Amid challenges, stand strong and discover the hidden beauty in simplicity and authenticity.
From
28
Critical Mass
To
22
Grace
Bringing a smile back
One comforts the losers by giving them a portion of one's earnings. taoscopy.com
Critical Mass28
Embrace resilience during times of overwhelming pressure. Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse. Balance is crucial for enduring success.
↓ Line 1
Taking precautions to prevent damage. A solid foundation is necessary.
↓ Line 2
New growth and renewal are possible even in difficult situations. Harmonious unions bring success.
↓ Line 4
Stabilizing the situation brings good fortune, but hidden agendas can lead to disgrace.
↓ Line 5
Unexpected developments occur, but they are neutral in outcome. Acceptance is key.
↓ Line 6
Facing overwhelming challenges can lead to misfortune, but maintaining integrity prevents blame.
↓ Grace22
Refinement and grace enhance your presence. Focus on beauty and elegance in actions, but do not let appearance overshadow substance. Simplicity often holds the truest value.
Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma
Judgment
Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.
Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.
Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]
Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.
Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]
Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.
Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]
Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.
Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.
The Image
Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.
Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.
Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]
Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.
Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.
Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.
Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]
Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.
CONFUCIAN COMMENTARY
Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.
Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.
NOTES AND PARAPHRASES
Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)
The Superior Man serves The Work by going his own way, regardless of public opinion.
Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.
In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)
Legge’s translation of the Judgment is:
"...It is advantageous to move in any direction whatever. "
This is a different message than Wilhelm's:
"...It furthers one to have somewhere to go."
Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:
When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.
Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):
The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor. G. Knight -- A Practical Guide to Kabbalistic Symbolism
SUGGESTIONS FOR MEDITATION
Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.
Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.
Line 1
Legge: The first line, magnetic, shows one placing mats of the white mao grass under things set on the ground. There will be no error.
Wilhelm/Baynes: To spread white rushes underneath. No blame.
Blofeld: For mats, use white rushes -- no error! [White rushes are less common than ordinary ones and probably make more beautiful mats. The implication may be that, if we decide to do things rather nicely, we might as well go a little further and do them as charmingly as possible.]
Liu: To spread white rushes below leads to no blame.
Ritsema/Karcher: A sacrifice availing-of white thatch grass. Without fault.
Shaughnessy: For the mat use white cogon-grass; there is no trouble.
Cleary (1): Spreading white reeds; no fault.
Cleary (2): Spreading a mat of white reeds, there is no blame.
Wu: Use of white mats in making offerings is blameless.
CONFUCIAN COMMENTARY
Confucius/Legge: She feels the weakness of being in the lowest place, and uses extraordinary care. Wilhelm/Baynes: The yielding is underneath.
Blofeld: The reference is derived from the position of this yielding line below so many firm ones. [A further commentary explains that they symbolize treating things with gentleness.]Ritsema/Karcher: Supple located below indeed. Cleary (2): Flexibility in a low position. Wu: Because the meek is in the low position.
The Master said: To place the things on the ground might be considered sufficient; but when one places mats of the white grass beneath them, what occasion for blame can there be? Such a course shows the height of carefulness. The white grass is a trivial thing, but through the use made of it, it may become important. One who goes forward using such careful art will not fall into any error.
Legge: The first line is magnetic, at the bottom of both the hexagram and the lower trigram of Humility or Flexibility. Therefore she is distinguished by carefulness, as in the matter mentioned, and there is a good auspice.
NOTES AND PARAPHRASES
Siu: At the outset, the man displays considerable care in embarking upon an important enterprise.
Wing: When embarking on an important endeavor, it is necessary to pay particular attention to details at the beginning. The times are indeed extraordinary, and you must be particularly careful to proceed in the right way. Being overcautious is not a mistake.
Editor: The idea is to lay a careful foundation for any enterprise to prevent later instability. Make careful choices now to prevent evil consequences later on.
Don't you know that the beginning is the most important part of every work and that this is especially so with anything young and tender? For at that stage it's most plastic, and each thing assimilates itself to the model whose stamp anyone wishes to give it. Plato --The Republic
A. Begin carefully.
B. Extreme caution is indicated.
Line 2
Legge: The second line, dynamic, shows a decayed willow producing shoots, or an old husband in possession of his young wife; there will be advantage in every way.
Wilhelm/Baynes: A dry poplar sprouts at the root. An older man takes a young wife. Everything furthers.
Blofeld: The withered willow tree puts forth new shoots -- an old man takes to wife a young girl. Everything is favorable.
