One remains close to power despite one's withdrawal. taoscopy.com
Small Powers62
Focus on the details. Embrace humility and small steps to achieve success. Avoid overreaching or taking on too much to prevent failure.
↓ Line 1
This line warns against overreaching or attempting too much. It suggests that one should be cautious and avoid taking unnecessary risks.
↓ Line 2
This line suggests that one should focus on immediate and attainable goals rather than distant or ambitious ones. It advises contentment with modest achievements.
↓ Line 3
This line warns of potential danger from unexpected sources. It advises vigilance and awareness of one's surroundings to avoid being caught off guard.
↓ The Marrying Maiden54
Proceed cautiously, recognizing limitations and external influences. Adapt to circumstances with humility and patience, but remain aware of your own path and intentions.
Original Readings
62 Small Powers
Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook
Judgment
Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.
Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.
Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]
Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]
Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small
Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]
Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.
Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.
Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.
Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.
The Image
Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.
Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]
Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.
Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.
Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.
Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.
Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.
Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.
COMMENTARY
Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.
Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.
NOTES AND PARAPHRASES
Judgment: Ground your flights of fancy.
The Superior Man bends over backwards to be correct.
Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.
In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive. E.C. Whitmont --The Symbolic Quest
Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."
Line 1
Legge: The first line, magnetic, suggests the idea of a bird flying, and ascending until the issue is evil.
Wilhelm/Baynes: The bird meets with misfortune through flying. [A bird ought to remain in the nest until it is fledged. If it tries to fly before this, it invites misfortune.]
Blofeld: A bird in flight brings misfortune.
Liu: A bird encounters misfortune when it soars.
Ritsema/Karcher: Flying bird: using a pitfall.
Shaughnessy: The flying bird brings inauspiciousness.
Cleary (1): A bird that flies thereby brings misfortune.
Wu: The flying bird gets its misfortune.
COMMENTARY
Confucius/Legge: Nothing can be done to avoid this issue. Wilhelm/Baynes: Here there is nothing to be done. Blofeld: There is nothing we can do about it. [The bird is merely a symbol; we are due to encounter misfortune which we are powerless to avert.]Ritsema/Karcher: Wherefore not permitted thus indeed. Cleary (2): Nothing can be done about it. Wu: It cannot be helped.
Legge: Line one is magnetic in a dynamic place, and possessed by the idea of exceeding the limitations of the hexagram. Her correlate is the dynamic fourth line, belonging to the trigram of Movement, so that instead of being repressed from her tendency to ascend, she is actually stimulated to do so. Nothing can be done to avoid an evil issue because she brings it on herself.
NOTES AND PARAPHRASES
Siu: At the outset, the man should heed the case of a bird leaving the nest before it is fledged. He should spend his early life learning the traditional ways in order to avoid wasting his energies in senseless jousting.
Wing: If you are considering an extraordinary plan, forget it. The time and your position could not be more inappropriate. Your destiny lies in the ordinary or traditional, and anything beyond that would lead you into danger.
Editor: Despite the gloomy Confucian commentary, my experience with this line has usually been conditional: "If the bird flies, disaster is inevitable." The implicit conclusion is: "If the bird doesn't fly, it will escape the unpleasant consequences." The image of the bird (an air creature symbolizes a thought, concept or idea) can suggest blue-sky thinking that will only end up lost in space. Wilhelm’s commentary offers the idea of a fledgling trying to fly before it is ready, suggesting that the impulse to act may be more premature than improper.
If we do not know what moves us we are in no position to understand what we are doing, nor are we in any position to choose what we wish to do. We may think we decide what we want to do but what actually happens may be quite another matter. Without an awareness of the psychic fields in which we operate, any idea of freedom of will, decision or of relationship is an illusion. E.C. Whitmont --The Symbolic Quest
A. You have allowed your thoughts to run away with you.
B. You are in over your head -- have exceeded your ability to cope with the reality of the situation.
Line 2
Legge: The second line, magnetic, shows its subject passing by her grandfather, and meeting with her grandmother; not attempting anything against her ruler, but meeting her as her minister. There will be no error.
Wilhelm/Baynes: She passes by her ancestor and meets her ancestress. He does not reach his prince and meets the official. No blame.
Blofeld: Passing by the spirit tablets of his ancestors, he encountered the ghost of (or else the tablet of) his late mother. He did not get as far as the Prince but encountered one of the ministers -- no error!
Liu: He passes over his deceased grandfather and meets his deceased grandmother. He does not reach the king but meets an official. No blame.
