Radiate your light boldly and let challenges become stepping stones to renewal and growth.
From
30
Clarity
To
3
Difficulty
Turning to the competition
Others submit their ideas to to those with whom one competes. taoscopy.com
Clarity30
Clarity and adaptability. Embrace the light to illuminate your path. Recognize patterns in life, align with them, and nurture personal growth.
↓ Line 3
This line warns of the dangers of complacency and the fear of decline. It suggests that one should not dwell on past glories or future fears.
↓ Line 4
This line indicates sudden changes and the need to adapt quickly. It suggests that one should not cling to what is fleeting.
↓ Line 5
This line suggests that through emotional release and expression, one can find good fortune and relief.
↓ Line 6
This line indicates decisive action and leadership. It suggests that by addressing the root of a problem, one can achieve success without blame.
↓ Difficulty3
Embrace challenges and uncertainty; growth is difficult but necessary. Encouragement and persistence lead to success.
Other titles: The Clinging, The Symbol of Brightness and of Separateness, Flaming Beauty, Radiance, Fire, The Net, Allegiance, The Cosmic Mean, Synergy, Sunlight, Perception, Pertaining to Comprehension, The Light, Consciousness, Lucidity
Judgment
Legge: The free course and success of Clarity comes from firm correctness. The nourishment of bovine docility creates good fortune.
Wilhelm/Baynes: The Clinging. Perseverance furthers. It brings success. Care of the cow brings good fortune.
Blofeld:Flaming beauty. Righteous persistence brings reward. Success! Rearing cows -- good fortune! [Cows are gentle creatures which require looking after; hence this sentence means that good fortune can be gained by looking after those in need of help.]
Liu: Fire. It is of benefit to continue. Success. To take care of the cow leads to good fortune.
Ritsema/Karcher: Radiance, Harvesting Trial. Growing. Accumulating female cattle. Significant. [This hexagram describes your situation in terms of expanding light, warmth and awareness. It emphasizes that joining with and depending on what spreads this light, the action of Radiance, is the adequate way to handle it...]
Shaughnessy:The Net: Beneficial to determine; receipt; raising a cow is auspicious.
Cleary(1):Fire is beneficial for correctness and development. Raising a cow brings good fortune.
Cleary (2): Fire is beneficial if correct; then there is success, etc. [In Buddhism, when demons cause disturbance, it is necessary to cleave to true teaching to get rid of aberrations.]
Wu: Allegiance indicates that it will be advantageous to be persevering and pervasion will follow. It will be auspicious to raise the cow.
The Image
Legge: The image of brightness repeated forms Clarity. The great man, in accordance with this, cultivates more and more his brilliant virtue, and diffuses its brightness over the four quarters of the land.
Wilhelm/Baynes: That which is bright rises twice: the image of Fire. Thus the great man, by perpetuating this brightness, illuminates the four quarters of the world.
Blofeld: This hexagram symbolizes fire rising in two tongues of brilliant flame. The Superior Man, by perpetuating the brilliance of the ancients, illuminates every quarter of the earth. [In other words, we should make ourselves as completely dependent on the principle of righteousness as natural objects are dependent upon nature; in this way, we are sure to be successful.]
Liu: Doubled brightness symbolizes Fire. A great man perpetuates the light and illuminates the four corners of the universe.
Ritsema/Karcher: Brightness doubled arousing Radiance. Great People use consecutive brightening to illuminate tending- towards the four sides.
Cleary (1):Light has dual function. Thus do great people illumine the four quarters with continuing light. [The sun goes in at night and comes out in the daytime; this pattern represents inner illumination and outer illumination, one light having dual function…Outer illumination has to be based on inner illumination… Illumination must reach inside and outside, so that both are illumined and both are correct.]
Cleary (2): Illumination doubled makes fire. Great people illumine the four quarters with continuing illumination.
Wu: Brightness doubled makes Allegiance. Thus the great man carries on the brightness to shine the four corners of the earth.
