Wiki I Ching

Small Powers 62.3 16 Enthusiasm

From
62
Small Powers
To
16
Enthusiasm

Protecting oneself against sneak attacks
One can suffer from a lack of vigilance.
taoscopy.com


Small Powers 62
Focus on the details.
Embrace humility and small steps to achieve success.
Avoid overreaching or taking on too much to prevent failure.


Line 3
This line warns of potential danger from unexpected sources.
It advises vigilance and awareness of one's surroundings to avoid being caught off guard.


Enthusiasm 16
Inspiration fuels energy; align enthusiasm with purpose to move forward effectively.



Original Readings

62
Small Powers


Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook

 

Judgment

Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.

Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.

Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]

Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]

Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small

Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]

Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.

Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.

Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.

Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.

 

The Image

Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.

Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]

Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.

Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.

Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.

Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.

Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.

Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.

 

COMMENTARY

Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.

Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.

 

NOTES AND PARAPHRASES

Judgment: Ground your flights of fancy.

The Superior Man bends over backwards to be correct.

Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.

In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive.
E.C. Whitmont --The Symbolic Quest

Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."


Line 3

Legge: The third line, dynamic, shows its subject taking no extraordinary precautions against danger, and some in consequence finding opportunity to assail and injure him. There will be evil.

Wilhelm/Baynes: If one is not extremely careful, somebody may come up from behind and strike him. Misfortune.

Blofeld: Unless he takes appropriate precautions, one of his subordinates may slay him -- misfortune!

Liu: If he does not protect himself carefully, someone will stab him in the back. Misfortune.

Ritsema/Karcher: Nowhere Exceeding defending-against it. Adhering, maybe killing it. Pitfall.

Shaughnessy: Not surpassing him but repelling him, following which someone injures him; inauspicious.

Cleary (1): If you do not overcome and forestall it, indulgence will cause harm, which would be unfortunate.

Cleary (2): One does not take precautions in excess, so pursuers attack one. This is unfortunate.

Wu: Ignoring to secure a little excess of protection, he may be fatally wounded. Foreboding.


COMMENTARY

Confucius/Legge: There will be evil: how great it will be! Wilhelm/Baynes: What a misfortune this is! Blofeld: Were that to happen, it would indeed be misfortune! Ritsema/Karcher: Wherefore a pitfall thus indeed. Cleary (2): Pursuers attack one. How unfortunate! Wu: How can it not be foreboding?

Legge: The subject of line three is too confident in his own strength, and too defiant of the magnetic enemies that seek to hurt him.

 

NOTES AND PARAPHRASES

Siu: The man is disdainful of weak enemies and does not exercise adequate precautions in the face of apparently insignificant signs. He will be hurt.

Wing: This is a warning. Because you are in the right and things have gone smoothly in the past, you may be tempted to overlook details and become overly confident. Dangers are lurking. They can be avoided with Conscientiousness. Take precautions now.

Editor: The "magnetic enemies" are all of the yin lines in the hexagram, seen here as treacherous adversaries. There is no ambiguity in this line at all -- it is saying in the clearest possible terms to "Watch out!"

We are therefore on safe ground when we speak of a personal part of the psyche consisting of the conscious and controllable elements, and a nonpersonal part consisting of those elements not controlled by the conscious I but superordinated to and acting independently of it, often dominating it and forcing it to act contrary to its desires ... A man in this stage of self-consciousness does not realize as a rule that ideas occur to him without his willing them, that actions are performed through him -- that he is being used by thoughts and impulses arising from something other than his I.
M.E. Harding -- Psychic Energy

A. You are vulnerable to harm -- wake up!

B. You have taken no precautions against the threat of attack from unseen quarters. If you are not extremely careful, you're going to get hurt.

16
Enthusiasm


Other titles: The Symbol of Harmonious Joy, Repose, Happiness, Providing-for/Provision, Excess, Merriment, Self-confidence, Contentment, Harmonize, Excitement, Intemperance, Self-deception "Repose in the absolute confidence that the action now being taken is right. Also refers to music." -- D.F. Hook

 

Judgment

Legge: Enthusiasm indicates that feudal princes may be set up and the army advantageously mobilized.

Wilhelm/Baynes:Enthusiasm. It furthers one to install helpers and to set armies marching.

Blofeld:Repose profits those engaged in building up the country and sending forth armies. [This means that perfect certainty as to the rightness of our cause is of great value under the conditions mentioned. The usual meaning of this character is "beforehand" or "happiness." In the English translation of Wilhelm's version, it appears as "enthusiasm." "Repose" was suggested by the Chinese experts who kindly vetted this manuscript. At first I felt hesitant about adopting it, until I realized that, where it is used favorably, it must be understood as the kind of mental repose which follows absolute confidence that the action now being taken is the right one. In lines one, three and six, however, it clearly means failure to act when action is essential; in line five, failure to act owing to incapacity.]

Liu:Happiness. It is of benefit to build up the country (or business), and send the army forth. [Receivers of this hexagram should be wary of exhibiting excessive enthusiasm when beginning a new undertaking. If they are not, there will be misfortune. The hexagram also advises that everything necessary for advancement should be made ready. Then if an opportunity presents itself, it should be seized immediately, without hesitation.]

Ritsema/Karcher: Providing-for , Harvesting: installing feudatories to move legions. [This hexagram describes your situation in terms of what is needed to meet the future. It emphasizes that accumulating strength through foresight and prudence so things can be fully enjoyed is the adequate way to handle it. To be in accord with the time, you are told to: provide-for!]