Ritsema/Karcher: Exceeding one's grandfather. Meeting one's grandmother. Not extending-to one's chief. Meeting one's servant. Without fault.
Shaughnessy: Surpassing his grandfather, meeting his grandmother: Not reaching his lord, meeting his servant; there is no trouble.
Cleary (1): Passing the grandfather, you meet the mother; not reaching the lord, you meet the retainer. No fault.
Cleary (2): Going past the grandfather, etc. ... you meet the administrator, etc.
Wu: He passes by his grandfather and meets with his grandmother. He does not reach the ruler, but meets with the minister. No error.
COMMENTARY
Confucius/Legge: A minister should not overpass the ruler. Wilhelm/Baynes: The official should not wish to surpass the prince. Blofeld: He did not reach the Prince because he was unable to get by the minister. [We fail, but through no fault of ours, to reach as high as we'd hoped.] Ritsema/Karcher: Not extending to one's chief. A servant not permitted Exceeding indeed. Cleary (2): The administrator is not to be surpassed. Wu: Because the minister should not be bypassed.
Legge: The second line is magnetic but in her proper central place. Her correlate is the magnetic fifth-line ruler of the hexagram. The dynamic lines separating them represent her father and grandfather, but she passes by them to meet with her grandmother in line five. She moves toward the grandmother-ruler not as an enemy, but with the loyal humility of a proper minister.
NOTES AND PARAPHRASES
Siu: The man fails to meet the chief executive, but goes about his duties among other officials. He does not force his way into the limelight.
Wing: Use whatever common affiliations you have with others to bring you into a secure position. No matter what kind of connection you make, it is the connection itself that is important. Hold as closely as possible, however, to traditional methods.
Editor: Blofeld, Liu, Ritsema/Karcher (and Wilhelm by implication) all state that the "grandfather" and "grandmother" are deceased ancestors. Ritsema/Karcher translate "grandmother" as: "Second ancestor generation ... venerated as source of her many descendants." Psychologically, we can assume that the "ancestral grandmother" relates to a primal Yin archetype. Here, a female (Eros principle) passes by two males (logos principle) to unite (correctly in this instance) with another yin line -- which also rules the hexagram. Psychologically, the image suggests the subordination of intellect to a deeper source of wisdom within the psyche. A fair paraphrase of the Confucian commentary might be: "Don't exceed your authority." Perhaps a warning to the ego not to impose its preconceived ideas on the unusual situation portrayed by this line. If this is the only changing line, the corresponding line in the new hexagram, 32 – Consistency, is: Remorse disappears . The relationship between correlate lines in these two hexagrams helps explain each other. Siu’s paraphrase in the latter case is often useful: The man endures by keeping his force of character within the bounds of available power.
The utterances of the heart -- unlike those of the discriminating intellect -- always relate to the whole. The heartstrings sing like an Aeolian harp only to the gentle breath of a premonitory mood, which does not drown the song but listens. Jung -- The Symbolic Life
A. The intellect defers to the wisdom of the heart.
B. Go with your intuition.
C. Don't get ahead of yourself.
Line 3
Legge: The third line, dynamic, shows its subject taking no extraordinary precautions against danger, and some in consequence finding opportunity to assail and injure him. There will be evil.
Wilhelm/Baynes: If one is not extremely careful, somebody may come up from behind and strike him. Misfortune.
Blofeld: Unless he takes appropriate precautions, one of his subordinates may slay him -- misfortune!
Liu: If he does not protect himself carefully, someone will stab him in the back. Misfortune.
Ritsema/Karcher: Nowhere Exceeding defending-against it. Adhering, maybe killing it. Pitfall.
Shaughnessy: Not surpassing him but repelling him, following which someone injures him; inauspicious.
Cleary (1): If you do not overcome and forestall it, indulgence will cause harm, which would be unfortunate.
Cleary (2): One does not take precautions in excess, so pursuers attack one. This is unfortunate.
Wu: Ignoring to secure a little excess of protection, he may be fatally wounded. Foreboding.
COMMENTARY
Confucius/Legge: There will be evil: how great it will be! Wilhelm/Baynes: What a misfortune this is! Blofeld: Were that to happen, it would indeed be misfortune! Ritsema/Karcher: Wherefore a pitfall thus indeed. Cleary (2): Pursuers attack one. How unfortunate! Wu: How can it not be foreboding?
