Wiki I Ching

Small Powers 62.1.2.4.5 5 Waiting

From
62
Small Powers
To
5
Waiting

One has lived a long time in the waiting for an unexpected event.
taoscopy.com


Small Powers 62
Focus on the details.
Embrace humility and small steps to achieve success.
Avoid overreaching or taking on too much to prevent failure.


Line 1
This line warns against overreaching or attempting too much.
It suggests that one should be cautious and avoid taking unnecessary risks.


Line 2
This line suggests that one should focus on immediate and attainable goals rather than distant or ambitious ones.
It advises contentment with modest achievements.


Line 4
This line suggests that one should avoid unnecessary actions and remain cautious.
It advises maintaining a steady course and being prepared for potential challenges.


Line 5
This line indicates that while conditions may seem unfavorable, success is still possible through careful and precise actions.
It suggests that one should focus on what can be achieved rather than what seems impossible.


Waiting 5
Be patient and prepare.
Trust timing for success.
Be steady and ready.



Original Readings

62
Small Powers


Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook

 

Judgment

Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.

Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.

Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]

Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]

Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small

Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]

Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.

Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.

Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.

Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.

 

The Image

Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.

Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]

Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.

Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.

Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.

Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.

Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.

Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.

 

COMMENTARY

Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.

Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.

 

NOTES AND PARAPHRASES

Judgment: Ground your flights of fancy.

The Superior Man bends over backwards to be correct.

Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.

In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive.
E.C. Whitmont --The Symbolic Quest

Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."


Line 1

Legge: The first line, magnetic, suggests the idea of a bird flying, and ascending until the issue is evil.

Wilhelm/Baynes: The bird meets with misfortune through flying. [A bird ought to remain in the nest until it is fledged. If it tries to fly before this, it invites misfortune.]

Blofeld: A bird in flight brings misfortune.

Liu: A bird encounters misfortune when it soars.

Ritsema/Karcher: Flying bird: using a pitfall.

Shaughnessy: The flying bird brings inauspiciousness.

Cleary (1): A bird that flies thereby brings misfortune.

Wu: The flying bird gets its misfortune.

 

COMMENTARY

Confucius/Legge: Nothing can be done to avoid this issue. Wilhelm/Baynes: Here there is nothing to be done. Blofeld: There is nothing we can do about it. [The bird is merely a symbol; we are due to encounter misfortune which we are powerless to avert.]Ritsema/Karcher: Wherefore not permitted thus indeed. Cleary (2): Nothing can be done about it. Wu: It cannot be helped.

Legge: Line one is magnetic in a dynamic place, and possessed by the idea of exceeding the limitations of the hexagram. Her correlate is the dynamic fourth line, belonging to the trigram of Movement, so that instead of being repressed from her tendency to ascend, she is actually stimulated to do so. Nothing can be done to avoid an evil issue because she brings it on herself.


NOTES AND PARAPHRASES

Siu: At the outset, the man should heed the case of a bird leaving the nest before it is fledged. He should spend his early life learning the traditional ways in order to avoid wasting his energies in senseless jousting.

Wing: If you are considering an extraordinary plan, forget it. The time and your position could not be more inappropriate. Your destiny lies in the ordinary or traditional, and anything beyond that would lead you into danger.

Editor: Despite the gloomy Confucian commentary, my experience with this line has usually been conditional: "If the bird flies, disaster is inevitable." The implicit conclusion is: "If the bird doesn't fly, it will escape the unpleasant consequences." The image of the bird (an air creature symbolizes a thought, concept or idea) can suggest blue-sky thinking that will only end up lost in space. Wilhelm’s commentary offers the idea of a fledgling trying to fly before it is ready, suggesting that the impulse to act may be more premature than improper.

If we do not know what moves us we are in no position to understand what we are doing, nor are we in any position to choose what we wish to do. We may think we decide what we want to do but what actually happens may be quite another matter. Without an awareness of the psychic fields in which we operate, any idea of freedom of will, decision or of relationship is an illusion.
E.C. Whitmont --The Symbolic Quest

A. You have allowed your thoughts to run away with you.

B. You are in over your head -- have exceeded your ability to cope with the reality of the situation.

Line 2

Legge: The second line, magnetic, shows its subject passing by her grandfather, and meeting with her grandmother; not attempting anything against her ruler, but meeting her as her minister. There will be no error.

Wilhelm/Baynes: She passes by her ancestor and meets her ancestress. He does not reach his prince and meets the official. No blame.

Blofeld: Passing by the spirit tablets of his ancestors, he encountered the ghost of (or else the tablet of) his late mother. He did not get as far as the Prince but encountered one of the ministers -- no error!

