Other titles: Splitting Apart, The symbol of Falling or Flaying, Peeling Off, Decay, Flaying, Stripping Away, Intrigue, Deterioration, Collapse, Fracturing, Tearing, Disintegration, Ruin, Unraveling, "Can refer to a physical parting. Making a secure foundation." -- D.F. Hook
Judgment
Legge:Disintegration means that it is not advantageous to make a movement in any direction whatever.
Wilhelm/Baynes:Splitting Apart. It does not further one to go anywhere.
Blofeld: Peeling off. At present, there is no goal (or destination) which can be sought with advantage. [Peeling off in the sense of getting rid of hindrances (or hinderers) one after another. The first four lines of this hexagram symbolize a process of ridding ourselves progressively of all those upon whom we are accustomed to rely, for the powers of darkness are in the ascendant and no one can be trusted. However, in the long run, virtue triumphs, as indicated by line five, and ultimately we are all the more esteemed for our steadfastness, as can be seen from line six.]
Liu: Decay. It is unfavorable to undertake anything.
Ritsema/Karcher:Stripping not Harvesting: possessing directed going. [This hexagram describes your situation in terms of something outmoded or worn out. It emphasizes that eliminating what has become unusable is the adequate way to handle it...]
Shaughnessy: Flaying: Not beneficial to have someplace to go.
Cleary (1):Stripping away does not make it beneficial to go anywhere.
Cleary (2): … It is not beneficial, etc.
Wu: Tearing indicates that it is not advantageous to have any undertaking.
The Image
Legge: The image of a mountain adhering to the earth forms Disintegration. Superiors therefore strengthen their inferiors to secure the peace and stability of their own position.
Wilhelm/Baynes: The mountain rests on the earth: the image of Splitting Apart. Thus those above can ensure their position only by giving generously to those below.
Blofeld: This hexagram symbolizes a mountain resting upon the earth. The truly great shower generosity upon those under them to enable them to live in peace and comfort. [The upper and lower trigrams, mountain and Earth, symbolize the Superior Man and the people in his care.]
Liu: The mountain stands on the earth, symbolizing Decay. Those above should act with benevolence toward those below. Then there will be peace and security.
Ritsema/Karcher: Mountain adjoining with-respect-to earth. Stripping. Using munificence above to quiet the position below.
Cleary (1): Mountains are joined to the earth. Those above secure their homes by kindness to those below.
Wu: The mountain is subordinated to the earth; this is Tearing .Thus those above treat those below with liberal rewards to secure their own positions.
COMMENTARY
Confucius/Legge:Disintegration means overthrowing or being overthrown: the magnetic lines attack the dynamic line at the top in order to change it into one of themselves. It is unwise to move in any direction because inferior elements are now increasing in power. The superior man, observing this, stops all forward movement. He defers to the exigency of the time, realizing that increase and decrease, ripeness and decay are cyclic rhythms.
Legge:Disintegrationis the symbol of falling or causing to fall, and refers to the process of decay or overthrow in both the natural and political worlds. The figure consists of five yin lines below and one yang line on top. Decay has begun at the bottom and crept upward. The hexagram symbolizes the ninth month when summer has passed and the year is about to fall into the sterile arms of winter. In the political world, inferior men have gradually displaced good men until only one remains. The lesson for him is to wait because the power operating against him is too strong. Eventually a change for the better will appear. The specific image is that of a bed and its occupant, and the symbolism describes the attempts made to overthrow him. The lower trigram of Docility and the upper trigram of Keeping Still suggest to the superior man of line six how he can best deal with the prevailing circumstances. The situation is not hopeless -- winter is followed by spring, night by day, and the waning moon soon grows full again. So will it be in the course of human affairs.
The idea behind the Image is that a mountain has the earth for its foundation. If the earth is thick, the mountain preserves its height. So it is with the sovereign and people.
NOTES AND PARAPHRASES
Judgment:Disintegration means do not act.
The Superior Man stabilizes his responses and seeks tranquility.
The twenty-third hexagram is the inverse ofReturn, the hexagram immediately following it. Each figure depicts an opposite pole in a cyclic progression. Here the old cycle has disintegrated to the point of dissolution. The following hexagram depicts theReturnto the beginning of a new cycle.
The first four lines of Disintegration show the gradual erosion of a position or frame of reference, symbolized by a bed or couch. The inferior forces creep up from below like termites to undermine a solid foundation. The fifth line shows a gathering of forces for a potentially positive transformation, and the top line suggests the first stages of this transformation. The implication is that times of disintegration needn't always be regarded as negative, or a foregone conclusion. We still have the choice to alter conditions in our favor.