COMMENTARY
Confucius/Legge:Clarity means clinging attachment. The sun and moon have their roots in heaven, and all the growing things have their roots in the earth. The double brightness of the two trigrams is rooted in correctness, and all under heaven are thereby transformed. The magnetic second line is central and correct, indicating a free and successful course. Nourishing a passive docility will lead to good fortune.
Legge:Clarity is the trigram of fire and light, and the sun is the source of both of these. Its attribute is brightness, and by a natural metaphor: intelligence. But this trigram also means inhering or in adhering to -- being attached to. In the hexagram we have a double brightness -- a phrase which denotes the ruler. If we take the two central lines as emblematic of the situation, we have the magnetic dwelling with the dynamic above and below -- a condition requiring a docile humility and strict adherence to what is correct. Ch'eng-tzu says: "The nature of the ox is docile, and that of the cow is much more so. The subject of the hexagram adhering closely to what is correct must be able to act in obedience to it, as docile as a cow, and then there will be good fortune."
NOTES AND PARAPHRASES
Judgment: Willed persistence gets results. Be receptive to your inner light, and reflect it in your life.
The Superior Man cultivates his capacity to manifest his comprehension of the Work in his everyday choices.
Light is a symbol of both normal consciousness and super- consciousness. Probably every religion in the world uses it in the latter sense -- from the "Let there be light" in the first chapter of Genesis, to The Lord of Light (Ahura Mazda), the supreme being of Zoroastrianism. The TibetanBook of the Dead speaks of the "clear white light" which is the first thing encountered after bodily death -- a phenomenon reported as the experiential perception of those who have had near-death experiences. Light means Truth, it means Reality, and the "double brightness" of this hexagram tells us that Clarity is manifested both above and below.
Meditation on light is one of the most important exercises in the various schools of Tibetan Yoga. The more these psychic and spiritual powers can be achieved during life, the stronger is the ability to penetrate and overcome the bardo. D. I. Lauf, Secret Doctrines Of The Tibetan Book Of The Dead
The Confucian commentary gives the examples of the sun and moon in the heavens, and of growing things on the earth as emblems of Clarity. Sun and moon are certainly luminous, but growing things are not, and when we meditate on the reason for this strange juxtaposition we are led to the idea of the Self and the ego. The Self is the sun, the source of illumination which causes the ego to grow. Sun is to growing things as Self is to ego. This idea is repeated in the relationship between the sun and the moon -- the moon is not self-luminous, it can only reflect the light of the sun. Therefore, sun is to moon as Self is to ego.
The idea is that despite our illusions to the contrary, all of our power originates somewhere else. When we allow the power to work through us without interference, we become "docile" like the cow in the judgment. Clarity, therefore, is attained through docility -- the ability to subdue and restrain the autonomous components of the psyche, which left to their own devices would prefer to go around pontificating their brilliant illusions rather than quietly reflecting the truth. It is not easy to reflect the truth, and the superior man is counseled to constantly perfect his capacity to do so. It is only when Self and ego come together in a fusion reaction that the energy released attains the true "double brightness" imaged in the hexagram. The identical idea is found in the Kabbalah:
Said Rabbi Simeon: "When the Holy One arrays himself, it is in the ornaments from both the celestial and terrestrial worlds; from the former with that heavenly light on high that no human being can approach unto; from the latter with the souls of the righteous who the more they approximate themselves to this divine light the more receptive and filled with it do they become, so that through them it expands in all directions and the world like a cistern or ocean is filled with it." The Zohar
Wilhelm mentions that the hexagram "divided within and closed without, is an image of the meshes of a net in which animals remain snared." This gives us the image of Clarity as Comprehension -- a net which captures and encloses insights. To receive the figure without changing lines is often a confirmation of an idea or action -- it is saying: "You have comprehended," or "Your proposed action is lucid, intelligent, etc."
Line 3
Legge: The third line, dynamic, shows its subject in a position like that of the declining sun. Instead of playing on his instrument of earthenware, and singing to it, he utters the groans of an old man of eighty. There will be evil.
