Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.
Line 2
Legge: The second line, dynamic, shows the dragon appearing in the field. It will be advantageous to meet with the great man.
Wilhelm/Baynes: Dragon appearing in the field. It furthers one to see the great man.
Blofeld: The dragon is perceived in an open place; it is advantageous to visit a great man.
Liu: The dragon is seen on the field. There is benefit in meeting a great man.
Ritsema/Karcher: Visualizing dragon located-in the fields. Harvesting: visualizing great people.
Shaughnessy: Appearing dragon in the fields; beneficial to see the great man.
Cleary(1): Seeing the dragon in the field: It is beneficial to see a great person.
Wu: There appears the dragon in the field. It will be advantageous to see the great man.
COMMENTARY
Confucius/Legge: The diffusion of virtuous influence has been wide. Wilhelm/Baynes: Already the influence of character reaches far. Blofeld: The great man's deeds are everywhere distributed. Ritsema/Karcher: Actualizing-tao spreading-out throughout indeed. [Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]Wu: Because his virtue is being widely recognized.
The Master said:"There he is, with the qualities of the dragon, and occupying exactly the central place. His everyday speech and conduct is natural and without affectation. He is on guard against depravity, and thereby preserves his inner virtue. The world recognizes his power because he does not call attention to it. Such expressions of integrity are the qualities of a ruler, and transform the world."
Miscellaneous notes: The time still requires him to be unemployed. All under Heaven begins to be adorned and brightened. The correct accumulation of power creates beneficial results. The superior man consolidates his perceptions and evaluates their implications with bemused detachment, as befits a virtuous ruler.
Legge: We have the superior man developing, by means of the processes described, into the great man, with the attributes of a ruler, the appearance of whom is a blessing to men.
NOTES AND PARAPHRASES
Siu: A transformation ensues. The man appears among his peers, although not yet in a position of authority. His virtues are displayed, and his goodness becomes known. The prognosis is good for his impact upon the world. It is propitious to see him.
Wing: Take note of a person who is active in the field of your interest. Although he may not be in a position of Creative Power, his conduct is above reproach and therefore he has significant influence. It would be to your advantage to align yourself with him.
Editor: A field is a wide and open place where movement is relatively unrestricted. The dynamic force here has room to move in any direction. To ensure that this energy moves in the proper direction, we are counseled to maintain a firm connection with "the great man" -- the best that is in us, our highest intuition or inner voice: the Self. The imagery of the line therefore suggests the expansion of awareness, or of coming into one's power. It does not necessarily counsel action.
We should watch the activity of the Self within ourselves and try to make it an influence in our actual life. If for instance I have a dream that I should do something (since our hypothesis is that the dream is so to speak a letter from the Self), that would be an activity from the archetype of the Self, and to give that to the dragon to eat would mean that I make it valid for the body of my actual physical life, i.e., my decision, whether I do this or that, from morning to evening. M.L. Von Franz -- Alchemical Active Imagination
A. You are beginning to get the idea -- stay connected to avoid going astray.
B. Power accumulates -- stay in touch with your highest potential to ensure that this energy stays focused on the Work.
Line 3
Legge: In the third line, dynamic, we see its subject as the superior man active and vigilant all the day, and in the evening still careful and apprehensive. The position is dangerous, but there will be no mistake.
Wilhelm/Baynes: All day long the superior man is creatively active. At nightfall his mind is still beset with cares. Danger. No blame.
Blofeld: The superior man busies himself the whole day through and evening finds him thoroughly alert. Trouble threatens, but he is not at fault.
Liu: The superior man works creatively the whole day, and is cautious in the evening. Danger. No blame.
Ritsema/Karcher: A Chun tzu completing the day: Force, Force. Nightfall, awe, like adversity. Without fault.
Shaughnessy: The gentleman throughout the day is so initiating; at night he is ashen as if in danger; there is no trouble.
Cleary (1): A superior person works diligently all day, is careful at night. Danger, but no error.
Wu: The jun zi should follow the way of The Dynamic all day long. He should keep himself alert in the day as well as in the evening. If so, he will be free from error, despite alarming situations.
COMMENTARY
Confucius/Legge: This refers to the treading of the proper path over and over again. Wilhelm/Baynes: One goes to and fro on the right path. Blofeld: He goes over his work again and again. Ritsema/Karcher: Reversing returning tao indeed. Wu: Take into consideration the principle of cyclic reversion.
The Master said:"The superior man evolves through faithful devotion to his work; and he ensures its endurance by the awareness and control of his speech. His comprehension of fundamental principles enables him to attain his goals, but once attained, he does not exceed their proper limit. Exalted without pride, abased without fear, vigilant in his actions and attentive to the requirements of the time, he copes with danger without error."
Miscellaneous notes: Now he does his proper business. He acts according
to the requirements of the time. He is doubly strong, but beyond the center -- neither in Heaven above, or the field below. Vigilance and concern in a perilous position insure against error.
