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Joy58
Embrace joy and communicate openly. Positive interactions and shared enthusiasm strengthen bonds and cultivate happiness.
↓ Line 1
True joy comes from within and is not dependent on external circumstances.
↓ Line 4
Joy that is calculated or forced is not true joy. Letting go of such calculations brings real happiness.
↓ Line 6
Joy that is based on seduction or manipulation is not true joy and can lead to problems.
↓ Dispersion59
Adapt to situations by letting go of rigidity; dissolve obstacles through openness and flexibility.
Original Readings
58 Joy
Other titles: The Joyous, Joyousness, Pleased Satisfaction, Encouraging, Delight, Open, Usurpation, Self-indulgence, Pleasure, Cheerfulness, Frivolity, Callow Optimism
Judgment
Legge:Joy intimates that under its conditions there will be progress and attainment, but it will be advantageous to be firm and correct.
Wilhelm/Baynes:The Joyous. Success. Perseverance is favorable.
Blofeld: Joy -- success! Persistence in a righteous course brings reward.
Liu: Joyousness. Success. Continuance is favorable.
Ritsema/Karcher:Open, Growing. Harvesting Trial. [This hexagram describes your situation in terms of interaction and exchange. It emphasizes that stimulating things through cheering and persuasive speech, the action of Open, is the adequate way to handle it. To be in accord with the time, you are told to: stimulate!]
Shaughnessy:Usurpation: Receipt; a little beneficial to determine.
Cleary (1): Joy is developmental, beneficial if correct. [This hexagram represents joy in practicing the Tao. Having one’s will in the Tao is finding joy in the Tao; when one delights in the Tao, then one can practice the Tao. This is why Joy is developmental.]
Cleary (2):Delight comes through, beneficial if correct.
Wu:Joy indicates pervasiveness. It is advantageous to be persevering.
The Image
Legge: Two images of the waters of a marsh, one over the other, form Joy. The superior man, in accordance with this, encourages the conversation of friends and the stimulus of their common practice.
Wilhelm/Baynes: Lakes resting one on the other: the image of The Joyous. Thus the superior man joins with his friends for discussion and practice.
Blofeld: This hexagram symbolizes two bodies of water conjoined. The Superior Man joins his friends in discussions and in practicing the various arts and virtues.
Liu: The beautiful lakes symbolize Joyousness. The superior man joins his fellows for teaching and study.
Ritsema/Karcher: Congregating marshes. Open. A chun tzu uses partnering friends to explicate repeating.
Cleary (1): Joined lakes are joyful. Thus do superior people explain and practice with companions. [As water provides moisture for myriad beings, joy develops myriad beings; joyful within and without, reaching the outer from within, communicating with the inner from without, inside and outside are conjoined, without separation between them – therefore it is called joy.]
Cleary (2): ... Thus do developed people study and practice with companions.
Wu: One marsh is adjacent to another; this is Joy. Thus the jun zi discusses and exchanges ideas with friends.
COMMENTARY
Confucius/Legge:Joy has the meaning of Pleased Satisfaction. We have the dynamic lines in the center and the magnetic lines on the outer edge of the two trigrams, indicating that in pleasure what is most advantageous is the maintenance of firm correctness. Through this there will be found an accordance with the will of heaven, and a correspondence with the feelings of men. When such pleasure goes before the people, and leads them on, they forget their toils; when it animates them in encountering difficulties, they forget the risk of death. How great is the power of this Pleased Satisfaction, stimulating in such a way the people!
Legge: The feeling of pleasure is the subject of this hexagram, which is made up of the doubled trigram of Cheerfulness, or Pleased Satisfaction. The progress and attainment of the figure are due to the one magnetic line surmounting each trigram and supported by the two dynamic lines. The idea is that of mildness which is energized by a double portion of strength.
The pleasure which leads the people to endure toil and risk death is the effect of the instructive example of their ruler. Fu Fan-hsien paraphrases this portion of the text as: "When the sage with this precedes them, he can make them endure toil without any wish to decline it, and go with him into difficulty and danger without their having any fear."
Anthony: This hexagram speaks, on the one hand, of that on which true joy depends, and on the other, of joy as desire, which leads to conflict. The essence of true joy is inner stability. Being firmly devoted to our path, we do not waver. When we think of the soft and comfortable path, on the other hand, self-conflict begins. Therefore, getting this hexagram indicates that we may be wavering or irresolute.
NOTES AND PARAPHRASES
Judgment: A cheerful attitude serves the will.
The Superior Man shares his thoughts and feelings. [Or, psychologically interpreted: observes, weighs and integrates his thoughts with his feelings.]