Wilhelm/Baynes: In the light of the setting sun, men either beat the pot and sing or loudly bewail the approach of old age. Misfortune.
Blofeld: In the light of the setting sun, young men do not beat upon their cooking pots or sing; the old sigh piteously -- misfortune!
Liu: Under the light of the setting sun, one sings without beating the pot, bemoaning one's old age. Misfortune.
Ritsema/Karcher: Sun going-down's radiance. Not drumbeating a jar and-also singing. By-consequence great old-age's lamenting. Pitfall.
Shaughnessy: The net of the sun's decline; not drumming the earthenware jar and yet singing, then the sighing of the great mourning kerchief; inauspicious.
Cleary (1): The afternoon light; unless you drum on a jug and sing, there will be the lament of old age, which is unfortunate.
Cleary (2): In the fire of the afternoon sun, you either drum on a jug and sing, or lament as in old age. This bodes ill. [When you use insight too much without concentration to balance it, sometimes you will be extremely joyful, drumming and singing, and sometimes you will be extremely anxious, lamenting as in old age. Sadness and joy disturb the song of your heart; intellectual insight cannot sustain itself – backsliding and loss are inevitable.]
Wu: The sun is passing the meridian. Ifhe does not playhis earthen instrument and sing, but sighs like an old man of eighty years, there will be foreboding. [The passing of the meridian is like the passing of the prime time in life. If one does not make the best of his life now, it will be gone forever.]
COMMENTARY
Confucius/Legge: A position like that of the setting sun -- how can it continue long? Wilhelm/Baynes: How can one wish to hold for long the light of the setting sun? Blofeld: Sunset beauty -- how can it endure for long? [This passage suggests that our present happiness or success is not destined to endure; we must prepare for a setback.] Ritsema/Karcher: Wherefore permitting lasting indeed? Cleary (2): Afternoon sun cannot last long. Wu: How long will the day last?
Legge: Line three is at the top of the lower trigram, whose light is now exhausted, suggesting a sunset. He should accept his position and resign himself to the ordinary amusements mentioned, but he groans and mourns instead. His restless activity interferes with the lowly contentment he should cherish. The K'ang-hsi editors say that the declining sun is an emblem of "obscuration coming over the virtue of the mind."
Anthony: Fear and worry over the length of time required to attain recognizable progress puts us in the wrong balance. If we can nobleheartedly accept that things will be fulfilled when they will, we secure our fate by making possible that it can be fulfilled. As long as the ego stands by expectantly, measuring and weighing our progress, the dark force of doubt operates and the power of good cannot manifest itself. Obtaining this line reminds us that adversity lasts only for a time; through it we mould our character.
NOTES AND PARAPHRASES
Siu: The man reaches his declining years and recalls the transitoriness of life. Instead of enjoying the ordinary pleasures while they last, he groans in melancholy.
Wing: The best attitude to cultivate at this time in your life is a general acceptance of fate. To totally lose yourself in the happiness of the moment is as bad as to bemoan the passing of time. Such folly of the mind and the emotions leads to a loss of inner freedom. Misfortune.
Editor: There is apparently more than one way to translate this line, best seen in the contrast between Cleary’s Taoist and Buddhist versions. One implies that frivolity is an antidote to depression, the other that both positions are extreme. Emphasized in all translations is the contrast between joy and sorrow, singing and groaning, youth and old age. The setting sun symbolizes the decline of awareness, the "darkening of the light," the advance of illusion. That is: to either mindlessly sing or to bewail one's fate is to be deluded -- one has forgotten one's Source. Frivolity and despair are polarized attitudes, and the line tells us that clarity wanes whenever one takes an extreme position. In another context, the setting sun suggests the inevitability of death. Those who believe that death is final usually respond in either of the two ways shown, and thus miss the mark. There is also a suggestion of the futility of trying to hold onto something that is by nature transitory. Note the similarity between this line and line three of Hexagram #61,Inner Truth: “He finds a comrade. Now he beats the drum, now he stops. Now he sobs, now he sings.” Wing’s paraphrase is probably the best.