Liu: He passes over his deceased grandfather and meets his deceased grandmother. He does not reach the king but meets an official. No blame.

Ritsema/Karcher: Exceeding one's grandfather. Meeting one's grandmother. Not extending-to one's chief. Meeting one's servant. Without fault.

Shaughnessy: Surpassing his grandfather, meeting his grandmother: Not reaching his lord, meeting his servant; there is no trouble.

Cleary (1): Passing the grandfather, you meet the mother; not reaching the lord, you meet the retainer. No fault.

Cleary (2): Going past the grandfather, etc. ... you meet the administrator, etc.

Wu: He passes by his grandfather and meets with his grandmother. He does not reach the ruler, but meets with the minister. No error.

 

COMMENTARY

Confucius/Legge: A minister should not overpass the ruler. Wilhelm/Baynes: The official should not wish to surpass the prince. Blofeld: He did not reach the Prince because he was unable to get by the minister. [We fail, but through no fault of ours, to reach as high as we'd hoped.] Ritsema/Karcher: Not extending to one's chief. A servant not permitted Exceeding indeed. Cleary (2): The administrator is not to be surpassed. Wu: Because the minister should not be bypassed.

Legge: The second line is magnetic but in her proper central place. Her correlate is the magnetic fifth-line ruler of the hexagram. The dynamic lines separating them represent her father and grandfather, but she passes by them to meet with her grandmother in line five. She moves toward the grandmother-ruler not as an enemy, but with the loyal humility of a proper minister.

 

NOTES AND PARAPHRASES

Siu: The man fails to meet the chief executive, but goes about his duties among other officials. He does not force his way into the limelight.

Wing: Use whatever common affiliations you have with others to bring you into a secure position. No matter what kind of connection you make, it is the connection itself that is important. Hold as closely as possible, however, to traditional methods.

Editor: Blofeld, Liu, Ritsema/Karcher (and Wilhelm by implication) all state that the "grandfather" and "grandmother" are deceased ancestors. Ritsema/Karcher translate "grandmother" as: "Second ancestor generation ... venerated as source of her many descendants." Psychologically, we can assume that the "ancestral grandmother" relates to a primal Yin archetype. Here, a female (Eros principle) passes by two males (logos principle) to unite (correctly in this instance) with another yin line -- which also rules the hexagram. Psychologically, the image suggests the subordination of intellect to a deeper source of wisdom within the psyche. A fair paraphrase of the Confucian commentary might be: "Don't exceed your authority." Perhaps a warning to the ego not to impose its preconceived ideas on the unusual situation portrayed by this line. If this is the only changing line, the corresponding line in the new hexagram, 32 – Consistency, is: Remorse disappears . The relationship between correlate lines in these two hexagrams helps explain each other. Siu’s paraphrase in the latter case is often useful: The man endures by keeping his force of character within the bounds of available power.

The utterances of the heart -- unlike those of the discriminating intellect -- always relate to the whole. The heartstrings sing like an Aeolian harp only to the gentle breath of a premonitory mood, which does not drown the song but listens.
Jung -- The Symbolic Life

A. The intellect defers to the wisdom of the heart.

B. Go with your intuition.

C. Don't get ahead of yourself.

Line 4

Legge: The fourth line, dynamic, shows its subject falling into no error, but meeting the exigency of his situation without exceeding in his natural course. If he goes forward, there will be peril, and he must be cautious. There is no occasion to be using firmness perpetually.

Wilhelm/Baynes: No blame. He meets him without passing by. Going brings danger. One must be on guard. Do not act. Be constantly persevering. [Hardness of character is tempered by yielding position, so that no mistakes are made.]

Blofeld: No error! Instead of passing him by, he accosts him. Advancing now entails dangers which have to be guarded against. This is not a time for action, but for unwavering determination.

Liu: He meets things without excessive reactions. No blame. He will meet danger if he advances. There must be caution. Do not continue.

Ritsema/Karcher: Without fault. Nowhere Exceeding meeting it. Going adversity necessarily warning. No availing-of perpetual Trial.

Shaughnessy: There is no trouble. Not surpassing him, but meeting him; to go is dangerous, there necessarily being a revolt. Do not herewith determine permanently.

Cleary (1): No fault. Do not dally with it too much; it is dangerous to go on. Caution is necessary. Don’t persist forever.

Cleary (2): No fault, meeting here without excess. To go is dangerous; it is necessary to be cautious and not do it. Always be correct.