That the superior man "strengthens his inferiors" to insure the stability of his position, means that one stabilizes one's psychological situation by defusing the causes of rebellion -- safeguard the foundation where it is weak. Hexagram number forty-three, Resoluteness, is a negative picture of this figure, and the message in the Image is very similar: "The superior man does not hoard his wealth, but shares it with his subordinates." The idea is subtle -- it doesn't mean to indulge your weaknesses, but to monitor them encouragingly so that they may become transformed into positive forces.
Whenever we go deep enough toward the core of a sub- personality, we find that the core -- which is some basic urge, or need -- is good. For practical purposes, this can be considered an absolute. No matter how many layers of distortion may surround it, the basic need, the basic motivation, is a good one -- and if it becomes twisted, it was because of not being able to express itself directly. The real core -- not what the sub- personality wants, but what it needs -- is good. A basic purpose of the coordination phase is to discover this central urge or need, to make it conscious, and to find acceptable ways in which it can be satisfied and fulfilled. And, provided we have sufficient understanding and skill, it can be satisfied -- if not fully, at least enough to maintain the process of growth. James Vargiu -- Subpersonalities
Line 1
Legge: The first line, magnetic, shows one overturning the couch by injuring its legs. The injury will go on to the destruction of all firm correctness, and there will be evil.
Wilhelm/Baynes: The leg of the bed is split. Those who persevere are destroyed. Misfortune.
Blofeld: He starts the peeling off at the foot of the bed. There is no steadfastness -- misfortune!
Liu: The legs of the bed are rotting. If one continues despite this, misfortune.
Ritsema/Karcher: Stripping the bed, using the stand. Discarding the Trial: pitfall.
Shaughnessy: Flaying the good together with the legs; determination about the military is inauspicious.
Cleary (1): Stripping a bed of the legs, destroying rectitude brings misfortune.
Cleary (2): … Destroying uprightness, etc.
Wu: He tears down the legs of the bed. Without regard to what is correct, it will be foreboding.
COMMENTARY
Confucius/Legge: Thus she commences her work of ruin with what is lowest in the superior man. Wilhelm/Baynes: "The leg of the bed is split," in order to destroy those below. Blofeld: This implies ridding ourselves of those below. [Because he finds them unworthy. What is said in the various lines about the foot, edge and mattress of the bed means that he is obliged to continue the peeling off process until he reaches those very close to himself; there is no one left whom he can trust to help him in his work of righteousness.] Ritsema/ Karcher: Below using submerging indeed. Cleary (2): (He) is destroying the foundation.[In contemplating mind, this refers to removing the foundation of discipline.] Wu: He destroys the underpinning.
Legge: The attempt in line one is made by commencing with the legs of the couch. The symbolism goes on to explain itself. The object of the evil worker is the overthrow of all firm correctness. Of course there will be evil.
NOTES AND PARAPHRASES
Siu: At the outset, the superior men around the ruler are being undermined by the slander and intrigue of inferior men on their destructive path. All that can be done is to be patient while the evil continues.
Wing: Your position is being undermined. Persons of inferior persuasions have entered the situation from below and are creating an environment for Deterioration. The time bodes evil for persons of integrity. All you can do is patiently wait.
Editor: A bed is a resting place, a context or matrix, as “the bed of a river.” The legs of the bed are its support, or foundation. Thus, the injury or disintegration of the legs is synonymous with "not having a leg to stand on." The image suggests the destruction of a fundamental premise which is essential for correct behavior.
That a bed signifies doctrine, is from correspondence, for as the body rests in its bed, so does the mind rest in its doctrine. Swedenborg
A. Your assumptions are unfounded -- to continue in error brings unfortunate consequences.
B. Destructive forces are active -- to pursue your present course is to feed their intent.
Line 2
Legge: The second line, magnetic, shows one overthrowing the couch by injuring its frame. The injury will go on to the destruction of all firm correctness, and there will be evil.
Wilhelm/Baynes: The bed is split at the edge. Those who persevere are destroyed. Misfortune.
Blofeld: He continues peeling off at the edge of the bed. There is no steadfastness -- misfortune!
Liu: The frame of the bed is rotting. If one continues despite this, misfortune.
Ritsema/Karcher: Stripping the bed, using marking-off. Discarding the Trial: pitfall.
Shaughnessy: Flaying the good together with the dividers; determination about the military is inauspicious.
Cleary (1): Stripping a bed of its frame, destroying rectitude brings misfortune.
Cleary (2): … Destroying uprightness, etc.
Wu: He strips away the panels of the bed. Without regard to what is correct, it will be foreboding.
