Other titles: The Taming Power of the Great, The Great Nourisher, Taming the Great Powers, Great Accumulating, Great Accumulation, Great Storage, Nurturance of the Great, Great Buildup, Restraint of the Great, Restraint by the Strong, Potential Energy, The Great Taming Force, Energy Under Control, Power Restrained, Sublimation, Latent Power
Judgment
Legge: Controlled Power means being firm and correct. If its subject doesn't enjoy his family revenues at the expense of public service, there will be good fortune. It will be advantageous to cross the great stream.
Wilhelm/Baynes: The Taming Power of the Great. Perseverance furthers. Not eating at home brings good fortune. It furthers one to cross the great water.
Blofeld: The Great Nourisher favors righteous persistence. Good fortune results from not eating at home. It is a favorable time for crossing the great river (sea). [I.e. going on a long journey, perhaps abroad.]
Liu: Taming the Great Powers. Persistence benefits. Not to eat at home is good fortune. It is of benefit to cross the great water.
Ritsema/Karcher: Great Accumulating. Harvesting Trial. Not dwelling, taking-in. Significant. Harvesting: wading the Great River. [This hexagram describes your situation in terms of an overriding concern that defines what is valuable. It emphasizes that bringing the variety of things under the control of this central idea is the adequate way to handle it...]
Shaughnessy: Great Storage: Beneficial to determine; not eating at home is auspicious; beneficial to ford the great river.
Cleary (1): In Nurturance of the Great it is beneficial to be chaste. It is good not to eat at home; it is beneficial to cross great rivers. [This hexagram represents incubation nurturing the spiritual embryo. On this path, it is beneficial to still strength, not to use strength. Therefore it says: “it is beneficial to be chaste.” Chastity here means quietude. Stilling strength is nurturing strength. It is good to be still, not active – if one is still, this preserves strength; if one is active, this damages strength. This is the work referred to as “nine years facing a wall.”]
Cleary (2): Great Buildup is beneficial if correct, etc.
Wu: Restraint of the Great indicates prosperity and perseverance. It will be auspicious not to have meals at home. It will be advantageous to cross the big river. [The character chu in the present context has two meanings: one is to accumulate and the other to restrain.]
The Image
Legge: Heaven in the midst of the mountain -- the image of Controlled Power. Thus, the superior man studies the words and deeds of ancient men in order to build his virtue.
Wilhelm/Baynes: Heaven within the mountain: the image of the Taming Power of the Great. Thus the superior man acquaints himself with many sayings of antiquity and many deeds of the past, in order to strengthen his character thereby.
Blofeld: This hexagram symbolizes the sky visible amidst the mountain peaks. The Superior Man, acting from his profound knowledge of the words and conduct of the wise men of old, nourishes his virtue. [The arrangement of the component trigrams suggests glimpses of the sky among the peaks of the mountains. This points to something very far off and thereby indicates the advisability of setting out for some distant place. This is a time for going from home and giving concrete expression to our appreciation of what others have done for us or for the public good.]
Liu: Heaven within the mountain symbolizes Taming the Great Powers. The wise man studies ancient knowledge to improve his character.
Ritsema/Karcher: Heaven located-in mountain center. Great
Accumulating. A chun tzu uses the numerous recorded preceding words going to move. [A chun tzu] uses accumulating one's actualizing-tao. [Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Heaven is in the mountains, great accumulation. Thus do superior people become acquainted with many precedents of speech and action, in order to accumulate virtue.
Cleary (2): …Leaders build up their virtues by abundant knowledge of past words and deeds.
Wu: Heaven is within the mountain; this is Restraint of the Great. Thus the jun zi accumulates his virtue by remembering past words and deeds.
