of a young servant.
Ritsema/Karcher: Sojourning, approaching a resting-place. Cherishing one's own. Acquiring a youthful vassal: Trial.
Shaughnessy: In traveling having just lodged, he cherishes his belongings, getting the young servant's determination.
Cleary (1): Coming to a lodge on a journey with money in your pocket, you have attendants, yet are upright.
Cleary (2): Coming to an inn on a journey with supplies in hand, one gains the loyalty of a servant.
Wu: The traveler makes a stop with his valuable belongings and gets help from a trustworthy bellboy.
COMMENTARY
Confucius/Legge: With such servants she will in the end have nothing of which to complain. Wilhelm/Baynes: This is not a mistake in the end. Blofeld: There will be no trouble to the very end. Ritsema/Karcher: Completing without surpassing indeed. Cleary (2): After all there is no complaint. Wu: He is free from troubles.
Legge: Line two is magnetic, but in her proper and central place. Hence the traveler is represented as provided with everything she requires, and though the auspice is not mentioned, we must understand it as being good. Strong and trusty servants are the most important condition for the comfort and progress of the traveler.
NOTES AND PARAPHRASES
Siu: The man retains his inner sense of modesty and reserve. He acquires the necessary means of livelihood, a home, and good and trustworthy servants.
Wing: With confidence and self-possession you can attract support from new environments. Think of it as the personal gravity generated by the weight of your principles. Someone is ready to help you in your endeavors.
Editor: Psychologically interpreted, the image of a wandering stranger portrays the ego en-route to somewhere else -- transient, uncommitted, undergoing change. A lodging house or Inn is a temporary shelter, an interim point of view, a transitory state. Legge's "means of livelihood" (rendered as "valuables," "property,""belongings," “money” or “supplies” by the other translators), can be any wealth, gain, power, ability, or consolidation of psychic energy. Most translators qualify "servants" as "young servant." A young servant would symbolically suggest inexperienced, untried power or ability to do work. These images all suggest the consolidation of energy during a period of transition.
If the emphasis is on the temporary and transient nature of the worldly sojourn and on the condition of being a stranger, the world is called also the "inn," in which one "lodges"; and "to keep the inn" is a formula for "to be in the world" or "in the body." H. Jonas -- The Gnostic Religion
A. One preserves one's gains through a transition and obtains new and untried powers. You have everything you need to succeed.
Line 3
Legge: The third line, dynamic, shows the stranger, burning his lodging-house, and having lost his servants. However firm and correct he tries to be, he will be in peril.
Wilhelm/Baynes: The wanderer's inn burns down. He loses the steadfastness of his young servant. Danger.
Blofeld: Owing to the traveler’s lack of caution, the inn is burnt down and he no longer enjoys the young servant's loyalty. Persistence now would lead to trouble. [Our carelessness leads us into such difficulties that it would be folly to proceed.]
Liu: The inn where the exile stays burns down. He loses the loyalty of his young servant. To continue is dangerous.
Shaughnessy: In traveling burning his lodging, and losing his young servant; determination is dangerous.
Cleary (1): Burning the lodge on a journey, you lose your attendants. Even if righteous there is danger.
Cleary (2): Burning the inn on a journey, losing the servants, is dangerous even if one is upright.
Wu: The lodge is on fire. He loses the favor of his helper. He is in danger even persevering.
COMMENTARY
Confucius/Legge: By burning down his lodging-house he himself also suffers harm. When as a stranger, he treats those below him as the line indicates, the right relation between master and servant is lost. Wilhelm/Baynes: This is a loss for him personally. If he deals like a stranger with his subordinate, it is only right that he should lose him. Blofeld: Traveling on a downward path, our sense of duty and fitness is impaired. Ritsema/Karcher: Actually truly using injuring. One's righteousness lost indeed. Cleary (2): One will also be injured. Duty is lost. Wu: It is a pity. Being stern to the helper in traveling is an invitation to loss.
Legge: The third line is dynamic in a dynamic place, but because he is at the top of the lower trigram, he may be expected to be violent. In the case symbolized he is violent to an extraordinary degree, and incapable of correctness. He treats those below him (his servants) with arrogance, which of course alienates them from him. The K'ang-hsi editors remark that the second and third lines are represented as having lodging-houses when the other lines don't, because they are the only two lines in the figure who are in their proper places.
