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Small Powers62
Focus on the details. Embrace humility and small steps to achieve success. Avoid overreaching or taking on too much to prevent failure.
↓ Line 1
This line warns against overreaching or attempting too much. It suggests that one should be cautious and avoid taking unnecessary risks.
↓ Line 5
This line indicates that while conditions may seem unfavorable, success is still possible through careful and precise actions. It suggests that one should focus on what can be achieved rather than what seems impossible.
↓ Revolution 49
Embrace transformation and change, recognizing the need for renewal. Be decisive and aware of timing, facilitating progress within yourself and your environment.
Original Readings
62 Small Powers
Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook
Judgment
Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.
Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.
Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]
Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]
Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small
Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]
Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.
Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.
Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.
Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.
The Image
Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.
Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]
Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.
Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.
Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.
Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.
Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.
Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.
COMMENTARY
Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.
Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.
NOTES AND PARAPHRASES
Judgment: Ground your flights of fancy.
The Superior Man bends over backwards to be correct.
Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.
In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive. E.C. Whitmont --The Symbolic Quest
Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."
Line 1
Legge: The first line, magnetic, suggests the idea of a bird flying, and ascending until the issue is evil.
Wilhelm/Baynes: The bird meets with misfortune through flying. [A bird ought to remain in the nest until it is fledged. If it tries to fly before this, it invites misfortune.]
Blofeld: A bird in flight brings misfortune.
Liu: A bird encounters misfortune when it soars.
Ritsema/Karcher: Flying bird: using a pitfall.
Shaughnessy: The flying bird brings inauspiciousness.
Cleary (1): A bird that flies thereby brings misfortune.
Wu: The flying bird gets its misfortune.
COMMENTARY
Confucius/Legge: Nothing can be done to avoid this issue. Wilhelm/Baynes: Here there is nothing to be done. Blofeld: There is nothing we can do about it. [The bird is merely a symbol; we are due to encounter misfortune which we are powerless to avert.]Ritsema/Karcher: Wherefore not permitted thus indeed. Cleary (2): Nothing can be done about it. Wu: It cannot be helped.
Legge: Line one is magnetic in a dynamic place, and possessed by the idea of exceeding the limitations of the hexagram. Her correlate is the dynamic fourth line, belonging to the trigram of Movement, so that instead of being repressed from her tendency to ascend, she is actually stimulated to do so. Nothing can be done to avoid an evil issue because she brings it on herself.
NOTES AND PARAPHRASES
Siu: At the outset, the man should heed the case of a bird leaving the nest before it is fledged. He should spend his early life learning the traditional ways in order to avoid wasting his energies in senseless jousting.
Wing: If you are considering an extraordinary plan, forget it. The time and your position could not be more inappropriate. Your destiny lies in the ordinary or traditional, and anything beyond that would lead you into danger.
Editor: Despite the gloomy Confucian commentary, my experience with this line has usually been conditional: "If the bird flies, disaster is inevitable." The implicit conclusion is: "If the bird doesn't fly, it will escape the unpleasant consequences." The image of the bird (an air creature symbolizes a thought, concept or idea) can suggest blue-sky thinking that will only end up lost in space. Wilhelm’s commentary offers the idea of a fledgling trying to fly before it is ready, suggesting that the impulse to act may be more premature than improper.
If we do not know what moves us we are in no position to understand what we are doing, nor are we in any position to choose what we wish to do. We may think we decide what we want to do but what actually happens may be quite another matter. Without an awareness of the psychic fields in which we operate, any idea of freedom of will, decision or of relationship is an illusion. E.C. Whitmont --The Symbolic Quest
A. You have allowed your thoughts to run away with you.
B. You are in over your head -- have exceeded your ability to cope with the reality of the situation.
Line 5
Legge: The fifth line, magnetic, suggests the idea of dense clouds, but no rain, coming from our borders in the west. It also shows the prince shooting his arrow, and taking the bird in a cave.
