Ignite your inner light, grow through challenges, and rise to view the world from a higher perspective.
From
30
Clarity
To
20
Contemplation
Cancelling a trip
One changes one's mind before being confronted by one's opponents. taoscopy.com
Clarity30
Clarity and adaptability. Embrace the light to illuminate your path. Recognize patterns in life, align with them, and nurture personal growth.
↓ Line 1
At the beginning, there is confusion and uncertainty. However, if one remains focused and determined, there will be no blame.
↓ Line 3
This line warns of the dangers of complacency and the fear of decline. It suggests that one should not dwell on past glories or future fears.
↓ Line 4
This line indicates sudden changes and the need to adapt quickly. It suggests that one should not cling to what is fleeting.
↓ Line 5
This line suggests that through emotional release and expression, one can find good fortune and relief.
↓ Contemplation 20
Pause and observe the world around you. Gain clarity by distancing yourself from immediate involvement, allowing for a broader perspective. Insight comes from seeing both the big picture and the subtle details.
Other titles: The Clinging, The Symbol of Brightness and of Separateness, Flaming Beauty, Radiance, Fire, The Net, Allegiance, The Cosmic Mean, Synergy, Sunlight, Perception, Pertaining to Comprehension, The Light, Consciousness, Lucidity
Judgment
Legge: The free course and success of Clarity comes from firm correctness. The nourishment of bovine docility creates good fortune.
Wilhelm/Baynes: The Clinging. Perseverance furthers. It brings success. Care of the cow brings good fortune.
Blofeld:Flaming beauty. Righteous persistence brings reward. Success! Rearing cows -- good fortune! [Cows are gentle creatures which require looking after; hence this sentence means that good fortune can be gained by looking after those in need of help.]
Liu: Fire. It is of benefit to continue. Success. To take care of the cow leads to good fortune.
Ritsema/Karcher: Radiance, Harvesting Trial. Growing. Accumulating female cattle. Significant. [This hexagram describes your situation in terms of expanding light, warmth and awareness. It emphasizes that joining with and depending on what spreads this light, the action of Radiance, is the adequate way to handle it...]
Shaughnessy:The Net: Beneficial to determine; receipt; raising a cow is auspicious.
Cleary(1):Fire is beneficial for correctness and development. Raising a cow brings good fortune.
Cleary (2): Fire is beneficial if correct; then there is success, etc. [In Buddhism, when demons cause disturbance, it is necessary to cleave to true teaching to get rid of aberrations.]
Wu: Allegiance indicates that it will be advantageous to be persevering and pervasion will follow. It will be auspicious to raise the cow.
The Image
Legge: The image of brightness repeated forms Clarity. The great man, in accordance with this, cultivates more and more his brilliant virtue, and diffuses its brightness over the four quarters of the land.
Wilhelm/Baynes: That which is bright rises twice: the image of Fire. Thus the great man, by perpetuating this brightness, illuminates the four quarters of the world.
Blofeld: This hexagram symbolizes fire rising in two tongues of brilliant flame. The Superior Man, by perpetuating the brilliance of the ancients, illuminates every quarter of the earth. [In other words, we should make ourselves as completely dependent on the principle of righteousness as natural objects are dependent upon nature; in this way, we are sure to be successful.]
Liu: Doubled brightness symbolizes Fire. A great man perpetuates the light and illuminates the four corners of the universe.
Ritsema/Karcher: Brightness doubled arousing Radiance. Great People use consecutive brightening to illuminate tending- towards the four sides.
Cleary (1):Light has dual function. Thus do great people illumine the four quarters with continuing light. [The sun goes in at night and comes out in the daytime; this pattern represents inner illumination and outer illumination, one light having dual function…Outer illumination has to be based on inner illumination… Illumination must reach inside and outside, so that both are illumined and both are correct.]
Cleary (2): Illumination doubled makes fire. Great people illumine the four quarters with continuing illumination.
Wu: Brightness doubled makes Allegiance. Thus the great man carries on the brightness to shine the four corners of the earth.
COMMENTARY
Confucius/Legge:Clarity means clinging attachment. The sun and moon have their roots in heaven, and all the growing things have their roots in the earth. The double brightness of the two trigrams is rooted in correctness, and all under heaven are thereby transformed. The magnetic second line is central and correct, indicating a free and successful course. Nourishing a passive docility will lead to good fortune.
