One weakens one's position by not helping those to whom one owes one's promotion. taoscopy.com
The Wanderer56
Embrace the journey. Stay adaptable and attentive. Balance independence with humility. Success comes from accepting change and being resourceful.
↓ Line 2
Finding a temporary place of rest and support can lead to stability and assistance.
↓ Line 3
Unexpected events can lead to loss and instability; be prepared for challenges.
↓ Line 4
Temporary security is achieved, but there is still unease and potential for conflict.
↓ Line 5
Success through skill and precision leads to recognition and advancement.
↓ Dispersion59
Adapt to situations by letting go of rigidity; dissolve obstacles through openness and flexibility.
Original Readings
56 The Wanderer
Other titles: The Wanderer, The Symbol of the Traveler, The Exile, Sojourning, The Newcomer, To Lodge, To Travel, Traveling, The Stranger, Strangers, The Traveling Stranger, The Outsider, The Alien, The Gnostic, The Tarot Fool, Wandering, Homeless, Uncommitted, On Your Own, "Can refer to being out of one's element." -- D.F. Hook
Judgment
Legge: Transition means that small attainments are possible. If the traveling stranger is firm and correct, there will be good fortune.
Wilhelm/Baynes:The Wanderer. Success through smallness. Perseverance brings good fortune to the wanderer.
Blofeld:The Traveler -- success in small matters. Persistence with regard to traveling brings good fortune.
Liu: The Exile. Small success. To continue leads to good fortune.
Ritsema/Karcher:Sojourning, the small: Growing. Sojourning, Trial: significant. [This hexagram describes your situation in terms of wandering journeys and living in exile. It emphasizes that mingling with others as a stranger whose identity comes from a distant center is the adequate way to handle it...]
Shaughnessy:Traveling. Small receipt. Traveling; determination is auspicious.
Cleary (1): Travel is developmental when small; if travel is correct, it leads to good fortune.
Cleary (2): Travel has a little success. Travel is auspicious if correct.
Wu:Traveling indicates small pervasion. Perseverance will bring auspiciousness.
The Image
Legge: A fire on the mountain -- the image of Transition. The superior man exerts cautious wisdom in his punishments, and does not permit prolonged litigation.
Wilhelm/Baynes: Fire on the mountain: the image of The Wanderer. Thus the superior man is clear-minded and cautious in imposing penalties, and protracts no lawsuits.
Blofeld: This hexagram symbolizes fire upon a mountain. The Superior Man employs wise caution in administering punishments and does not suffer the cases brought before him to be delayed.
Liu: Fire over the mountain symbolizes the Exile. The superior man is careful and clever in imposing punishments, and does not delay the cases brought.
Ritsema/Karcher: Above mountain possessing fire. Sojourning. A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating.
Cleary (1): There is fire atop a mountain, transient. Thus superior people apply punishments with understanding and prudence, and do not keep people imprisoned.
Cleary (2): Fire on a mountain – traveling. Etc.
Wu: There is fire on the mountain; this is Traveling. Thus the jun zi exercises the utmost deliberations in exacting punishments such that prisoners will not be detained without cause.
COMMENTARY
Confucius/Legge:Transition indicates that there may be some small attainment and progress -- the magnetic line occupies the central place in the upper trigram, and is obedient to the dynamic lines above and below it. We also have the attributes of Keeping Still connected with Intelligence in the lower and upper trigrams. Hence it is said that there may be some small attainment and progress. If the traveling stranger is firm and correct as he ought to be, there will be good fortune. Great is the time and great is the right course to be taken under these circumstances!
Legge: The written Chinese character for this hexagram denotes people traveling abroad, and is often translated as Strangers. The figure addresses itself to traveling strangers, and tells them how they ought to comport themselves through the cultivation of humility and firm correctness. By means of these they would escape harm, and make progress. The status of traveling stranger is seen as too low to expect great things of them.
It is assumed that the wanderer is in the position of the fifth line. The ideas of humility, docility, calmness and intelligence are derived from the attributes of the component trigrams. These are all characteristics which are proper to a stranger, and are likely to lead to advancement and attainment of his desires. Concerning the Image, K'ung Ying-ta comments: "A fire on a mountain lays hold of the grass, and runs with it over the whole space, not stopping anywhere long, and soon disappearing -- such is the emblem of the traveler."
