Wiki I Ching

Critical Mass 28.2.3.4.6 20 Contemplation

Stay resilient when the pressure mounts, and soon you'll gain a broader perspective, allowing clarity and wisdom to light your path.

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28
Critical Mass
To
20
Contemplation

Proving one's worth
One takes the lead over others by showing them one's efficiency.
taoscopy.com

Critical Mass 28
Embrace resilience during times of overwhelming pressure.
Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse.
Balance is crucial for enduring success.


Line 2
New growth and renewal are possible even in difficult situations.
Harmonious unions bring success.


Line 3
Overburdening leads to collapse.
Caution is needed to avoid disaster.


Line 4
Stabilizing the situation brings good fortune, but hidden agendas can lead to disgrace.


Line 6
Facing overwhelming challenges can lead to misfortune, but maintaining integrity prevents blame.


Contemplation 20
Pause and observe the world around you.
Gain clarity by distancing yourself from immediate involvement, allowing for a broader perspective.
Insight comes from seeing both the big picture and the subtle details.



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Original Readings

28
Critical Mass


Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma

 

Judgment

Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.

Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.

Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]

Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.

Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]

Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.

Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]

Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.

Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.

 

The Image

Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.

Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.

Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]

Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.

Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.

Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.

Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]

Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.

 

CONFUCIAN COMMENTARY

Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.

Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.

 

NOTES AND PARAPHRASES

Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)

The Superior Man serves The Work by going his own way, regardless of public opinion.

Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.

In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)

Legge’s translation of the Judgment is:

"...It is advantageous to move in any direction whatever. "

This is a different message than Wilhelm's:

"...It furthers one to have somewhere to go."

Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:

When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.

Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):

The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor.
G. Knight -- A Practical Guide to Kabbalistic Symbolism

 

SUGGESTIONS FOR MEDITATION

Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.

Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.


Line 2

Legge: The second line, dynamic, shows a decayed willow producing shoots, or an old husband in possession of his young wife; there will be advantage in every way.

Wilhelm/Baynes: A dry poplar sprouts at the root. An older man takes a young wife. Everything furthers.

Blofeld: The withered willow tree puts forth new shoots -- an old man takes to wife a young girl. Everything is favorable.

Liu: The withered poplar tree sprouts new shoots. The old man marries a young wife. Everything is favorable.

Ritsema/Karcher: A withered willow giving birth-to a sprig. A venerable husband acquiring his woman consort. Without not Harvesting.

Shaughnessy: The bitter poplar gives life to sprouts: The old fellow gets his maiden consort; there is nothing not beneficial.

Cleary (1): A withered willow produces sprouts; an old man gets a girl for a wife. Altogether beneficial.

Cleary (2): … None do not benefit.

Wu: A withered willow tree grows a young shoot. An old man takes a young wife. Everything is advantageous. [Ancient society gave approval to this kind of matrimony for the desire of having children in the family. Willow trees like water and do well on the bank of marshes. It is not uncommon for a withered old tree to have new shoots.]

 

CONFUCIAN COMMENTARY

Confucius/Legge: Such association is extraordinary. Wilhelm/Baynes: The extraordinary thing is their coming together. Blofeld: He weds her because they have been overmuch together. [From his point of view, it is in any case a matter for satisfaction, so it is taken here to symbolize favorable circumstances. Some commentaries suggest another implication, namely that the old man is able to take on tasks normally difficult for the elderly.] Ritsema/Karcher: Exceeding uses mutual associating indeed. Cleary (2): (He) has her for a companion in spite of being older. Wu: (They) will make a harmonious couple.

Legge: Line two has no proper correlate above, hence he inclines to the magnetic first line below him. This suggests an old husband with a young wife who will yet have children. The action will turn out favorably.

 

NOTES AND PARAPHRASES

Siu: An extraordinary reinvigoration occurs. During unusual occasions it may be desirable to join the lowly in order to permit a new outlook and growth.

Wing: Look to those who are modest in attitude, or are beginners themselves, to help you in your endeavors. This way you are in the company of persons who can understand and share the enthusiasm of your goals. Things will move smoothly and the situation will become revitalized.

Editor: The trigram for Wood beneath the trigram for a Lake or Marsh suggests the idea of a tree that grows near water, hence: a willow tree. Whether dry, withered, decayed or bitter, this old tree experiences an unexpected renewal of life. The elderly husband and young wife are a different metaphor for the same idea, and the symbolism can sometimes refer to a union of thought and feeling. Psychologically implicit is the idea of intellect as mentor and guide to emotional responses: an archetypal relationship.