NOTES AND PARAPHRASES
Siu: The newcomer becomes arrogant and truculent. He eventually loses his house and servant and finds himself without support in a perilous situation.
Wing: Offensive and careless behavior in your position are great mistakes. You are in danger of losing what security you have by interfering in matters that are not your concern. Those who may have once been loyal will then withdraw, leaving you in a perilous state.
Editor: Wilhelm points out that the dynamic line in a dynamic place is in this case too overbearing -- representing one who shows no respect for either those above or below him. For a "stranger in a strange land" to behave in this fashion is a sure formula for failure. One is reminded of the boorish behavior of some tourists in foreign countries -- their insensitivity invariably costs them both money and respect. Sometimes the line can suggest a kind of masochistic petulance in your attitude toward the Work. Note: Oracle interpretation must always remain open and flexible. A recent receipt of this line reversed its usual syntax to portray a situation in which the “ Inn set on fire” referred to an organization which lost a faithful servant (the querent-employee) through unethical business practices. Always allow your best intuition to recognize the best fit for the symbolism, particularly if an answer doesn’t seem to make sense. Try inverting the situation to see if that works better – if so, the answer will usually be numinous.
The arrogant heart is abhorrent to Yahweh,
be sure it will not go unpunished.
Proverbs 16: 5
A. A position is undermined and support is lost because of arrogance.
Line 6
Legge: The sixth line, dynamic, suggests the idea of a bird burning its nest. The stranger, thus represented, first laughs and then cries out. He has lost his ox-like docility too readily and easily. There will be evil.
Wilhelm/Baynes: The bird's nest burns up. The wanderer laughs at first, then must needs lament and weep. Through carelessness he loses his cow. Misfortune.
Blofeld: A bird manages to burn its own nest. At first the traveler laughs, but then has cause to shout and weep. A cow is lost through carelessness -- misfortune! [Presumably, someone's carelessness causes him misfortune which excites our mirth -- until we discover that we ourselves are deeply involved in the resulting loss.]
Liu: A bird's nest burns. The exile laughs in the beginning, laments later. He loses his cow by being careless. Misfortune.
Ritsema/Karcher: A bird burning its nest. Sojourning people beforehand laughing, afterwards crying-out sobbing. Losing the cattle, tending-towards versatility. Pitfall.
Shaughnessy: A crow disorders its nest; the traveler first laughs and later weeps and wails, losing an ox at Yi; inauspicious.
Cleary (1): A bird turns (Sic) its nest. The traveler first laughs, afterward cries. Losing the ox at the border, there is misfortune.
Cleary (2): ... Losing the cow while at ease is unfortunate.
Wu: Like a bird burning its own nest, the traveler first laughs with joy and then howls in sorrow. Like losing a cow in the field, it is foreboding.
COMMENTARY
Confucius/Legge: He would not listen to the truth about the course to be pursued. Wilhelm/Baynes: Being at the top as a wanderer rightly leads to being burnt up. In the end he hears nothing. Blofeld: The top of this hexagram signifies burning. The loss of a cow through carelessness means that no news will ever be obtained of something we have lost (or are about to lose). Ritsema/Karcher: Using Sojourning to locate- in the above. One's righteousness burning indeed. Completing absolutely-nothing: having hearing indeed. Cleary (2): Because the travel is in a high place, it is just to be destroyed. After all one does not listen. Wu: Traveling at this top position amounts to burning oneself. The misfortune of losing a cow in the field is something he has not heard of.
Legge: Line six is dynamic in a magnetic place at the outer limit of the trigram of Clarity -- he will be arrogant and violent, the opposite of what a wanderer should be, and the issue will be evil. Humility cannot co-exist with haughty arrogance, and his careless self-sufficiency has shut his mind against all the lessons of wisdom.
NOTES AND PARAPHRASES
Siu: The newcomer becomes careless, imprudent, and violent at the height of his distinction.
Wing: By losing yourself in the drama of a new situation and by involving yourself in details that have nothing whatsoever to do with the development of your own principles, you detach yourself from the very foundation of your original aims. Misfortune.