NOTES AND PARAPHRASES
Judgment: During a Transition, keep your willpower great and your expectations small.
The Superior Man sees clearly and does not embroil himself in complexity. He is clear-minded and cautious in judging the truth of the situation, maintaining detachment from the social milieu.
Wilhelm's translation of the title of this hexagram is The Wanderer. A wanderer is one who has no home, or who is between one home and another. This reminds us of the gnostic notion of the "Alien": the incarnate soul exiled to wander in the space-time dimension (i.e., this world).
The alien is that which stems from elsewhere and does not belong here ... The stranger who does not know the ways of the foreign land wanders about lost; if he learns its ways too well, he forgets that he is a stranger and gets lost in a different sense by succumbing to the lure of the alien world and becoming estranged to his own origin ... The recollection of his own alienness, the recognition of his place of exile for what it is, is the first step back; the awakened homesickness is the beginning of the return. Hans Jonas -- The Gnostic Religion
In the broadest interpretation then, the message in the Judgment: "If the traveling stranger is firm and correct, there will be good fortune" can refer to not becoming entangled in the affairs of this world in which we wander -- an idea emphasized in the first line. Ritsema/Karcher state it explicitly -- defining our challenge as "mingling with others as a stranger whose identity comes from a distant center." This is good general advice for anyone seriously engaged in the Work, since the "distant center" ("God," or the Self) represents the essence we incarnated to serve.
We are strangers in this world, and the body is the tomb of the soul, and yet we must not seek to escape by self- murder; for we are the chattels of God who is our herdsman, and without his command we have no right to make our escape. Pythagorean ethic
In more specific situations, the hexagram symbolizes a transitional phase. Lines two, three and four all depict "Inns" or temporary resting places (commonly experienced in dreams as images of hotels or motels). The symbolism is identical: the psyche is reflecting an interim situation during a state of Transition.
By definition, a transition is fluid and not yet fixed. Depending upon the choices made, one can go in different directions. In terms of consciousness, it is obvious that the transition can be from a lower state of awareness to a higher one, or vice-versa. Because a transition is an opportunity for deliberate choice-making, the Confucian commentary concludes with: "Great is the time and great is the right course to be taken under these circumstances!"
Lines one, three and six depict very negative situations involving ignorant, arrogant choices. We think of the ego blindly pushing the river of its desires, unable to see the unfortunate consequences it thereby engenders. Line two suggests a solid resting place during our journey, while line four depicts a tenuous, though not necessarily incorrect, similar situation. The fifth line counsels a kind of sacrifice to the ruler (the Self) which results in an eventual reward. The message is to let the Self guide you through a Transition.
SUGGESTIONS FOR MEDITATION
Hexagram number fifty-six is the reverse of hexagram number fifty-five. Compare the role of the superior man in the Image of each figure. How are they the same? How are they different? What are the differences and similarities of the component trigrams of each hexagram, and how do they affect their respective meanings?
Notes, August 15, 2009: A new paraphrase of the Judgment and Image:
The Gnostic Alien. Small attainments are possible if the Alien keeps a clear head and maintains his self-discipline. The initiated Adept is intelligent, discreet, and displays vigilant wisdom: he maintains and protects his gnosis via cautious reserve in worldly disputes, eschewing needless contention. [He can do this because he knows that this is an illusory reality: a set-up, a trap, a Loosh factory created by the Demiurge.] A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating. [In other words “do the work in the place in which you find yourself” quickly, and efficiently, with as few entanglements as possible under the circumstances. Shun new karma. Implicit is that this experience is preparation for the bodhisattva vow.]
Line 2
Legge: The second line, magnetic, shows the stranger occupying her lodging-house, carrying her means of livelihood, and provided with good and trusty servants.
Wilhelm/Baynes: The wanderer comes to an inn. He has his property with him. He wins the steadfastness of a young servant.
Blofeld: The traveler reaches an inn with his valuables still nestling safely in the bosom of his robe. He gains the loyalty of a young servant. [This implies that we need fear no loss upon our journey.]
