Wiki I Ching

Difficulty 3.3.5.6 22 Grace

Face challenges with resilience, rising through chaos into brilliance and grace.

From
3
Difficulty
To
22
Grace

Being suspicious of everything
One does as if others had no chance of becoming trustworthy.
taoscopy.com

Difficulty 3
Embrace challenges and uncertainty; growth is difficult but necessary.
Encouragement and persistence lead to success.


Line 3
Acting without guidance leads to confusion.
Recognize the situation and avoid proceeding blindly to prevent disgrace.


Line 5
Challenges arise even in favorable situations.
Moderate persistence is beneficial, but excessive effort can lead to trouble.


Line 6
Severe separation causes deep sorrow and distress.
The situation is painful and requires careful handling.


Grace 22
Refinement and grace enhance your presence.
Focus on beauty and elegance in actions, but do not let appearance overshadow substance.
Simplicity often holds the truest value.



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Original Readings

3
Difficulty


Other titles: Difficulty at the Beginning, The Symbol of Bursting, Sprouting, Hoarding, Distress, Organizational Growth Pains, Difficult Beginnings, Growing Pains, Initial Obstacles, Initial Hardship

 

Judgment

Legge: Difficulty indicates progress and success through firm correctness. Action should not be undertaken lightly, and it is wise to seek help.

Wilhelm/Baynes:Difficulty at the Beginning works supreme success, furthering through perseverance. Nothing should be undertaken. It furthers one to appoint helpers.

Blofeld: Difficulty followed by sublime success! Persistence in a righteous course brings reward; but do not seek some new goal (or destination); it is highly advantageous to consolidate the present position. [The fundamental idea of this hexagram is that of birth and growth amidst difficulty, as with a sprouting seed becoming a young plant and forcing its way through the earth. Our affairs, being still in their early stages, are vulnerable; we must not wander forth, but attend to them until they ripen; then, with proper care, the seed will bring forth a splendid tree. The upper trigram, a pit, suggests a need for caution; but, if we heed these omens, our success is assured.]  

Liu: Difficulty in the Beginning : great success. It is of benefit to continue without planning to go someplace. One should find helpers.

Ritsema/Karcher: Sprouting . Spring Growing Harvesting Trial. No availing-of possessing directed going. Harvesting: installing feudatories. [This hexagram describes your situation in terms of beginning growth. It emphasizes that collecting potential in preparation for arduous labor is the adequate way to handle it...]

Shaughnessy: Hoarding : Prime receipt; beneficial to determine. Do not herewith have someplace to go; beneficial to establish a lord.

Cleary(1): In difficulty, creativity and development are effective if correct. Do not use. There is a place to go. It is beneficial to set up a ruler.

Cleary(2):Creativity is successful. It is beneficial to be correct. Do not make use of going somewhere. It is beneficial to set up lords.

Wu:Distress is primordial, pervasive, prosperous, and persevering. The subject should proceed with caution. It will be advantageous to establish marquisates.

 

The Image

Legge: The image of clouds and thunder formsDifficulty. The superior man, in accordance with this, adjusts his measures of government as in sorting the threads of the warp and woof.

Wilhelm/Baynes: Clouds and thunder: the image of Difficulty at the Beginning. Thus the superior man brings order out of confusion.

Blofeld: This hexagram symbolizes lightning spewed forth by the clouds -- difficulty prevails! The Superior Man busies himself setting things in order.

Liu: Clouds and thunder symbolize Difficulty at the Beginning. The superior man makes order out of disorder.

Ritsema/Karcher: Clouds, Thunder, Sprouting. A chun tzu uses the canons to coordinate. [Canons: standards, laws; regular, regulate; the Five Classics. The ideogram: warp-threads in a loom.]  

Cleary(1): Thunder in the clouds is held back; the superior person orders and arranges.

Cleary(2): Clouds and thunder – Difficulty. Thereby leaders organize.

Wu: Clouds and thunder form hexagram Distress. Thus the jun zi plans and organizes.

 

COMMENTARY

Confucius/Legge:Difficultyis experienced as Heaven and Earth begin their intercourse, but correct action succeeds in the face of danger. By the action of thunder and rain, which are the attributes of the lower and upper trigrams, all between Heaven and Earth is filled up. But the conditions of the time are irregular and obscure. Authority should be delegated, but the feeling that rest and peace have been secured should not be indulged in even then.