COMMENTARY
Confucius/Legge: The trigrams that compose Controlled Power show the intelligence of Strength and Mass renewing their virtue every day. A dynamic line is in the highest place, displaying the worth of talent and virtue -- his is the power that keeps Strength in restraint and displays the will necessary to the hexagram. Talents and virtue are nourished because he refuses to confine his power within his immediate family. Heaven in the second line responds to the ruler in the fifth, thus it is favorable to cross the great stream.
Legge: Controlled Power symbolizes both restraint and the accumulation of virtue. What is restrained accumulates its strength and increases its volume to become a great reservoir of force. The Judgment teaches that if one is firm and correct in this endeavor he may then engage in public service and enjoy the king's grace.
The dynamic line in the highest place is line six who is above the ruler and has all of heaven in which to move. This, plus the power to suppress the strongest opposition, shows how he is supported by all that is correct.
Concerning the Image, Chu Hsi says: "Heaven is the greatest of all things, and its being in the midst of a mountain gives us the idea of a very large accumulation. This is analogous to the labor of the superior man in learning, acquiring and remembering, to accumulate his virtue."
NOTES AND PARAPHRASES
Judgment:Controlled Power is willpower. The ego renounces selfish indulgences to work for the good of the whole. With such a spirit, great transformations are possible.
The Superior Man studies the precepts of the Work to increase his comprehension and fortitude.
The essential image to remember in this hexagram is that of Mount Everest holding down Heaven itself: raw power is controlled by the sheer mass of Keeping Still. Thus we see that Controlled Power is Willpower -- arguably the most potentially creative force in the universe, because used correctly it can accomplish anything.
The will is, curiously, not recognized as the central and fundamental function of the ego. It has often been depreciated as being ineffective against the various drives and the power of the imagination, or it has been considered with suspicion as leading to self-assertion (will-to-power). But the latter is only a perverted use of the will, while the apparent futility of the will is due only to a faulty and unintelligent use. The will is ineffective only when it attempts to act in opposition to the imagination and to the other psychological functions, while its skilful and consequently successful use consists in regulating and directing all other functions toward a deliberately chosen and affirmed aim. Roberto Assagioli –Psychosynthesis
An extreme example of this is illustrated by Cleary’s commentary on the Judgment where he says: “This is the work referred to as “nine years facing a wall.” The reference is to Bodhidharma (the patriarch who brought Zen Buddhism to China), who meditated facing a wall for nine continuous years until he attained enlightenment.
"If its subject doesn't enjoy his family revenues at the expense of public service, there will be good fortune” is an image of the ego renouncing its illusions of free choice. Psychologically, inner complexes will drain energy from the situation unless the ego has the will to control their manifestation. Every line except the sixth depicts some kind of restraint of power -- only in the top line is the energy available for use. It is significant that the superior man is advised to study the ancient wisdom, for it is in the Mysteries, the Perennial Philosophy, that one discovers the secrets and applications of the will. In other contexts (for example, a question about business matters), this can refer to making connection with sound and established practices.
In the larger philosophical sense, we see that the evolving illusions of every age insure that the masses will remain attached to the wheel of birth and death -- continuously repeating endless variations of the same basic lessons. When each individual is finally ready to escape from these cycles, it is only within the ancient and eternal template of the Work that transcendence can be found.
The analogies between religious ideas in Jewish mysticism that are hundreds of years old and the scientific findings of modern psychology can be explained only by the archetypal structure of the psyche. Man's images and ideas concerning the mysteries of being fall into the timeless patterns arranged by the archetypes of the unconscious; his meditations are determined by them. Within the setting of his culture and his time, he creates new forms for the expression of age-old truths. A. Jaffe -- The Myth of Meaning
Through contact with the Self, negative cycles can be broken and positive cycles begun, but it always requires a mountain's worth of Controlled Powerto make it happen.
Line 1
Legge: The first line, dynamic, shows its subject in a position of peril. It will be advantageous for him to stop his advance.
Wilhelm/Baynes: Danger is at hand. It furthers one to desist.
Blofeld: Trouble threatens -- it would be wise to bring activities to a halt.