Legge:Clarity is the trigram of fire and light, and the sun is the source of both of these. Its attribute is brightness, and by a natural metaphor: intelligence. But this trigram also means inhering or in adhering to -- being attached to. In the hexagram we have a double brightness -- a phrase which denotes the ruler. If we take the two central lines as emblematic of the situation, we have the magnetic dwelling with the dynamic above and below -- a condition requiring a docile humility and strict adherence to what is correct. Ch'eng-tzu says: "The nature of the ox is docile, and that of the cow is much more so. The subject of the hexagram adhering closely to what is correct must be able to act in obedience to it, as docile as a cow, and then there will be good fortune."
NOTES AND PARAPHRASES
Judgment: Willed persistence gets results. Be receptive to your inner light, and reflect it in your life.
The Superior Man cultivates his capacity to manifest his comprehension of the Work in his everyday choices.
Light is a symbol of both normal consciousness and super- consciousness. Probably every religion in the world uses it in the latter sense -- from the "Let there be light" in the first chapter of Genesis, to The Lord of Light (Ahura Mazda), the supreme being of Zoroastrianism. The TibetanBook of the Dead speaks of the "clear white light" which is the first thing encountered after bodily death -- a phenomenon reported as the experiential perception of those who have had near-death experiences. Light means Truth, it means Reality, and the "double brightness" of this hexagram tells us that Clarity is manifested both above and below.
Meditation on light is one of the most important exercises in the various schools of Tibetan Yoga. The more these psychic and spiritual powers can be achieved during life, the stronger is the ability to penetrate and overcome the bardo. D. I. Lauf, Secret Doctrines Of The Tibetan Book Of The Dead
The Confucian commentary gives the examples of the sun and moon in the heavens, and of growing things on the earth as emblems of Clarity. Sun and moon are certainly luminous, but growing things are not, and when we meditate on the reason for this strange juxtaposition we are led to the idea of the Self and the ego. The Self is the sun, the source of illumination which causes the ego to grow. Sun is to growing things as Self is to ego. This idea is repeated in the relationship between the sun and the moon -- the moon is not self-luminous, it can only reflect the light of the sun. Therefore, sun is to moon as Self is to ego.
The idea is that despite our illusions to the contrary, all of our power originates somewhere else. When we allow the power to work through us without interference, we become "docile" like the cow in the judgment. Clarity, therefore, is attained through docility -- the ability to subdue and restrain the autonomous components of the psyche, which left to their own devices would prefer to go around pontificating their brilliant illusions rather than quietly reflecting the truth. It is not easy to reflect the truth, and the superior man is counseled to constantly perfect his capacity to do so. It is only when Self and ego come together in a fusion reaction that the energy released attains the true "double brightness" imaged in the hexagram. The identical idea is found in the Kabbalah:
Said Rabbi Simeon: "When the Holy One arrays himself, it is in the ornaments from both the celestial and terrestrial worlds; from the former with that heavenly light on high that no human being can approach unto; from the latter with the souls of the righteous who the more they approximate themselves to this divine light the more receptive and filled with it do they become, so that through them it expands in all directions and the world like a cistern or ocean is filled with it." The Zohar
Wilhelm mentions that the hexagram "divided within and closed without, is an image of the meshes of a net in which animals remain snared." This gives us the image of Clarity as Comprehension -- a net which captures and encloses insights. To receive the figure without changing lines is often a confirmation of an idea or action -- it is saying: "You have comprehended," or "Your proposed action is lucid, intelligent, etc."
Line 1
Legge: The first line, dynamic, shows one ready to move with confused steps. But he treads at the same time reverently, and there will be no mistake.
Wilhelm/Baynes: The footprints run crisscross. If one is seriously intent, no blame. [It is precisely at the beginning that serious concentration is important, because the beginning holds the seed of all that is to follow.]
Blofeld: Approaching with reverent steps, he pays them his respects -- no error! [This suggests a rather delicate situation in which we should avoid any appearance of lacking respect for others.]
Liu: The footsteps are confused. If one is cautious, no blame. [Everyone should watch his steps so that he doesn’t injure his feet.]
Ritsema/Karcher: Treading, polishing therefore. Respecting it. Without fault.
Shaughnessy: Treading counter-wise; respect it; there is no trouble.
Cleary (1): The steps are awry. If you are heedful of this, there will be no fault.
Wu: The subject is treading cautiously. With due respect, he will be blameless.