No soul, not even our own, enters into the body completely. Soul always remains united by its higher part to the intelligible realm. But if the part that is in the realm of sense dominates, or rather becomes dominated and disturbed, it keeps us unaware of what the higher part of the soul contemplates. Plotinus -- The Enneads
A. An image of gross illusion. Clarity is lost when perception is polarized.
B. Nothing lasts here below, but that's only half the story -- the least interesting half.
C. “Gather your rosebuds while ye may.”
Line 4
Legge: The fourth line, dynamic, shows the manner of its subject's coming. How abrupt it is, as with fire, with death, to be rejected by all!
Wilhelm/Baynes: Its coming is sudden; it flames up, dies down, is thrown away.
Blofeld: How sudden its coming! Then with flamelike swiftness it is dead and cast away. [Apparently we may expect some unlooked for good fortune, but of a kind that will have passed away before we have had time to enjoy it.]
Liu: It comes abruptly; it burns up, dies, and is cast aside.
Shaughnessy: As if going out, as if coming, as if confused, as if dying, as if dismissing.
Cleary (1): The coming forth is abrupt, burning, dying, abandoned.
Wu: So abruptly it comes, like burning, like dying, like being abandoned. [The symbolic associations paint a scene of hell. Some scholars consider this judgment to be the most vicious of the 384 judgments of the lines in the Yi Jing.]
COMMENTARY
Confucius/Legge: None can bear with him. Wilhelm/Baynes: Yet in itself it has nothing that would cause it to be accepted. Blofeld: Its coming was sudden and there was no place for it. Ritsema/Karcher: Without a place to tolerate indeed. Cleary (2): There is no accommodation. [Why wait until burning out that this is not the way to a good end?] Wu: Because it is not accommodated.
Legge: Line four's dynamic activity in a magnetic place makes him appear in this unseemly manner -- a disaster to himself.
Anthony: We know that perseverance over a period of time is necessary to accomplish our goals; nevertheless, or inferiors complain of how long it takes. This causes us to doubt ourself, the great-man potential in others and the Creative. We need to rid ourselves of our complaining inferiors, thereby disconnect our inner gaze. In this way we overcome the ego and hold to clarity.
NOTES AND PARAPHRASES
Siu: The man forges upward too abruptly in his restlessness. Others cannot bear his unseemly manner, and he consumes himself like the fire.
Wing: Your display of overly enthusiastic energies and endeavors will exhaust you. Nothing will come of it all.
Editor: This is often an image of myopic enthusiasm -- perhaps a "brilliant idea” that will come to nothing because it does not harmonize with a larger reality. Although sometimes a warning about intemperate responses, at its most neutral the line can refer to a temporary situation which will end as soon as it begins. Despite Wu’s commentary about this being the most “vicious” line in the Book of Changes, it is more often an image of an inconsequential manifestation of some sort. [Added note 5/24/08: I concur with Wu. See paraphrase C.]
The second stage, that of emotional excitement or elation – when the individual is carried away by an excessive enthusiasm and cherishes the illusion of having arrived at a permanent attainment – calls for a gentle warning that his blessed state is, of necessity, but temporary and he should be given a description of the vicissitudes of the way ahead of him. R. Assagioli – Psychosynthesis
A. A flash in the pan -- a sudden but temporary burst of energy.
B. “So much for that idea!"
C. “Hell also is a place to live.”
Line 5
Legge: The fifth line, magnetic, shows its subject as one with tears flowing in torrents, and groaning in sorrow. There will be good fortune.
Wilhelm/Baynes: Tears in floods, sighing and lamenting. Good fortune.
Blofeld: His tears streamed forth as though to extinguish his piteous sighs -- good fortune! [Bitter regret serves us in good stead.]
Liu: A flood of tears, sighing, and sadness. Good fortune. [There may be suffering and mourning, but good fortune hides in misfortune.]