Wu: There will be no blame, when he encounters a chance meeting with someone without exceeding the spirit of small excess. Any excessive effort must be curtailed. Nor it is proper to be persevering.

 

COMMENTARY

Confucius/Legge: The position is inappropriate for a dynamic line. If he goes forward the result would be that his course would not be long pursued. Wilhelm/ Baynes: The place is not the appropriate one. Blofeld: Accosting someone instead of passing him by is now inappropriate or, is indicated by the unsuitable position of this line. The danger of going forward and the need for precaution imply that we should not continue long in our present course. Ritsema/ Karcher: Situation not appropriate indeed. Going adversity necessarily warning. Completing not permitting long-living indeed. Cleary (2): The position is not right. After all, it cannot last. Wu: This means that his position is improper. Because it will not last.

Legge: Line four is dynamic, but the exercise of his strength is tempered by his position in a magnetic place. He is warned however, to continue quiet and restrain himself.

 

NOTES AND PARAPHRASES

Siu: The man exercises restraint and caution. He meets the exigencies of the situation without exceeding the natural bounds.

Wing: Caution: Do not forge ahead toward your goals or force issues at this time. Stay low and remain inwardly persevering.

Editor: The image portrays a dynamic minister who might be inclined to surpass his magnetic ruler, but who is counseled to temper his impulse to advance. "He meets him without passing by" in Wilhelm's translation is another way of saying not to ignore the danger in the situation. Legge's rendering: "There is no occasion to be using firmness perpetually," Ritsema/Karcher's: "No availing-of perpetual Trial," and Shaughnessy’s "Do not herewith determine permanently," all contradict Wilhelm, Blofeld and Liu, who translate constant perseverance. The logic of the imagery and Confucian commentary argue for this latter rendering, though the circumstances of your query may leave the other interpretation open for consideration. Indeed, Cleary’s Taoist and Buddhist translations offer each version!

To put it in psychological terms, it is the unawareness of danger that constitutes the greatest threat to one who is assailed by an uprush of primitive libido from the unconscious. If he could see the threat or temptation clearly enough to call it by its true name, half the battle would be won.
M.E. Harding -- Psychic Energy

A. Don't get ahead of yourself or exceed your authority. Unilateral action is inappropriate.

B. "Modesty is the best policy."

Line 5

Legge: The fifth line, magnetic, suggests the idea of dense clouds, but no rain, coming from our borders in the west. It also shows the prince shooting his arrow, and taking the bird in a cave.

Wilhelm/Baynes: Dense clouds, no rain from our western territory. The prince shoots and hits him who is in the cave. [The man in the cave is line two. The word for shooting means shooting with an arrow attached to a line for the purpose of dragging in the game that has been shot. The connection arises from the fact that the present line and the second line are related through similarity of kind.]

Blofeld: Dense clouds come from the western outskirts, but no rain falls. The prince shoots an arrow and hits someone in a cave.

Liu: Heavy clouds come from the west, but no rain. What the duke shoots he takes from the cave.

Ritsema/Karcher: Shrouding clouds, not raining. Originating- from my Western suburbs. A prince, a string-arrow grasping another located-in a cave.

Shaughnessy: The dense clouds do not rain from our western pasture; the duke shoots and takes the skin in the cavern.

Cleary (1): Dense clouds not raining come from my neighborhood. The ruler shoots another in a cave.

Cleary (2): Dense clouds do not rain, coming from one’s western province. The prince shoots, catching the quarry in the den.

Wu: There are dense clouds, but no rain coming from our western countryside. The duke gets what is in the cave with an arrow tied to a string. [This implies that he solicits and gets the assistance of his correlate, the second yin line.]

 

COMMENTARY

Confucius/Legge: There are dense clouds, but no rain -- the line is in too high a place. Wilhelm/Baynes: He is already above. Blofeld: Dense clouds and no rain points to their having risen too high. [Something which could have been of great help to us passes us by.] Ritsema/Karcher: Above climaxing indeed. Cleary (2): ( The clouds) have already risen. Wu: The clouds have been blown away by high winds.

Legge: Line five, though in the ruler's seat, is magnetic, and incapable of doing anything great. It is a yin line, and too high. If the line were yang, the auspice would be different. He is called the prince because of the ruler's seat, and the bird in the cave that he captures is the subject of line two.

Anthony: To distrust our path is to distrust the Sage who guides us. We cannot make our way in the hidden world alone; we need the Sage’s help, which can only be obtained through a modest acceptance of our fate.

