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The Wanderer56
Embrace the journey. Stay adaptable and attentive. Balance independence with humility. Success comes from accepting change and being resourceful.
↓ Line 2
Finding a temporary place of rest and support can lead to stability and assistance.
↓ Line 4
Temporary security is achieved, but there is still unease and potential for conflict.
↓ Line 5
Success through skill and precision leads to recognition and advancement.
↓ Penetration57
Adapt influence like the wind; subtle shifts bring progress. Consistency and endurance will penetrate barriers.
Original Readings
56 The Wanderer
Other titles: The Wanderer, The Symbol of the Traveler, The Exile, Sojourning, The Newcomer, To Lodge, To Travel, Traveling, The Stranger, Strangers, The Traveling Stranger, The Outsider, The Alien, The Gnostic, The Tarot Fool, Wandering, Homeless, Uncommitted, On Your Own, "Can refer to being out of one's element." -- D.F. Hook
Judgment
Legge: Transition means that small attainments are possible. If the traveling stranger is firm and correct, there will be good fortune.
Wilhelm/Baynes:The Wanderer. Success through smallness. Perseverance brings good fortune to the wanderer.
Blofeld:The Traveler -- success in small matters. Persistence with regard to traveling brings good fortune.
Liu: The Exile. Small success. To continue leads to good fortune.
Ritsema/Karcher:Sojourning, the small: Growing. Sojourning, Trial: significant. [This hexagram describes your situation in terms of wandering journeys and living in exile. It emphasizes that mingling with others as a stranger whose identity comes from a distant center is the adequate way to handle it...]
Shaughnessy:Traveling. Small receipt. Traveling; determination is auspicious.
Cleary (1): Travel is developmental when small; if travel is correct, it leads to good fortune.
Cleary (2): Travel has a little success. Travel is auspicious if correct.
Wu:Traveling indicates small pervasion. Perseverance will bring auspiciousness.
The Image
Legge: A fire on the mountain -- the image of Transition. The superior man exerts cautious wisdom in his punishments, and does not permit prolonged litigation.
Wilhelm/Baynes: Fire on the mountain: the image of The Wanderer. Thus the superior man is clear-minded and cautious in imposing penalties, and protracts no lawsuits.
Blofeld: This hexagram symbolizes fire upon a mountain. The Superior Man employs wise caution in administering punishments and does not suffer the cases brought before him to be delayed.
Liu: Fire over the mountain symbolizes the Exile. The superior man is careful and clever in imposing punishments, and does not delay the cases brought.
Ritsema/Karcher: Above mountain possessing fire. Sojourning. A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating.
Cleary (1): There is fire atop a mountain, transient. Thus superior people apply punishments with understanding and prudence, and do not keep people imprisoned.
Cleary (2): Fire on a mountain – traveling. Etc.
Wu: There is fire on the mountain; this is Traveling. Thus the jun zi exercises the utmost deliberations in exacting punishments such that prisoners will not be detained without cause.
COMMENTARY
Confucius/Legge:Transition indicates that there may be some small attainment and progress -- the magnetic line occupies the central place in the upper trigram, and is obedient to the dynamic lines above and below it. We also have the attributes of Keeping Still connected with Intelligence in the lower and upper trigrams. Hence it is said that there may be some small attainment and progress. If the traveling stranger is firm and correct as he ought to be, there will be good fortune. Great is the time and great is the right course to be taken under these circumstances!
Legge: The written Chinese character for this hexagram denotes people traveling abroad, and is often translated as Strangers. The figure addresses itself to traveling strangers, and tells them how they ought to comport themselves through the cultivation of humility and firm correctness. By means of these they would escape harm, and make progress. The status of traveling stranger is seen as too low to expect great things of them.
It is assumed that the wanderer is in the position of the fifth line. The ideas of humility, docility, calmness and intelligence are derived from the attributes of the component trigrams. These are all characteristics which are proper to a stranger, and are likely to lead to advancement and attainment of his desires. Concerning the Image, K'ung Ying-ta comments: "A fire on a mountain lays hold of the grass, and runs with it over the whole space, not stopping anywhere long, and soon disappearing -- such is the emblem of the traveler."
NOTES AND PARAPHRASES
Judgment: During a Transition, keep your willpower great and your expectations small.
The Superior Man sees clearly and does not embroil himself in complexity. He is clear-minded and cautious in judging the truth of the situation, maintaining detachment from the social milieu.
Wilhelm's translation of the title of this hexagram is The Wanderer. A wanderer is one who has no home, or who is between one home and another. This reminds us of the gnostic notion of the "Alien": the incarnate soul exiled to wander in the space-time dimension (i.e., this world).