Liu: The withered poplar tree sprouts new shoots. The old man marries a young wife. Everything is favorable.
Ritsema/Karcher: A withered willow giving birth-to a sprig. A venerable husband acquiring his woman consort. Without not Harvesting.
Shaughnessy: The bitter poplar gives life to sprouts: The old fellow gets his maiden consort; there is nothing not beneficial.
Cleary (1): A withered willow produces sprouts; an old man gets a girl for a wife. Altogether beneficial.
Cleary (2): … None do not benefit.
Wu: A withered willow tree grows a young shoot. An old man takes a young wife. Everything is advantageous. [Ancient society gave approval to this kind of matrimony for the desire of having children in the family. Willow trees like water and do well on the bank of marshes. It is not uncommon for a withered old tree to have new shoots.]
CONFUCIAN COMMENTARY
Confucius/Legge: Such association is extraordinary. Wilhelm/Baynes: The extraordinary thing is their coming together. Blofeld: He weds her because they have been overmuch together. [From his point of view, it is in any case a matter for satisfaction, so it is taken here to symbolize favorable circumstances. Some commentaries suggest another implication, namely that the old man is able to take on tasks normally difficult for the elderly.] Ritsema/Karcher: Exceeding uses mutual associating indeed. Cleary (2): (He) has her for a companion in spite of being older. Wu: (They) will make a harmonious couple.
Legge: Line two has no proper correlate above, hence he inclines to the magnetic first line below him. This suggests an old husband with a young wife who will yet have children. The action will turn out favorably.
NOTES AND PARAPHRASES
Siu: An extraordinary reinvigoration occurs. During unusual occasions it may be desirable to join the lowly in order to permit a new outlook and growth.
Wing: Look to those who are modest in attitude, or are beginners themselves, to help you in your endeavors. This way you are in the company of persons who can understand and share the enthusiasm of your goals. Things will move smoothly and the situation will become revitalized.
Editor: The trigram for Wood beneath the trigram for a Lake or Marsh suggests the idea of a tree that grows near water, hence: a willow tree. Whether dry, withered, decayed or bitter, this old tree experiences an unexpected renewal of life. The elderly husband and young wife are a different metaphor for the same idea, and the symbolism can sometimes refer to a union of thought and feeling. Psychologically implicit is the idea of intellect as mentor and guide to emotional responses: an archetypal relationship.
In such dream wanderings one frequently encounters an old man who is accompanied by a young girl, and examples of such couples are to be found in many mythic tales. Jung -- Memories, Dreams, Reflections
A. A fruitful renewal.
B. Old ideas are reinvigorated by fresh insights.
C. A creative balance of knowledge and ability.
Line 4
Legge: The fourth line, dynamic, shows a beam curving upwards. There will be good fortune. If the subject of the line looks for other help but that of line one, there will be cause for regret.
Wilhelm/Baynes: The ridgepole is braced. Good fortune. If there are ulterior motives, it is humiliating.
Blofeld: The ridgepole is upheld -- good fortune! Were it otherwise, there would be cause for blame.
Liu: The ridgepole is strengthened; good fortune. But something else may cause humiliation.
Ritsema/Karcher: The ridgepole crowning. Significant. Possessing more: abashment.
Shaughnessy: The ridgepole bows upward; auspicious; there is harm; distress.
Cleary (1): The ridgepole is raised; good fortune. There is another shame.
Cleary (2): … This is auspicious, but there is another shame.
Wu: The beam is held upright, and there will be good fortune. There may be humiliation in unexpected situations.
CONFUCIAN COMMENTARY
Confucius/Legge: The good fortune arises because it does not bend toward what is below. Wilhelm/Baynes: It does not sag downward and break. Blofeld: Good fortune in the sense that it does not fall. [This would seem to be good fortune of a negative kind; not so much good fortune as the failure of expected bad fortune to materialize.] Ritsema/Karcher: Not sagging, reaching-to the below indeed. Cleary (2): It does not bend down. Wu: The beam (is) held upright, not warping downward.
Legge: Line four is just below the fifth line ruler. His duty is to meet the extraordinary exigency of the time. Although dynamic, he is in a magnetic place and his strength is tempered -- he will be equal to his task. Should he seek help from line one, that would affect him with another element of weakness, and his action would give cause for regret.
NOTES AND PARAPHRASES
Siu: The man becomes the master of the difficult situation by refusing the assistance of weak men. He relies on his own strength of character.
Wing: You can now find within yourself the strength and vision to achieve a successful outcome in your endeavors. Do not rely upon people or things outside of your Self for guidance. Dependence now on external things leads to humiliation.