Wilhelm/Baynes: Dense clouds, no rain from our western territory. The prince shoots and hits him who is in the cave. [The man in the cave is line two. The word for shooting means shooting with an arrow attached to a line for the purpose of dragging in the game that has been shot. The connection arises from the fact that the present line and the second line are related through similarity of kind.]
Blofeld: Dense clouds come from the western outskirts, but no rain falls. The prince shoots an arrow and hits someone in a cave.
Liu: Heavy clouds come from the west, but no rain. What the duke shoots he takes from the cave.
Ritsema/Karcher: Shrouding clouds, not raining. Originating- from my Western suburbs. A prince, a string-arrow grasping another located-in a cave.
Shaughnessy: The dense clouds do not rain from our western pasture; the duke shoots and takes the skin in the cavern.
Cleary (1): Dense clouds not raining come from my neighborhood. The ruler shoots another in a cave.
Cleary (2): Dense clouds do not rain, coming from one’s western province. The prince shoots, catching the quarry in the den.
Wu: There are dense clouds, but no rain coming from our western countryside. The duke gets what is in the cave with an arrow tied to a string. [This implies that he solicits and gets the assistance of his correlate, the second yin line.]
COMMENTARY
Confucius/Legge: There are dense clouds, but no rain -- the line is in too high a place. Wilhelm/Baynes: He is already above. Blofeld: Dense clouds and no rain points to their having risen too high. [Something which could have been of great help to us passes us by.] Ritsema/Karcher: Above climaxing indeed. Cleary (2): ( The clouds) have already risen. Wu: The clouds have been blown away by high winds.
Legge: Line five, though in the ruler's seat, is magnetic, and incapable of doing anything great. It is a yin line, and too high. If the line were yang, the auspice would be different. He is called the prince because of the ruler's seat, and the bird in the cave that he captures is the subject of line two.
Anthony: To distrust our path is to distrust the Sage who guides us. We cannot make our way in the hidden world alone; we need the Sage’s help, which can only be obtained through a modest acceptance of our fate.
NOTES AND PARAPHRASES
Siu: Because of the lack of able helpers, the prince is unsuccessful in his attempts to set the world in order. He searches intently for the required talents among those who have retired from the public scene. The right man with a demonstrated record of achievement is finally found and the difficult task completed.
Wing: Your strength is adequate to bring forth that which you desire, but your position is not appropriate. You will need help from others. Modestly seek such assistance from qualified people and you can accomplish your aim.
Editor: There are two sets of images here -- the first suggests an accumulation of latent energy and the second the grasp of something concealed. Rain symbolizes the union of heaven and earth -- the connection between higher and lower, inner and outer. Dense clouds therefore represent a buildup of unreleased tension: union has yet to be accomplished. The arrow shot into the cave with a line attached to it traditionally symbolizes the link between this line’s magnetic second-line correlate. (Meditation on the differences between the two lines and their respective messages is often useful in discerning subtle ego/Self relationships.) The arrow suggests discrimination or comprehension -- to shoot an arrow into the heart of something is a conscious, active attempt to pierce its essence, to comprehend it. To shoot into the darkness of a cave symbolizes seeking comprehension of what is unknown or unconscious; it can also suggest "a shot in the dark" -- a guess. Only Legge identifies the target as a bird – the other translations are less specific: the object is “something or someone” hidden from consciousness. As a creature of the air, a bird represents thoughts, ideas, concepts, intelligible answers, etc. , so this often applies in the interpretation. (Note how central the bird symbol is in this hexagram.) The line suggests one seeking comprehension of an unknown situation or process and receiving relatively little satisfaction -- the answer is out of reach ("too high") in the imagery of the Confucian commentary. If this is the only changing line, the new hexagram created is Number 31, Influence, which often carries the connotation of “importuning” – suggesting that perhaps you are seeking information which the oracle has no intention of providing, or you are incapable of understanding at this stage: it’s too high, it’s beyond you. (See commentary on Hex 31 for more details.) Also compare this line with the virtually identical message in the Judgement of Hexagram 9: ’TheTaming Power of the Small has success. Dense clouds, no rain from our western region.’ This repetition of the theme of ’smallness’ (in all of its possible connotations) is useful to contemplate here.