Ritsema/Karcher: Issuing-forth tears like gushing. Sadness like lamenting. Significant.
Shaughnessy: Going out with tears as if streaming and grief as if sighing; auspicious.
Cleary (1): Weeping and lamenting. Good fortune. [This is clearly knowing one is not illumined.]
Wu: With tears flowing profusely, he sighs with sorrow. Auspicious.
COMMENTARY
Confucius/Legge: This is due to her occupying the place of the ruler. Wilhelm/Baynes: [She] clings to king and prince. Blofeld: This good fortune stems from the rulers. [For purposes of divination, we may take it that "rulers" means anyone with authority over us.]Ritsema/ Karcher: Radiance: the kingly prince indeed. Cleary (2): The good fortune of the fifth yin is cleaving to rulers. [This represents concentration in balance, which can bring forth genuine insight; therefore progress is certain. “Weeping and lamenting” refers to abstention from complacency and presumption; this is always characteristic of the study of sages.] Wu: The auspiciousness is due to his adherence to the king. [When he is humble enough to pledge allegiance to the higher authority, he will be rewarded with good fortune.]
Legge: Line five is central in the place of honor, but she is magnetic, as is her correlate in line two. Her position between the dynamic four and six fills her with anxiety and apprehension -- shown by her weeping and groaning. But such demonstrations are proof of her inward adherence to humility and correctness, so there will be good fortune.
Anthony: We attain a clear view when, in going through difficulties, we acknowledge that adversity is necessary for growth. This change of heart displaces vain considerations that accompany change, such as dread at growing older, being unattractive, or having to go through embarrassing decreases of ego. We overcome vanity when we realize that the ego, despite its bravado, has nothing to do with our success, and is an obstruction to progress.
NOTES AND PARAPHRASES
Siu: The man reaches the zenith of life. After experiencing certain disappointments, he recognizes the vanity of human behavior. If he modifies his value system and mood, good fortune will eventually be realized.
Wing: A true change of heart is occurring. Such dramatic change is sometimes accompanied by a deep grief. Yet with this grief comes good fortune because the change will bring better times for all concerned.
Editor: If this is the only moving line, the hexagram is changed to number thirteen, Union of Forces, the corresponding line of which reads: "The representative of the Union of Forces first wails and cries out, and then laughs..." The present position thus describes the struggles and pains involved in growth, and the "union of forces" is the product of this growth. Since this hexagram refers to clarity and comprehension, the increase could be the creation of new concepts or ideas. Because this is a magnetic line located between two dynamic lines there is conveyed the idea of mediating between two extremes. This mediation is necessarily a balancing act, as the stress of the position indicates.
Suffering that is not understood is hard to bear, while on the other hand it is often astounding to see how much a person can endure when he understands the why and the wherefore. A philosophical or religious view of the world enables him to do this, and such views prove to be, at the very least, psychic methods of healing if not of salvation. Jung -- The Symbolic Life
A. Growing pains are harbingers of integration.
B. The shattering of illusions is never pleasant, yet the pain is a prelude to something better.
C. Growing pains, but still growing!
Line 6
Legge: The sixth line, dynamic, shows the king employing his subject in his punitive expeditions. Achieving admirable merit, he breaks only the chiefs of the rebels. Where his prisoners were not their associates, he does not punish. There will be no error.
Wilhelm/Baynes: The king uses him to march forth and chastise. Then it is best to kill the leaders and take captive the followers. No blame.
Blofeld: The King went forth to set things to rights and, blessed by heaven with victory, he destroyed the leader of the rebels; but he did not chastise the rebel followers -- no error!
Liu: The king goes to fight. Victory. He kills the leader and captures the followers. No blame.
Ritsema/Karcher: Kinghood availing-of issuing-forth chastising. Possessing excellence. Severing the head. Catching in-no-way its demons. Without fault.
Shaughnessy: The king goes out on campaign; there is the joy of cutting off heads and bagging the non-masses; there is no trouble.
