Wiki I Ching

Influence 31.1.3 17 Following

Connection sparks inspiration and when we listen deeply, we find our true path in sync with the rhythm of life.

From
31
Influence
To
17
Following

Hiding one's impatience
One shows composure so as not to worry one's friends.
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Influence 31
Mutual attraction fosters influence and inspiration.
Connect deeply to inspire change and strengthen bonds.


Line 1
The initial stirrings of influence are minor and should not be acted upon impulsively.


Line 3
Being overly influenced by desires can lead to humiliation; one should maintain independence.


Following 17
Flow with changes, adapt to circumstances, and align with others for mutual support.



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Original Readings

31
Influence


Other titles: Influence, Wooing, Attraction, Sensation, Stimulation, Conjoining, Feelings, Sensitivity, Sensing, Affection, Influencing to Action, Tension, Seeking Union, Persuasion, Courting Response, Importuning

 

Judgment

Legge: Upon fulfillment of the conditions implied in Initiative, there will be free course and success. Advantage depends upon firm correctness, as in marrying a young lady. Good fortune.

Wilhelm/Baynes:Influence. Success. Perseverance furthers. To take a maiden to wife brings good fortune.

Blofeld: Attraction. Success! Righteous persistence brings reward. Taking a wife will result in good fortune.

Liu: Attraction. Success. To continue is of benefit. To marry a girl is good fortune.

Ritsema/Karcher: Conjoining, Growing. Harvesting Trial. Grasping womanhood significant. [This hexagram describes your situation in terms of the influence that separated parts of an intrinsic whole have on each other. It emphasizes that bringing these parts into contact is the adequate way to handle the situation...]

Shaughnessy: Feelings : Receipt; beneficial to determine; to take to wife a woman is auspicious.

Cleary (1): Sensitivity is developmental. It is beneficial to be correct. Marriage brings good fortune.

Cleary (2):Sensing gets through, beneficial if correct. Marriage is auspicious.

Wu:Affection indicates pervasion and advantage to be persevering. There will be good fortune to marry a young woman.


The Image

Legge: The image of a marsh over a mountain forms Initiative. The superior man frees his mind of preoccupation so that he is open to the influence of others. [Lit: "Thus the superior man receives people by virtue of emptiness."]

Wilhelm/Baynes: A lake on the mountain: the image of Influence. Thus the superior man encourages people to approach him by his willingness to receive them.

Blofeld: This hexagram symbolizes a lake situated upon a mountain. In dealing with men, the Superior Man shows himself to be entirely void of selfishness.

Liu: The lake on top of the mountain symbolizes Attraction. With a humble manner the superior man receives people.

Ritsema/Karcher: Above mountain possessing marsh. Conjoining. A chun tzu uses emptiness to acquiesce people.

Cleary (1): There is a lake on a mountain. Thus does the superior person accept people with openness.

Cleary (2): There is a lake atop a mountain – Sensing. Developed people accept others with openness.

Wu: There is a marsh in the mountain; this is Affection. Thus the jun zi receives people with humility.

 

COMMENTARY

Confucius/Legge: Initiative is here used in the sense of mutually influencing. The magnetic trigram is above and the dynamic trigram is below -- their two influences move, respond and unite with each other. The male is placed below the female -- his repression is her satisfaction and brings fulfillment. Advantage depends upon firm correctness, as in the marrying of a young lady. Heaven and earth stimulate each other and all things attain birth. The sages stimulate the minds of men and harmony is born. If we examine the pattern of these influences, the nature of heaven and earth is revealed.

Legge: The lines of the hexagram all deal with moving or influencing to movement, and the figure is an essay on the different ways of creating an influence, and the results engendered thereby. The lower trigram of the youngest son supports the upper trigram of the youngest daughter in happy union. This is correct because the lower trigram (here yang) should always take the initiative. No influence is so powerful and constant as that between husband and wife, and where they are both young, it is especially active. Therefore, mutual influence, correct in itself, and for correct ends is sure to be effective.

 

NOTES AND PARAPHRASES

Judgment: Initiative succeeds only when it originates from the Self.

The Superior Man clears his mind and remains receptive to the will of the Self.

Wilhelm's translation of the name of this hexagram is Influence, but I have chosen Initiative to emphasize the idea of the proper source of the influence implied in the symbolism. Webster's Third New International Dictionary defines initiative as follows:

Initiative 1 : an introductory step or movement: an act designed to originate or set on foot, as a process or train of events. Often used in the phrase: on one's own initiative, as in: "Don't blame me, he acted on his own initiative."

The Judgment states that the situation can be furthered only by the firm correctness associated with the proper contracting of a marriage. We already know that the symbolism of marriage refers to a union of opposites within the psyche. To understand what is meant by the proper contracting of a marriage, we need only look at hexagram number fifty-four,Propriety (The Marrying Maiden), to see the improper way to do it -- that is, when the woman takes the initiative.