 

NOTES AND PARAPHRASES

Siu: Because of the lack of able helpers, the prince is unsuccessful in his attempts to set the world in order. He searches intently for the required talents among those who have retired from the public scene. The right man with a demonstrated record of achievement is finally found and the difficult task completed.

Wing: Your strength is adequate to bring forth that which you desire, but your position is not appropriate. You will need help from others. Modestly seek such assistance from qualified people and you can accomplish your aim.

Editor: There are two sets of images here -- the first suggests an accumulation of latent energy and the second the grasp of something concealed. Rain symbolizes the union of heaven and earth -- the connection between higher and lower, inner and outer. Dense clouds therefore represent a buildup of unreleased tension: union has yet to be accomplished. The arrow shot into the cave with a line attached to it traditionally symbolizes the link between this line’s magnetic second-line correlate. (Meditation on the differences between the two lines and their respective messages is often useful in discerning subtle ego/Self relationships.) The arrow suggests discrimination or comprehension -- to shoot an arrow into the heart of something is a conscious, active attempt to pierce its essence, to comprehend it. To shoot into the darkness of a cave symbolizes seeking comprehension of what is unknown or unconscious; it can also suggest "a shot in the dark" -- a guess. Only Legge identifies the target as a bird – the other translations are less specific: the object is “something or someone” hidden from consciousness. As a creature of the air, a bird represents thoughts, ideas, concepts, intelligible answers, etc. , so this often applies in the interpretation. (Note how central the bird symbol is in this hexagram.) The line suggests one seeking comprehension of an unknown situation or process and receiving relatively little satisfaction -- the answer is out of reach ("too high") in the imagery of the Confucian commentary. If this is the only changing line, the new hexagram created is Number 31, Influence, which often carries the connotation of “importuning” – suggesting that perhaps you are seeking information which the oracle has no intention of providing, or you are incapable of understanding at this stage: it’s too high, it’s beyond you. (See commentary on Hex 31 for more details.) Also compare this line with the virtually identical message in the Judgement of Hexagram 9: ’TheTaming Power of the Small has success. Dense clouds, no rain from our western region.’ This repetition of the theme of ’smallness’ (in all of its possible connotations) is useful to contemplate here.

Thus does the Archer hunt his quarry, for as the huntsman seeks to kill his prey for food, so does the (Self) seek out conscious contact with its projection (the ego) for similar reasons, for the fully illuminated man is he who is dead to the domination of the lower worlds, using his vehicles in the lower worlds for the ends of his higher nature.
Gareth Knight -- Qabalistic Symbolism

A. A build-up of tension without release: You are groping in the dark. Play it by ear until the situation clarifies. Don’t get ahead of yourself.

B. The answer to your question is beyond your present ability to comprehend.

5
Waiting


Other titles: Nourishment, Calculated Inaction, Attending, Biding One's Time, Nourishment Through Inaction, Waiting for Nourishment, Moistened, "Waiting with the assurance that a blessing will come." -- D.F. Hook

 

Judgment

Legge:Waitingintimates that with sincerity and firmness there will be brilliant success and good fortune. It will be advantageous to cross the great stream.

Wilhelm/Baynes:Waiting. If you are sincere, you have light and success. Perseverance brings good fortune. It furthers one to cross the great water.

Blofeld: Calculated inaction (or exhibiting the power to wait) and the confidence of others win brilliant success. Righteous persistence brings good fortune. It will be advantageous to cross the great river (or sea). [The significance of this hexagram is that inaction while awaiting the outcome of events will enable us to avoid a danger now threatening. Firmness, clarity of mind and success in winning the confidence of others are now demanded of us; with them, our undertakings will prosper. Moreover, this period of inaction is a good time in which to go on a journey or else for relaxation and enjoyment.]

Liu: Waiting.If you are sincere you will have glory (light) and success. Continuing leads to good fortune. It is of benefit to cross the great water (to travel to remote places).

Ritsema/Karcher: Attending, possessing conformity . Shining Growing, Trial: significant. Harvesting: wading the Great River. (Editor: "Possessing conformity" is translated as: ... "Inner and outer are in accord; confidence of the spirits has been captured...") [This hexagram describes your situation in terms of being compelled to wait for and serve something. It emphasizes that fixing your attention on what is required while waiting carefully for the right moment to act is the adequate way to handle it. To be in accord with the time, you are told to: attend!]

Shaughnessy: Moistened: There is a return, radiant receipt; determination is auspicious; beneficial to ford the great river.

Cleary (1): In Waiting there is sincerity and great development. It is good to be correct. It is beneficial to cross a great river.