Legge: The written character for Difficultyis pictorial, and shows a plant struggling with difficulty as it rises above the surface of the earth. This initial difficulty is a metaphor for how struggle is the condition of a state which is emerging from disorder after a revolution. The author saw his social and political world in great disorder and difficult to reform, yet he had faith in himself and the destiny of his House. Let there be prudence and caution, with unswerving adherence to the right. Let the government of the different states be entrusted to good and able men -- then all will be well.

According to the arrangement of the eight trigrams, Heaven and Earth are the parents of the other six, who are their children. The first-born son is the lower trigram of Movement, and the second-born son is the upper trigram of Peril. McClatchie renders here: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering."

The power to move in the lower trigram is likely to produce great effects; to do this in perilous and difficult circumstances (symbolized by the upper trigram) requires firmness and correctness. Good princes throughout the realm will help to remedy the political and social disorder of the times, but the supreme ruler should not trust his subordinates to the point of relaxing his vigilance.

The lower trigram represents thunder, the upper represents rain clouds. The hexagram therefore places us in the atmosphere of a thunderstorm -- a metaphor for the situation of a political state in difficulty. When the thunder has pealed, and the clouds have discharged their burden of rain, the atmosphere is cleared and there is a feeling of relief.

Anthony: This hexagram means that we have not yet found the correct path.

It also means confusion: too many possibilities. Nothing is clear. This lack of clarity is the “hindrance” referred to in the first line of the hexagram. In the second line, the remedies that come forth are inappropriate. In the first stages of dealing with a problem, we are tempted to grasp at solutions, whereas we should wait until the proper actions become clear.

 

NOTES AND PARAPHRASES

Judgment: Under the conditions of Difficulty it is best to mark time while seeking assistance.

The superior man uses careful analysis to separate order from confusion.

Wilhelm’s title for this hexagram is Difficulty at the Beginning. I prefer Difficulty, because it is a situation encountered at any phase of the Work, not just the beginning.

Difficulty is experienced because confusion and multiplicity prevail during the initial phase of any creative activity -- thoughts and feelings proliferate and threaten to overwhelm the mind with infinite complexity. The only way to proceed under such circumstances is to carefully sort out the components of the situation and arrange them in categories and in order of importance. To "sort the threads of the warp and woof" is to weave a tangled mess into a tapestry.

The Orderly Sequence of the Hexagrams gives us an image of what takes place under the hexagram of Difficulty:

When there were Heaven and Earth, then afterwards all things were produced. What fills up the space between Heaven and Earth are those individual things. Hence the Dynamic and Magnetic are followed by Difficulty. Difficulty means filling up.

"Filling up," is rendered as "fullness" in some translations. This is the exact meaning of the gnostic term: "Pleroma," or "Fullness" which Jung correlates with the Collective Unconscious or Objective Psyche. These are interior dimensions from which emanate the archetypal energies which we experience as instinctual drives and emotional complexes. This is the "hyperspace" from which the Self, via the oracle, responds to our queries and directs the Work.

Thus we see that the third hexagram, following the creation of the cosmic pair of opposites in the first two figures, represents a dialectical progression. Lao Tse, who wrote the Tao Te Ching some six-hundred years after the I Ching was committed to writing, describes this unfolding process:

Out of Tao, One is born;

Out of One, Two;

Out of Two, Three;

Out of Three, the created universe.

The created universe carries the yin at its back

and the yang in front;

Through the union of their pervading principles

it reaches harmony.

The identical idea is found in many traditions, giving it the status of an archetype within human consciousness. It is not necessary to be familiar with the technical terminology of Kabbalah to recognize that the same idea is being discussed in the following passage:

In Chokmah and Binah we have the archetypal Positive and Negative; the primordial Maleness and Femaleness, established while "countenance beheld not countenance" and manifestation was incipient ... It is between these two polarizing aspects of manifestation -- the Supernal Father and the Supernal Mother -- that the web of life is woven; souls going back and forth between them like a weaver's shuttle. In our individual lives, in our physiological rhythms, and in the history of the rise and fall of nations, we observe the same rhythmic periodicity.
D. Fortune --The Mystical Qabalah

This idea has been stated very simply:

