Wiki I Ching

Clarity 30.1.3.6 16 Enthusiasm

Nurture your spark; through challenges, find harmony and ignite your passion into joyful momentum.

From
30
Clarity
To
16
Enthusiasm

Makeshift repair
One thinks having done their best to address the issue.
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Clarity 30
Clarity and adaptability.
Embrace the light to illuminate your path.
Recognize patterns in life, align with them, and nurture personal growth.


Line 1
At the beginning, there is confusion and uncertainty.
However, if one remains focused and determined, there will be no blame.


Line 3
This line warns of the dangers of complacency and the fear of decline.
It suggests that one should not dwell on past glories or future fears.


Line 6
This line indicates decisive action and leadership.
It suggests that by addressing the root of a problem, one can achieve success without blame.


Enthusiasm 16
Inspiration fuels energy; align enthusiasm with purpose to move forward effectively.



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Original Readings

30
Clarity


Other titles: The Clinging, The Symbol of Brightness and of Separateness, Flaming Beauty, Radiance, Fire, The Net, Allegiance, The Cosmic Mean, Synergy, Sunlight, Perception, Pertaining to Comprehension, The Light, Consciousness, Lucidity

 

Judgment

Legge: The free course and success of Clarity comes from firm correctness. The nourishment of bovine docility creates good fortune.

Wilhelm/Baynes: The Clinging. Perseverance furthers. It brings success. Care of the cow brings good fortune.

Blofeld:Flaming beauty. Righteous persistence brings reward. Success! Rearing cows -- good fortune! [Cows are gentle creatures which require looking after; hence this sentence means that good fortune can be gained by looking after those in need of help.]

Liu: Fire. It is of benefit to continue. Success. To take care of the cow leads to good fortune.

Ritsema/Karcher: Radiance, Harvesting Trial. Growing. Accumulating female cattle. Significant. [This hexagram describes your situation in terms of expanding light, warmth and awareness. It emphasizes that joining with and depending on what spreads this light, the action of Radiance, is the adequate way to handle it...]

Shaughnessy:The Net: Beneficial to determine; receipt; raising a cow is auspicious.

Cleary(1):Fire is beneficial for correctness and development. Raising a cow brings good fortune.

Cleary (2): Fire is beneficial if correct; then there is success, etc. [In Buddhism, when demons cause disturbance, it is necessary to cleave to true teaching to get rid of aberrations.]

Wu: Allegiance indicates that it will be advantageous to be persevering and pervasion will follow. It will be auspicious to raise the cow.

 

The Image

Legge: The image of brightness repeated forms Clarity. The great man, in accordance with this, cultivates more and more his brilliant virtue, and diffuses its brightness over the four quarters of the land.

Wilhelm/Baynes: That which is bright rises twice: the image of Fire. Thus the great man, by perpetuating this brightness, illuminates the four quarters of the world.

Blofeld: This hexagram symbolizes fire rising in two tongues of brilliant flame. The Superior Man, by perpetuating the brilliance of the ancients, illuminates every quarter of the earth. [In other words, we should make ourselves as completely dependent on the principle of righteousness as natural objects are dependent upon nature; in this way, we are sure to be successful.]

Liu: Doubled brightness symbolizes Fire. A great man perpetuates the light and illuminates the four corners of the universe.

Ritsema/Karcher: Brightness doubled arousing Radiance. Great People use consecutive brightening to illuminate tending- towards the four sides.

Cleary (1):Light has dual function. Thus do great people illumine the four quarters with continuing light. [The sun goes in at night and comes out in the daytime; this pattern represents inner illumination and outer illumination, one light having dual function…Outer illumination has to be based on inner illumination… Illumination must reach inside and outside, so that both are illumined and both are correct.]

Cleary (2): Illumination doubled makes fire. Great people illumine the four quarters with continuing illumination.

Wu: Brightness doubled makes Allegiance. Thus the great man carries on the brightness to shine the four corners of the earth.

 

COMMENTARY

Confucius/Legge:Clarity means clinging attachment. The sun and moon have their roots in heaven, and all the growing things have their roots in the earth. The double brightness of the two trigrams is rooted in correctness, and all under heaven are thereby transformed. The magnetic second line is central and correct, indicating a free and successful course. Nourishing a passive docility will lead to good fortune.