Editor: This is one of those maddening lines of which every translator renders a subtly different version. Some aren't even internally consistent: Legge's translation says that there will be cause for regret if the subject "looks for other help but that of line one,” which I take to mean: "Only line one is the proper source of assistance.” Inexplicably, his exposition then cautions against such assistance, as does his Confucian commentary. Blofeld's version is a tautology effectively removing serious warning from the line. The Wilhelm and Liu translations are least confusing and imply that we are protected as long as we suppress our lower impulses and maintain allegiance to a higher principle. In my experience, this interpretation has been most accurate.
The patient must be alone if he is to find out what it is that supports him when he can no longer support himself. Only this experience can give him an indestructible foundation. Jung -- Psychology and Alchemy
A. The Work is protected if you keep the faith.
Line 5
Legge: The fifth line, dynamic, shows a decayed willow producing flowers, or an old wife in possession of her young husband. There will be occasion neither for blame nor for praise.
Wilhelm/Baynes: A withered poplar puts forth flowers. An older woman takes a husband. No blame. No praise.
Blofeld: The withered willow tree puts forth blossom -- an old woman takes a vigorous young husband; no blame, no praise! [No blame, in that there is no prohibition against such marriages; no praise, in that they are generally considered far more unsuitable than when the husband is much older than the wife.]
Liu: A withered poplar blossoms. An old woman gains a young husband: No blame, no praise.
Ritsema/Karcher: A withered willow giving-birth-to flowers. A venerable wife acquiring her notable husband. Without fault, without praise.
Shaughnessy: The bitter poplar gives life to flowers: the old wife gets her siring husband; there is no trouble, there is no praise.
Cleary (1): A withered willow produces flowers, and old woman gets a young man for a husband: no blame, no praise.
Wu: A withered willow tree grows a flower. An old woman takes a young husband. There will be neither blame nor praise.
CONFUCIAN COMMENTARY
Confucius/Legge: A decayed willow produces flowers, but how can this secure its long continuance? An old wife and a young husband is also a thing to be ashamed of. Wilhelm/Baynes: How could this last long? It is nevertheless a disgrace. Blofeld: How can such blossom endure for long? From another point of view, both of them should feel ashamed. [The question of blaming or praising such a marriage is in any case of little importance, since it can scarcely be destined to endure for long. The second sentence of the commentary perhaps reveals that, for once, Confucius was inclined to disagree with his beloved mentor, the Book of Change, and to be taken aback by the words "no blame." From the point of view of divination, lines of this sort do not always indicate marriage; this line could mean that we shall do or have done something rather unusual of which the results will be more or less negative.] Ritsema/Karcher: Wherefore permitting lasting indeed? Truly permitting the demoniac indeed. Cleary (2): How can they last? (It) can also be embarrassing. Wu: How long can it last? (They) make an awkward couple.
Legge: Line five is dynamic and central and should be able to achieve extraordinary merit. But he has no proper correlate below, and as line two is inclined to line one, so is line five inclined to line six. But here the willow only produces flowers, not shoots -- its decay will soon reappear. An old wife will have no children. If the line is not to be condemned like line three, neither does his action deserve praise. The shoots produced in line two will grow into a new and vigorous tree, but here the flowers will soon decay, and the withered trunk continue the same. For what will a young man marry an old woman? There will be no children; it can only be from some mercenary motive.
NOTES AND PARAPHRASES
Siu: Notwithstanding promising potentialities the man gives up his alliances with the people below him and seeks the company only of those of higher rank. An unstable arrangement results. Instead of greater security, there will be less. No renewal occurs after the flower saps the tree's remaining energy.
Wing: In critical or significant times it is exhausting to cling to your ideals and ignore the realities of your environment. These realities are the superstructure that supports your life. If you ignore your foundations in your reach upward, you will become unstable and accomplish nothing at all.
Editor: Notice that the original line says that there will be neither praise nor blame. It is the Confucian commentary, written many hundreds of years later, that attaches the idea of "shame” to this position. Following Confucius, Blofeld's footnote also interprets the results as negative: but this is not really warranted from the line itself. The image is a reasonable portrayal of an inconclusive, fruitless or trivial situation. The condition emblemed is one of marking time: marching in place. Psychologically interpreted, the wife can symbolize an emotional component of the psyche: a desire or feeling; the husband would be a mental component: perhaps discrimination. If this is the only changing line, the new hexagram becomes number thirty-two: Consistency, with a corresponding line that confirms the ineffectual condition.