Liu: The exile arrives at an inn. He carries valuables. He wins the loyalty of a young servant.
Ritsema/Karcher: Sojourning, approaching a resting-place. Cherishing one's own. Acquiring a youthful vassal: Trial.
Shaughnessy: In traveling having just lodged, he cherishes his belongings, getting the young servant's determination.
Cleary (1): Coming to a lodge on a journey with money in your pocket, you have attendants, yet are upright.
Cleary (2): Coming to an inn on a journey with supplies in hand, one gains the loyalty of a servant.
Wu: The traveler makes a stop with his valuable belongings and gets help from a trustworthy bellboy.
COMMENTARY
Confucius/Legge: With such servants she will in the end have nothing of which to complain. Wilhelm/Baynes: This is not a mistake in the end. Blofeld: There will be no trouble to the very end. Ritsema/Karcher: Completing without surpassing indeed. Cleary (2): After all there is no complaint. Wu: He is free from troubles.
Legge: Line two is magnetic, but in her proper and central place. Hence the traveler is represented as provided with everything she requires, and though the auspice is not mentioned, we must understand it as being good. Strong and trusty servants are the most important condition for the comfort and progress of the traveler.
NOTES AND PARAPHRASES
Siu: The man retains his inner sense of modesty and reserve. He acquires the necessary means of livelihood, a home, and good and trustworthy servants.
Wing: With confidence and self-possession you can attract support from new environments. Think of it as the personal gravity generated by the weight of your principles. Someone is ready to help you in your endeavors.
Editor: Psychologically interpreted, the image of a wandering stranger portrays the ego en-route to somewhere else -- transient, uncommitted, undergoing change. A lodging house or Inn is a temporary shelter, an interim point of view, a transitory state. Legge's "means of livelihood" (rendered as "valuables," "property,""belongings," “money” or “supplies” by the other translators), can be any wealth, gain, power, ability, or consolidation of psychic energy. Most translators qualify "servants" as "young servant." A young servant would symbolically suggest inexperienced, untried power or ability to do work. These images all suggest the consolidation of energy during a period of transition.
If the emphasis is on the temporary and transient nature of the worldly sojourn and on the condition of being a stranger, the world is called also the "inn," in which one "lodges"; and "to keep the inn" is a formula for "to be in the world" or "in the body." H. Jonas -- The Gnostic Religion
A. One preserves one's gains through a transition and obtains new and untried powers. You have everything you need to succeed.
Line 3
Legge: The third line, dynamic, shows the stranger, burning his lodging-house, and having lost his servants. However firm and correct he tries to be, he will be in peril.
Wilhelm/Baynes: The wanderer's inn burns down. He loses the steadfastness of his young servant. Danger.
Blofeld: Owing to the traveler’s lack of caution, the inn is burnt down and he no longer enjoys the young servant's loyalty. Persistence now would lead to trouble. [Our carelessness leads us into such difficulties that it would be folly to proceed.]
Liu: The inn where the exile stays burns down. He loses the loyalty of his young servant. To continue is dangerous.
Shaughnessy: In traveling burning his lodging, and losing his young servant; determination is dangerous.
Cleary (1): Burning the lodge on a journey, you lose your attendants. Even if righteous there is danger.
Cleary (2): Burning the inn on a journey, losing the servants, is dangerous even if one is upright.
Wu: The lodge is on fire. He loses the favor of his helper. He is in danger even persevering.
COMMENTARY
Confucius/Legge: By burning down his lodging-house he himself also suffers harm. When as a stranger, he treats those below him as the line indicates, the right relation between master and servant is lost. Wilhelm/Baynes: This is a loss for him personally. If he deals like a stranger with his subordinate, it is only right that he should lose him. Blofeld: Traveling on a downward path, our sense of duty and fitness is impaired. Ritsema/Karcher: Actually truly using injuring. One's righteousness lost indeed. Cleary (2): One will also be injured. Duty is lost. Wu: It is a pity. Being stern to the helper in traveling is an invitation to loss.