Legge: The subject of line three is too confident in his own strength, and too defiant of the magnetic enemies that seek to hurt him.
NOTES AND PARAPHRASES
Siu: The man is disdainful of weak enemies and does not exercise adequate precautions in the face of apparently insignificant signs. He will be hurt.
Wing: This is a warning. Because you are in the right and things have gone smoothly in the past, you may be tempted to overlook details and become overly confident. Dangers are lurking. They can be avoided with Conscientiousness. Take precautions now.
Editor: The "magnetic enemies" are all of the yin lines in the hexagram, seen here as treacherous adversaries. There is no ambiguity in this line at all -- it is saying in the clearest possible terms to "Watch out!"
We are therefore on safe ground when we speak of a personal part of the psyche consisting of the conscious and controllable elements, and a nonpersonal part consisting of those elements not controlled by the conscious I but superordinated to and acting independently of it, often dominating it and forcing it to act contrary to its desires ... A man in this stage of self-consciousness does not realize as a rule that ideas occur to him without his willing them, that actions are performed through him -- that he is being used by thoughts and impulses arising from something other than his I. M.E. Harding -- Psychic Energy
A. You are vulnerable to harm -- wake up!
B. You have taken no precautions against the threat of attack from unseen quarters. If you are not extremely careful, you're going to get hurt.
54 The Marrying Maiden
Other titles: The Marrying Maiden, The Symbol of the Marriage of the Younger Sister, Marriageable Maiden, The Marrying Girl, Subordinate, The Second Wife, Converting Maidenhood, Returning maiden, Making a young girl marry, Marrying a young girl, Marrying a Maiden, Unilateral Action, Impropriety, Improper Advances, "Deals with life and death, sex and birth. It contains a warning about a person or situation. It deals essentially with discrimination. The first step on the Path without which we are useless." -- D.F. Hook
Judgment
Legge:Propriety indicates that action will be evil, and in no wise advantageous.
Wilhelm/Baynes: The Marrying Maiden. Undertakings bring misfortune. Nothing that would further.
Blofeld:The Marriageable Maiden. Advance brings misfortune. No goal (or destination) is now favorable.
Liu: The Marrying Girl. Undertaking leads to misfortune. Nothing benefits.
Ritsema/Karcher: Converting Maidenhood, chastising: pitfall. Without direction: Harvesting. [Without direction: Harvesting: ... In order to take advantage of the situation, do not impose a direction on events.] [This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it...]
Shaughnessy:Returning maiden: To be upright is inauspicious; there is no place beneficial.
Cleary (1): Making a young girl marry: To go on will lead to misfortune; no profit is gained.
Cleary (2):Marrying a young girl. To go on an expedition leads to misfortune, with nothing gained.
Wu: Marrying a Maiden indicates that it will be foreboding to make moves. There is nothing to be gained.
The Image
Legge: The waters of a Marsh with Thunder over it form the hexagram of Propriety. The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning.
Wilhelm/Baynes: Thunder over the lake: the image of The Marrying Maiden. Thus the superior man understands the transitory in the light of the eternity of the end.
Blofeld: This hexagram symbolizes thunder over a pool. The Superior Man knows that, to achieve an enduring end, he must be aware of his mistakes at the beginning.
Liu: Thunder over the lake symbolizes the Marrying Girl. The superior man knows the cause of error, and persists in his virtue to the end.
Ritsema/Karcher: Above marsh possessing thunder. Converting Maidenhood. A chun tzu uses perpetually completing to know the cracked.
Cleary (1): There is thunder above a lake, making a young girl marry. Thus superior people persist to the end and know what is wrong.
Cleary (2): Thunder over a lake – Marrying a young girl. Developed people consider lasting results and know what is wrong. [The way developed people handle things is that before they take the time to ask how to start something, they first consider lasting results. If they think of lasting results, they know what is wrong with acting prematurely, like marrying an immature girl. If you understand the meaning of this, you can apply it to government and to contemplating mind as well.]
Wu: There is thunder above the marsh; this is Marrying a Maiden. Thus, the jun zi in the pursuit of lasting excellence realizes the flaws and corrects them.
COMMENTARY
Confucius/Legge: In the marriage of a young bride the proper relationship between heaven and earth is seen. Nothing could grow or flourish if heaven and earth did not unite. The marriage of a young bride is therefore both the commencement and goal of humanity. But here the desire of pleasure employs movement to attain union. This action will be evil because the lines are in inappropriate places, and the magnetic three and five are mounted on dynamic lines.