Shaughnessy: Excess: Beneficial to establish a lord and to move troops.

Cleary (1):Joy. It is advantageous to set up a ruler and mobilize the army.

Wu:Merriment indicates the advantage of establishing principalities and taking military actions.

 

The Image

Legge: Thunder exploding out of the Earth -- the image of Enthusiasm. The ancient kings, in accordance with this, composed their music and honored virtue, offering it especially to God when they worshipped him at the service of their ancestors.

Wilhelm/Baynes: Thunder comes resounding out of the earth: the image of Enthusiasm. Thus the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, inviting their ancestors to be present.

Blofeld: This hexagram symbolizes thunder over the earth. The ancient rulers venerated heaven's gifts with solemn music and they sacrificed abundantly to the Supreme Lord of Heaven in order to be worthy of their ancestors.

Liu: Thunder arising from the earth symbolizes Happiness. The ancient kings composed music to honor virtue, offering it to God and the spirits of their ancestors.

Ritsema/Karcher: Thunder issuing-forth-from earth impetuously. Providing-for. The Earlier Kings used arousing delight to extol actualizing-tao. Exalting worship's Supreme Above. Using equalizing the grandfather predecessors. [Actualize-tao:ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]

Cleary (1): When thunder emerges the earth stirs: Thus did the kings of yore make music to honor virtue, offering it in abundance to God, thereby to share it with their ancestors.

Wu: Thunder breaks out above the earth with a boom; this is Merriment. Thus the ancient kings used music to praise virtuous accomplishments and made grand offerings to the Supreme Being to be accompanied by their ancestors.

 

COMMENTARY

Confucius/Legge: Enthusiasm shows one dynamic line inspiring responsive obedience in all the others: devoted obedience takes action. Such obedient action conforms to natural law and creates order and discipline in the people. The planets and the seasons follow their natural cycles. The sages similarly obey the laws of their nature and the people acknowledge their regulations and punishments as just.

Legge:Enthusiasm shows harmony and contentment throughout the kingdom -- a time when the people rejoice in their sovereign and readily obey him. At such a time his appointments and any military undertakings would be hailed and supported. Because he is close to the fifth place of dignity, the dynamic fourth line is seen as the chief executive officer of the ruler. The ruler has confidence in him, and all of the magnetic lines yield their obedience. Obedience is the attribute of the lower trigram which here takes the initiative and uses Movement, which is the attribute of the upper trigram.

The symbolism of the Image is more obscure than usual. The use of music at sacrifices is supposed to assist in producing the union between God and his worshippers as well as the present and past generations.

 

NOTES AND PARAPHRASES

Judgment: Delegate authority and gather your forces.

The Superior Man synchronizes his will with the intent of the Self via the principles of the Work.

Enthusiasm is the reverse of the preceding hexagram of Temperance. In Temperance we saw the calm strength of a mountain concealed within the earth. In Enthusiasm we see thunder exploding out of the ground into the sky: the strength that was formerly tempered and restrained is now released. It is significant to note that while every line of Temperance is more or less "favorable,” every line of Enthusiasm is either negative or cautionary -- even the generally positive fourth line carries a hint of warning about “doubt.”

Negatively, Self-Deception (the passion of True Believers) seems to be what this hexagram is portraying. The figure often suggests a callow or deluded buoyancy -- the kind of outlook associated with romantic idealists. In its most negative aspect, Enthusiasm is Intemperance -- the exact opposite of the moderation and restraint shown in the preceding hexagram. The behavior of an untrained Great Dane puppy suddenly bursting into a formal dinner party could be described as "enthusiasm,” but hardly a desirable form thereof. The lower trigram of Obedient Devotion has suddenly employed the action and energy of the upper trigram of Thunderous Shock to express itself. This is inconsistent with the code of the superior man.

Conversely, in its most positive sense, Enthusiasm suggests the surety of total self-confidence. Blofeld translates this as Repose, explaining that the name was suggested to him by his Chinese advisors. We begin to understand this subtle distinction when we compare the seemingly obscure connection with music in the Image with a passage from Chuang- tse:

He who understands the music of heaven lives in accordance with nature in his life and takes part in the process of change of things in his death. In repose, his character is in harmony with the yin principle; in activity, his movement is in harmony with the yang principle. Therefore he who understands the music of heaven is not blamed by heaven or criticized by men ... It is said, "In action he is like heaven. In repose he is like the earth ... Because his mind has found repose, therefore the creation pays homage to him.”

To understand “the music of heaven” is to attain Repose, which is another way of describing the tranquility that comes with furthering the intent of the Self. The only dynamic line in the hexagram is in the minister's place just below the fifth-line ruler. He has the confidence of his sovereign and his actions therefore accord with heaven. We can turn to the Stoics to find an illustration of this idea:

My will is simply that which comes to pass. For I esteem what God wills better than what I will. To Him will I cleave as His minister and attendant; having the same movements, the same desires, in a word the same will as He.
-- Epictetus

Thus we see that the hexagram can describe either one of two opposite conditions -- the intemperate Enthusiasm of ego-confidence (a synonym for Self-Deception), or the calm Repose of true SELF-confidence. The fifteenth and sixteenth hexagrams, each the inverse of the other, represent magnetic and dynamic aspects of the same general idea: Enthusiasm, when it emanates from the Self, is just Temperance in action.