The title of this hexagram denotes joyousness and pleasure, and most people regard it as a good omen when they receive it. Yet, an analysis of the lines indicates that only the first two are particularly favorable, and the hexagram itself seldom seems to refer to anything remotely resembling “Joy” in a typical oracle consultation. The lessons to be learned from the figure are the differences between self-indulgence and maintaining emotional stability in one's conduct of the Work, which always demands a firm control over one’s affects. To receive this hexagram without changing lines requires the querent's careful discrimination -- it can mean simply: "Oh happy day!" Or, it can suggest that you examine an inclination toward lack of control in the situation at hand. The oracle is capable of brutal sarcasm when your query warrants it, so don't be too quick to accept the shallow meaning ofJoy – as often as not, Self-indulgence is the more appropriate title.
In light frivolity, the center is lost; in hasty action, self-mastery is lost. Lao Tse
The Image depicts an open interchange among “friends.” Intrapsychically, this suggests the normal give and take between thoughts and feelings for the purpose of reaching integration. The symbol of “two bodies of water conjoined” (Blofeld) might refer to the adjacent dimensions of thought and emotion within the psyche. When feelings are not in harmony with intellectual differentiation (a common phenomenon), give and take (“discussion and practice”), is essential to effect integration: i.e., harmony, or “joy.”"Practice" suggests cycles of time, and the notion that perfection is still to be achieved.
Shaughnessy’s seemingly anomalous title of Usurpation for this hexagram offers some subtle insights into the symbolism here. Emotions, feelings, affects, are often portrayed as daemonic forces which “usurp” ego consciousness and indulge themselves in the “joy” of expressing whatever they happen to represent in the psyche. This is often what is implied when receiving this hexagram.
Each of us is equipped with a psychic disposition that limits our freedom in high degree and makes it practically illusory. Not only is "freedom of the will" an incalculable problem philosophically, it is also a misnomer in the practical sense, for we seldom find anybody who is not influenced and indeed dominated by desires, habits, impulses, prejudices, resentments, and by every conceivable kind of complex. All these natural facts function exactly like an Olympus full of deities who want to be propitiated, served, feared and worshipped, not only by the individual owner of this assorted pantheon, but by everybody in his vicinity. Jung -- Psychology and Religion
Cleary’s Taoist commentary: “As water provides moisture for myriad beings, etc.,” supports this interpretation. Water symbolizes the emotional realm, and the “myriad beings” dwelling therein are emotional entities: creatures like untamed animals, which are never happier than when running free. To them it’s Joy; to the executive function in the psyche, it’s Self-indulgence. Usurpation has taken place.
Line 1
Legge: The first line, dynamic, shows the pleasure of inward harmony. There will be good fortune.
Wilhelm/Baynes: Contented joyousness. Good fortune.
Blofeld: Harmonious joy -- good fortune!
Liu: Harmonious joyousness -- good fortune!
Ritsema/Karcher: Harmonious Opening, significant.
Shaughnessy: Beneficent usurpation; auspicious.
Cleary (1): The joy of harmony is good.
Cleary (2): Harmonious delight is auspicious.
Wu: There is joy in harmony, Auspicious.
COMMENTARY
Confucius/Legge: This arises from there being nothing in the conduct of the subject of the line to awaken doubt. Wilhelm/Baynes: One's way has not yet become doubtful. Blofeld: This indicates our being able to act without being troubled by doubts. Ritsema/Karcher: Movement not-yet doubted indeed. Cleary (2): Action is not doubted. Wu: Absence of doubt.
Legge: Line one, dynamic in a dynamic place with no proper correlate above, is self-sufficient. He has as yet taken no action and there is therefore no cause for suspicion.
NOTES AND PARAPHRASES
Siu: At the outset, the man lives in quiet, self-contained joy.
Wing: A contented assurance about your path and principles leads to good fortune. With such an attitude, you do not need to rely upon external circumstances for your happiness.
Editor: The image here suggests a cheerful self-sufficiency in the matter at hand; in some sense the situation is obvious and under control. "Inward harmony" might relate to unconscious dynamics unavailable to conscious awareness.
If the individual mind is one with the Universal Mind, and if the possessor of the individual mind wishes to find out some secret of Nature, he does not require to seek for it outside of the sphere of his mind, but he looks for it in himself, because everything that exists in Nature (which is a manifestation of the Universal Mind) exists in, and is reflected by himself, and the idea of there being two minds is only an illusion; the two are one. F. Hartmann -- Paracelsus: Life and Prophecies
A. Have a simple faith in the unfolding of the Work and cheerfully accept the status quo.
B. "Don't worry. Be happy."
C. Inner harmony is sufficient unto itself.
Line 4
Legge: The fourth line, dynamic, shows its subject deliberating about what to seek his pleasure in, and not at rest. He borders on what would be injurious but there will be cause for joy.