Thus does the Archer hunt his quarry, for as the huntsman seeks to kill his prey for food, so does the (Self) seek out conscious contact with its projection (the ego) for similar reasons, for the fully illuminated man is he who is dead to the domination of the lower worlds, using his vehicles in the lower worlds for the ends of his higher nature. Gareth Knight -- Qabalistic Symbolism
A. A build-up of tension without release: You are groping in the dark. Play it by ear until the situation clarifies. Don’t get ahead of yourself.
B. The answer to your question is beyond your present ability to comprehend.
49 Revolution
Other titles: Revolution(s), Transformation, Skinning, The Bridle, The Symbol of Change, Molting, Leather, Skin, Molt, Cut Off, Changing, Radical Change, Overthrowing
Judgment
Legge: Metamorphosis is believed in only after it has been accomplished. Firm correctness abolishes regret and brings successful progress.
Wilhelm/Baynes:Revolution. On your own day you are believed. Supreme success, furthering through perseverance. Remorse disappears.
Blofeld: Revolution. Not before the day of its completion will men have faith in it -- sublime success! Determination in a righteous course brings reward; regret vanishes! [Very often, this means renovation, as of character, etc. But it may also mean exactly what it says; Confucius, though he regarded loyalty to the ruler as one of the highest virtues, recognized that evil men forfeit their right to rule by their excesses, and it is probable that this notion antedates him by many centuries.]
Liu: Revolution. When the appropriate day comes, the people will believe in it. Great success. It is beneficial to continue. Remorse vanishes.
Ritsema/Karcher: Skinning; before-zenith sun, thereupon conforming. Spring Growing Harvesting Trial. Repenting extinguished. [This hexagram describes your situation in terms of stripping away a protective cover. It emphasizes that radically changing and renewing the way you present yourself is the adequate way to handle it...]
Shaughnessy:The Bridle: on the si day then return; prime receipt; beneficial to determine; regret is gone.
Cleary (1): Inrevolution, the sun of the self is truth: This is creative, developmental, fruitful, and perfect. Regret vanishes. [In old texts when it says that the alchemical elixir is in people, but first they have to refine the self and wait for the proper time, this means to make a radical purge of all the pollution of past influences and not let any flaws remain in the heart.]
Cleary (2):Change is believed in on the day it is completed. It is very successful, beneficial if correct. Regret vanishes.
Wu: Reform indicates that revolution will become credible when the time is ripe. In this way, it is great and pervasive and advantageous to be persevering. Regret will disappear.
The Image
Legge: A fire in the marsh -- the image of Metamorphosis. The superior man synchronizes his astronomical calculations to clarify the times and seasons.
Wilhelm/Baynes: Fire in the lake: the image ofRevolution. Thus the superior man sets the calendar in order and makes the seasons clear.
Blofeld: This hexagram symbolizes fire rising from a marshy lake. The Superior Man regulates the calendar and thus ensures that men are clear about times and seasons.
Liu: Within the lake, fire -- this symbolizes Revolution. The superior man makes a calendar, clearly arranging the seasons.
Ritsema/Karcher: Marsh center possessing fire. Skinning. A chun tzu uses regulating time-reckoning to brighten the seasons.
Cleary (1): There is fire in a lake, changing. Thus do superior people make a calendar and clarify the seasons.
Cleary (2): Fire in a lake – changing. Leaders make calendars to define the seasons.
Wu: There is fire below the marsh; this is Reform. Thus, the jun zi is inspired to develop a calendrical system for keeping time.