All things are a single form which has divided and multiplied in time and space.
W.B. Yeats -- A Vision

Is not the sky a father and the earth a mother, and are not all living things with feet or wings or roots their children?
-- Black Elk

And also with poetic complexity:

In the beginning God created the heavens and the earth. Now the earth was a formless void, there was darkness over the deep, and God's spirit hovered over the water ... God said, "Let the waters teem with living creatures, and let birds fly above the earth within the vault of heaven." And so it was ... God blessed them, saying, "Be fruitful, multiply, and fill the waters of the seas; and let the birds multiply upon the earth.
Genesis

There are some profound ideas in these images about the structure of human consciousness and the contents of the unconscious psyche. The basic idea is that of Emanation -- the creation of physical reality from a supreme principle in ordered hierarchies of increasing complexity. This concept is essential for a full understanding of the Work.

The involution of man was his descent from the sphere of the spirit, developing bodies of a mental, emotional and then physical nature until he manifested upon this planet. His evolution is to civilize this planet and to develop mastery of the physical, emotional and mental planes and relink himself in unity with God once more, thus completing the cycle. He came from God as an inexperienced Spark of Divine Fire and returns to Him, with all the experience of manifestation, as a Lord of Humanity.
Gareth Knight -- The Work of a Modern Occult Fraternity

In many systems of thought, the proliferation of forces is seen in sexual terms -- the cosmic parents produce entities in male and female pairs (gnostic syzygies), which in turn produce offspring. Hence, Confucius says: "Difficulty is experienced as Heaven and Earth begin their intercourse." That this has an explicit sexual connotation is confirmed by McClatchie: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering." Thus we see that the correct and incorrect correlation ("intercourse") of dynamic (male) and magnetic (female) lines in anyI Ching hexagram symbolizes the favorable (life-enhancing) or unfavorable (life-negating) combinations of thought and feeling within the psyche.

 

SUGGESTIONS FOR MEDITATION

The sexual intercourse of Heaven and Earth is also described in hexagram number eleven,Harmony. In terms of these sexual metaphors, what does the term "adultery" imply in regard to the Work? See hexagram number forty-four, Temptation, for further insight on this theme.


Line 3

Legge: The third line, magnetic, shows one following the deer without the guidance of the forester, and only finding himself in the midst of the forest. The superior man, acquainted with the secret risks, thinks it better to give up the chase. If he went forward, he would regret it.

Wilhelm/Baynes: Whoever hunts deer without the forester only loses his way in the forest. The superior man understands the signs of the time and prefers to desist. To go on brings humiliation.

Blofeld: Pursuing a deer without a guide, the hunter finds himself lost in the forest. The Superior Man perceives that he must stay where he is, as going forward would lead to trouble.

Liu: He hunts deer with a forester. He gets lost in the forest. The superior man, knowing this, prefers to give up the hunt. To go on would bring regret.

Ritsema/Karcher: Approaching stag, lacking precaution. Namely, entering tending-towards the forest center. A chun tzu almost not thus stowing-away. Going abashed.

Shaughnessy: Approaching the deer without ornamentation, it is only to enter into the forest. For the gentleman it is just about as good as dispensing with it; to go is distressful.

Cleary(1): Chasing deer without a guide, just going into the forest. The superior person, knowing the dangers, had better give up; to go would bring regret.

Cleary(2): Chasing deer without preparation only goes into the bush. Leaders see that it is better to give up, for to go would bring regret. [ If you have no accurate knowledge yourself and do not have enlightened teachers or associates, and practice blindly, then you will fall into a pit.]

Wu: Hunting in the forest without the guidance of a ranger will result in roaming aimlessly with a chance of getting lost. The jun zi senses the risk. It is better to quit than to proceed and regret.

COMMENTARY

Confucius/Legge: One pursues the deer without the guidance of the forester in his eagerness to follow the game. The superior man gives up the chase, knowing that if he go forward he would be reduced to extremity. Wilhelm/Baynes: He desires the game, but to go on brings humiliation. It leads to failure. Blofeld: His lack of caution in hunting the deer resulted from his being too set on capturing it. The Superior Man always desists when to advance would bring disaster. Ritsema/Karcher: Approaching stag, without precaution. Using adhering-to wildfowl indeed. A chun tzu stowing it: Going abashment exhausted indeed. Cleary(2): Chasing deer without preparation is following the beasts. To go would bring regret and lead nowhere. Wu: Hunting without a guide is like chasing around the game. To proceed will end in an awkward situation.