Legge:Clarity is the trigram of fire and light, and the sun is the source of both of these. Its attribute is brightness, and by a natural metaphor: intelligence. But this trigram also means inhering or in adhering to -- being attached to. In the hexagram we have a double brightness -- a phrase which denotes the ruler. If we take the two central lines as emblematic of the situation, we have the magnetic dwelling with the dynamic above and below -- a condition requiring a docile humility and strict adherence to what is correct. Ch'eng-tzu says: "The nature of the ox is docile, and that of the cow is much more so. The subject of the hexagram adhering closely to what is correct must be able to act in obedience to it, as docile as a cow, and then there will be good fortune."

 

NOTES AND PARAPHRASES

Judgment: Willed persistence gets results. Be receptive to your inner light, and reflect it in your life.

The Superior Man cultivates his capacity to manifest his comprehension of the Work in his everyday choices.

Light is a symbol of both normal consciousness and super- consciousness. Probably every religion in the world uses it in the latter sense -- from the "Let there be light" in the first chapter of Genesis, to The Lord of Light (Ahura Mazda), the supreme being of Zoroastrianism. The TibetanBook of the Dead speaks of the "clear white light" which is the first thing encountered after bodily death -- a phenomenon reported as the experiential perception of those who have had near-death experiences. Light means Truth, it means Reality, and the "double brightness" of this hexagram tells us that Clarity is manifested both above and below.

Meditation on light is one of the most important exercises in the various schools of Tibetan Yoga. The more these psychic and spiritual powers can be achieved during life, the stronger is the ability to penetrate and overcome the bardo.
D. I. Lauf, Secret Doctrines Of The Tibetan Book Of The Dead

The Confucian commentary gives the examples of the sun and moon in the heavens, and of growing things on the earth as emblems of Clarity. Sun and moon are certainly luminous, but growing things are not, and when we meditate on the reason for this strange juxtaposition we are led to the idea of the Self and the ego. The Self is the sun, the source of illumination which causes the ego to grow. Sun is to growing things as Self is to ego. This idea is repeated in the relationship between the sun and the moon -- the moon is not self-luminous, it can only reflect the light of the sun. Therefore, sun is to moon as Self is to ego.

The idea is that despite our illusions to the contrary, all of our power originates somewhere else. When we allow the power to work through us without interference, we become "docile" like the cow in the judgment. Clarity, therefore, is attained through docility -- the ability to subdue and restrain the autonomous components of the psyche, which left to their own devices would prefer to go around pontificating their brilliant illusions rather than quietly reflecting the truth. It is not easy to reflect the truth, and the superior man is counseled to constantly perfect his capacity to do so. It is only when Self and ego come together in a fusion reaction that the energy released attains the true "double brightness" imaged in the hexagram. The identical idea is found in the Kabbalah:

Said Rabbi Simeon: "When the Holy One arrays himself, it is in the ornaments from both the celestial and terrestrial worlds; from the former with that heavenly light on high that no human being can approach unto; from the latter with the souls of the righteous who the more they approximate themselves to this divine light the more receptive and filled with it do they become, so that through them it expands in all directions and the world like a cistern or ocean is filled with it."
The Zohar

Wilhelm mentions that the hexagram "divided within and closed without, is an image of the meshes of a net in which animals remain snared." This gives us the image of Clarity as Comprehension -- a net which captures and encloses insights. To receive the figure without changing lines is often a confirmation of an idea or action -- it is saying: "You have comprehended," or "Your proposed action is lucid, intelligent, etc."


Line 1

Legge: The first line, dynamic, shows one ready to move with confused steps. But he treads at the same time reverently, and there will be no mistake.

Wilhelm/Baynes: The footprints run crisscross. If one is seriously intent, no blame. [It is precisely at the beginning that serious concentration is important, because the beginning holds the seed of all that is to follow.]

Blofeld: Approaching with reverent steps, he pays them his respects -- no error! [This suggests a rather delicate situation in which we should avoid any appearance of lacking respect for others.]

Liu: The footsteps are confused. If one is cautious, no blame. [Everyone should watch his steps so that he doesn’t injure his feet.]

Ritsema/Karcher: Treading, polishing therefore. Respecting it. Without fault.