Legge: The third line is dynamic in a dynamic place, but because he is at the top of the lower trigram, he may be expected to be violent. In the case symbolized he is violent to an extraordinary degree, and incapable of correctness. He treats those below him (his servants) with arrogance, which of course alienates them from him. The K'ang-hsi editors remark that the second and third lines are represented as having lodging-houses when the other lines don't, because they are the only two lines in the figure who are in their proper places.
NOTES AND PARAPHRASES
Siu: The newcomer becomes arrogant and truculent. He eventually loses his house and servant and finds himself without support in a perilous situation.
Wing: Offensive and careless behavior in your position are great mistakes. You are in danger of losing what security you have by interfering in matters that are not your concern. Those who may have once been loyal will then withdraw, leaving you in a perilous state.
Editor: Wilhelm points out that the dynamic line in a dynamic place is in this case too overbearing -- representing one who shows no respect for either those above or below him. For a "stranger in a strange land" to behave in this fashion is a sure formula for failure. One is reminded of the boorish behavior of some tourists in foreign countries -- their insensitivity invariably costs them both money and respect. Sometimes the line can suggest a kind of masochistic petulance in your attitude toward the Work. Note: Oracle interpretation must always remain open and flexible. A recent receipt of this line reversed its usual syntax to portray a situation in which the “ Inn set on fire” referred to an organization which lost a faithful servant (the querent-employee) through unethical business practices. Always allow your best intuition to recognize the best fit for the symbolism, particularly if an answer doesn’t seem to make sense. Try inverting the situation to see if that works better – if so, the answer will usually be numinous.
The arrogant heart is abhorrent to Yahweh,
be sure it will not go unpunished.
Proverbs 16: 5
A. A position is undermined and support is lost because of arrogance.
Line 4
Legge: The fourth line, dynamic, shows the traveler in a resting place, having also the means of livelihood and the axe, but still saying: "I am not at ease in my mind."
Wilhelm/Baynes: The wanderer rests in a shelter. He obtains his property and an ax. My heart is not glad.
Blofeld: The traveler reaches a place where he obtains the money needed for his expenses, yet laments that there is no joy in his heart. [Were we to travel or continue to travel now, though material difficulties would not arise, we should not experience any happiness.]
Liu: The exile finds rest in a sanctuary. He regains his valuables. He is not happy in his heart.
Ritsema/Karcher: Sojourning, tending-towards abiding. Acquiring one's own emblem-ax. My heart not keen.
Shaughnessy: In traveling, staying put, he gets his goods and ax; my heart is not happy.
Cleary (1): Traveling in the right place, one obtains resources and tools, but one’s heart is not happy.
Wu: The traveler rests in his lodge. He has the amenities, but he is not at ease.
COMMENTARY
Confucius/Legge: Although in a resting place, he has not got his proper position. Even with a livelihood and an axe his mind is not at ease. Wilhelm/Baynes: He has not yet obtained his place. He is not yet glad at heart. Blofeld: His wandering to that place is indicated by the unsuitable position of this line; his obtaining money for expenses brings him no joy. Ritsema/Karcher: Not-yet acquiring the situation indeed. The heart not-yet keen indeed. Cleary (2): One has not gotten a position. One’s heart is not yet happy. Wu: His position is improper. He is still not at ease.
Legge: Line four is dynamic, but in a magnetic place. Hence, although he is without a lodging-house, he does have a shelter which is not very secure. He can use the axe for defense, but is still uneasy in his mind. The K'ang-hsi editors observe that the mention of the axe makes us think of caution as a quality desirable in a wanderer.
NOTES AND PARAPHRASES
Siu: Although the inferior man finds a resting place and a means of livelihood, his aspirations are greater than his capabilities. He remains ill at ease, a stranger in a strange environment.
Wing: Though you are on your way toward the attainment of your goals, you are constantly aware that you have not arrived. This state of mind leaves you feeling uneasy -- knowing you must move on, and yet anxious to protect and hold intact that which you have already accomplished.
Editor: Here the wanderer is "camping out," so to speak -- occupying a temporary position during a transition. The axe, analogous to the sword (or any metallic cutting instrument), can symbolize mental discrimination. (Cf. The suit of swords in the Tarot.) The image is of one who has the power to comprehend his situation and the resources to advance to a new position, yet is still in a very tenuous and ill-defined state of being. The issue could go either way.