Wilhelm/Baynes: Joyousness that is weighed is not at peace. After ridding himself of mistakes a man has joy.
Blofeld: Calculating future joys, he is restless and suffers from various small ills, yet he is happy.
Liu: Considering joyousness does not bring serenity. Once one corrects his conduct, one has joyousness.
Shaughnessy: Patterned usurpation; not yet at peace; a transitional illness has happiness.
Cleary (1): Joy after deliberation: If one is firm and wary without complacency, there will be happiness.
Cleary (2): Deliberating about delight, one is uneasy. If one is firm and swift, there will be happiness.
Wu: He is not at ease in pondering about joyousness, but he is glad to be able to distinguish what is correct from what he despises.
COMMENTARY
Confucius/Legge: The joy in connection with the subject of the fourth line is due to the happiness which he will produce. Wilhelm/Baynes: The joy brings blessing. Blofeld: There will be happiness in spite of this foolish anxiety because blessings [i.e., unexpected or seemingly unmerited happiness] will be received. Ritsema/ Karcher: Possessing reward indeed. Cleary (2): Celebration. Wu: There is something to celebrate.
Legge: The bordering on what is injurious has reference to the contiguity of line four to the magnetic third line. That might have an injurious effect, but he reflects and deliberates before he will yield to the seduction of pleasure, and there is cause for joy.
Anthony: In addition to the more literal meanings of this line, pleasure also means departing from our limits to indulge our self-importance, power, correctness, wit, intelligence, skill, sharpness or independence. Such luxuries of attitude are against our inner nature and create self-conflict.
NOTES AND PARAPHRASES
Siu: Indecision regarding the choice among pleasures temporarily robs the man of inner peace. After due reflection, he attains joy by turning away from the lower pleasures and seeking the higher ones.
Wing: You are suffering from indecision based upon a choice between inferior and superior pleasures. If you recognize this and then choose the higher and more constructive form of pleasure, you will find true happiness. Above all, make your decision soon.
Editor: Two kinds of "joy" are contrasted here: desire indulged vs. desire mastered, and the line depicts ambivalence about which one you'll choose. If this is the only changing line, the hexagram becomes number sixty -- Restrictive Regulations, with a corresponding line that counsels the acceptance of limitation as productive of peace of mind and contentment: "Shows its subject quietly and naturally attentive to all regulations. There will be progress and success."
By reflecting upon the uselessness of aimlessly frittering away thy life, mayest thou be incited to diligence in the treading of the Path. W.Y. Evans-Wentz -- Tibetan Yoga and Secret Doctrines
A. Rid yourself of ambivalence by accepting the limitations demanded by the Work: "Yield not unto temptation."
Line 6
Legge: The sixth line, magnetic, shows the pleasure of its subject in leading and attracting others.
Wilhelm/Baynes: Seductive joyousness.
Blofeld: Joy in the form of allurement. [This suggests the superficial joy offered by attractions that would make no appeal to the Superior Man.]
Liu: Enticing joyousness.
Ritsema/Karcher: Protracting Opening.
Shaughnessy: Shadowyusurpation.
Cleary (1): Induced joy.
Cleary (2): Induced delight.
Wu: He attracts others to enjoy life.
COMMENTARY
Confucius/Legge: Her virtue is not yet brilliant. Wilhelm/Baynes: Line six is not bright. Blofeld: This sort of joy is experienced by the unenlightened. Ritsema/ Karcher: Not-yet shining indeed. Cleary (2): Induced delight is not enlightened.
Wu: “ He attracts others to enjoy life,” but his action is reproachable.
Legge: The symbolism of line six is akin to that of three. Line three attracts others around herself for the sake of pleasure; the subject of this line leads them to follow herself in quest of it. The action of the hexagram should culminate and end in line five, but the subject has not yet understood the willpower by which the love of pleasure should be controlled.
Anthony: If we are irresolute, the pressures that vanity exerts in the form of self-pity, impatience, restlessness or desire, may cause us to stray from our path. Such impulses, if not firmly resisted, will take over, at least temporarily. Of all evils, vanity is the most seductive, therefore the most dangerous.
NOTES AND PARAPHRASES
Siu: Vanity in his leadership causes the man to become dependent upon external conditions and chances for satisfaction.
Wing: You are totally given over to external conditions. Your sense of well-being springs not from within, but from what satisfaction you can find in the outside world. Because of this you are subject to the mercy of chance and the fates of others.