Shaughnessy: Treading counter-wise; respect it; there is no trouble.

Cleary (1): The steps are awry. If you are heedful of this, there will be no fault.

Wu: The subject is treading cautiously. With due respect, he will be blameless.

 

COMMENTARY

Confucius/Legge: The reverent attention directed to his confused steps is the way by which error is avoided. Wilhelm/Baynes: Seriousness when footprints run crisscross serves in avoiding blame. Blofeld: He walks reverently expressly to avoid blame. Ritsema/Karcher: Using casting-out fault indeed. Cleary (2): Be heedful when the steps are awry, to avoid fault. Wu: Having due respect in cautious treading is to avoid being blamed.

Legge: Line one is dynamic at the bottom of the trigram of fire, the nature of which is to ascend. He therefore will move upwards, but is in danger of doing so coarsely and vehemently. However, since the lowest line has hardly entered into the action of the hexagram, this makes him reverently careful of his movements and there is no error.

 

NOTES AND PARAPHRASES

Siu: At the outset, the man is initially confused amid the bustle of life. He will avoid error by careful attention to the central issue at stake.

Wing: When you first begin on your new path, you are bombarded by impressions. Keep your goal in mind constantly and you can avoid confusion. Furthermore, do not forget your position as a beginner, somewhat outside the situation.

Editor: Wilhelm's commentary says that line one is analogous to the dawn, line two to noon, and line three to sunset. Here at the beginning of the day, full clarity has yet to manifest, but serious intent will compensate for your relative ignorance of the facts at hand.

When one follows the path of individuation, when one lives one's own life, one must take mistakes into the bargain; life would not be complete without them. There is no guarantee -- not for a single moment -- that we will not fall into error or stumble into deadly peril.
Jung -- Memories, Dreams, Reflections

A. When in the dark, keep the faith: trust the Work and pick your way very carefully.

Line 3

Legge: The third line, dynamic, shows its subject in a position like that of the declining sun. Instead of playing on his instrument of earthenware, and singing to it, he utters the groans of an old man of eighty. There will be evil.

Wilhelm/Baynes: In the light of the setting sun, men either beat the pot and sing or loudly bewail the approach of old age. Misfortune.

Blofeld: In the light of the setting sun, young men do not beat upon their cooking pots or sing; the old sigh piteously -- misfortune!

Liu: Under the light of the setting sun, one sings without beating the pot, bemoaning one's old age. Misfortune.

Ritsema/Karcher: Sun going-down's radiance. Not drumbeating a jar and-also singing. By-consequence great old-age's lamenting. Pitfall.

Shaughnessy: The net of the sun's decline; not drumming the earthenware jar and yet singing, then the sighing of the great mourning kerchief; inauspicious.

Cleary (1): The afternoon light; unless you drum on a jug and sing, there will be the lament of old age, which is unfortunate.

Cleary (2): In the fire of the afternoon sun, you either drum on a jug and sing, or lament as in old age. This bodes ill. [When you use insight too much without concentration to balance it, sometimes you will be extremely joyful, drumming and singing, and sometimes you will be extremely anxious, lamenting as in old age. Sadness and joy disturb the song of your heart; intellectual insight cannot sustain itself – backsliding and loss are inevitable.]

Wu: The sun is passing the meridian. Ifhe does not playhis earthen instrument and sing, but sighs like an old man of eighty years, there will be foreboding. [The passing of the meridian is like the passing of the prime time in life. If one does not make the best of his life now, it will be gone forever.]


COMMENTARY

Confucius/Legge: A position like that of the setting sun -- how can it continue long? Wilhelm/Baynes: How can one wish to hold for long the light of the setting sun? Blofeld: Sunset beauty -- how can it endure for long? [This passage suggests that our present happiness or success is not destined to endure; we must prepare for a setback.] Ritsema/Karcher: Wherefore permitting lasting indeed? Cleary (2): Afternoon sun cannot last long. Wu: How long will the day last?

Legge: Line three is at the top of the lower trigram, whose light is now exhausted, suggesting a sunset. He should accept his position and resign himself to the ordinary amusements mentioned, but he groans and mourns instead. His restless activity interferes with the lowly contentment he should cherish. The K'ang-hsi editors say that the declining sun is an emblem of "obscuration coming over the virtue of the mind."