COMMENTARY
Confucius/Legge: The reverent attention directed to his confused steps is the way by which error is avoided. Wilhelm/Baynes: Seriousness when footprints run crisscross serves in avoiding blame. Blofeld: He walks reverently expressly to avoid blame. Ritsema/Karcher: Using casting-out fault indeed. Cleary (2): Be heedful when the steps are awry, to avoid fault. Wu: Having due respect in cautious treading is to avoid being blamed.
Legge: Line one is dynamic at the bottom of the trigram of fire, the nature of which is to ascend. He therefore will move upwards, but is in danger of doing so coarsely and vehemently. However, since the lowest line has hardly entered into the action of the hexagram, this makes him reverently careful of his movements and there is no error.
NOTES AND PARAPHRASES
Siu: At the outset, the man is initially confused amid the bustle of life. He will avoid error by careful attention to the central issue at stake.
Wing: When you first begin on your new path, you are bombarded by impressions. Keep your goal in mind constantly and you can avoid confusion. Furthermore, do not forget your position as a beginner, somewhat outside the situation.
Editor: Wilhelm's commentary says that line one is analogous to the dawn, line two to noon, and line three to sunset. Here at the beginning of the day, full clarity has yet to manifest, but serious intent will compensate for your relative ignorance of the facts at hand.
When one follows the path of individuation, when one lives one's own life, one must take mistakes into the bargain; life would not be complete without them. There is no guarantee -- not for a single moment -- that we will not fall into error or stumble into deadly peril. Jung -- Memories, Dreams, Reflections
A. When in the dark, keep the faith: trust the Work and pick your way very carefully.
Line 3
Legge: The third line, dynamic, shows its subject in a position like that of the declining sun. Instead of playing on his instrument of earthenware, and singing to it, he utters the groans of an old man of eighty. There will be evil.
Wilhelm/Baynes: In the light of the setting sun, men either beat the pot and sing or loudly bewail the approach of old age. Misfortune.
Blofeld: In the light of the setting sun, young men do not beat upon their cooking pots or sing; the old sigh piteously -- misfortune!
Liu: Under the light of the setting sun, one sings without beating the pot, bemoaning one's old age. Misfortune.
Ritsema/Karcher: Sun going-down's radiance. Not drumbeating a jar and-also singing. By-consequence great old-age's lamenting. Pitfall.
Shaughnessy: The net of the sun's decline; not drumming the earthenware jar and yet singing, then the sighing of the great mourning kerchief; inauspicious.
Cleary (1): The afternoon light; unless you drum on a jug and sing, there will be the lament of old age, which is unfortunate.
Cleary (2): In the fire of the afternoon sun, you either drum on a jug and sing, or lament as in old age. This bodes ill. [When you use insight too much without concentration to balance it, sometimes you will be extremely joyful, drumming and singing, and sometimes you will be extremely anxious, lamenting as in old age. Sadness and joy disturb the song of your heart; intellectual insight cannot sustain itself – backsliding and loss are inevitable.]
Wu: The sun is passing the meridian. Ifhe does not playhis earthen instrument and sing, but sighs like an old man of eighty years, there will be foreboding. [The passing of the meridian is like the passing of the prime time in life. If one does not make the best of his life now, it will be gone forever.]
COMMENTARY
Confucius/Legge: A position like that of the setting sun -- how can it continue long? Wilhelm/Baynes: How can one wish to hold for long the light of the setting sun? Blofeld: Sunset beauty -- how can it endure for long? [This passage suggests that our present happiness or success is not destined to endure; we must prepare for a setback.] Ritsema/Karcher: Wherefore permitting lasting indeed? Cleary (2): Afternoon sun cannot last long. Wu: How long will the day last?
Legge: Line three is at the top of the lower trigram, whose light is now exhausted, suggesting a sunset. He should accept his position and resign himself to the ordinary amusements mentioned, but he groans and mourns instead. His restless activity interferes with the lowly contentment he should cherish. The K'ang-hsi editors say that the declining sun is an emblem of "obscuration coming over the virtue of the mind."
Anthony: Fear and worry over the length of time required to attain recognizable progress puts us in the wrong balance. If we can nobleheartedly accept that things will be fulfilled when they will, we secure our fate by making possible that it can be fulfilled. As long as the ego stands by expectantly, measuring and weighing our progress, the dark force of doubt operates and the power of good cannot manifest itself. Obtaining this line reminds us that adversity lasts only for a time; through it we mould our character.