The alien is that which stems from elsewhere and does not belong here ... The stranger who does not know the ways of the foreign land wanders about lost; if he learns its ways too well, he forgets that he is a stranger and gets lost in a different sense by succumbing to the lure of the alien world and becoming estranged to his own origin ... The recollection of his own alienness, the recognition of his place of exile for what it is, is the first step back; the awakened homesickness is the beginning of the return. Hans Jonas -- The Gnostic Religion
In the broadest interpretation then, the message in the Judgment: "If the traveling stranger is firm and correct, there will be good fortune" can refer to not becoming entangled in the affairs of this world in which we wander -- an idea emphasized in the first line. Ritsema/Karcher state it explicitly -- defining our challenge as "mingling with others as a stranger whose identity comes from a distant center." This is good general advice for anyone seriously engaged in the Work, since the "distant center" ("God," or the Self) represents the essence we incarnated to serve.
We are strangers in this world, and the body is the tomb of the soul, and yet we must not seek to escape by self- murder; for we are the chattels of God who is our herdsman, and without his command we have no right to make our escape. Pythagorean ethic
In more specific situations, the hexagram symbolizes a transitional phase. Lines two, three and four all depict "Inns" or temporary resting places (commonly experienced in dreams as images of hotels or motels). The symbolism is identical: the psyche is reflecting an interim situation during a state of Transition.
By definition, a transition is fluid and not yet fixed. Depending upon the choices made, one can go in different directions. In terms of consciousness, it is obvious that the transition can be from a lower state of awareness to a higher one, or vice-versa. Because a transition is an opportunity for deliberate choice-making, the Confucian commentary concludes with: "Great is the time and great is the right course to be taken under these circumstances!"
Lines one, three and six depict very negative situations involving ignorant, arrogant choices. We think of the ego blindly pushing the river of its desires, unable to see the unfortunate consequences it thereby engenders. Line two suggests a solid resting place during our journey, while line four depicts a tenuous, though not necessarily incorrect, similar situation. The fifth line counsels a kind of sacrifice to the ruler (the Self) which results in an eventual reward. The message is to let the Self guide you through a Transition.
SUGGESTIONS FOR MEDITATION
Hexagram number fifty-six is the reverse of hexagram number fifty-five. Compare the role of the superior man in the Image of each figure. How are they the same? How are they different? What are the differences and similarities of the component trigrams of each hexagram, and how do they affect their respective meanings?
Notes, August 15, 2009: A new paraphrase of the Judgment and Image:
The Gnostic Alien. Small attainments are possible if the Alien keeps a clear head and maintains his self-discipline. The initiated Adept is intelligent, discreet, and displays vigilant wisdom: he maintains and protects his gnosis via cautious reserve in worldly disputes, eschewing needless contention. [He can do this because he knows that this is an illusory reality: a set-up, a trap, a Loosh factory created by the Demiurge.] A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating. [In other words “do the work in the place in which you find yourself” quickly, and efficiently, with as few entanglements as possible under the circumstances. Shun new karma. Implicit is that this experience is preparation for the bodhisattva vow.]
Line 2
Legge: The second line, magnetic, shows the stranger occupying her lodging-house, carrying her means of livelihood, and provided with good and trusty servants.
Wilhelm/Baynes: The wanderer comes to an inn. He has his property with him. He wins the steadfastness of a young servant.
Blofeld: The traveler reaches an inn with his valuables still nestling safely in the bosom of his robe. He gains the loyalty of a young servant. [This implies that we need fear no loss upon our journey.]
Liu: The exile arrives at an inn. He carries valuables. He wins the loyalty of a young servant.
Ritsema/Karcher: Sojourning, approaching a resting-place. Cherishing one's own. Acquiring a youthful vassal: Trial.
Shaughnessy: In traveling having just lodged, he cherishes his belongings, getting the young servant's determination.
Cleary (1): Coming to a lodge on a journey with money in your pocket, you have attendants, yet are upright.
Cleary (2): Coming to an inn on a journey with supplies in hand, one gains the loyalty of a servant.
Wu: The traveler makes a stop with his valuable belongings and gets help from a trustworthy bellboy.
COMMENTARY
Confucius/Legge: With such servants she will in the end have nothing of which to complain. Wilhelm/Baynes: This is not a mistake in the end. Blofeld: There will be no trouble to the very end. Ritsema/Karcher: Completing without surpassing indeed. Cleary (2): After all there is no complaint. Wu: He is free from troubles.