Cleary (1): The king hereby goes on an expedition; there is good luck, and he crushes the leader. As the captive is not the common followers, there is no blame.
Cleary (2): The king goes on an expedition, has good luck, and overcomes the leader, taking captives, but not because they are repugnant. No fault.
Wu: The king leads his expedition, commends those who kill the defiant chieftains, and captures those who are against his people. There will be no blame.
COMMENTARY
Confucius/Legge: The object is to bring the regions to a correct state. Wilhelm/Baynes: In order to bring the country under discipline. Blofeld: To rectify the affairs of the various states comprising his realm. [This passage implies that we may be compelled to resort to forceful measures but that we should avoid chastising those who have been led to do harm by others.] Ritsema/Karcher: Using correcting the fiefdoms indeed. Cleary (2): To bring correct order to the country. Wu: He does what is good for the country.
Legge: Line six. dynamic and at the top of the figure, has the intelligence denoted by its trigrams in the highest degree, as well as his own proper vigor. Because of this his achievements are great, and since his generous consideration is equally conspicuous he falls into no error.
NOTES AND PARAPHRASES
Siu: The man is employed by the ruler to conduct punitive expeditions. He kills the ringleaders of the enemy but spares the followers. He roots out the bad but tolerates the relatively harmless. He avoids excessive punishments.
Wing: It is up to you to penetrate to the source of trouble in the situation and eradicate it. Act with moderation however, in dealing with others who may have been duped into wrong thinking. Once the major problem is out of the way, order will reign. (Note: This line may refer to a bad habit or character weakness.)
Editor: The image here is one of analysis -- Clarity as a function of logic. The idea is to sort out all the elements of the situation, remove the source of error but retain the good elements. The peak of Clarity is reached when one takes action based upon lucid differentiation between the defective (or dangerous) and the useful.
If, as administrators of His kingdom, you have not governed justly nor observed the law, nor behaved as God would have you behave, He will fall on you swiftly and terribly. Ruthless judgment is reserved for the high and mighty; the lowly will be compassionately pardoned. Wisdom 6: 4-7
A. One differentiates between harmful and benign elements within the situation.
B. “Don't throw out the baby with the bath water."
Other titles: Difficulty at the Beginning, The Symbol of Bursting, Sprouting, Hoarding, Distress, Organizational Growth Pains, Difficult Beginnings, Growing Pains, Initial Obstacles, Initial Hardship
Judgment
Legge: Difficulty indicates progress and success through firm correctness. Action should not be undertaken lightly, and it is wise to seek help.
Wilhelm/Baynes:Difficulty at the Beginning works supreme success, furthering through perseverance. Nothing should be undertaken. It furthers one to appoint helpers.
Blofeld: Difficulty followed by sublime success! Persistence in a righteous course brings reward; but do not seek some new goal (or destination); it is highly advantageous to consolidate the present position. [The fundamental idea of this hexagram is that of birth and growth amidst difficulty, as with a sprouting seed becoming a young plant and forcing its way through the earth. Our affairs, being still in their early stages, are vulnerable; we must not wander forth, but attend to them until they ripen; then, with proper care, the seed will bring forth a splendid tree. The upper trigram, a pit, suggests a need for caution; but, if we heed these omens, our success is assured.]
Liu: Difficulty in the Beginning : great success. It is of benefit to continue without planning to go someplace. One should find helpers.
Ritsema/Karcher: Sprouting . Spring Growing Harvesting Trial. No availing-of possessing directed going. Harvesting: installing feudatories. [This hexagram describes your situation in terms of beginning growth. It emphasizes that collecting potential in preparation for arduous labor is the adequate way to handle it...]
Shaughnessy: Hoarding : Prime receipt; beneficial to determine. Do not herewith have someplace to go; beneficial to establish a lord.
Cleary(1): In difficulty, creativity and development are effective if correct. Do not use. There is a place to go. It is beneficial to set up a ruler.