NOTES AND PARAPHRASES
Siu: The man reaches his declining years and recalls the transitoriness of life. Instead of enjoying the ordinary pleasures while they last, he groans in melancholy.
Wing: The best attitude to cultivate at this time in your life is a general acceptance of fate. To totally lose yourself in the happiness of the moment is as bad as to bemoan the passing of time. Such folly of the mind and the emotions leads to a loss of inner freedom. Misfortune.
Editor: There is apparently more than one way to translate this line, best seen in the contrast between Cleary’s Taoist and Buddhist versions. One implies that frivolity is an antidote to depression, the other that both positions are extreme. Emphasized in all translations is the contrast between joy and sorrow, singing and groaning, youth and old age. The setting sun symbolizes the decline of awareness, the "darkening of the light," the advance of illusion. That is: to either mindlessly sing or to bewail one's fate is to be deluded -- one has forgotten one's Source. Frivolity and despair are polarized attitudes, and the line tells us that clarity wanes whenever one takes an extreme position. In another context, the setting sun suggests the inevitability of death. Those who believe that death is final usually respond in either of the two ways shown, and thus miss the mark. There is also a suggestion of the futility of trying to hold onto something that is by nature transitory. Note the similarity between this line and line three of Hexagram #61,Inner Truth: “He finds a comrade. Now he beats the drum, now he stops. Now he sobs, now he sings.” Wing’s paraphrase is probably the best.
No soul, not even our own, enters into the body completely. Soul always remains united by its higher part to the intelligible realm. But if the part that is in the realm of sense dominates, or rather becomes dominated and disturbed, it keeps us unaware of what the higher part of the soul contemplates. Plotinus -- The Enneads
A. An image of gross illusion. Clarity is lost when perception is polarized.
B. Nothing lasts here below, but that's only half the story -- the least interesting half.
C. “Gather your rosebuds while ye may.”
Line 4
Legge: The fourth line, dynamic, shows the manner of its subject's coming. How abrupt it is, as with fire, with death, to be rejected by all!
Wilhelm/Baynes: Its coming is sudden; it flames up, dies down, is thrown away.
Blofeld: How sudden its coming! Then with flamelike swiftness it is dead and cast away. [Apparently we may expect some unlooked for good fortune, but of a kind that will have passed away before we have had time to enjoy it.]
Liu: It comes abruptly; it burns up, dies, and is cast aside.
Shaughnessy: As if going out, as if coming, as if confused, as if dying, as if dismissing.
Cleary (1): The coming forth is abrupt, burning, dying, abandoned.
Wu: So abruptly it comes, like burning, like dying, like being abandoned. [The symbolic associations paint a scene of hell. Some scholars consider this judgment to be the most vicious of the 384 judgments of the lines in the Yi Jing.]
COMMENTARY
Confucius/Legge: None can bear with him. Wilhelm/Baynes: Yet in itself it has nothing that would cause it to be accepted. Blofeld: Its coming was sudden and there was no place for it. Ritsema/Karcher: Without a place to tolerate indeed. Cleary (2): There is no accommodation. [Why wait until burning out that this is not the way to a good end?] Wu: Because it is not accommodated.
Legge: Line four's dynamic activity in a magnetic place makes him appear in this unseemly manner -- a disaster to himself.
Anthony: We know that perseverance over a period of time is necessary to accomplish our goals; nevertheless, or inferiors complain of how long it takes. This causes us to doubt ourself, the great-man potential in others and the Creative. We need to rid ourselves of our complaining inferiors, thereby disconnect our inner gaze. In this way we overcome the ego and hold to clarity.
NOTES AND PARAPHRASES
Siu: The man forges upward too abruptly in his restlessness. Others cannot bear his unseemly manner, and he consumes himself like the fire.
Wing: Your display of overly enthusiastic energies and endeavors will exhaust you. Nothing will come of it all.
Editor: This is often an image of myopic enthusiasm -- perhaps a "brilliant idea” that will come to nothing because it does not harmonize with a larger reality. Although sometimes a warning about intemperate responses, at its most neutral the line can refer to a temporary situation which will end as soon as it begins. Despite Wu’s commentary about this being the most “vicious” line in the Book of Changes, it is more often an image of an inconsequential manifestation of some sort. [Added note 5/24/08: I concur with Wu. See paraphrase C.]