Cleary (1): There is danger; it is beneficial to stop.
Cleary (2): There is danger; help yourself.
Wu: There is danger ahead. It will be advantageous to stop here.
COMMENTARY
Confucius/Legge: He should not rashly expose himself to calamity. Wilhelm/ Baynes: Thus one does not expose oneself to danger. Blofeld: That is, no attempt should be made to avert the trouble. Ritsema/Karcher: Not opposing calamity indeed. Cleary (2): Help yourself – do not get into trouble. Wu: To avoid calamities.
Legge: Line one is subject to opposition or repression from line four. This calamity will be increased if he tries to advance, so it is better for him to halt.
NOTES AND PARAPHRASES
Siu: At the outset, the man is confronted with dangerous obstacles. He should not attempt to advance rashly but remain composed.
Wing: Compose yourself. You may feel that you are restrained from advancing. In fact, there are obstacles on the path ahead. It would be wise to halt.
Editor: The line itself is unambiguous, though the contradictory Confucian commentaries are subject to interpretation: depending on context, one should either actively avoid danger, or passively allow it to run its course. It is generally safest to accept Wilhelm's translation when doubt prevails.
Those that live their life in Tao achieve realization of their nature in inaction. Chuangtse, quoting Confucius
A. Stop now -- don't expose yourself to danger.
Line 4
Legge: The fourth line, magnetic, shows the young bull, and yet having pieces of wood over his horns. There will be great good fortune.
Wilhelm/Baynes: The headboard of a young bull. Great good fortune.
Blofeld: The headboard of a young ox -- sublime good fortune! [The symbol is a piece of wood, not unlike a cangue, used for the same purpose as a rope and nose-ring. The suggestion is that one who has not yet attained his full strength benefits from being restrained.]
Liu: The headboard restrains the young bull. Great good fortune.
Ritsema/Karcher: Youthful cattle's stable. Spring significant.
Shaughnessy: The young ox's restraint; prime auspiciousness.
Cleary (1): The horns of a young ox are very auspicious.
Cleary (2): The horn-guard of a young ox is very auspicious.
Wu: It is like putting a wooden crossbar over the horns of a young bull. There will be great fortune.
COMMENTARY
Confucius/Legge: There will be occasion for joy. Wilhelm/Baynes: It has joy. Blofeld: Good fortune in the form of happiness. Ritsema/Karcher: Possessing rejoicing indeed. Cleary (2): There is joy. Wu: It is a sign of joy.
Legge: The young bull doesn't have horns yet. Attaching a piece of wood to shape their growth and prevent goring is an instance of extraordinary precaution, and precaution is always good.
NOTES AND PARAPHRASES
Siu: The man retrains the wild force by timely preventive acts and extraordinary precautions, like fastening a headboard on the growing horns of a young bull.
Wing: That which has held you back has, in fact, aided in your growth. Instead of squandering your resources on premature advancements, you have built up a strong reserve of potential energy. Good fortune.
Editor: Blofeld, Shaughnessy and Cleary render "ox" instead of "bull" -- an unfortunate word choice. (Since an ox is a castrated bull, the meaning of the line is muddled.) The image is one of energy which grows -- i.e., matures and accumulates. To shape this accumulation within the structure of a higher ideal or intent (the "headboard") is to maintain control over it and prevent its autonomous release. Psychologically, the metaphor suggests a forming template, such as the precepts of the Work ("the words and deeds of ancient men” in the Image), which shapes consciousness in accordance with an archetypal ideal. This raises the issue of the difference between disciplined sublimation and repression:
In the face of a seemingly insoluble conflict, awareness and discipline are called for. Repression is something else; it is the act of shutting our eyes in order to avoid the suffering of discipline. E.C. Whitmont -- The Symbolic Quest
A. Channel your power, shape your impulses, structure your will, focus your intent. Impose restrictions now to prevent later lack of control.
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?