Cleary(2):Creativity is successful. It is beneficial to be correct. Do not make use of going somewhere. It is beneficial to set up lords.
Wu:Distress is primordial, pervasive, prosperous, and persevering. The subject should proceed with caution. It will be advantageous to establish marquisates.
The Image
Legge: The image of clouds and thunder formsDifficulty. The superior man, in accordance with this, adjusts his measures of government as in sorting the threads of the warp and woof.
Wilhelm/Baynes: Clouds and thunder: the image of Difficulty at the Beginning. Thus the superior man brings order out of confusion.
Blofeld: This hexagram symbolizes lightning spewed forth by the clouds -- difficulty prevails! The Superior Man busies himself setting things in order.
Liu: Clouds and thunder symbolize Difficulty at the Beginning. The superior man makes order out of disorder.
Ritsema/Karcher: Clouds, Thunder, Sprouting. A chun tzu uses the canons to coordinate. [Canons: standards, laws; regular, regulate; the Five Classics. The ideogram: warp-threads in a loom.]
Cleary(1): Thunder in the clouds is held back; the superior person orders and arranges.
Cleary(2): Clouds and thunder – Difficulty. Thereby leaders organize.
Wu: Clouds and thunder form hexagram Distress. Thus the jun zi plans and organizes.
COMMENTARY
Confucius/Legge:Difficultyis experienced as Heaven and Earth begin their intercourse, but correct action succeeds in the face of danger. By the action of thunder and rain, which are the attributes of the lower and upper trigrams, all between Heaven and Earth is filled up. But the conditions of the time are irregular and obscure. Authority should be delegated, but the feeling that rest and peace have been secured should not be indulged in even then.
Legge: The written character for Difficultyis pictorial, and shows a plant struggling with difficulty as it rises above the surface of the earth. This initial difficulty is a metaphor for how struggle is the condition of a state which is emerging from disorder after a revolution. The author saw his social and political world in great disorder and difficult to reform, yet he had faith in himself and the destiny of his House. Let there be prudence and caution, with unswerving adherence to the right. Let the government of the different states be entrusted to good and able men -- then all will be well.
According to the arrangement of the eight trigrams, Heaven and Earth are the parents of the other six, who are their children. The first-born son is the lower trigram of Movement, and the second-born son is the upper trigram of Peril. McClatchie renders here: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering."
The power to move in the lower trigram is likely to produce great effects; to do this in perilous and difficult circumstances (symbolized by the upper trigram) requires firmness and correctness. Good princes throughout the realm will help to remedy the political and social disorder of the times, but the supreme ruler should not trust his subordinates to the point of relaxing his vigilance.
The lower trigram represents thunder, the upper represents rain clouds. The hexagram therefore places us in the atmosphere of a thunderstorm -- a metaphor for the situation of a political state in difficulty. When the thunder has pealed, and the clouds have discharged their burden of rain, the atmosphere is cleared and there is a feeling of relief.
Anthony: This hexagram means that we have not yet found the correct path.
It also means confusion: too many possibilities. Nothing is clear. This lack of clarity is the “hindrance” referred to in the first line of the hexagram. In the second line, the remedies that come forth are inappropriate. In the first stages of dealing with a problem, we are tempted to grasp at solutions, whereas we should wait until the proper actions become clear.
NOTES AND PARAPHRASES
Judgment: Under the conditions of Difficulty it is best to mark time while seeking assistance.
The superior man uses careful analysis to separate order from confusion.
Wilhelm’s title for this hexagram is Difficulty at the Beginning. I prefer Difficulty, because it is a situation encountered at any phase of the Work, not just the beginning.
Difficulty is experienced because confusion and multiplicity prevail during the initial phase of any creative activity -- thoughts and feelings proliferate and threaten to overwhelm the mind with infinite complexity. The only way to proceed under such circumstances is to carefully sort out the components of the situation and arrange them in categories and in order of importance. To "sort the threads of the warp and woof" is to weave a tangled mess into a tapestry.