In such dream wanderings one frequently encounters an old man who is accompanied by a young girl, and examples of such couples are to be found in many mythic tales.
Jung -- Memories, Dreams, Reflections

A. A fruitful renewal.

B. Old ideas are reinvigorated by fresh insights.

C. A creative balance of knowledge and ability.

Line 3

Legge: The third line, dynamic, shows a beam that is weak. There will be evil.

Wilhelm/Baynes: The ridgepole sags to the breaking point. Misfortune.

Blofeld: The ridgepole sags -- misfortune!

Liu: The ridgepole bends under pressure; misfortune.

Ritsema/Karcher: The ridgepole buckling. Pitfall.

Shaughnessy: The ridgepole sags; inauspicious.

Cleary (1): The ridgepole bends; misfortune.

Cleary (2): The ridgepole bending is foreboding.

Wu: The beam warps. Foreboding.

 

CONFUCIAN COMMENTARY

Confucius/Legge: No help can be given to the condition thus represented. Wilhelm/Baynes: The misfortune of the sagging and breaking of the ridgepole is due to its finding no support. Blofeld: The misfortune of being without adequate support. Ritsema/Karcher: Not permitted to use possessing bracing indeed. Cleary (2): There is no way to help. Wu: Because no support will help.

Legge: The third line is dynamic in a dynamic place and confident in his own strength. But his correlate line six is magnetic. Alone, he is unequal to the extraordinary strain. Any attempt to sustain the broken beam will have no effect in supporting the roof.

 

NOTES AND PARAPHRASES

Siu: The man becomes overconfident in his limited strength. He rushes ahead in opposition to advice from those in a position to help. This leads to the loss of voluntary support. His burdens increase, and he proves unequal to the task.

Wing: You are inclined to force your way forward when, in fact, there are obstacles that cannot be overcome in this way. Even worse, you cannot accept advice from others because it is not what you wish to hear. Misfortune will inevitably follow.

Editor: This is the weak beam referred to in the Judgment. In the metaphor of Wing’s title of Critical Mass, the situation is about to detonate

Owing to neglect the rooftree gives way;

for want of care the house lets in the rain.

Ecclesiastes 10: 18

A. The situation is unstable.

B. You have no support in the matter at hand.

C. Your assumptions have no foundation.

Line 4

Legge: The fourth line, dynamic, shows a beam curving upwards. There will be good fortune. If the subject of the line looks for other help but that of line one, there will be cause for regret.

Wilhelm/Baynes: The ridgepole is braced. Good fortune. If there are ulterior motives, it is humiliating.

Blofeld: The ridgepole is upheld -- good fortune! Were it otherwise, there would be cause for blame.

Liu: The ridgepole is strengthened; good fortune. But something else may cause humiliation.

Ritsema/Karcher: The ridgepole crowning. Significant. Possessing more: abashment.

Shaughnessy: The ridgepole bows upward; auspicious; there is harm; distress.

Cleary (1): The ridgepole is raised; good fortune. There is another shame.

Cleary (2): … This is auspicious, but there is another shame.

Wu: The beam is held upright, and there will be good fortune. There may be humiliation in unexpected situations.

 

CONFUCIAN COMMENTARY

Confucius/Legge: The good fortune arises because it does not bend toward what is below. Wilhelm/Baynes: It does not sag downward and break. Blofeld: Good fortune in the sense that it does not fall. [This would seem to be good fortune of a negative kind; not so much good fortune as the failure of expected bad fortune to materialize.] Ritsema/Karcher: Not sagging, reaching-to the below indeed. Cleary (2): It does not bend down. Wu: The beam (is) held upright, not warping downward.

Legge: Line four is just below the fifth line ruler. His duty is to meet the extraordinary exigency of the time. Although dynamic, he is in a magnetic place and his strength is tempered -- he will be equal to his task. Should he seek help from line one, that would affect him with another element of weakness, and his action would give cause for regret.

 

NOTES AND PARAPHRASES

Siu: The man becomes the master of the difficult situation by refusing the assistance of weak men. He relies on his own strength of character.

Wing: You can now find within yourself the strength and vision to achieve a successful outcome in your endeavors. Do not rely upon people or things outside of your Self for guidance. Dependence now on external things leads to humiliation.

Editor: This is one of those maddening lines of which every translator renders a subtly different version. Some aren't even internally consistent: Legge's translation says that there will be cause for regret if the subject "looks for other help but that of line one,” which I take to mean: "Only line one is the proper source of assistance.” Inexplicably, his exposition then cautions against such assistance, as does his Confucian commentary. Blofeld's version is a tautology effectively removing serious warning from the line. The Wilhelm and Liu translations are least confusing and imply that we are protected as long as we suppress our lower impulses and maintain allegiance to a higher principle. In my experience, this interpretation has been most accurate.