Editor: Blofeld renders the line as: "Joy in the form of allurement.” Wilhelm uses the concept of "seduction" to illustrate the idea, and Liu says: "enticement." Shaughnessy’s“shadowy usurpation” suggests a kind of demonic possession, and sometimes this interpretation feels more accurate than any of the others. It is instructive to note that Wilhelm's commentary on this line states that the seduction refers to the situation confronting the querent rather than the querent's attitude per se: "It rests with him whether he will let himself be seduced." Intrapsychically, you are being self-indulgent toward an inferior impulse or emotion.
For every one is in the joy of his heart when he is in his ruling love; and so, on the other hand, he is in anguish of heart when he is withheld from it. This is the common torment of hell, out of which innumerable others arise. Swedenborg – Apocalypse Explained
A. You are being tempted by base desires or illusions.
B. Some sort of self-indulgence or “shadowy usurpation” is indicated.
59 Dispersion
Other titles: Dispersion, Dissolution, Disintegration, Dispersal, Overcoming Dissension, Scattering,Dispersing, Unintegrated, Reuniting, Evaporation, Reorganization, New Deal, Re-Shuffle, Course Correction, Catharsis
Judgment
Legge: Expansion intimates that there will be progress and success. The king goes to his ancestral temple. It will be advantageous to cross the great stream. It will be advantageous to be firm and correct.
Wilhelm/Baynes:Dispersion. Success. The king approaches his temple. It furthers one to cross the great water. Perseverance furthers.
Blofeld:Scattering -- success! The King has approached his temple. [An omen of safety.] It is advantageous to cross the great river (or sea). [I.e., to go on a long journey.] Persistence in a righteous course brings reward.
Liu: Dispersion. Success. The king approaches the temple. It is of benefit to cross the great water. It benefits to continue.
Ritsema/Karcher: Dispersing , Growing. The king imagines possessing a temple. Harvesting: wading the Great River. Harvesting Trial. [This hexagram describes your situation in terms of confronting obstacles, illusions and misunderstandings. It emphasizes that clearing away what is blocking the light is the adequate way to handle it. To be in accord with the time, you are told to: disperse what obstructs awareness!]
Shaughnessy: Dispersal: Receipt; the king approaches into the temple; beneficial to ford the great river; beneficial to determine.
Cleary (1): In Dispersal there is development. The king comes to have a shrine. It is beneficial to cross great rivers . It is beneficial to be correct.
Cleary (2):Dispersal is successful. The king goes to his ancestral temple. The benefit crosses great rivers. It is beneficial if correct.
Wu: Dispersion indicates pervasiveness. The king does homage to his ancestral temple. It will be advantageous to cross the big river, but only with perseverance.
The Image
Legge: The image of wind moving over water forms Expansion. The ancient kings, in accordance with this, presented offerings to God and established the ancestral temple.
Wilhelm/Baynes: The wind drives over the water: the image of Dispersion. Thus the kings of old sacrificed to the Lord and built temples.
Blofeld: This hexagram symbolizes wind blowing across the face of the waters. The kings of old built temples in which to sacrifice to the Supreme Lord of Heaven. [A temple is a place of safety from the ills of the world. The symbolism here is that the upper trigram forms a temple in which people are safe from the pit (the lower trigram); its middle line (five) signifies the King. The implication is that we should employ spiritual or moral means to preserve ourselves from the danger threatened by the lower trigram.]
Liu: Wind blowing over water symbolizes Dispersion. The ancient kings offered sacrifices to the Deity, then built temples.
Ritsema/Karcher: Wind moves above stream. Dispersing. The Earlier Kings used presenting tending-towards the supreme to establish the temples.
Cleary (1): Wind blows above water, Unintegrated. Thus ancient kings honored god and set up shrines.
Cleary (2): Wind travels over the water, dispersing. Ancient kings honored God and set up shrines.
Wu: The wind moves above water; this is Dispersion. Thus, the ancient kings made offerings to the Supreme Being and consecrated their ancestral temple.
COMMENTARY
Confucius/Legge: The dynamic line is central in the lower trigram, and the magnetic fourth line is correct in the upper trigram, uniting with the dynamic ruler above her. The king's mind is without any deflection as he goes to his ancestral temple. He rides over water in a vessel of wood, and will cross the great stream with success.
Legge: The hexagram of Expansion denotes a state of dissipation or dispersion. It shows men's minds alienated from correctness and sure to go on to disorder. Here an attempt is made to show how the situation should be remedied.