While man is a soul in essence he may, while incarnate in flesh, forget his real origins and indeed live out his whole existence in an animal [like] or vegetable [like] consciousness. Z.B.S. Halevi -- Adam and the Kabbalistic Tree
A. Marking time, treading water -- a harmless but fruitless diversion.
B. A flare-up of an old condition. Something returns, flowers, and dies to no particular purpose.
Line-6
Line 6
Legge: The sixth line, magnetic, shows its subject with extraordinary boldness wading through a stream, till the water hides the crown of her head. There will be evil, but no ground for blame.
Wilhelm/Baynes: One must go through the water. It goes over one's head. Misfortune. No blame.
Blofeld: While he was fording the river, the water rose above his head -- misfortune, but he was not at fault.
Liu: One walks through the water and it goes over his head. Misfortune, no blame.
Ritsema/Karcher: Exceeding wading submerges the peak. Pitfall. Without fault.
Shaughnessy: Surpassing and fording causes the top of the head to vanish; inauspicious; there is no trouble.
Cleary (1): Excess reaching the peak of destruction is unfortunate; there is no blame on other people. [At the end of Excess of the Great, being ignorant and acting arbitrarily, not knowing the medical substances or the firing process, doing whatever comes to mind, going astray and not returning, the damage is worse the higher one goes; excess reaches the peak of destruction. One calls misfortune upon oneself – it is no fault of others. This is Excess of the Great in the sense of being weak and entertaining illusions.]
Cleary (2): Going too far, passing away at the peak, there is misfortune, but no blame. [Here are only the virtues of flexibility and uprightness, without the ability to solve difficulties, so misfortune cannot be avoided; but one is really not to blame. In Buddhist terms, this is when correct concentration has no insight, winding up as a fall at the peak.]
Wu: He is drowned while crossing the river. This is foreboding, but blameless.
CONFUCIAN COMMENTARY
Confucius/Legge: Evil follows wading with extraordinary boldness through the stream, but the act affords no ground for blame. Wilhelm/Baynes: One should not join blame to the misfortune of going through the water. Blofeld: This presages a misfortune for which we cannot possibly be blamed. Ritsema/ Karcher: Not permitting fault indeed. Cleary (2): The misfortune of going too far cannot be blamed. Wu: The ill fortune of getting drowned should not be a cause for blame.
Legge: The sixth line pursues her daring course with an intent to rectify the extraordinary exigency of the time and benefit all under the sky. She is unequal to the task and sinks beneath it, but her motive justifies the judgment on her conduct.
NOTES AND PARAPHRASES
Siu: The man pursues his objectives for the public good, regardless of the consequences and danger. Misfortune results. But no blame is attached to his conduct, because there are certain things more important than life itself.
Wing: The goal is worth accomplishing, although the sacrifice to attain it may be confounding in its enormity. No blame is attached to such action, although you should realize the extraordinary reality of what is happening.
Anthony: It is careless to wish to accomplish our task, no matter what happens. Plunging ahead on our own is always dangerous and willful. It is best to retain carefulness, allowing ourself to be guided. Meanwhile, having followed our principles is without blame, even though the result may be dangerous.
Editor: Like anyline in theI Ching, this one is open to more than one interpretation. It can suggest suffering while undertaking a necessary but difficult task, or it can portray one ignorantly “pushing the river” in pursuit of goals one doesn’t really understand. Legge's commentary about being “unequal to the task” is not explicit in the original line -- i.e.: failure is not necessarily a foregone conclusion. Life's lessons are often painful -- that's just the way it is, and you are not to blame for it. Cleary (1)’s mention of “medical substances, etc.,” refers to Taoist alchemical procedures.
If anyone wants to be a follower of mine, let him renounce himself and take up his cross every day and follow me. For anyone who wants to save his life will lose it; but anyone who loses his life for my sake will save it. Luke 9: 23-25
A. Plunge in and accept the consequences of your choices: Bite the bullet and do your duty.
B. A painful lesson in the school of hard knocks.
C. “The road to hell is paved with good intentions.”
Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook
Judgment
Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.
Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.
Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]
Liu:Gracefulness, success. Small undertakings benefit.
Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]
Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.
Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.
Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.
Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]
The Image
Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.
Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]
Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.
Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.
Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]
Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.
COMMENTARY
Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.
Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.
The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.
The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.
"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”
NOTES AND PARAPHRASES
Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.
The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.
Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.
Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:
(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks. Jung -- The Relations between the Ego and the Unconscious
For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.
The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious. Elisabeth Haich --Initiation
To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?