Legge: Line two is magnetic, but in her proper and central place. Hence the traveler is represented as provided with everything she requires, and though the auspice is not mentioned, we must understand it as being good. Strong and trusty servants are the most important condition for the comfort and progress of the traveler.
NOTES AND PARAPHRASES
Siu: The man retains his inner sense of modesty and reserve. He acquires the necessary means of livelihood, a home, and good and trustworthy servants.
Wing: With confidence and self-possession you can attract support from new environments. Think of it as the personal gravity generated by the weight of your principles. Someone is ready to help you in your endeavors.
Editor: Psychologically interpreted, the image of a wandering stranger portrays the ego en-route to somewhere else -- transient, uncommitted, undergoing change. A lodging house or Inn is a temporary shelter, an interim point of view, a transitory state. Legge's "means of livelihood" (rendered as "valuables," "property,""belongings," “money” or “supplies” by the other translators), can be any wealth, gain, power, ability, or consolidation of psychic energy. Most translators qualify "servants" as "young servant." A young servant would symbolically suggest inexperienced, untried power or ability to do work. These images all suggest the consolidation of energy during a period of transition.
If the emphasis is on the temporary and transient nature of the worldly sojourn and on the condition of being a stranger, the world is called also the "inn," in which one "lodges"; and "to keep the inn" is a formula for "to be in the world" or "in the body." H. Jonas -- The Gnostic Religion
A. One preserves one's gains through a transition and obtains new and untried powers. You have everything you need to succeed.
Line 4
Legge: The fourth line, dynamic, shows the traveler in a resting place, having also the means of livelihood and the axe, but still saying: "I am not at ease in my mind."
Wilhelm/Baynes: The wanderer rests in a shelter. He obtains his property and an ax. My heart is not glad.
Blofeld: The traveler reaches a place where he obtains the money needed for his expenses, yet laments that there is no joy in his heart. [Were we to travel or continue to travel now, though material difficulties would not arise, we should not experience any happiness.]
Liu: The exile finds rest in a sanctuary. He regains his valuables. He is not happy in his heart.
Ritsema/Karcher: Sojourning, tending-towards abiding. Acquiring one's own emblem-ax. My heart not keen.
Shaughnessy: In traveling, staying put, he gets his goods and ax; my heart is not happy.
Cleary (1): Traveling in the right place, one obtains resources and tools, but one’s heart is not happy.
Wu: The traveler rests in his lodge. He has the amenities, but he is not at ease.
COMMENTARY
Confucius/Legge: Although in a resting place, he has not got his proper position. Even with a livelihood and an axe his mind is not at ease. Wilhelm/Baynes: He has not yet obtained his place. He is not yet glad at heart. Blofeld: His wandering to that place is indicated by the unsuitable position of this line; his obtaining money for expenses brings him no joy. Ritsema/Karcher: Not-yet acquiring the situation indeed. The heart not-yet keen indeed. Cleary (2): One has not gotten a position. One’s heart is not yet happy. Wu: His position is improper. He is still not at ease.
Legge: Line four is dynamic, but in a magnetic place. Hence, although he is without a lodging-house, he does have a shelter which is not very secure. He can use the axe for defense, but is still uneasy in his mind. The K'ang-hsi editors observe that the mention of the axe makes us think of caution as a quality desirable in a wanderer.
NOTES AND PARAPHRASES
Siu: Although the inferior man finds a resting place and a means of livelihood, his aspirations are greater than his capabilities. He remains ill at ease, a stranger in a strange environment.
Wing: Though you are on your way toward the attainment of your goals, you are constantly aware that you have not arrived. This state of mind leaves you feeling uneasy -- knowing you must move on, and yet anxious to protect and hold intact that which you have already accomplished.
Editor: Here the wanderer is "camping out," so to speak -- occupying a temporary position during a transition. The axe, analogous to the sword (or any metallic cutting instrument), can symbolize mental discrimination. (Cf. The suit of swords in the Tarot.) The image is of one who has the power to comprehend his situation and the resources to advance to a new position, yet is still in a very tenuous and ill-defined state of being. The issue could go either way.
This realization is extremely important from a practical standpoint, for it implies that only constant attention to the unconscious, an inner devoted tribute, is sufficient to enlist its cooperation. The unconscious realms cannot be analyzed away, cannot be defeated in battle, but, at best, by conscious confrontation, can be taken into account within the limits of one's individual capacity. E.C. Whitmont --The Symbolic Quest
A. A synthesis is only tentative -- gains are vulnerable to loss.
B. Consolidate and defend your position. You have all you need, but could lose it.
C. An incomplete idea or concept needs nourishment and careful discrimination to make it secure.
Line 5
Legge: The fifth line, magnetic, shows its subject shooting a pheasant. She will lose her arrow, but in the end she will obtain praise and a high charge.