Editor: A bird, as a creature of the air, the realm of thought, can symbolize an idea or concept. A nest suggests the foundation, or resting place of a thought -- a necessary premise upon which the thought is founded. To burn up a necessary premise, foundation, or whatever, suggests thought that has transcended the bounds of reality -- i.e., fantasy, or illusion. If this is the only changing line, the hexagram becomes number sixty-two, Small Powers, the corresponding line of which also images a bird transcending its proper bounds. The wanderer here is arrogant, and as Legge points out, "carelessly self-sufficient." The line sometimes implies some harsh truths about an overly intellectual approach to life.
An inflated consciousness is always egocentric and conscious of nothing but its own existence. It is incapable of learning from the past, incapable of understanding contemporary events, and incapable of drawing right conclusions about the future. It is hypnotized by itself and therefore cannot be argued with. It inevitably dooms itself to calamities that must strike it dead. Jung -- Psychology and Alchemy
A. Criminal negligence creates an irretrievable loss.
B. Image of a stupid idea.
54 The Marrying Maiden
Other titles: The Marrying Maiden, The Symbol of the Marriage of the Younger Sister, Marriageable Maiden, The Marrying Girl, Subordinate, The Second Wife, Converting Maidenhood, Returning maiden, Making a young girl marry, Marrying a young girl, Marrying a Maiden, Unilateral Action, Impropriety, Improper Advances, "Deals with life and death, sex and birth. It contains a warning about a person or situation. It deals essentially with discrimination. The first step on the Path without which we are useless." -- D.F. Hook
Judgment
Legge:Propriety indicates that action will be evil, and in no wise advantageous.
Wilhelm/Baynes: The Marrying Maiden. Undertakings bring misfortune. Nothing that would further.
Blofeld:The Marriageable Maiden. Advance brings misfortune. No goal (or destination) is now favorable.
Liu: The Marrying Girl. Undertaking leads to misfortune. Nothing benefits.
Ritsema/Karcher: Converting Maidenhood, chastising: pitfall. Without direction: Harvesting. [Without direction: Harvesting: ... In order to take advantage of the situation, do not impose a direction on events.] [This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it...]
Shaughnessy:Returning maiden: To be upright is inauspicious; there is no place beneficial.
Cleary (1): Making a young girl marry: To go on will lead to misfortune; no profit is gained.
Cleary (2):Marrying a young girl. To go on an expedition leads to misfortune, with nothing gained.
Wu: Marrying a Maiden indicates that it will be foreboding to make moves. There is nothing to be gained.
The Image
Legge: The waters of a Marsh with Thunder over it form the hexagram of Propriety. The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning.
Wilhelm/Baynes: Thunder over the lake: the image of The Marrying Maiden. Thus the superior man understands the transitory in the light of the eternity of the end.
Blofeld: This hexagram symbolizes thunder over a pool. The Superior Man knows that, to achieve an enduring end, he must be aware of his mistakes at the beginning.
Liu: Thunder over the lake symbolizes the Marrying Girl. The superior man knows the cause of error, and persists in his virtue to the end.
Ritsema/Karcher: Above marsh possessing thunder. Converting Maidenhood. A chun tzu uses perpetually completing to know the cracked.
Cleary (1): There is thunder above a lake, making a young girl marry. Thus superior people persist to the end and know what is wrong.
Cleary (2): Thunder over a lake – Marrying a young girl. Developed people consider lasting results and know what is wrong. [The way developed people handle things is that before they take the time to ask how to start something, they first consider lasting results. If they think of lasting results, they know what is wrong with acting prematurely, like marrying an immature girl. If you understand the meaning of this, you can apply it to government and to contemplating mind as well.]
Wu: There is thunder above the marsh; this is Marrying a Maiden. Thus, the jun zi in the pursuit of lasting excellence realizes the flaws and corrects them.
COMMENTARY
Confucius/Legge: In the marriage of a young bride the proper relationship between heaven and earth is seen. Nothing could grow or flourish if heaven and earth did not unite. The marriage of a young bride is therefore both the commencement and goal of humanity. But here the desire of pleasure employs movement to attain union. This action will be evil because the lines are in inappropriate places, and the magnetic three and five are mounted on dynamic lines.