Legge: The Chinese phrase for this hexagram might be equivalent to the English "giving in marriage,” but there are some special meanings in this case which must be understood. The Judgment gives a bad auspice because the trigram of the Youngest Daughter is beneath the trigram of the Eldest Son. Since the action of the hexagram begins with the lowest trigram, we have two violations of propriety. First, the marriage is initiated by the woman and her friends. She goes unilaterally to her future home instead of the bridegroom coming to fetch her. Second, the parties are unequally matched -- there is too great a disparity in their ages. In addition, all the lines in the hexagram except the top and the bottom are in places inappropriate for them. Some commentators insist that the symbol of the contracting of a marriage in this hexagram sets forth some principles which should obtain in the relation between a ruler and his ministers.
The growth of things in nature from the interaction of heaven and earth is analogous to the increase of mankind through the interaction between male and female in marriage. The K'ang-hsi editors reconcile this good auspice with the unfavorable Judgment by saying: "The interaction of the yin and yang cannot be dispensed with, but we ought to be careful about it in the beginning in order to prevent mischief in the end.” The error here is that the desire for the marriage originated with the lady, and that she is heedless of the disparity in their ages.
NOTES AND PARAPHRASES
Judgment: Propriety means that unilateral action is inappropriate.
The Superior Man understands that the Work is guided from within, and that choices which ignore this truth can only retard its progress. (Present actions originate future consequences: pay heed to your choices.)
The traditional name for this hexagram is The Marrying Maiden -- a title which does not convey to modern western readers the subtlety of its symbolism. Blofeld says: "This hexagram is, on the whole, a most unfortunate omen ... We must not suppose that it deals only with marriage. What is said about the maiden symbolizes in some way or other what we may expect for ourselves within the context of our enquiry." The figure is certainly difficult, but "unfortunate" only if its import is resisted or denied: any portrayal of our situation which eliminates illusion (however painful the realization), must be regarded as a positive lesson.
Although the Confucian commentary describes this hexagram in terms of self-seeking aspiration, the wretched protagonist of the figure is not invariably culpable, and neither Judgment nor Image imply this. In addition to being at the very bottom of the social pecking order, the maiden is portrayed as half-blind, crippled and a "slave." Although condemned by the commentators for importuning a marriage that would raise her status, a close reading of the lines reveals that only the sixth place suggests possible impropriety -- the others all contain advice about how one of extremely low status should cope with restricted circumstances. The hexagram therefore can deal with either of two possible conditions: those involving Proprietyand those involving Making-do as an adaptation to adversity.
In the first instance, it is useful to compare the symbolism here with that of the preceding hexagram of Gradual Progress. There we see the organic progression of the Work allegorized as the proper marriage of a young woman. In this case, Gradual Progress has been turned upside down and the symbolism reversed: this young woman improperly pursues a marriage on her own initiative. Psychologically interpreted, it can be regarded as an image of the ego pushing its own agenda or desire for union.
The ego may move in directions and toward actions that are at variance with the intentions and standards of the Self ... The mature adult needs to recognize eventually his or her relative limitedness vis-à-vis the "Self- field" and the cosmic organism of which s/he is but a cell. We are subject to the ordering and growth intents of the entelechy of the whole. E. C. Whitmont -- The Alchemy of Healing
To recognize our `relative limitedness “vis-à-vis the Self-field” is to renounce our claim to unilateral action. Though the ego ardently desires a marriage with the Self, only the Self can initiate such a union. Chou Tun I, an early Neo-Confucian, makes an observation which illuminates Legge's Image:
"The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning. The most important things in the world are tendencies. Tendencies may be strong or weak. If a tendency is extremely strong, it cannot be controlled. But it is possible to control it quickly if one realizes that it is strong. To control it requires effort. If one does not realize early enough, it will not be easy to apply effort.”
To receive this hexagram without changing lines can be an admonition to examine your motives and actions in the matter at hand. Where are you out of line? If no obvious impropriety is involved, it could also portray an essentially impotent predicament. At such times Ritsema/Karcher's synopsis bears repetition: "This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it.”
SUGGESTIONS FOR MEDITATION
Compare Propriety with hexagram number fifty-three, Gradual Progress, then compare them both with hexagram number thirty-one,Initiative. What are the similarities in their ideas? Now look at hexagrams number eleven, seventeen and twenty-two and observe the over-all philosophy which begins to emerge.