COMMENTARY
Confucius/Legge: The superior man has as yet no associates. Wilhelm/ Baynes: One has no comrade. Blofeld: This implies being left without friends. Ritsema/Karcher: Not-yet possessing associating indeed. Cleary (2): There is nothing to work with. Wu: He does not have a responsive correlate.
Legge: line two has the same effect as line one, except that the foe has advanced from the legs to the frame of the couch.
NOTES AND PARAPHRASES
Siu: The inferior men grow stronger. No help is in sight. Great caution and stubborn adherence to personal convictions are required.
Wing: The time requires the utmost caution. You are without allies in a compromising situation. Adapt as best you can to the circumstances. Do not take a self-righteous position or you could be badly hurt.
Editor: The legs are what the bed stands upon; the frame is what defines its perimeter. Line two therefore suggests the destruction of a definition which is essential to a doctrine, belief or discipline. For example, a basic tenet of Alcoholics Anonymous is the idea that each member must abstain entirely from alcohol. To expand the rules to permit the consumption of one ounce of alcohol per day would be to "overthrow the couch" -- the entire concept of what Alcoholics Anonymous is would be destroyed by including such an idea in its framework. Sometimes receiving this line is a simple acknowledgment that an old viewpoint or belief was inadequate -- in which case it needed to be destroyed.
As long as soul stays true to itself, it loves the divinity and desires to be at one with it, as a daughter loves with noble love a noble father. When, however, the soul has come down here to human birth, it exchanges (as if deceived by the false promises of an adulterous lover) its divine love for one that is mortal. And then, far from its begetter, the soul yields to all manner of excess. Plotinus
A. Suggests a situation with weak or disintegrating boundaries.
B. Conclusions based on faulty premises are worthless. Rationalization may be a factor.
Line 3
Legge: The third line, magnetic, shows its subject among the over-throwers; but there will be no error.
Wilhelm/Baynes: He splits with them. No blame.
Blofeld: He peels them all off -- no error.
Liu: Falling apart. No blame.
Ritsema/Karcher: Stripping it, without fault.
Shaughnessy: Flaying; there is no trouble.
Cleary (1): Stripping away without fault.
Wu: He tears but he is blameless.
COMMENTARY
Confucius/Legge: That there will be no error on the part of this one among the over-throwers arises from the difference between her and the others above and below. Wilhelm/Baynes: He loses the neighbor above and the one below. Blofeld: This implies losing contact with those above and below. Ritsema/ Karcher: Letting-go Above and Below indeed. Cleary (2): Loses above and below. Wu: He is not associated with those around him.
Legge: Line three also represents an over-thrower, but it differs from the others by being the correlate of line six, who is her ally. Three's allegiance is to the sixth line and not, as with the other magnetic lines, to one of her own kind.
NOTES AND PARAPHRASES
Siu: Because of circumstances beyond his control, the man finds himself associating with evil men. His inner relationship with a superior man enables him to retain his righteous stability, leading to opposition from inferior people.
Wing: Circumstances have led you into a situation in which you must work with inferior persons or ideals. If you can, nevertheless, maintain a strong tie with a superior element, you will avoid Deterioration and free yourself of regretful errors.
Editor: Wilhelm says: "He splits with them." Blofeld renders it: "He peels them all off." These are images of separation or differentiation -- a setting apart. Disintegrationis an upside-down image of the hexagram of Return, and if it is inverted, this line takes the place of line four in Return: "Walking in the midst of others, one returns alone." Wu's Confucian commentary on line three here says: “He is not associated with those around him,” which reinforces this idea.
The disintegrating tendencies very often result in psychosis if the unconscious and conscious clash, for then they have prevailed and the person falls into all those parts which are hostile to each other, as, for instance, when the psychotic person hears different voices which quarrel with each other. On the other hand, we know also that the unconscious contains synthesizing or integrating tendencies, which issue from that regulating center which Jung calls the Self. M.L. Von Franz -- Alchemical Active Imagination
A. Make a distinction between yourself and inferior elements within the situation, perhaps an attitude.
Line 4
Legge: The fourth line, magnetic, shows its subject having overthrown the couch, and going on to injure the skin of him who lies on it. There will be evil.
Wilhelm/Baynes: The bed is split up to the skin . Misfortune.
Blofeld: He continues the peeling off at the mattress of his bed -- misfortune!
Liu: The entire bed rots, reaching the body. Misfortune.
Ritsema/Karcher: Stripping the bed, using flesh . Pitfall.
Shaughnessy: Flaying the good together with the skin; inauspicious.
Cleary (1): Stripping away even the skin on the bed , misfortune.