The patient must be alone if he is to find out what it is that supports him when he can no longer support himself. Only this experience can give him an indestructible foundation.
Jung -- Psychology and Alchemy

A. The Work is protected if you keep the faith.

Line 6

Legge: The sixth line, magnetic, shows its subject with extraordinary boldness wading through a stream, till the water hides the crown of her head. There will be evil, but no ground for blame.

Wilhelm/Baynes: One must go through the water. It goes over one's head. Misfortune. No blame.

Blofeld: While he was fording the river, the water rose above his head -- misfortune, but he was not at fault.

Liu: One walks through the water and it goes over his head. Misfortune, no blame.

Ritsema/Karcher: Exceeding wading submerges the peak. Pitfall. Without fault.

Shaughnessy: Surpassing and fording causes the top of the head to vanish; inauspicious; there is no trouble.

Cleary (1): Excess reaching the peak of destruction is unfortunate; there is no blame on other people. [At the end of Excess of the Great, being ignorant and acting arbitrarily, not knowing the medical substances or the firing process, doing whatever comes to mind, going astray and not returning, the damage is worse the higher one goes; excess reaches the peak of destruction. One calls misfortune upon oneself – it is no fault of others. This is Excess of the Great in the sense of being weak and entertaining illusions.]

Cleary (2): Going too far, passing away at the peak, there is misfortune, but no blame. [Here are only the virtues of flexibility and uprightness, without the ability to solve difficulties, so misfortune cannot be avoided; but one is really not to blame. In Buddhist terms, this is when correct concentration has no insight, winding up as a fall at the peak.]

Wu: He is drowned while crossing the river. This is foreboding, but blameless.

 

CONFUCIAN COMMENTARY

Confucius/Legge: Evil follows wading with extraordinary boldness through the stream, but the act affords no ground for blame. Wilhelm/Baynes: One should not join blame to the misfortune of going through the water. Blofeld: This presages a misfortune for which we cannot possibly be blamed. Ritsema/ Karcher: Not permitting fault indeed. Cleary (2): The misfortune of going too far cannot be blamed. Wu: The ill fortune of getting drowned should not be a cause for blame.

Legge: The sixth line pursues her daring course with an intent to rectify the extraordinary exigency of the time and benefit all under the sky. She is unequal to the task and sinks beneath it, but her motive justifies the judgment on her conduct.

 

NOTES AND PARAPHRASES

Siu: The man pursues his objectives for the public good, regardless of the consequences and danger. Misfortune results. But no blame is attached to his conduct, because there are certain things more important than life itself.

Wing: The goal is worth accomplishing, although the sacrifice to attain it may be confounding in its enormity. No blame is attached to such action, although you should realize the extraordinary reality of what is happening.

Anthony: It is careless to wish to accomplish our task, no matter what happens. Plunging ahead on our own is always dangerous and willful. It is best to retain carefulness, allowing ourself to be guided. Meanwhile, having followed our principles is without blame, even though the result may be dangerous.

Editor: Like anyline in theI Ching, this one is open to more than one interpretation. It can suggest suffering while undertaking a necessary but difficult task, or it can portray one ignorantly “pushing the river” in pursuit of goals one doesn’t really understand. Legge's commentary about being “unequal to the task” is not explicit in the original line -- i.e.: failure is not necessarily a foregone conclusion. Life's lessons are often painful -- that's just the way it is, and you are not to blame for it. Cleary (1)’s mention of “medical substances, etc.,” refers to Taoist alchemical procedures.

If anyone wants to be a follower of mine, let him renounce himself and take up his cross every day and follow me. For anyone who wants to save his life will lose it; but anyone who loses his life for my sake will save it.
Luke 9: 23-25

A. Plunge in and accept the consequences of your choices: Bite the bullet and do your duty.

B. A painful lesson in the school of hard knocks.

C. “The road to hell is paved with good intentions.”

20
Contemplation


Other titles: View, The Symbol of Steady Observation, Looking Down, Observation, Viewing, Looking Up, Observing, Admiration, To Examine, Rulers and Their Subjects, Introspection, Perception, Contemplation of the Work

 

Judgment

Legge: Contemplation shows us a worshipper who has purified himself, but must still present his sacrifice with that dignified sincerity which inspires reverence.