The Orderly Sequence of the Hexagrams gives us an image of what takes place under the hexagram of Difficulty:
When there were Heaven and Earth, then afterwards all things were produced. What fills up the space between Heaven and Earth are those individual things. Hence the Dynamic and Magnetic are followed by Difficulty. Difficulty means filling up.
"Filling up," is rendered as "fullness" in some translations. This is the exact meaning of the gnostic term: "Pleroma," or "Fullness" which Jung correlates with the Collective Unconscious or Objective Psyche. These are interior dimensions from which emanate the archetypal energies which we experience as instinctual drives and emotional complexes. This is the "hyperspace" from which the Self, via the oracle, responds to our queries and directs the Work.
Thus we see that the third hexagram, following the creation of the cosmic pair of opposites in the first two figures, represents a dialectical progression. Lao Tse, who wrote the Tao Te Ching some six-hundred years after the I Ching was committed to writing, describes this unfolding process:
Out of Tao, One is born;
Out of One, Two;
Out of Two, Three;
Out of Three, the created universe.
The created universe carries the yin at its back
and the yang in front;
Through the union of their pervading principles
it reaches harmony.
The identical idea is found in many traditions, giving it the status of an archetype within human consciousness. It is not necessary to be familiar with the technical terminology of Kabbalah to recognize that the same idea is being discussed in the following passage:
In Chokmah and Binah we have the archetypal Positive and Negative; the primordial Maleness and Femaleness, established while "countenance beheld not countenance" and manifestation was incipient ... It is between these two polarizing aspects of manifestation -- the Supernal Father and the Supernal Mother -- that the web of life is woven; souls going back and forth between them like a weaver's shuttle. In our individual lives, in our physiological rhythms, and in the history of the rise and fall of nations, we observe the same rhythmic periodicity. D. Fortune --The Mystical Qabalah
This idea has been stated very simply:
All things are a single form which has divided and multiplied in time and space. W.B. Yeats -- A Vision
Is not the sky a father and the earth a mother, and are not all living things with feet or wings or roots their children? -- Black Elk
And also with poetic complexity:
In the beginning God created the heavens and the earth. Now the earth was a formless void, there was darkness over the deep, and God's spirit hovered over the water ... God said, "Let the waters teem with living creatures, and let birds fly above the earth within the vault of heaven." And so it was ... God blessed them, saying, "Be fruitful, multiply, and fill the waters of the seas; and let the birds multiply upon the earth. Genesis
There are some profound ideas in these images about the structure of human consciousness and the contents of the unconscious psyche. The basic idea is that of Emanation -- the creation of physical reality from a supreme principle in ordered hierarchies of increasing complexity. This concept is essential for a full understanding of the Work.
The involution of man was his descent from the sphere of the spirit, developing bodies of a mental, emotional and then physical nature until he manifested upon this planet. His evolution is to civilize this planet and to develop mastery of the physical, emotional and mental planes and relink himself in unity with God once more, thus completing the cycle. He came from God as an inexperienced Spark of Divine Fire and returns to Him, with all the experience of manifestation, as a Lord of Humanity. Gareth Knight -- The Work of a Modern Occult Fraternity
In many systems of thought, the proliferation of forces is seen in sexual terms -- the cosmic parents produce entities in male and female pairs (gnostic syzygies), which in turn produce offspring. Hence, Confucius says: "Difficulty is experienced as Heaven and Earth begin their intercourse." That this has an explicit sexual connotation is confirmed by McClatchie: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering." Thus we see that the correct and incorrect correlation ("intercourse") of dynamic (male) and magnetic (female) lines in anyI Ching hexagram symbolizes the favorable (life-enhancing) or unfavorable (life-negating) combinations of thought and feeling within the psyche.
SUGGESTIONS FOR MEDITATION
The sexual intercourse of Heaven and Earth is also described in hexagram number eleven,Harmony. In terms of these sexual metaphors, what does the term "adultery" imply in regard to the Work? See hexagram number forty-four, Temptation, for further insight on this theme.