Far from being a sexist idea, the symbolism reveals a profound archetypal truth. The polarity of forces in the psyche shows the ego as magnetic to the dynamic Self. That is, the conscious ego-complex in any psyche, male or female, is feminine, or magnetic in relation to the Self, which is masculine, or dynamic. In the I Ching the Self is symbolized by heaven, and the ego is symbolized by earth. This primordial relationship between the two qualities is found in many symbol systems. Here's the Kabbalistic version:

This clearly indicates the function of polarity that prevails between the planes of form and the planes of force; the planes of form being the female aspect, polarized and made fertile by the influencesof the planes of force.
D. Fortune -- The Mystical Qabalah

The Hermetic tradition describes it this way:

There is this dual aspect in the mind of every person. The "I" [Self] represents the Masculine Principle of Mental Gender -- the "Me" [ego] represents the Female Principle.
The Kybalion

In the contracting of a marriage between heaven and earth (uniting the polarities within the divided psyche), the ego must learn, usually through great suffering, that its correct role is a magnetic one in relation to that of the Self. The Work cannot progress until this lesson has been learned and accepted completely. As long as the ego insists on taking dynamic initiative “as usual" in the illusory world of appearances, the results can only be the kind of objective world we inhabit -- one of chaos and strife. The lesson of this hexagram then, is the realization that the only correct source of power lies with the Self, and that the ego must yield to that source as a bride to her bridegroom. (Unfortunately, the contemporary relationship between the sexes has become so confused that this metaphor is seldom effective in conveying the profound truth it represents.)

The Self (the Causal Body of Theosophy) dwells beyond the restrictions of spacetime and is pre-eminently suited for directing the Work, since it can "see ahead” so to speak, and it knows the effects of all of the available choices. The ego, on the other hand, dwells in spacetime and is able to take action: by its choices it makes or breaks the Work. The ideal reciprocity between ego and Self is a simple and logical division of labor -- the Self can see ahead but cannot take direct action, and the ego can take direct action but cannot see ahead. For the ego to act without direction from the Self is to grope blindly in the dark -- and the Work clearly cannot progress under such circumstances. The superior man therefore, "clears his mind and remains receptive to the will of the Self.” Obviously, it takes time to learn how to do this properly; in its initial stages, that's what the Work is all about.

The majority of people are more or less the slaves of heredity, environment, etc., and manifest very little freedom. They are swayed by the opinions, customs and thoughts of the outside world, and also by their emotions, feelings, moods, etc. They manifest no Mastery, worthy of the name.
The Kybalion

The second and third sentences in the Confucian commentary elicit the sexual symbolism in this hexagram quite clearly: "The [female] trigram is above and the [male] trigram is below -- their two influences move, respond and unite with each other. The male is placed below the female -- his repression is her satisfaction and brings fulfillment.” Blofeld comments on this in a footnote:

I doubt if this should be regarded as shedding light upon the ancient Chinese concept of the most acceptable position for intercourse; it is more likely to mean that the girl is able to depend upon the man as a plant depends upon the earth for its nourishment.

Symbolism works on many levels, and Blofeld's aborted insight does apply to some of them. It is an established fact that the sentences in question accurately describe tantric sexual techniques practiced in the Orient for millennia. To understand the principles of the Work we must be able to see the "obvious" as symbolic of an abstraction -- and vice- versa. Sexual polarity is a very tricky and volatile symbol because we are predisposed to confine it to its most literal meaning. The hardest part of symbolic interpretation is to know where in the continuum a specific symbol belongs in any given situation.

Without changing lines this hexagram suggests that you examine your impulses and motivations to act and see if they are truly in accordance with the goals of the Work. The figure can sometimes take on the meaning of importuning: "to press or urge with frequent or unreasonable requests or troublesome persistence.” In other words, you might be importuning the oracle for answers which it is of no mind to give you. It is also significant to note that every line has a more or less negative connotation. These are all very strong warnings to the ego to control its compulsive need to take the Initiative, to influence the situation. Calm down -- reality is not what it appears to be. Please allow the Self to direct the Work.

 

SUGGESTIONS FOR MEDITATION

Compare the concepts in this hexagram with hexagram number fifty-four,Propriety; number fifty-three, Gradual Progress; and number eleven, Harmony. How do they all deal with the symbol of marriage as an aspect of the Work? Compare the first three lines with hexagram number 52,Keeping Still.

Initiativeis the first hexagram of Part II of the I Ching. Why do you suppose the book was divided into two unequal sections? Why did the division appear between the thirtieth and thirty-first hexagrams? (An even division would be between the thirty-second and thirty-third.)

The (I Ching) was originally divided into two books. (Appendix VI) considers the first of these as dealing with the world of nature, and the second as dealing with that of man.
Fung Yu-Lan -- A Short History of Chinese Philosophy

What insights does the alchemical concept of the Unus Mundus bring to bear on these questions?


Line 1

Legge: The first line, magnetic, shows one moving her great toes.

Wilhelm/Baynes: The influence shows itself in the big toe.