Cleary (2):Waiting with truthfulness lights up success in correct orientation toward good. It is beneficial to cross a great river.

Wu: Waiting indicates having confidence. It is brilliant and pervasive and auspicious to be persevering. It will be advantageous to cross the big river.

The Image

Legge: The image of clouds ascending over the sky forms Waiting. The superior man, in accordance with this, eats and drinks, feasts and enjoys himself as if there were nothing else to employ him.

Wilhelm/Baynes: Clouds rise up to heaven: the image of Waiting. Thus the superior man eats and drinks, is joyous and of good cheer.

Blofeld: This hexagram symbolizes clouds rising to the zenith -- inactivity! The Superior Man will pass this time in feasting and enjoyment.

Liu: Clouds rise up in the sky; this symbolizes Waiting. The superior man enjoys his food and drink. He remains relaxed and happy.

Ritsema/Karcher: Above clouds with-respect-to heaven. Attending. A chun tzu uses drinking [and] taking-in to repose delighting.

Cleary (1): Clouds rise to heaven, waiting. The superior person makes merry with food and drink.

Wu: The clouds ascend to the sky; this is Waiting. Thus the jun zi enjoys food and peace.

 

COMMENTARY

Confucius/Legge: Waiting shows peril in front, but its subject does not allow himself to be involved in the dangerous defile. The success in sincerity and good fortune in firmness are shown by the position of the fifth line which is correctly situated in the central place assigned by Heaven. Crossing the great stream will be followed by meritorious achievement.

Legge: Waiting is composed of the lower trigram of strength and the upper trigram of peril. Strength confronted by peril might be expected to advance boldly and deal with it at once, but the lesson of the hexagram is that it is wiser to wait until success is sure. In the situation at hand, firm correctness is all that is required for eventual victory.

"Crossing the great stream" is a frequent expression in the I Ching which symbolizes the undertaking of hazardous enterprises, or encountering great difficulties. Historically it refers to the Yellow River which the lords of Chou had to cross in their revolution against the Yin Dynasty tyrants. The crossing made by King Wu in 1122 B.C. was one of the greatest deeds in the history of China, and was preceded by a long period of waiting until success could be assured.

Regarding the Image, it is said that the cloud that has risen to the top of the sky has nothing to do but wait until the harmony of heaven and earth require it to discharge its store of rain. The superior man is likewise counseled to enjoy his idle time while waiting for the correct moment to deal with the approaching danger.

 

NOTES AND PARAPHRASES

Judgment: Strength in the face of danger here consists of the will to sit tight and do nothing.

The Superior Man carries on as if nothing was the matter, and nourishes himself through inaction.

There are many kinds of courage -- perhaps the greatest of all is the courage to remain unflinchingly in place when all the circumstances seem to cry out for action. It takes far more courage to wait for the dragon to slowly come to you than to rush forth and attack him in his lair. As a strategy, to out-wait your opponent through pure willpower and inner strength can be more effective than a direct attack -- but it can only succeed when you are truly strong. It is as if the real battle takes place on the inner planes, and the first one to act in the world thereby concedes defeat.

A very large part of the Work consists in disciplining oneself to wait -- to take no action until some indefinite time in the future. This is exceedingly difficult to do, and creates incredible stresses within the psyche -- which is exactly why it is necessary. Psychologically, to "cross the great stream" is to subdue all of the autonomous instincts, drives and emotions that are accustomed to responding whenever they are stimulated. As long as waiting creates feelings of stress, you can be sure that the battle has not been won. When you can wait like the superior man -- as if there were nothing else to do, then you can allow yourself to hope that you may be getting somewhere.

To nourish oneself through inaction is to digest and absorb the energy of one's instinctive responses. As in any nourishing assimilation, their strength then becomes your strength. The true adept is one who has digested all of his passion and is thereby empowered to use it for his own purposes. Instead of engaging in civil war, he has united his forces to act in the world.

Tradition says that Moses did not set the Tabernacle up straight away, but delayed for three months, despite the fact that the people wanted to dedicate it at once. In this is repeated a lesson of patience concerning matters of the spirit. For instead of accepting their Teacher's word, which conveyed the will of God, the Israelites sought to impose their own will over what they had made ... This phenomenon is not unknown among those who cannot wait, which is a vital part of esoteric training. Unfortunately, it has to be demonstrated over and over again that the timing of a spiritual event is contingent upon a cosmic schedule, and not the will of the individual.
Z.B.S. Halevi -- Kabbalah and Exodus