Legge: The Chinese phrase for this hexagram might be equivalent to the English "giving in marriage,” but there are some special meanings in this case which must be understood. The Judgment gives a bad auspice because the trigram of the Youngest Daughter is beneath the trigram of the Eldest Son. Since the action of the hexagram begins with the lowest trigram, we have two violations of propriety. First, the marriage is initiated by the woman and her friends. She goes unilaterally to her future home instead of the bridegroom coming to fetch her. Second, the parties are unequally matched -- there is too great a disparity in their ages. In addition, all the lines in the hexagram except the top and the bottom are in places inappropriate for them. Some commentators insist that the symbol of the contracting of a marriage in this hexagram sets forth some principles which should obtain in the relation between a ruler and his ministers.
The growth of things in nature from the interaction of heaven and earth is analogous to the increase of mankind through the interaction between male and female in marriage. The K'ang-hsi editors reconcile this good auspice with the unfavorable Judgment by saying: "The interaction of the yin and yang cannot be dispensed with, but we ought to be careful about it in the beginning in order to prevent mischief in the end.” The error here is that the desire for the marriage originated with the lady, and that she is heedless of the disparity in their ages.
NOTES AND PARAPHRASES
Judgment: Propriety means that unilateral action is inappropriate.
The Superior Man understands that the Work is guided from within, and that choices which ignore this truth can only retard its progress. (Present actions originate future consequences: pay heed to your choices.)
The traditional name for this hexagram is The Marrying Maiden -- a title which does not convey to modern western readers the subtlety of its symbolism. Blofeld says: "This hexagram is, on the whole, a most unfortunate omen ... We must not suppose that it deals only with marriage. What is said about the maiden symbolizes in some way or other what we may expect for ourselves within the context of our enquiry." The figure is certainly difficult, but "unfortunate" only if its import is resisted or denied: any portrayal of our situation which eliminates illusion (however painful the realization), must be regarded as a positive lesson.
Although the Confucian commentary describes this hexagram in terms of self-seeking aspiration, the wretched protagonist of the figure is not invariably culpable, and neither Judgment nor Image imply this. In addition to being at the very bottom of the social pecking order, the maiden is portrayed as half-blind, crippled and a "slave." Although condemned by the commentators for importuning a marriage that would raise her status, a close reading of the lines reveals that only the sixth place suggests possible impropriety -- the others all contain advice about how one of extremely low status should cope with restricted circumstances. The hexagram therefore can deal with either of two possible conditions: those involving Proprietyand those involving Making-do as an adaptation to adversity.
In the first instance, it is useful to compare the symbolism here with that of the preceding hexagram of Gradual Progress. There we see the organic progression of the Work allegorized as the proper marriage of a young woman. In this case, Gradual Progress has been turned upside down and the symbolism reversed: this young woman improperly pursues a marriage on her own initiative. Psychologically interpreted, it can be regarded as an image of the ego pushing its own agenda or desire for union.
The ego may move in directions and toward actions that are at variance with the intentions and standards of the Self ... The mature adult needs to recognize eventually his or her relative limitedness vis-à-vis the "Self- field" and the cosmic organism of which s/he is but a cell. We are subject to the ordering and growth intents of the entelechy of the whole. E. C. Whitmont -- The Alchemy of Healing
To recognize our `relative limitedness “vis-à-vis the Self-field” is to renounce our claim to unilateral action. Though the ego ardently desires a marriage with the Self, only the Self can initiate such a union. Chou Tun I, an early Neo-Confucian, makes an observation which illuminates Legge's Image:
"The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning. The most important things in the world are tendencies. Tendencies may be strong or weak. If a tendency is extremely strong, it cannot be controlled. But it is possible to control it quickly if one realizes that it is strong. To control it requires effort. If one does not realize early enough, it will not be easy to apply effort.”
To receive this hexagram without changing lines can be an admonition to examine your motives and actions in the matter at hand. Where are you out of line? If no obvious impropriety is involved, it could also portray an essentially impotent predicament. At such times Ritsema/Karcher's synopsis bears repetition: "This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it.”
SUGGESTIONS FOR MEDITATION
Compare Propriety with hexagram number fifty-three, Gradual Progress, then compare them both with hexagram number thirty-one,Initiative. What are the similarities in their ideas? Now look at hexagrams number eleven, seventeen and twenty-two and observe the over-all philosophy which begins to emerge.