Legge: The third line is magnetic, not central, and in the place of a dynamic line. These things are all generally unfavorable, but the outcome of the whole hexagram being good, the superior man sees the immediate danger and avoids it.

 

NOTES AND PARAPHRASES

Siu: The man wanders aimlessly without adequate guidance, like a hunter without a forester. The superior man knows when going forward will cause regret. He gives up the senseless chase and avoids eventual disgrace.

Wing: You can sense the difficulties that lie ahead on your path. If you nevertheless plunge into the forest of obstacles without an experienced guide, you will surely lose your way. Such egotism and vanity brings unrelenting humiliation. A wiser man will alter his goals here.

Editor: Forest symbolism is usually associated with the feminine principle and the unconscious psyche. A deer, being a denizen of the forest, could symbolize an undifferentiated, unassimilated, autonomous force within the situation at hand. As the object of the quest, it represents the answer to a question, a solution to your problem, etc. To complete the metaphor, the forester would be your intuition or inner guide: the Self. The message is that you have no insight into the prevailing situation and should stop trying to force a solution. Cease your fruitless speculation and wait for the way to become clear.

It is only when the human being really knows what he is doing that he can be called self-conscious and responsible. The person who is guided by his ego alone is not self-conscious in this sense, for he is limited in his self-knowledge to the conscious realm only, and beyond this terrain yields himself blindly to the obscure urges and devious impulses of the unconscious.
M.E. Harding -- Psychic Energy

A. “Lost in the woods,” you don't yet grasp your situation. Never act on what you don’t understand.

Line 5

Legge: The fifth line, dynamic, shows the difficulties in the way of its subject's dispensing the rich favors that might be expected from him. With firmness and correctness there will be good fortune in small things. In great things there will be evil.

Wilhelm/Baynes: Difficulties in blessing. A little perseverance brings good fortune. Great perseverance brings misfortune.

Blofeld: Fertility cannot easily be brought about. Persistence in small things will bring good fortune; in greater matters, it will bring disaster.

Liu: Difficulties in prosperity. Good fortune for small things. Misfortune for great things.

Ritsema/Karcher: Sprouting: one's juice. The small, Trial: significant. The great, Trial: pitfall.

Shaughnessy: Hoarding its fat; little determination is auspicious, great determination is inauspicious.

Cleary(1): Stalling the benefits. Rectitude in small matters is good. Self-righteousness in great matters brings misfortune. [This is being great but conscious of the small, waiting for the time to be able to get out of difficulty.]

Cleary(2): Stalling the benefits. There is good outlook for the correctness of the small, bad outlook for the correctness of the great.

Wu: Hoarding wealth suggests conditions suitable for limited progress but detrimental for great undertakings.

 

COMMENTARY

Confucius/Legge: He experiences difficulty in bestowing his rich favors -- the extent to which they reach will not yet be conspicuous. Wilhelm/Baynes: Because the benefaction is not yet recognized. Blofeld: We have wrought insufficiently for the public good. Ritsema/Karcher: Sprouting one's juice. Spreading-out not-yet shining indeed. Cleary(2): The giving is not yet enlightened. [It is not that there is no giving at all, just that it does not accord with greater reality.] Wu: His benefaction has not been illuminating. [We should remind ourselves that distributing accumulations need not be limited to tangible assets. Kindness, sympathy, and moral support can certainly be included.]

Legge: Line five is in the place of authority, and should show himself a ruler by dispensing benefits on a grand scale. But he is in the center of the trigram of Peril, and his correlate line two is weak. Hence arises the symbolism, and great things should not be attempted.

 

NOTES AND PARAPHRASES

Siu: The man attains a position of authority. Premature expressions of good intentions lead to damaging misinterpretations. Time is required for stepwise maturation and acquisition of general confidence. Consummation cannot be forced.

Wing: Although your position is one of authority within the situation, you have much left to achieve in the way of establishing yourself. Small efforts in this will bring good fortune. But beware: Do not attempt any large endeavor. It could easily end in disaster.