The second stage, that of emotional excitement or elation – when the individual is carried away by an excessive enthusiasm and cherishes the illusion of having arrived at a permanent attainment – calls for a gentle warning that his blessed state is, of necessity, but temporary and he should be given a description of the vicissitudes of the way ahead of him. R. Assagioli – Psychosynthesis
A. A flash in the pan -- a sudden but temporary burst of energy.
B. “So much for that idea!"
C. “Hell also is a place to live.”
Line 5
Legge: The fifth line, magnetic, shows its subject as one with tears flowing in torrents, and groaning in sorrow. There will be good fortune.
Wilhelm/Baynes: Tears in floods, sighing and lamenting. Good fortune.
Blofeld: His tears streamed forth as though to extinguish his piteous sighs -- good fortune! [Bitter regret serves us in good stead.]
Liu: A flood of tears, sighing, and sadness. Good fortune. [There may be suffering and mourning, but good fortune hides in misfortune.]
Ritsema/Karcher: Issuing-forth tears like gushing. Sadness like lamenting. Significant.
Shaughnessy: Going out with tears as if streaming and grief as if sighing; auspicious.
Cleary (1): Weeping and lamenting. Good fortune. [This is clearly knowing one is not illumined.]
Wu: With tears flowing profusely, he sighs with sorrow. Auspicious.
COMMENTARY
Confucius/Legge: This is due to her occupying the place of the ruler. Wilhelm/Baynes: [She] clings to king and prince. Blofeld: This good fortune stems from the rulers. [For purposes of divination, we may take it that "rulers" means anyone with authority over us.]Ritsema/ Karcher: Radiance: the kingly prince indeed. Cleary (2): The good fortune of the fifth yin is cleaving to rulers. [This represents concentration in balance, which can bring forth genuine insight; therefore progress is certain. “Weeping and lamenting” refers to abstention from complacency and presumption; this is always characteristic of the study of sages.] Wu: The auspiciousness is due to his adherence to the king. [When he is humble enough to pledge allegiance to the higher authority, he will be rewarded with good fortune.]
Legge: Line five is central in the place of honor, but she is magnetic, as is her correlate in line two. Her position between the dynamic four and six fills her with anxiety and apprehension -- shown by her weeping and groaning. But such demonstrations are proof of her inward adherence to humility and correctness, so there will be good fortune.
Anthony: We attain a clear view when, in going through difficulties, we acknowledge that adversity is necessary for growth. This change of heart displaces vain considerations that accompany change, such as dread at growing older, being unattractive, or having to go through embarrassing decreases of ego. We overcome vanity when we realize that the ego, despite its bravado, has nothing to do with our success, and is an obstruction to progress.
NOTES AND PARAPHRASES
Siu: The man reaches the zenith of life. After experiencing certain disappointments, he recognizes the vanity of human behavior. If he modifies his value system and mood, good fortune will eventually be realized.
Wing: A true change of heart is occurring. Such dramatic change is sometimes accompanied by a deep grief. Yet with this grief comes good fortune because the change will bring better times for all concerned.
Editor: If this is the only moving line, the hexagram is changed to number thirteen, Union of Forces, the corresponding line of which reads: "The representative of the Union of Forces first wails and cries out, and then laughs..." The present position thus describes the struggles and pains involved in growth, and the "union of forces" is the product of this growth. Since this hexagram refers to clarity and comprehension, the increase could be the creation of new concepts or ideas. Because this is a magnetic line located between two dynamic lines there is conveyed the idea of mediating between two extremes. This mediation is necessarily a balancing act, as the stress of the position indicates.
Suffering that is not understood is hard to bear, while on the other hand it is often astounding to see how much a person can endure when he understands the why and the wherefore. A philosophical or religious view of the world enables him to do this, and such views prove to be, at the very least, psychic methods of healing if not of salvation. Jung -- The Symbolic Life
A. Growing pains are harbingers of integration.
B. The shattering of illusions is never pleasant, yet the pain is a prelude to something better.
Other titles: View, The Symbol of Steady Observation, Looking Down, Observation, Viewing, Looking Up, Observing, Admiration, To Examine, Rulers and Their Subjects, Introspection, Perception, Contemplation of the Work
Judgment
Legge: Contemplation shows us a worshipper who has purified himself, but must still present his sacrifice with that dignified sincerity which inspires reverence.
Wilhelm/Baynes: Contemplation . The ablution has been made, but not yet the offering. Full of trust they look up to him.