Wilhelm/Baynes: He shoots a pheasant. It drops with the first arrow. In the end this brings both praise and office.
Blofeld: While pheasant shooting, he loses an arrow. In the end he wins praise and attains to office. [After suffering a small loss, we shall receive considerable benefits from those above us.]
Liu: He shoots a pheasant, losing one arrow. In the end he gains honor and position.
Shaughnessy: Shooting the pheasant, one arrow is gone; in the winter he is thereby presented a command.
Cleary (1): Shooting a pheasant, one arrow is lost; eventually one is entitled, because of good repute.
Cleary (2): ... Ultimately one is lauded and given a mandate.
Wu: He shoots a pheasant, but loses an arrow. Eventually he receives a conferment of praise.
COMMENTARY
Confucius/Legge: She has reached a high place. Wilhelm/Baynes: In the end he rises through praise and office. Blofeld: Both of these are bestowed from above. Ritsema/ Karcher: Overtaking the above indeed. Cleary (2): Reaching the highest. Wu:“Eventually he receives a conferment of praise” from his superior.
Legge: Although magnetic, the fifth line is in the center of the upper trigram of Clarity and Intelligence. She is the ruler of the trigram and the dynamic fourth and sixth lines loyally defend and help her. She shoots a pheasant. When an officer was traveling abroad in ancient times, the gift of introduction at any feudal court was a pheasant. The wanderer is here praised by her friends and exalted to a place of dignity by the ruler to whom she is acceptable. Note that the idea of the fifth line being the ruler's seat is dropped here as being alien to the idea of the hexagram.
NOTES AND PARAPHRASES
Siu: The man succeeds in his task and receives the recognition and praise of his friends. They recommend him to the prince, who accepts his services in a highly responsible position.
Wing: It may be that you must establish a place for yourself in altogether new territory. Be mindful of your approach. Modesty and generosity in the beginning will be rewarded with position and acceptance. Success is indicated.
Editor: There is some ambiguity in the various interpretations of this line. Some say that the fifth line is the seat of the ruler, though the logic of the symbolism suggests that since the ruler bestows favors on the subject of the line, he must be elsewhere. Wilhelm says that line four represents the wanderer's friends, and line six represents the high place to which she is promoted. As a bird, the pheasant is a creature of air, or mental realm, hence symbolic of an idea, concept or thought. Here the thought is given (sacrificed) to the ruler or Self. The arrow here suggests aspiration or intent: to perceive a goal or target (the pheasant) and make it one's own. However, the arrow is lost, and the quarry is given to the ruler in a gesture of fealty. In the end this results in a reward for the wanderer. All of these images suggest a kind of willing sacrifice which one may not completely understand, but which will eventually result in an ample reward.
Intellectually the Self is no more than a psychological concept, a construct that serves to express an unknowable essence which we cannot grasp as such, since by definition it transcends our powers of comprehension. It might equally well be called the "God within us." The beginnings of our whole psychic life seem to be inextricably rooted in this point, and all our highest and ultimate purposes seem to be striving towards it. Jung -- Two Essays on Analytical Psychology
A. Your aspiration exceeds your comprehension. Sacrifice a small reward now and receive a big one later on.
B. Sacrifice your need to understand. Have faith in the Work.
57 Penetration
Other titles: The Gentle, The Penetrating, Wind, The Symbol of Bending to Enter, Willing Submission, Gentle Penetration, Ground, Calculations, Complaisance, Penetrating Influence, The Penetration of the Wind, Humility, Devoted Service, Submission
Judgment
Legge:Penetration indicates modest success. See the great man and move in the direction that implies.
Wilhelm/Baynes:The Gentle. Success through what is small. It furthers one to have somewhere to go. It furthers one to see the great man.
Blofeld:Willing Submission -- success in small matters. It is advantageous to have in view a goal (or destination) and to visit a great man. [This is a reasonably auspicious hexagram; it augurs a certain amount of success for those who submit to circumstances -- unless a moving line indicating the contrary is received. This is not a time for resistance but for submission.]
Liu:Penetration. Small success. It is beneficial to go somewhere. It is beneficial to see a great man.
Ritsema/Karcher: Ground, the small: Growing. Harvesting: possessing directed going. Harvesting: visualizing Great People. [This hexagram describes your situation in terms of providing an underlying support. It emphasizes that subtly penetrating and nourishing things from below, the action of Ground, is the adequate way to handle it. To be in accord with the time, you are told to enter the situation from below!]