The lower trigram represents Water, and the upper, Wind. Wind moving over water evaporates it, and suggests the idea of dispersion. Success is intimated because there are dynamic lines occupying the central places in the trigrams. The king's piety moves the spirits by its sincerity -- when the religious spirit rules men's minds, there will be no alienation from what is right and good. Under such conditions even hazardous enterprises may be undertaken.
The second sentence of the Confucian commentary literally begins: "The king is indeed in the middle..." This means that his heart and mind are set on the central truth of what is right and good. The ancestral temple signifies the recognition that sincere religious practices counteracted the tendency to mutual alienation and selfishness among men. The wooden vessel refers to one of the attributes of the upper trigram, which is Wood. It suggests a boat riding on water (the lower trigram), hence: crossing the great water.
NOTES AND PARAPHRASES
Judgment: Focus on the ideals of the Work and maintain your will. A major synthesis is possible.
The Superior Man subdues his ego to attain his latent potential.
Because of the intimate relationship between this figure and hexagram number 45, Contraction, I have chosen the title of Expansionto best emphasize their polarity.
The "ancient kings and sages" are more mythical than historical, so we can assume that they symbolize archetypal forces ("gods") within the psyche -- of whom the ego is only the current spacetime representative (i.e., servant- facilitator). The Self is the focal point, the center of this multidimensional awareness complex.
In both timeless and spaceless experiences, the mundane world is virtually excluded. Of course, the converse is true of the mundane state of daily routine, in which the oceanic unity with the universe, in ecstasy and Samadhi, is virtually absent. Thus, the mutual exclusiveness of the "normal" and the exalted states, both ecstasy and Samadhi, allows us to postulate that man, the self- referential system, exists on two levels: as "Self" in the mental dimension of exalted states; and as "I" in the objective world, where he is able and willing to change the physical dimension "out there.” R. Fischer -- "A Cartography of the Ecstatic and Meditative States," Science:174, 1971
The symbol of a temple, where one worships one's ancestors may be taken as the perfect gestalt of the Work as it exists outside of spacetime, as well as the karmic repository of all previous incarnations. It represents both the completed Work and the Work in progress. That the family temple was regarded in China as symbolic of an ideal standard of perfection such as this, is implied in the following passage:
Diplomatic negotiations were carried on in the ancestral temple, in the veritable presence, it was believed, of the ancestors; diplomatic banquets were given there, also. Even a proposal of marriage was received by the father of the prospective bride in his ancestral temple, in the presence of the spirits ... (The world of Confucius), we must remember, was one in which there was a nearly complete breakdown of moral standards ... Only in the performance of religious ceremonies could there still be found, consistently, a type of conduct regulated by a socially accepted norm of behavior, in which men's actions were motivated by a pattern of cooperative action, rather than swayed by the greed and passions of the moment. H.G. Creel -- Confucius and the Chinese Way
Psychologically, Expansion depicts a state of inner pressure capable of fruitful resolution if it can be properly guided. The king in the Image (in this case, the ego) sacrifices for a high ideal: the good of the Work. Legge's commentary tells us that the "second sentence of the Confucian commentary literally begins: `The king is indeed in the middle...'" This suggests a combination of his second and third sentences into the paraphrase: "The king steers a middle course when crossing the water to the ancestral temple." This gives the image of a vessel and the proper way to guide it toward a destination. Anyone who has ever steered a boat with a rudder knows that to over-correct on either side is a mark of poor seamanship: the goal is to maintain a dynamic balance in our guidance of the Work. Lines two and five represent proper course-correction because they are both in the middle of their respective trigrams.
Expansionis the inverse of the following hexagram of Restrictive Regulations. What is there confined and hoarded is here dispensed -- but this dispensation must conform with the ultimate good of the Work. Not just any release of tension will do -- it must recombine itself into a new and better organization, as imaged in the fourth line. If this new order is a proper one, the released tension precipitates a catharsis, as imaged in line five.
The form, then, in which our complexes confront us is the form in which the fundamental materials of our human structure come into our here-and-now existence. Like crystals they are always imperfect to some extent and often unrecognizable or grossly disfigured in comparison with the “ideal” shape, the shape that would represent the “pure” incorporation of the crystal scheme. But we have to meet them in this more or less imperfect or distorted form and out of this form we have to transform them into something that may be more akin to the aboriginal “intent” inherent in their archetypal cores. This undertaking, this process, is what Jung calls individuation. E.C. Whitmont -- The Symbolic Quest
SUGGESTIONS FOR MEDITATION
The Judgment of hexagram number forty-five, Contraction, also mentions the king going to his ancestral temple. A close comparison of this figure with Expansion will reveal much about the dynamics of the Work.