Cleary (2): Stripping a bed to the skin brings misfortune.
Wu: He rips off the matting in the bed . There will be foreboding.
COMMENTARY
Confucius/Legge: Calamity is very near at hand. Wilhelm/Baynes: This is a serious and immediate misfortune. Blofeld: This presages our being very close to a terrible misfortune. Ritsema/Karcher: Slicing close-to calamity indeed. Cleary (2): Getting very close to disaster. Wu: The danger is imminent.
Legge: Danger is imminent. The bed has been overthrown. The person of the occupant is at the mercy of the destroyers.
NOTES AND PARAPHRASES
Siu: Calamity is imminent. Neither warning nor protection is forthcoming. The man is at the mercy of destroyers.
Wing: You are exposed to danger. Calamity is imminent and you are unable to hold it back. Without warning, you are on the threshold of defeat.
Editor: This is one of the most negative lines in the I Ching-- an image of maximum destruction. Legge’s translation suggests that the dynamic sixth line may be regarded as the bed’s symbolic occupant -- i.e., it's his skin which is being flayed. Psychologically interpreted, this can suggest the Self which is in some sense em-bed-ed in its satellite complexes.
Even at the height of [Hitler's] power there was for him no Germany, there were no German troops for whom he felt himself responsible; for him there was -- at first sub-consciously, but in his last years fully consciously -- only one greatness, a greatness which dominated his life and to which his evil genius sacrificed everything -- his own ego. Colonel-General Franz Halder
A. You are destroying the Work.
Line 5
Legge: The fifth line, magnetic, shows its subject leading on the others like a string of fishes, and obtaining for them the favor that lights on the inmates of the palace. There will be advantage in every way.
Wilhelm/Baynes: A shoal of fishes. Favor comes through the court ladies. Everything acts to further.
Blofeld: A string of fishes symbolizing the high favor enjoyed by maids in the palace -- everything is favorable. [This line seems somewhat to contradict the omen provided by this unlucky hexagram. In such cases, what is said in the moving line must be regarded as specially apt for our particular circumstances; i.e. in spite of the wretched conditions prevailing, those who receive this moving line can pursue their goals without fear of failure.]
Liu: A string of fish. Favor comes through women of the palace. Everything is good fortune.
Ritsema/Karcher: Threading fish. Using housing people, favor. Without not Harvesting.
Shaughnessy: Strung fish; eating the palace men's steamer; there is nothing not beneficial.
Cleary (1): Leading fish, gaining favor through court ladies; beneficial in every respect.
Cleary (2): Leading fish with the favor shown to court ladies, there is all-around benefit.
Wu: Like a school of fish, the court ladies are led in to gain the royal favor. Everything will be fine.
COMMENTARY
Confucius/Legge: In the end there will be no grudge against her. Wilhelm/ Baynes: In the end this is not a mistake. Blofeld: This implies that ultimately we shall be entirely free from blame. Ritsema/Karcher: Completing without surpassing indeed. Cleary (2): In the end there is no grudge. Wu: There will be no resentment in the end.
Legge: With line five the symbolism changes. She is the ruler of all the other magnetic lines who are at her disposal. They are imaged as fishes (which come under the category of yin), following each other as if strung together. The ruler of these yin lines is loyal to the yang sixth line, the rightful sovereign in his palace, and she leads the others to him to enjoy his favors. The K'ang-hsi editors say: "The magnetic fifth line occupies the most honorable place in the figure. She is a queen who leads her subjects to obtain the favors given to the inmates of the palace. She has no jealousy or other vice which seeks to overthrow the ruler."
NOTES AND PARAPHRASES
Siu: The dark forces undergo change, yielding to the strong influence of the basic goodness of men.
Wing: An inferior situation is beginning to change for the better. Through co-operation, opposing forces can come together for mutual benefit. There is now a possibility for success in your endeavors.
Editor: This is an image of an intermediate power organizing inferior powers to lend support to (or obtain favors from) a superior power. Psychologically interpreted, one can think of ego, archetypal complexes and Self, respectively.
The governor of a circle is of course its center, around which everything revolves. In the psyche likewise, the center is ruler of the entire man. In the conscious realm the ego is master, but in this larger sphere the ego is only one voice among many. The ruler here must transcend the ego. It must be a suprapersonal value that can command the allegiance and obedience of the ego, just as the ego, through the development of consciousness, comes to transcend the [archetypal complexes]. This ruler Jung has called the Self. M.E. Harding -- Psychic Energy
A. An approaching synthesis. Disparate forces are brought under control.
B. Insights present themselves for contemplation.
C. Contemplate what is wrong in the situation and integrate your forces.
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.