This realization is extremely important from a practical standpoint, for it implies that only constant attention to the unconscious, an inner devoted tribute, is sufficient to enlist its cooperation. The unconscious realms cannot be analyzed away, cannot be defeated in battle, but, at best, by conscious confrontation, can be taken into account within the limits of one's individual capacity. E.C. Whitmont --The Symbolic Quest
A. A synthesis is only tentative -- gains are vulnerable to loss.
B. Consolidate and defend your position. You have all you need, but could lose it.
C. An incomplete idea or concept needs nourishment and careful discrimination to make it secure.
Line 5
Legge: The fifth line, magnetic, shows its subject shooting a pheasant. She will lose her arrow, but in the end she will obtain praise and a high charge.
Wilhelm/Baynes: He shoots a pheasant. It drops with the first arrow. In the end this brings both praise and office.
Blofeld: While pheasant shooting, he loses an arrow. In the end he wins praise and attains to office. [After suffering a small loss, we shall receive considerable benefits from those above us.]
Liu: He shoots a pheasant, losing one arrow. In the end he gains honor and position.
Shaughnessy: Shooting the pheasant, one arrow is gone; in the winter he is thereby presented a command.
Cleary (1): Shooting a pheasant, one arrow is lost; eventually one is entitled, because of good repute.
Cleary (2): ... Ultimately one is lauded and given a mandate.
Wu: He shoots a pheasant, but loses an arrow. Eventually he receives a conferment of praise.
COMMENTARY
Confucius/Legge: She has reached a high place. Wilhelm/Baynes: In the end he rises through praise and office. Blofeld: Both of these are bestowed from above. Ritsema/ Karcher: Overtaking the above indeed. Cleary (2): Reaching the highest. Wu:“Eventually he receives a conferment of praise” from his superior.
Legge: Although magnetic, the fifth line is in the center of the upper trigram of Clarity and Intelligence. She is the ruler of the trigram and the dynamic fourth and sixth lines loyally defend and help her. She shoots a pheasant. When an officer was traveling abroad in ancient times, the gift of introduction at any feudal court was a pheasant. The wanderer is here praised by her friends and exalted to a place of dignity by the ruler to whom she is acceptable. Note that the idea of the fifth line being the ruler's seat is dropped here as being alien to the idea of the hexagram.
NOTES AND PARAPHRASES
Siu: The man succeeds in his task and receives the recognition and praise of his friends. They recommend him to the prince, who accepts his services in a highly responsible position.
Wing: It may be that you must establish a place for yourself in altogether new territory. Be mindful of your approach. Modesty and generosity in the beginning will be rewarded with position and acceptance. Success is indicated.
Editor: There is some ambiguity in the various interpretations of this line. Some say that the fifth line is the seat of the ruler, though the logic of the symbolism suggests that since the ruler bestows favors on the subject of the line, he must be elsewhere. Wilhelm says that line four represents the wanderer's friends, and line six represents the high place to which she is promoted. As a bird, the pheasant is a creature of air, or mental realm, hence symbolic of an idea, concept or thought. Here the thought is given (sacrificed) to the ruler or Self. The arrow here suggests aspiration or intent: to perceive a goal or target (the pheasant) and make it one's own. However, the arrow is lost, and the quarry is given to the ruler in a gesture of fealty. In the end this results in a reward for the wanderer. All of these images suggest a kind of willing sacrifice which one may not completely understand, but which will eventually result in an ample reward.
Intellectually the Self is no more than a psychological concept, a construct that serves to express an unknowable essence which we cannot grasp as such, since by definition it transcends our powers of comprehension. It might equally well be called the "God within us." The beginnings of our whole psychic life seem to be inextricably rooted in this point, and all our highest and ultimate purposes seem to be striving towards it. Jung -- Two Essays on Analytical Psychology
A. Your aspiration exceeds your comprehension. Sacrifice a small reward now and receive a big one later on.
B. Sacrifice your need to understand. Have faith in the Work.
59 Dispersion
Other titles: Dispersion, Dissolution, Disintegration, Dispersal, Overcoming Dissension, Scattering,Dispersing, Unintegrated, Reuniting, Evaporation, Reorganization, New Deal, Re-Shuffle, Course Correction, Catharsis
Judgment
Legge: Expansion intimates that there will be progress and success. The king goes to his ancestral temple. It will be advantageous to cross the great stream. It will be advantageous to be firm and correct.