Anthony: Fear and worry over the length of time required to attain recognizable progress puts us in the wrong balance. If we can nobleheartedly accept that things will be fulfilled when they will, we secure our fate by making possible that it can be fulfilled. As long as the ego stands by expectantly, measuring and weighing our progress, the dark force of doubt operates and the power of good cannot manifest itself. Obtaining this line reminds us that adversity lasts only for a time; through it we mould our character.

 

NOTES AND PARAPHRASES

Siu: The man reaches his declining years and recalls the transitoriness of life. Instead of enjoying the ordinary pleasures while they last, he groans in melancholy.

Wing: The best attitude to cultivate at this time in your life is a general acceptance of fate. To totally lose yourself in the happiness of the moment is as bad as to bemoan the passing of time. Such folly of the mind and the emotions leads to a loss of inner freedom. Misfortune.

Editor: There is apparently more than one way to translate this line, best seen in the contrast between Cleary’s Taoist and Buddhist versions. One implies that frivolity is an antidote to depression, the other that both positions are extreme. Emphasized in all translations is the contrast between joy and sorrow, singing and groaning, youth and old age. The setting sun symbolizes the decline of awareness, the "darkening of the light," the advance of illusion. That is: to either mindlessly sing or to bewail one's fate is to be deluded -- one has forgotten one's Source. Frivolity and despair are polarized attitudes, and the line tells us that clarity wanes whenever one takes an extreme position. In another context, the setting sun suggests the inevitability of death. Those who believe that death is final usually respond in either of the two ways shown, and thus miss the mark. There is also a suggestion of the futility of trying to hold onto something that is by nature transitory. Note the similarity between this line and line three of Hexagram #61,Inner Truth:He finds a comrade. Now he beats the drum, now he stops. Now he sobs, now he sings.” Wing’s paraphrase is probably the best.

No soul, not even our own, enters into the body completely. Soul always remains united by its higher part to the intelligible realm. But if the part that is in the realm of sense dominates, or rather becomes dominated and disturbed, it keeps us unaware of what the higher part of the soul contemplates.
Plotinus -- The Enneads

A. An image of gross illusion. Clarity is lost when perception is polarized.

B. Nothing lasts here below, but that's only half the story -- the least interesting half.

C. “Gather your rosebuds while ye may.”

Line 6

Legge: The sixth line, dynamic, shows the king employing his subject in his punitive expeditions. Achieving admirable merit, he breaks only the chiefs of the rebels. Where his prisoners were not their associates, he does not punish. There will be no error.

Wilhelm/Baynes: The king uses him to march forth and chastise. Then it is best to kill the leaders and take captive the followers. No blame.

Blofeld: The King went forth to set things to rights and, blessed by heaven with victory, he destroyed the leader of the rebels; but he did not chastise the rebel followers -- no error!

Liu: The king goes to fight. Victory. He kills the leader and captures the followers. No blame.

Ritsema/Karcher: Kinghood availing-of issuing-forth chastising. Possessing excellence. Severing the head. Catching in-no-way its demons. Without fault.

Shaughnessy: The king goes out on campaign; there is the joy of cutting off heads and bagging the non-masses; there is no trouble.

Cleary (1): The king hereby goes on an expedition; there is good luck, and he crushes the leader. As the captive is not the common followers, there is no blame.

Cleary (2): The king goes on an expedition, has good luck, and overcomes the leader, taking captives, but not because they are repugnant. No fault.

Wu: The king leads his expedition, commends those who kill the defiant chieftains, and captures those who are against his people. There will be no blame.

 

COMMENTARY

Confucius/Legge: The object is to bring the regions to a correct state. Wilhelm/Baynes: In order to bring the country under discipline. Blofeld: To rectify the affairs of the various states comprising his realm. [This passage implies that we may be compelled to resort to forceful measures but that we should avoid chastising those who have been led to do harm by others.] Ritsema/Karcher: Using correcting the fiefdoms indeed. Cleary (2): To bring correct order to the country. Wu: He does what is good for the country.