Legge: The dynamic line is in its proper place. In the exercise of his caution he will refrain from any improper action.
NOTES AND PARAPHRASES
Siu: The man's fame begins to spread. Such periods of transition are always unsettling. There is tension in the air. But the man retains his integrity and avoids being swept along by the masses, which flock to him. He remains active, vigilant, careful, and apprehensive. The prevention of mistakes under perilous circumstances is ever on his mind.
Wing: A new world of Creative Power is opening to you. Others will become aware of this and attach themselves to you in hopes that they may use your gain in influence for their own aims. There is danger in this, for your energies may become distracted before they are stabilized. If you hold fiercely to your vision and integrity you will be protected.
Editor: This line marks the threshold between the lower and upper trigrams, and suggests a place of transition -- a kind of no-man's land where forces advance and retreat as conditions require. The superior man is the warrior in the service of the Work, and although he is consciously aware of his task (he is vigilant during the day), he must remain alert to unconscious (night, or evening) factors which might usurp his judgment. This is alluded to in the Confucian commentary in terms of the awareness and control of speech. The control of language is extremely difficult, for it is by means of spontaneous remarks that unconscious forces often manage to express themselves despite all of our intentions to the contrary. It is for this reason that a common discipline of inner work is the strict control of expression -- for example, the vow not to use the word "I" in conversation. (Aleister Crowley is said to have demanded that his disciples slash their arms with a razor every time they broke this rule!) Ritsema/Karcher render "adversity," (LI) as: "Danger, threatening, malevolent demon ... It indicates a spirit or ghost that seeks revenge by inflicting suffering upon the living. Pacifying or exorcizing such a spirit can have a healing effect." If this is the only changing line, the new hexagram created is number ten, Cautious Advance, which repeats the image of careful vigilance as well as the idea in the Confucian commentary of "Treading the proper path over and over again." Compare with line 3 of Hexagram 10.
The psyche is a self-regulating system that maintains its equilibrium just as the body does. Every process that goes too far immediately and inevitably calls forth compensations, and without these there would be neither a normal metabolism nor a normal psyche. In this sense we can take the theory of compensation as a basic law of psychic behavior. Too little on one side results in too much on the other.
Jung -- The Practice of Psychotherapy
A. Although you are consciously devoted to the Work, you must watch out for unconscious elements in your psyche which would hinder your progress.
B. Monitor your words and deeds.
C. Be very careful now in what you do.
Line 4
Legge: In the fourth dynamic line we see its subject as the dragon looking as if he were leaping up, but still in the deep. There will be no mistake.
Wilhelm/Baynes: Wavering flight over the depths. No blame.
Blofeld: Leaping about on the brink of a chasm, he is not at fault.
Liu: The dragon leaps from the abyss. No blame.
Ritsema/Karcher: Maybe capering located-in the abyss. Without fault.
Shaughnessy: And now jumping in the depths; there is no trouble.
Cleary(1): Sometimes leaping, or in the abyss: no error.
Cleary(2): One may leap in the abyss. No error.
Wu: The dragon may leap out of the abyss. There will be no blame.
COMMENTARY
Confucius/Legge: He seems to be leaping up, but is still in the deep. If he advances there will be no error. Wilhelm/Baynes: Advance is not a mistake. Blofeld: For him to advance would involve no fault. Ritsema/Karcher: Advancing without fault indeed. Wu: It is blameless to proceed.
The Master said:"Without a permanent home either above or below, the superior man yet commits no error. He advances or retreats as circumstances require and conforms to the law of his nature. The superior man, devoted to his work and the evolution of his virtue, advances only at the proper time, and therefore avoids mistakes."
Miscellaneous notes: He tests himself. A change is in process. The power is not central: neither in Heaven above, nor in the field beneath, nor in the human realm between them. Because he is perplexed and anxious about his choices he will incur no blame.
Legge: Both the third and fourth lines of any hexagram belong to man, and are intermediate between those of Heaven above and those of Earth beneath. K'ung Ying-ta, to explain the difficulty in what is said on this fourth line, says that man is actually nearer to Earth than to Heaven, and is aptly represented therefore by the third line and not by the fourth. In any event, the subject of this fourth line will move very cautiously, and so escape blame.
NOTES AND PARAPHRASES
Siu: After a while the man is confronted with a choice for public service in world affairs or solitude in further personal development. Either is appropriate if pursued in virtue and at the proper time.
Wing: A time of choice is at hand. Because of amplification in your Creative Power you must decide whether to enter the public eye and serve society, or whether to withdraw and work on your inner development. Follow your deepest intuition and you will not make a mistake.
Editor: The fourth line bears a certain similarity to the third: as the lowest line of the upper trigram, it is also in a threshold position of transition. Although hesitation and uncertainty are implied, one is counseled to take action when it is appropriate to do so. This implies that you are on the right track, but that certain self-confidence is required. The line can sometimes just portray a confused situation.