Wilhelm/Baynes:Dispersion. Success. The king approaches his temple. It furthers one to cross the great water. Perseverance furthers.
Blofeld:Scattering -- success! The King has approached his temple. [An omen of safety.] It is advantageous to cross the great river (or sea). [I.e., to go on a long journey.] Persistence in a righteous course brings reward.
Liu: Dispersion. Success. The king approaches the temple. It is of benefit to cross the great water. It benefits to continue.
Ritsema/Karcher: Dispersing , Growing. The king imagines possessing a temple. Harvesting: wading the Great River. Harvesting Trial. [This hexagram describes your situation in terms of confronting obstacles, illusions and misunderstandings. It emphasizes that clearing away what is blocking the light is the adequate way to handle it. To be in accord with the time, you are told to: disperse what obstructs awareness!]
Shaughnessy: Dispersal: Receipt; the king approaches into the temple; beneficial to ford the great river; beneficial to determine.
Cleary (1): In Dispersal there is development. The king comes to have a shrine. It is beneficial to cross great rivers . It is beneficial to be correct.
Cleary (2):Dispersal is successful. The king goes to his ancestral temple. The benefit crosses great rivers. It is beneficial if correct.
Wu: Dispersion indicates pervasiveness. The king does homage to his ancestral temple. It will be advantageous to cross the big river, but only with perseverance.
The Image
Legge: The image of wind moving over water forms Expansion. The ancient kings, in accordance with this, presented offerings to God and established the ancestral temple.
Wilhelm/Baynes: The wind drives over the water: the image of Dispersion. Thus the kings of old sacrificed to the Lord and built temples.
Blofeld: This hexagram symbolizes wind blowing across the face of the waters. The kings of old built temples in which to sacrifice to the Supreme Lord of Heaven. [A temple is a place of safety from the ills of the world. The symbolism here is that the upper trigram forms a temple in which people are safe from the pit (the lower trigram); its middle line (five) signifies the King. The implication is that we should employ spiritual or moral means to preserve ourselves from the danger threatened by the lower trigram.]
Liu: Wind blowing over water symbolizes Dispersion. The ancient kings offered sacrifices to the Deity, then built temples.
Ritsema/Karcher: Wind moves above stream. Dispersing. The Earlier Kings used presenting tending-towards the supreme to establish the temples.
Cleary (1): Wind blows above water, Unintegrated. Thus ancient kings honored god and set up shrines.
Cleary (2): Wind travels over the water, dispersing. Ancient kings honored God and set up shrines.
Wu: The wind moves above water; this is Dispersion. Thus, the ancient kings made offerings to the Supreme Being and consecrated their ancestral temple.
COMMENTARY
Confucius/Legge: The dynamic line is central in the lower trigram, and the magnetic fourth line is correct in the upper trigram, uniting with the dynamic ruler above her. The king's mind is without any deflection as he goes to his ancestral temple. He rides over water in a vessel of wood, and will cross the great stream with success.
Legge: The hexagram of Expansion denotes a state of dissipation or dispersion. It shows men's minds alienated from correctness and sure to go on to disorder. Here an attempt is made to show how the situation should be remedied.
The lower trigram represents Water, and the upper, Wind. Wind moving over water evaporates it, and suggests the idea of dispersion. Success is intimated because there are dynamic lines occupying the central places in the trigrams. The king's piety moves the spirits by its sincerity -- when the religious spirit rules men's minds, there will be no alienation from what is right and good. Under such conditions even hazardous enterprises may be undertaken.