Shaughnessy: Calculations: Little receipt; beneficial to have someplace to go; beneficial to see the great man.
Cleary (1):Wind is small but developmental. It is beneficial to have somewhere to go. It is beneficial to see a great man.
Cleary (2):The small comes through successfully. It is beneficial to have a place to go. It is beneficial to see great people.
Wu: Complaisance indicates that the small are pervasive. It is advantageous to have undertakings. It is also advantageous to see the great man.
The Image
Legge: Two wind trigrams following each other form Penetration. The superior man proclaims his commands and undertakes his work.
Wilhelm/Baynes: Winds following one upon the other: the image of the gently penetrating. Thus the superior man spreads his commands abroad and carries out his undertakings.
Blofeld: This hexagram symbolizes a favorable wind. The Superior Man performs his allotted tasks in consonance with heaven's (or the sovereign's) will. [The component trigrams combine the concepts of wind and blandness -- hence a favorable wind.]
Liu: Wind following wind symbolizes Penetration. The superior man proclaims his directives and executes his affairs.
Ritsema/Karcher: Following winds. Ground. A chun tzu uses distributing fate to move affairs.
Cleary (1): Wind following wind.Thus do superior people articulate directions and carry out tasks.
Wu: One breeze follows the other; this is Complaisance. Thus the jun zi gives further injunctions in order to administer public affairs.
COMMENTARY
Confucius/Legge: Repeated wind trigrams show the repetition of governmental orders. The dynamic fifth line has penetrated to his correct central place and carries his will into action. The magnetic first and fourth lines obey the dynamic lines above them. Hence it is said that there will be success in small matters.
Legge: Penetration symbolizes both wind and wood, and has the attributes of Docility, Flexibility and Penetration. We are to think of it as wind with its penetrating power which finds its way into every nook and cranny.
Confucius said: "The relation between superiors and inferiors is like that between the wind and the grass. The grass must bend when the wind blows upon it." In accordance with this, the hexagram must be understood as the influence and orders of the government designed to remedy what is wrong in the people. The upper trigram denotes the orders issuing from the ruler, and the lower the obedience rendered to them by the people.
Ch'eng-tzu says:"Superiors, in harmony with the duty of inferiors, issue their commands; inferiors, in harmony with the wishes of their superiors, follow them. Above and below there are that harmony and deference; and this is the significance of the redoubled Wind trigram. When governmental commands and business are in accordance with what is right, they agree with the tendencies of the minds of the people who follow them."
Anthony: Getting this hexagram often refers to the presence of inferior elements that obstruct our having a good influence ... Because this hexagram is concerned with self-correction, we often get it together with Work on What has been Spoiled. [Hex. 18: Repair.]
NOTES AND PARAPHRASES
Judgment: Get to the heart of the matter and act on the information obtained.
The Superior Man acts on his understanding by implementing it in the world.
The hexagram ofPenetration, made up of two trigrams symbolizing Wind (which is air in motion), suggests the activity of thought (the realm of air) trying to comprehend or "penetrate" something. Thus, each line of the figure may be seen as some aspect of an act of mental endeavor.
Therefore the student must exert his own mind to the utmost. If he does so, he will know his own nature. And if he knows his own nature, examines his own self and makes it sincere, he becomes a sage. Therefore the "Great Norm" says, "The virtue of thinking is penetration and profundity ... Penetration and profundity lead to sageness.” -- Ch'eng I
The first line depicts vacillation and indecisiveness; the second shows one trying to "get to the bottom" of a matter. Line three is an image of futile hypothesizing; four and five show two aspects of successful comprehension, and the sixth line symbolizes an inability to understand.
Man's intellect -- the greatest but most dangerous gift he has received from God -- builds a bridge across the seemingly unconquerable chasm between that which is personal and mortal and that which is impersonal and eternal. Through man's intellect he succumbed to the temptation to fall out of divine unity with his consciousness. But by the same token, his intellect gives him the possibility of bringing back his consciousness into full union with divinity. By means of his intellect, man is able to understand truth, and when he has understood, he will seek and keep on seeking and trying until he some day succeeds in finding the only path to the realization of his self. Elisabeth Haich -- Initiation
The hexagram can also symbolize humble submission and devoted service, thus suggesting the role of the ego in the Work. To truly comprehend the nature of the Work is to serve it with devotion. There are some interesting associations between the act of penetration and that of submission – when dynamic and magnetic are in full harmony they lose their individual identities and become one force which is both and neither.