Every advance in culture is, psychologically, an extension of consciousness, a coming to consciousness that can take place only through discrimination. Therefore an advance always begins with individuation, that is to say with the individual, conscious of his isolation, cutting a new path through hitherto untrodden territory. To do this he must first return to the fundamental facts of his own being, irrespective of all authority and tradition, and allow himself to become conscious of his distinctiveness. Jung -- The Structure and Dynamics of the Psyche
A. Keep trying.
B. The will is being tested through a transitional period. The power for advancement depends upon the self- confidence that comes with knowing you have made a correct choice.
C. To stay on top of a changing situation, keep the faith and play it by ear.
Other titles: The Symbol of Addition, Gain, Augmenting, Help from Above, Benefit, Advantage, Profit, Expansion
Judgment
Legge: Increase denotes advantage in every movement which shall be undertaken -- it will be advantageous even to cross the great stream.
Wilhelm/Baynes:Increase. It furthers one to undertake something. It furthers one to cross the great water.
Blofeld: Gain. It is favorable to have in view some goal (or destination) and to cross the great water (or sea).
Liu:Increase. It is of benefit to set forth. It is of benefit to cross the great water.
Ritsema/Karcher: Augmenting , Harvesting: possessing directed going. Harvesting: wading the Great River. [This hexagram describes your situation in terms of increase and advance. It emphasizes that expanding the quantity and quality of your involvement is the adequate way to handle it. To be in accord with the time, you are told to augment!]
Shaughnessy:Increase:Beneficial herewith to have someplace to go; beneficial to find the great river.
Cleary (1): For Increase, it is beneficial to go somewhere; it is beneficial to cross great rivers.
Wu: Gain indicates an advantage in having undertakings and in crossing a big river.
The Image
Legge: Wind over thunder -- the image of Increase. When the superior man perceives good, he moves toward it; when he perceives his faults, he eliminates them.
Wilhelm/Baynes: Wind and thunder: the image of Increase. Thus the superior man: if he sees good, he imitates it; if he has faults, he rids himself of them.
Blofeld: This hexagram symbolizes wind and thunder. The Superior Man, seeing what is good, imitates it; seeing what is bad, he corrects it.
Liu: Wind and thunder symbolize Increase. When the superior man discovers good, he follows it. When he has errors, he corrects them.
Ritsema/Karcher: Wind, thunder. Augmenting. A chun tzu uses visualizing improvement, by-consequence shifting. A chun tzu uses possessing excess, by-consequence amending.
Cleary (1): Wind and thunder increase. Thus do superior people take to good when they see it, and correct whatever faults they have.
Wu: Wind and thunder make Gain. Thus, when the jun zi sees a good deed, he improves his own at once; when he realizes he is making a mistake, he corrects it at once.
COMMENTARY
Confucius/Legge: Increase shows the upper trigram brilliantly decreased to augment the lower. What descends from above reaches to all below, and the satisfaction of the people is without limit. Advantage in movement is shown in the blessings dispensed by the second and fifth lines from their correct positions. The action of Wood shows that it is advantageous to cross the great stream. Through the trigrams of Movement and Humility there is unlimited daily advancement -- heaven dispenses and earth produces, and all proceeds according to the requirements of the time.
Legge: Increase has the opposite meaning to hexagram number forty-one, Compensating Sacrifice [Decrease]. What king Wen had in mind was a ruler or a government operating to dispense benefits to the people and increase their resources. The two important lines in the figure are the correlates two and five. The general auspice of the hexagram is one of being successful in one's enterprises and of overcoming the greatest difficulties.
The formation of the trigrams here is the reverse of that in the preceding hexagram. The people are full of pleasure in the labors of the ruler for their good. "The action of Wood" in the Confucian commentary refers to the upper trigram, which is the symbol of Wind and Wood. From wood boats are made on which the great stream may be crossed. In three hexagrams, this, fifty-nine and sixty-one, in which this is the upper trigram, we find mention made of crossing the great stream. In the Image thunder and wind are seen to increase one another, and their combination gives the idea of Increase.
NOTES AND PARAPHRASES
Judgment: Take advantage of your opportunities.
The Superior Man recognizes his duty and rectifies his mistakes. Or: "Accentuate the positive, eliminate the negative."
If the ego's sacrifices for the good of the Work are described in the previous hexagram, here we see the inverse image of that figure in which it is the Self who bestows its blessings upon the psyche. The one implies the other -- in the words of an old Blues lyric: "If you don't put somethin' in, you can't get nothin' out..." The forty-first and forty-second hexagrams are intimately related, and in their interaction portray the active progress of the Work. To paraphrase the last sentence of the Confucian commentary: "The Self dispenses and the ego produces, and all proceeds according to the requirements of the time."
If a man continually weighs his actions and aims at the mean, he is in the highest of human ranks. In that way, he will come close to God and will attain what belongs to Him. This is the most perfect of the ways of worship. Maimonides -- Eight Chapters