Wilhelm/Baynes: Contemplation . The ablution has been made, but not yet the offering. Full of trust they look up to him.

Blofeld: Lookingdown.[This word often means “contemplation" and I have so translated it when the context so requires.] The ablution has been performed, but not the sacrifice. Sincerity inspires respect. [This is generally understood to mean that the first step has been taken or that one has bound oneself to follow a certain course...but that the main duties are yet to be performed.]

Liu:Observation. The hand-washing ritual is completed, but the sacrifice is still to come. All done and looked upon with sincerity.

Ritsema/Karcher:Viewing: hand-washing and-also not worshipping. Possessing conformity, like a presence. [This hexagram describes your situation in terms of something seen from a distance, out of immediate reach. It emphasizes that carefully observing and divining the meaning is the adequate way to handle it...]

Shaughnessy: Looking Up. Washing the hands but not making offering; there is a return with head held high.

Cleary (1): Observing, one has washed the hands but not made the offering; there is sincerity, which is reverent.

Wu:Admiration indicates a worshipper washing his hands in preparation for the offerings, but not participating in it. He shows sincerity and awe.


The Image

Legge: The image of earth and wind moving above it form Contemplation. The ancient kings, in accordance with this, examined the different regions of the kingdom to see the ways of the people, and set forth their instructions.

Wilhelm/Baynes: The wind blows over the earth: the image of Contemplation. Thus the kings of old visited the regions of the world, contemplated the people, and gave them instruction.

Blofeld: This hexagram symbolizes wind blowing across the earth. The ancient rulers visited the different regions to keep watch over their people and carefully instruct them.

Liu: The wind blowing over the earth symbolizes Observation. The ancient kings visited their territories, observed the people, and gave instruction.

Ritsema/Karcher: Wind moving above earth. Viewing. The Earlier Kings used inspecting on-all-sides, viewing the commoners to set-up teaching.

Cleary (1): Wind is over the earth, observing. Thus did the kings of yore set up education after examination of the region and observation of the people.

Cleary (2): Wind travels over the earth – observing.Kings of yore examined the regions and observed the people to set up education. [In Buddhist terms, the ancient Buddhas examined the “regions” of possible experience and observed the people in various states of being, then set up various teachings to accommodate them, just as the wind travels over the earth reaching everywhere.]

Wu: The wind pervades above the earth; this is Admiration. Thus the ancient kings inspected various regions of the country, observed the sentiments of the people, and laid down their instructions.

 

COMMENTARY

Confucius/Legge:Observation from above -- from the trigram of Flexibility surmounting the trigram of Docility. The ruler is in his correct central position, and thus exhibits his lessons to all below. He has purified himself, but not yet sacrificed. All beneath look to him and are transformed. When we contemplate the spirit-like way of heaven, we see how the four seasons proceed without error. The sages, in accordance with this spirit-like way, laid down their instructions, and all under heaven yield submission to them.

Legge: The Chinese character from which this hexagram is named is used in the sense of both seeing and being seen. The theme is the sovereign and his people -- how he shows himself to them, and how they in turn perceive him. The two dynamic lines at the top belong to the ruler, and the four magnetic lines below represent his subjects. In the Judgment the ruler is portrayed as a worshipper at the commencement of a sacrifice. He is the great Manifester in line five.

The lower trigram symbolizes earth, with the attribute of Docility; the upper trigram symbolizes wind, with the attributes of Flexibility and Penetration. Wind moving above the earth has the widest sweep, and nothing escapes its influence. The personal influence of the ruler effects much, but the ancient kings wished to add to that the power of published instructions which were specially adapted to the character and circumstances of the people.

The spirit-like way of heaven is the invisible order underlying the laws of nature. [Ed. Note: Ritsema/Karcher use the phrase: "Viewing Heaven's spirit tao... The all-wise person uses spirit tao to set-up teaching." Spirit(s), SHEN: independent spiritual powers that confer intensity on heart and mind by acting on the soul, KUEI; gods, daimons. Tao: way or path; ongoing process of being and the course it traces for each specific person or thing; keyword. The ideogram: go and head, leading and the path it creates.]

 

NOTES AND PARAPHRASES

Judgment: Contemplate your motivations and discern the purity of your intent. "Put your money where your mouth is.” or "Walk your talk.”

The Superior Man evaluates and rectifies his attitudes.