Legge: Line six. dynamic and at the top of the figure, has the intelligence denoted by its trigrams in the highest degree, as well as his own proper vigor. Because of this his achievements are great, and since his generous consideration is equally conspicuous he falls into no error.

 

NOTES AND PARAPHRASES

Siu: The man is employed by the ruler to conduct punitive expeditions. He kills the ringleaders of the enemy but spares the followers. He roots out the bad but tolerates the relatively harmless. He avoids excessive punishments.

Wing: It is up to you to penetrate to the source of trouble in the situation and eradicate it. Act with moderation however, in dealing with others who may have been duped into wrong thinking. Once the major problem is out of the way, order will reign. (Note: This line may refer to a bad habit or character weakness.)

Editor: The image here is one of analysis -- Clarity as a function of logic. The idea is to sort out all the elements of the situation, remove the source of error but retain the good elements. The peak of Clarity is reached when one takes action based upon lucid differentiation between the defective (or dangerous) and the useful.

If, as administrators of His kingdom, you have not governed justly nor observed the law, nor behaved as God would have you behave, He will fall on you swiftly and terribly. Ruthless judgment is reserved for the high and mighty; the lowly will be compassionately pardoned.
Wisdom 6: 4-7

A. One differentiates between harmful and benign elements within the situation.

B. “Don't throw out the baby with the bath water."

C. “Accent the positive, eliminate the negative.”

16
Enthusiasm


Other titles: The Symbol of Harmonious Joy, Repose, Happiness, Providing-for/Provision, Excess, Merriment, Self-confidence, Contentment, Harmonize, Excitement, Intemperance, Self-deception "Repose in the absolute confidence that the action now being taken is right. Also refers to music." -- D.F. Hook

 

Judgment

Legge: Enthusiasm indicates that feudal princes may be set up and the army advantageously mobilized.

Wilhelm/Baynes:Enthusiasm. It furthers one to install helpers and to set armies marching.

Blofeld:Repose profits those engaged in building up the country and sending forth armies. [This means that perfect certainty as to the rightness of our cause is of great value under the conditions mentioned. The usual meaning of this character is "beforehand" or "happiness." In the English translation of Wilhelm's version, it appears as "enthusiasm." "Repose" was suggested by the Chinese experts who kindly vetted this manuscript. At first I felt hesitant about adopting it, until I realized that, where it is used favorably, it must be understood as the kind of mental repose which follows absolute confidence that the action now being taken is the right one. In lines one, three and six, however, it clearly means failure to act when action is essential; in line five, failure to act owing to incapacity.]

Liu:Happiness. It is of benefit to build up the country (or business), and send the army forth. [Receivers of this hexagram should be wary of exhibiting excessive enthusiasm when beginning a new undertaking. If they are not, there will be misfortune. The hexagram also advises that everything necessary for advancement should be made ready. Then if an opportunity presents itself, it should be seized immediately, without hesitation.]

Ritsema/Karcher: Providing-for , Harvesting: installing feudatories to move legions. [This hexagram describes your situation in terms of what is needed to meet the future. It emphasizes that accumulating strength through foresight and prudence so things can be fully enjoyed is the adequate way to handle it. To be in accord with the time, you are told to: provide-for!]

Shaughnessy: Excess: Beneficial to establish a lord and to move troops.

Cleary (1):Joy. It is advantageous to set up a ruler and mobilize the army.

Wu:Merriment indicates the advantage of establishing principalities and taking military actions.

 

The Image

Legge: Thunder exploding out of the Earth -- the image of Enthusiasm. The ancient kings, in accordance with this, composed their music and honored virtue, offering it especially to God when they worshipped him at the service of their ancestors.

Wilhelm/Baynes: Thunder comes resounding out of the earth: the image of Enthusiasm. Thus the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, inviting their ancestors to be present.

Blofeld: This hexagram symbolizes thunder over the earth. The ancient rulers venerated heaven's gifts with solemn music and they sacrificed abundantly to the Supreme Lord of Heaven in order to be worthy of their ancestors.

Liu: Thunder arising from the earth symbolizes Happiness. The ancient kings composed music to honor virtue, offering it to God and the spirits of their ancestors.