COMMENTARY
Confucius/Legge: In Metamorphosis, Water and Fire extinguish each other. When two daughters with opposing viewpoints live together, change is inevitable; but after the change is accomplished, faith is accorded to it: Clarity brings good cheer and progress through what is correct. When a transformation is properly accomplished, all occasion for regret disappears. Heaven and earth undergo their changes, and the four seasons complete their functions. The rulers of old transformed the state in accordance with the will of heaven and in response to the wishes of men. Great indeed is what takes place in a time of change.
Legge: The written character translated as Metamorphosis is used here in the sense of changing. Originally used for the skin of an animal or bird, it received the significance of changing at a very early time. The figure deals with the subject of changes which are called for in the state of the country. The necessity for change is recognized, and hints are given as to the spirit and manner in which they should be brought about.
The Judgment assumes that change is viewed by people generally with suspicion and dislike, and therefore should not be made hastily. [This can refer to inner complexes, habits, etc. – Ed.] When the necessity for change has been proven beforehand and subsequently carried out with firm correctness, then the issue will turn out satisfactorily.
The lower trigram is the symbol for Fire and the upper for Water. Water extinguishes fire, and fire dries up water. Each "changes" the other. The lower trigram is also the second daughter and the upper is the youngest daughter. In the scheme of the trigrams these two are seen to be mutually incompatible.
NOTES AND PARAPHRASES
Judgment: Hidden within its cocoon the caterpillar becomes a butterfly -- who would believe it until the Metamorphosis was complete?
The Superior Man recognizes that celestial sequences create changes only when they are due; he therefore acts in accordance with the requirements of the times.
The forty-ninth hexagram makes an analogy between the natural Metamorphosisof animal pelts and the proper way to regard radical changes in government. Lines one, five and six all refer to skin, and two, three and four refer to politics. The general idea is that radical transformations occur at their own natural pace -- they cannot be successfully forced any more than eggs can be made to hatch before their time. The Image makes this point in its reference to the celestial correlation of the seasons.
There is a time for everything,
A time for every occupation under heaven:
A time for giving birth,
A time for dying;
A time for planting,
A time for uprooting what has been planted (etc)...
Ecclesiastes 3: 1-2
Once one assumes conscious responsibility for the Work, there comes a long and indefinite period in which one labors unceasingly without any visible results at all. Dream images and I Ching meditations will indicate that progress is being made, but the ego's life in spacetime consists of seemingly fruitless labor in the service of a transcendental ideal. This is a universal experience -- it happens to everyone who undertakes the Work. In the Western Mystery Tradition it is known as the Dark Night of the Soul. (See Hexagram Number-36 for further insights into this unavoidable phenomenon.)
The Personality undergoes a willful "death,” surrendering everything that it believes itself to be. Most difficult is that this total surrender of life, this initiatory sacrifice, must precede the experience of cosmic awareness. One is required to give up the totality of one's being, one's very life, in relative darkness, yet in the faith that there will be a resurrection into the Light. R. Wang -- The Qabalistic Tarot
Psychologically interpreted, Metamorphosis means that changes are taking place in the unconscious psyche, but don't expect them to manifest until their growth is complete. The ego must recognize this and persevere with the Work, even when "common sense" counsels otherwise. It is a period of probation and trial, and many there are who fail the test.
There is no short cut without impeding growth or setting the flow pattern of the Soul back, until each physical or psychological function has been correctly connected or developed ... Many aspirants do not perceive this law and become impatient and even lose faith when Providence seems to be holding back. Nothing occurs outside its time as it is part of a sequence in the great cosmic cycle that unfolds the Grand Design of Existence. Z.B.S. Halevi -- Kabbalah and Exodus
If there is any consolation in this terrible ordeal, it is that others have made the journey before you, and survived. Keep the faith that, in the imagery of this hexagram, the lower trigram of Clear Perception following the upper trigram of Cheerfulness will lead you through the most challenging of all transformations.
Where the issue of ultimate meaning is constellated, transformation will eventually occur, even though only by way of a great deal of suffering. E. C. Whitmont -- The Symbolic Quest