The "ancient kings” in the Image symbolize the creators of an original state of perfection -- an archetypal model toward which the superior man aspires. This idea is common to all mystical traditions, many of which depict this state in the image of an ideal or prototypical man. Here is a summary of the Gnostic conception:

Not only the body but also the "soul" is a product of the cosmic powers, which shaped the body in the image of the divine Primal (or Archetypal) Man and animated it with their own psychical forces: these are the appetites and passions of natural man, each of which stems from and corresponds to one of the cosmic spheres [i.e., planets] and all of which together make up the astral soul of man, his "psyche."
H. Jonas -- The Gnostic Religion

In the Kabbalah, the template of this archetypal man (named Adam Kadmon) exists in each of the four realms of consciousness corresponding to intuition, intellect, emotion and sensation, and "he" is perceived as androgynous in all of these worlds except the last -- the "sensation” world of our physical spacetime reality.

The Adam of these first three worlds was androgynous. The Adam of the fourth world is the Adam of the expulsion, the Adam of flesh traversing the desert of his exile, and the Adam capable of reproducing himself now that he is no longer androgynous.
C. Ponce -- Kabbalah

Considering that androgyny is one of the symbols used in the Western Mystery Tradition to depict the correct union of male and female forces within the psyche, we quickly recognize that the properly matched male and female correlate lines in theI Ching are a Chinese depiction of the identical concept. Note that the messages of the following three quotations are in complete accord with the goal of the Work as outlined in theI Ching:

Somewhere there is an Adam within each of us in need of restoration, in exile from the Garden. The aim of Kabbalism is the restoration of the divine man in the medium of mortal man. We are the laboratory and we are the workers who work in that space.
C. Ponce --Kabbalah

Within our six-foot body we must strive for the form which existed before the laying down of heaven and earth.
The Secret of the Golden Flower

The destiny of man is to build the Heavenly Jerusalem on Earth. In other words, to civilize a planet. It is the aim of the occultist, in consort with all men of good will, to bring about this heavenly fact into earthly reality. And the only way it will come about is by every man doing the right thing at the right time for twenty-four hours a day.
Gareth Knight -- The Work of a Modern Occult Fraternity

The ancient kings in hexagram number-20 base their laws upon their recognition of diversity among the various forces which make up the kingdom of the psyche. Their divine regulations therefore represent the proper ecology existing between heaven and earth, yin and yang, male and female, Logos and Eros. In this regard, theI Ching's version of the Archetypal Man might be seen as hexagram number-63, Completion, in which the polarity of each of the lines is in perfect correlation. (See the editor's commentary on Hexagram number 11 for further insights into this idea.)

The theme of the hexagram is Contemplationof your situation to see if your attitude meets the archetypal standards of the Work. The worshipper in the Judgment has purified himself for sacrifice but has not yet carried it out. Wilhelm uses the word "ablution” in his translation of the Judgment. An ablution is a ritual cleansing associated with a religious rite:

Ablution: In alchemy ... the adept worker achieves [success] only by purifying his soul of all that commonly agitates it. Washing, then, symbolizes the purification not so much of objective and external evil as of subjective and inner evils ... The principle involved in this alchemic process is that implied in the maxim "Deny thyself."
J. E. Cirlot --Dictionary of Symbols

It is important to note that the sacrifice has yet to be performed: preparation is meaningless until it is acted upon. Psychologically, this refers to intellectual "gnosis" which still needs to be grounded in behavior.

Wisdom is achieved very slowly. This is because intellectual knowledge, easily acquired, must be transformed into `emotional,' or subconscious, knowledge. Once transformed, the imprint is permanent. Behavioral practice is the necessary catalyst of this reaction. Without action, the concept will wither and fade. Theoretical knowledge without practical application is not enough ... Intellectually the answers have always been there, but this need to actualize by experience, to make the subconscious imprint permanent by `emotionalizing' and practicing the concept, is the key.
Brian L. Weiss, MD -- Many Lives, Many Masters

Without changing lines, Contemplation is an oracular invitation for you to consider your situation and especially your motivations in regard to it. One way of doing this is to reduce everything to a brief written statement, including your best conscious conclusions. Then ask for a comment from the oracle -- often it will become apparent that you have been undergoing a kind of examination.

 

SUGGESTIONS FOR MEDITATION

The ancient kings are mentioned in the Images of both this figure and number twenty-one, Discernment, immediately following. What are the differences between Contemplation and Discernment, as depicted in these images? How does the concept of sacrifice relate to this, as mentioned in the Judgment? Compare the Judgment of this hexagram with hexagrams and lines 17:6, 45:2, 46:2, 46:4, 47:2, 47:5 and 63:5 for further insights on this extremely important tenet of the Work.