Editor: The image depicts an impasse or restriction preventing the flow of energy which would resolve it. Modest effort will improve the situation; major action will make it worse. Sometimes the line implies that you have not yet understood the matter under question. It can also image a situation in which psychic energy is blocked from consciousness.

The attributes of the spirit are not only beyond the power of sensual perception, but they are beyond the power of intellectual comprehension; they can only be known to the spirit, and they are called occult because they cannot be understood without the possession of the light of the spirit.
F. Hartmann -- Paracelsus: Life and Prophecies

A. Conserve your energy. Take only limited action, one step at a time; allow the situation to unfold at its own pace.

B. Obstructions inherent in the situation prevent the flow of information needed to comprehend it. To strive too hard is to lose it altogether.

C. Integral obstacles inhibit an immediate resolution of the situation at hand.

Line 6

Legge: The sixth line, magnetic, shows its subject with the horses of her chariot obliged to retreat, and weeping tears of blood in streams.

Wilhelm/Baynes: Horse and wagon part. Bloody tears flow.

Blofeld: He hesitates like a man trotting to and fro or like one shedding blood and tears.

Liu: He goes back and forth on horseback. He sheds tears with blood! [Arrogance leads to misfortune, perhaps extreme misfortune.]

Ritsema/Karcher: Riding a horse, arraying thus. Weeping blood, coursing thus.

Shaughnessy: A team of horses vexatious-like, dipping blood streamingly.

Cleary(1): Mounted on a horse, not going forward, weeping tears of blood.

Wu: The horse carriage falters along. Tears roll down from the rider’s eyes.

 

COMMENTARY

Confucius/Legge: She weeps tears of blood in streams -- how can the state thus emblemed continue long? Wilhelm/Baynes: How could one tarry long in this! Blofeld: How could a flow of blood and tears endure for long? [In other words, our present troubles will pass away in time.] Ritsema/Karcher: Wherefore permitting long-living indeed? Cleary (2): Weeping tears of blood – what can last? Wu: Only despair remains.

Legge: The sixth line is magnetic, as is her third line correlate. She is at the extremity of Peril -- the game is up. What can remain for her in such a case but terror and abject weeping?

 

NOTES AND PARAPHRASES

Siu: The man fails to overcome the initial difficulties and despair.

Wing: You have lost your perspective. You can no longer see your initial difficulties realistically, nor can you find your way out. This is disgraceful and will cause you much regret. It is best to begin again.

Anthony: Desire and fear prevail. The child in us rules. Despairing, we give up our path. “One should not persist in this.”

Editor: Lines two, four and six all show horses in retreat: strong images of psychological turmoil and confusion; two and four have proper correlates however, so they present the possibility of at least some kind of reconciliation. Here, the correlate is line three, who is depicted as being "lost in the woods.” At its most neutral, the image is one of severe disunion. Wilhelm and Blofeld state that the situation is not a lasting one, so all need not be lost if you seek a totally new and perhaps currently unrecognized connection.

In our ordinary life we are limited and bound in a thousand ways -- the prey of illusions and phantasms, the slaves of unrecognized complexes, tossed hither and thither by external influences, blinded and hypnotized by deceiving appearances. No wonder then that man, in such a state, is often discontented, insecure and changeable in his moods, thoughts and actions. Feeling intuitively that he is "one," and yet finding that he is "divided unto himself," he is bewildered and fails to understand either himself or others. No wonder that he, not knowing or understanding himself, has no self- control and is continually involved in his own mistakes and weaknesses; that so many lives are failures, or are at least limited and saddened by diseases of mind and body, or tormented by doubt, discouragement and despair.
Roberto Assagioli -- Psychosynthesis

A. Severe disunion prevails, but need not be permanent if you seek a totally new connection.

B. You have missed the point entirely.

22
Grace


Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook

 

Judgment

Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.

Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.

Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]

Liu:Gracefulness, success. Small undertakings benefit.

Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]

Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.

Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.

Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.

Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]

 

The Image

Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.

Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.

Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]

Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.

Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.

Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]

Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.


COMMENTARY

Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.

Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.

The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.

The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.

"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”

 

NOTES AND PARAPHRASES

Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.

The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.

Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.

Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:

(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks.
Jung -- The Relations between the Ego and the Unconscious

For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.

The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious.
Elisabeth Haich --Initiation

To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?