Blofeld: Lookingdown.[This word often means “contemplation" and I have so translated it when the context so requires.] The ablution has been performed, but not the sacrifice. Sincerity inspires respect. [This is generally understood to mean that the first step has been taken or that one has bound oneself to follow a certain course...but that the main duties are yet to be performed.]
Liu:Observation. The hand-washing ritual is completed, but the sacrifice is still to come. All done and looked upon with sincerity.
Ritsema/Karcher:Viewing: hand-washing and-also not worshipping. Possessing conformity, like a presence. [This hexagram describes your situation in terms of something seen from a distance, out of immediate reach. It emphasizes that carefully observing and divining the meaning is the adequate way to handle it...]
Shaughnessy: Looking Up. Washing the hands but not making offering; there is a return with head held high.
Cleary (1): Observing, one has washed the hands but not made the offering; there is sincerity, which is reverent.
Wu:Admiration indicates a worshipper washing his hands in preparation for the offerings, but not participating in it. He shows sincerity and awe.
The Image
Legge: The image of earth and wind moving above it form Contemplation. The ancient kings, in accordance with this, examined the different regions of the kingdom to see the ways of the people, and set forth their instructions.
Wilhelm/Baynes: The wind blows over the earth: the image of Contemplation. Thus the kings of old visited the regions of the world, contemplated the people, and gave them instruction.
Blofeld: This hexagram symbolizes wind blowing across the earth. The ancient rulers visited the different regions to keep watch over their people and carefully instruct them.
Liu: The wind blowing over the earth symbolizes Observation. The ancient kings visited their territories, observed the people, and gave instruction.
Ritsema/Karcher: Wind moving above earth. Viewing. The Earlier Kings used inspecting on-all-sides, viewing the commoners to set-up teaching.
Cleary (1): Wind is over the earth, observing. Thus did the kings of yore set up education after examination of the region and observation of the people.
Cleary (2): Wind travels over the earth – observing.Kings of yore examined the regions and observed the people to set up education. [In Buddhist terms, the ancient Buddhas examined the “regions” of possible experience and observed the people in various states of being, then set up various teachings to accommodate them, just as the wind travels over the earth reaching everywhere.]
Wu: The wind pervades above the earth; this is Admiration. Thus the ancient kings inspected various regions of the country, observed the sentiments of the people, and laid down their instructions.
COMMENTARY
Confucius/Legge:Observation from above -- from the trigram of Flexibility surmounting the trigram of Docility. The ruler is in his correct central position, and thus exhibits his lessons to all below. He has purified himself, but not yet sacrificed. All beneath look to him and are transformed. When we contemplate the spirit-like way of heaven, we see how the four seasons proceed without error. The sages, in accordance with this spirit-like way, laid down their instructions, and all under heaven yield submission to them.
Legge: The Chinese character from which this hexagram is named is used in the sense of both seeing and being seen. The theme is the sovereign and his people -- how he shows himself to them, and how they in turn perceive him. The two dynamic lines at the top belong to the ruler, and the four magnetic lines below represent his subjects. In the Judgment the ruler is portrayed as a worshipper at the commencement of a sacrifice. He is the great Manifester in line five.
The lower trigram symbolizes earth, with the attribute of Docility; the upper trigram symbolizes wind, with the attributes of Flexibility and Penetration. Wind moving above the earth has the widest sweep, and nothing escapes its influence. The personal influence of the ruler effects much, but the ancient kings wished to add to that the power of published instructions which were specially adapted to the character and circumstances of the people.
The spirit-like way of heaven is the invisible order underlying the laws of nature. [Ed. Note: Ritsema/Karcher use the phrase: "Viewing Heaven's spirit tao... The all-wise person uses spirit tao to set-up teaching." Spirit(s), SHEN: independent spiritual powers that confer intensity on heart and mind by acting on the soul, KUEI; gods, daimons. Tao: way or path; ongoing process of being and the course it traces for each specific person or thing; keyword. The ideogram: go and head, leading and the path it creates.]
NOTES AND PARAPHRASES
Judgment: Contemplate your motivations and discern the purity of your intent. "Put your money where your mouth is.” or "Walk your talk.”
The Superior Man evaluates and rectifies his attitudes.