The second sentence of the Confucian commentary literally begins: "The king is indeed in the middle..." This means that his heart and mind are set on the central truth of what is right and good. The ancestral temple signifies the recognition that sincere religious practices counteracted the tendency to mutual alienation and selfishness among men. The wooden vessel refers to one of the attributes of the upper trigram, which is Wood. It suggests a boat riding on water (the lower trigram), hence: crossing the great water.
NOTES AND PARAPHRASES
Judgment: Focus on the ideals of the Work and maintain your will. A major synthesis is possible.
The Superior Man subdues his ego to attain his latent potential.
Because of the intimate relationship between this figure and hexagram number 45, Contraction, I have chosen the title of Expansionto best emphasize their polarity.
The "ancient kings and sages" are more mythical than historical, so we can assume that they symbolize archetypal forces ("gods") within the psyche -- of whom the ego is only the current spacetime representative (i.e., servant- facilitator). The Self is the focal point, the center of this multidimensional awareness complex.
In both timeless and spaceless experiences, the mundane world is virtually excluded. Of course, the converse is true of the mundane state of daily routine, in which the oceanic unity with the universe, in ecstasy and Samadhi, is virtually absent. Thus, the mutual exclusiveness of the "normal" and the exalted states, both ecstasy and Samadhi, allows us to postulate that man, the self- referential system, exists on two levels: as "Self" in the mental dimension of exalted states; and as "I" in the objective world, where he is able and willing to change the physical dimension "out there.” R. Fischer -- "A Cartography of the Ecstatic and Meditative States," Science:174, 1971
The symbol of a temple, where one worships one's ancestors may be taken as the perfect gestalt of the Work as it exists outside of spacetime, as well as the karmic repository of all previous incarnations. It represents both the completed Work and the Work in progress. That the family temple was regarded in China as symbolic of an ideal standard of perfection such as this, is implied in the following passage:
Diplomatic negotiations were carried on in the ancestral temple, in the veritable presence, it was believed, of the ancestors; diplomatic banquets were given there, also. Even a proposal of marriage was received by the father of the prospective bride in his ancestral temple, in the presence of the spirits ... (The world of Confucius), we must remember, was one in which there was a nearly complete breakdown of moral standards ... Only in the performance of religious ceremonies could there still be found, consistently, a type of conduct regulated by a socially accepted norm of behavior, in which men's actions were motivated by a pattern of cooperative action, rather than swayed by the greed and passions of the moment. H.G. Creel -- Confucius and the Chinese Way
Psychologically, Expansion depicts a state of inner pressure capable of fruitful resolution if it can be properly guided. The king in the Image (in this case, the ego) sacrifices for a high ideal: the good of the Work. Legge's commentary tells us that the "second sentence of the Confucian commentary literally begins: `The king is indeed in the middle...'" This suggests a combination of his second and third sentences into the paraphrase: "The king steers a middle course when crossing the water to the ancestral temple." This gives the image of a vessel and the proper way to guide it toward a destination. Anyone who has ever steered a boat with a rudder knows that to over-correct on either side is a mark of poor seamanship: the goal is to maintain a dynamic balance in our guidance of the Work. Lines two and five represent proper course-correction because they are both in the middle of their respective trigrams.
Expansionis the inverse of the following hexagram of Restrictive Regulations. What is there confined and hoarded is here dispensed -- but this dispensation must conform with the ultimate good of the Work. Not just any release of tension will do -- it must recombine itself into a new and better organization, as imaged in the fourth line. If this new order is a proper one, the released tension precipitates a catharsis, as imaged in line five.
The form, then, in which our complexes confront us is the form in which the fundamental materials of our human structure come into our here-and-now existence. Like crystals they are always imperfect to some extent and often unrecognizable or grossly disfigured in comparison with the “ideal” shape, the shape that would represent the “pure” incorporation of the crystal scheme. But we have to meet them in this more or less imperfect or distorted form and out of this form we have to transform them into something that may be more akin to the aboriginal “intent” inherent in their archetypal cores. This undertaking, this process, is what Jung calls individuation. E.C. Whitmont -- The Symbolic Quest
SUGGESTIONS FOR MEDITATION
The Judgment of hexagram number forty-five, Contraction, also mentions the king going to his ancestral temple. A close comparison of this figure with Expansion will reveal much about the dynamics of the Work.