Ritsema/Karcher: Thunder issuing-forth-from earth impetuously. Providing-for. The Earlier Kings used arousing delight to extol actualizing-tao. Exalting worship's Supreme Above. Using equalizing the grandfather predecessors. [Actualize-tao:ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]

Cleary (1): When thunder emerges the earth stirs: Thus did the kings of yore make music to honor virtue, offering it in abundance to God, thereby to share it with their ancestors.

Wu: Thunder breaks out above the earth with a boom; this is Merriment. Thus the ancient kings used music to praise virtuous accomplishments and made grand offerings to the Supreme Being to be accompanied by their ancestors.

 

COMMENTARY

Confucius/Legge: Enthusiasm shows one dynamic line inspiring responsive obedience in all the others: devoted obedience takes action. Such obedient action conforms to natural law and creates order and discipline in the people. The planets and the seasons follow their natural cycles. The sages similarly obey the laws of their nature and the people acknowledge their regulations and punishments as just.

Legge:Enthusiasm shows harmony and contentment throughout the kingdom -- a time when the people rejoice in their sovereign and readily obey him. At such a time his appointments and any military undertakings would be hailed and supported. Because he is close to the fifth place of dignity, the dynamic fourth line is seen as the chief executive officer of the ruler. The ruler has confidence in him, and all of the magnetic lines yield their obedience. Obedience is the attribute of the lower trigram which here takes the initiative and uses Movement, which is the attribute of the upper trigram.

The symbolism of the Image is more obscure than usual. The use of music at sacrifices is supposed to assist in producing the union between God and his worshippers as well as the present and past generations.

 

NOTES AND PARAPHRASES

Judgment: Delegate authority and gather your forces.

The Superior Man synchronizes his will with the intent of the Self via the principles of the Work.

Enthusiasm is the reverse of the preceding hexagram of Temperance. In Temperance we saw the calm strength of a mountain concealed within the earth. In Enthusiasm we see thunder exploding out of the ground into the sky: the strength that was formerly tempered and restrained is now released. It is significant to note that while every line of Temperance is more or less "favorable,” every line of Enthusiasm is either negative or cautionary -- even the generally positive fourth line carries a hint of warning about “doubt.”

Negatively, Self-Deception (the passion of True Believers) seems to be what this hexagram is portraying. The figure often suggests a callow or deluded buoyancy -- the kind of outlook associated with romantic idealists. In its most negative aspect, Enthusiasm is Intemperance -- the exact opposite of the moderation and restraint shown in the preceding hexagram. The behavior of an untrained Great Dane puppy suddenly bursting into a formal dinner party could be described as "enthusiasm,” but hardly a desirable form thereof. The lower trigram of Obedient Devotion has suddenly employed the action and energy of the upper trigram of Thunderous Shock to express itself. This is inconsistent with the code of the superior man.

Conversely, in its most positive sense, Enthusiasm suggests the surety of total self-confidence. Blofeld translates this as Repose, explaining that the name was suggested to him by his Chinese advisors. We begin to understand this subtle distinction when we compare the seemingly obscure connection with music in the Image with a passage from Chuang- tse:

He who understands the music of heaven lives in accordance with nature in his life and takes part in the process of change of things in his death. In repose, his character is in harmony with the yin principle; in activity, his movement is in harmony with the yang principle. Therefore he who understands the music of heaven is not blamed by heaven or criticized by men ... It is said, "In action he is like heaven. In repose he is like the earth ... Because his mind has found repose, therefore the creation pays homage to him.”

To understand “the music of heaven” is to attain Repose, which is another way of describing the tranquility that comes with furthering the intent of the Self. The only dynamic line in the hexagram is in the minister's place just below the fifth-line ruler. He has the confidence of his sovereign and his actions therefore accord with heaven. We can turn to the Stoics to find an illustration of this idea:

My will is simply that which comes to pass. For I esteem what God wills better than what I will. To Him will I cleave as His minister and attendant; having the same movements, the same desires, in a word the same will as He.
-- Epictetus

Thus we see that the hexagram can describe either one of two opposite conditions -- the intemperate Enthusiasm of ego-confidence (a synonym for Self-Deception), or the calm Repose of true SELF-confidence. The fifteenth and sixteenth hexagrams, each the inverse of the other, represent magnetic and dynamic aspects of the same general idea: Enthusiasm, when it emanates from the Self, is just Temperance in action.