The "ancient kings” in the Image symbolize the creators of an original state of perfection -- an archetypal model toward which the superior man aspires. This idea is common to all mystical traditions, many of which depict this state in the image of an ideal or prototypical man. Here is a summary of the Gnostic conception:
Not only the body but also the "soul" is a product of the cosmic powers, which shaped the body in the image of the divine Primal (or Archetypal) Man and animated it with their own psychical forces: these are the appetites and passions of natural man, each of which stems from and corresponds to one of the cosmic spheres [i.e., planets] and all of which together make up the astral soul of man, his "psyche." H. Jonas -- The Gnostic Religion
In the Kabbalah, the template of this archetypal man (named Adam Kadmon) exists in each of the four realms of consciousness corresponding to intuition, intellect, emotion and sensation, and "he" is perceived as androgynous in all of these worlds except the last -- the "sensation” world of our physical spacetime reality.
The Adam of these first three worlds was androgynous. The Adam of the fourth world is the Adam of the expulsion, the Adam of flesh traversing the desert of his exile, and the Adam capable of reproducing himself now that he is no longer androgynous. C. Ponce -- Kabbalah
Considering that androgyny is one of the symbols used in the Western Mystery Tradition to depict the correct union of male and female forces within the psyche, we quickly recognize that the properly matched male and female correlate lines in theI Ching are a Chinese depiction of the identical concept. Note that the messages of the following three quotations are in complete accord with the goal of the Work as outlined in theI Ching:
Somewhere there is an Adam within each of us in need of restoration, in exile from the Garden. The aim of Kabbalism is the restoration of the divine man in the medium of mortal man. We are the laboratory and we are the workers who work in that space. C. Ponce --Kabbalah
Within our six-foot body we must strive for the form which existed before the laying down of heaven and earth. The Secret of the Golden Flower
The destiny of man is to build the Heavenly Jerusalem on Earth. In other words, to civilize a planet. It is the aim of the occultist, in consort with all men of good will, to bring about this heavenly fact into earthly reality. And the only way it will come about is by every man doing the right thing at the right time for twenty-four hours a day. Gareth Knight -- The Work of a Modern Occult Fraternity
The ancient kings in hexagram number-20 base their laws upon their recognition of diversity among the various forces which make up the kingdom of the psyche. Their divine regulations therefore represent the proper ecology existing between heaven and earth, yin and yang, male and female, Logos and Eros. In this regard, theI Ching's version of the Archetypal Man might be seen as hexagram number-63, Completion, in which the polarity of each of the lines is in perfect correlation. (See the editor's commentary on Hexagram number 11 for further insights into this idea.)
The theme of the hexagram is Contemplationof your situation to see if your attitude meets the archetypal standards of the Work. The worshipper in the Judgment has purified himself for sacrifice but has not yet carried it out. Wilhelm uses the word "ablution” in his translation of the Judgment. An ablution is a ritual cleansing associated with a religious rite:
Ablution: In alchemy ... the adept worker achieves [success] only by purifying his soul of all that commonly agitates it. Washing, then, symbolizes the purification not so much of objective and external evil as of subjective and inner evils ... The principle involved in this alchemic process is that implied in the maxim "Deny thyself." J. E. Cirlot --Dictionary of Symbols
It is important to note that the sacrifice has yet to be performed: preparation is meaningless until it is acted upon. Psychologically, this refers to intellectual "gnosis" which still needs to be grounded in behavior.
Wisdom is achieved very slowly. This is because intellectual knowledge, easily acquired, must be transformed into `emotional,' or subconscious, knowledge. Once transformed, the imprint is permanent. Behavioral practice is the necessary catalyst of this reaction. Without action, the concept will wither and fade. Theoretical knowledge without practical application is not enough ... Intellectually the answers have always been there, but this need to actualize by experience, to make the subconscious imprint permanent by `emotionalizing' and practicing the concept, is the key. Brian L. Weiss, MD -- Many Lives, Many Masters
Without changing lines, Contemplation is an oracular invitation for you to consider your situation and especially your motivations in regard to it. One way of doing this is to reduce everything to a brief written statement, including your best conscious conclusions. Then ask for a comment from the oracle -- often it will become apparent that you have been undergoing a kind of examination.
SUGGESTIONS FOR MEDITATION
The ancient kings are mentioned in the Images of both this figure and number twenty-one, Discernment, immediately following. What are the differences between Contemplation and Discernment, as depicted in these images? How does the concept of sacrifice relate to this, as mentioned in the Judgment? Compare the Judgment of this hexagram with hexagrams and lines 17:6, 45:2, 46:2, 46:4, 47:2, 47:5 and 63:5 for further insights on this extremely important tenet of the Work.