Blofeld: Sensation in the toe.

Liu: Stimulation in the big toe. [If you get this line you will plan an undertaking, but if it is planned hastily, it will be difficult to carry out.]

Ritsema/Karcher: Conjoining one's big toes.

Shaughnessy: Feeling his big toe.

Cleary (1): Sensing in the big toe is inauspicious. [The big toe can move but not walk; to feel something one can not carry out is not right sensing. This is sensitivity that stirs the human mentality.]

Cleary (2): Sensing in the big toe.

Wu: He moves his big toes.

 

COMMENTARY

Confucius/Legge: Her mind is set on what is beyond herself. Wilhelm/ Baynes: The will is directed outward. Blofeld: This implies that the will is fastened upon external matters. Ritsema/Karcher: Purpose located outside indeed. Cleary (2): The aspiration is outside. Wu: His affection is outward.

Legge: The first line is magnetic at the commencement of the figure. Although the fourth line is a proper correlate, his influence will be ineffective. However much she moves her toes, that won't enable her to walk. What is "beyond herself" is represented by the fourth line. There is the desire to influence but no strength and/or ability to do so.

 

NOTES AND PARAPHRASES

Siu: At the outset, something is beginning to happen which is not yet apparent to everyone.

Wing: There is something in the air. Perhaps it's the beginning of a compelling attraction or an idea just coming to light. Whatever it is, it is of little significance, since a great deal more must be done to make it a reality.

Editor: Although the image is simple, the concept behind it is not. Wilhelm's commentary suggests the idea of a hidden influence, a latent force within the situation, which has not yet become apparent. This energy is focused on what is beyond itself -- i.e., it wants to become manifest, but as yet is not powerful enough to do so. (There is a suggestion of impatience to take action.) At its most neutral, the line can image a concern with something distant in time or space -- even an abstract idea. Legge's Confucian commentary is a good paraphrase.

In times of stress, physical or mental, he might astonish his friends and even himself by the undisciplined and primitive reactions that suddenly usurp the attitudes of the well-drilled persona. Such reactions do not come from the conscious part of the psyche; they arise from the nonpersonal part and reveal not the conscious characterbut the stage of development that the nonpersonal psyche has reached.
M.E. Harding -- Psychic Energy

A. Unseen forces work toward change. An image of a subliminal influence or latent energy.

B. An image of a restless ego -- a mind seething with "great plans," schemes or intentions.

C. "Don't cross your bridges until you come to them."

Line 3

Legge: The third line, dynamic, shows one moving his thighs, and keeping close hold of those whom he follows. Going forward in this way will cause regret.

Wilhelm/Baynes: The influence shows itself in the thighs. Holds to that which follows it. To continue is humiliating.

Blofeld: Sensation in the thighs. He cleaves so closely to his wife (handmaiden, etc.) that for him to continue in this manner would be shameful.

Liu: Stimulation in the thighs. If he insists on following, he will be humiliated.

Ritsema/Karcher: Conjoining one's thighs. Holding-on-to one's following. Going abashed.

Shaughnessy: Feeling his calf: thigh: holding to his follower; distress.

Cleary (1): Sensing in the thighs; when persistence turns to indulgence, to go on is shameful.

Cleary (2): Sensing in the thighs, when clinging is following, to go on brings shame.

Wu: He moves his thighs and stays close to those he follows. He will regret if he keeps going forward.

 

COMMENTARY

Confucius/Legge: "He moves his thighs" -- he still doesn't want to rest in his place. His will is set on following others -- what he holds in his grasp is low. Wilhelm/Baynes: For he cannot keep still. When the will is directed to things that one's followers hold to, this is very base. Blofeld: Sensation in the thighs also denotes restlessness; while being guided by the will of a wife (or subordinate) involves clinging to what is inferior. Ritsema/Karcher: Truly not abiding indeed. Purpose located-in following people. A place to hold-on-to the below indeed. Cleary (2): Is also not staying put; the aim is in following others; what is clung to is low. Wu: Like his predecessors, he does not want to stay put either. His desire to follow people shows whatever he holds is low.

Legge: The attempt to move the thighs is inauspicious. The dynamic third line, in a dynamic place, wants to run after line four, which is said here to be the seat of the mind. He exercises his influence with an inferior purpose. "What he holds in his grasp is low" is understood to refer to the magnetic first and second lines. "Following" leads the mind to the lines above. "Low" is understood in the sense of "mean."

 

NOTES AND PARAPHRASES

Siu: A person should refrain from running after those he would like to influence, yielding to the whims of his master, and acquiescing to the moods of his own heart. Personal inhibition should constitute the basis for the enjoyment of granted freedom.

Wing: You must gain control of yourself. Don't run this way and that on impulse in an attempt to influence others or indulge in your many whims. You will ultimately be humiliated by such unconsidered actions. Set up a few inhibitions for yourself and operate within these limitations while you develop some self-control.

Editor: Mr. Legge, a proper Victorian, did not bring out the earthy imagery of this line to its fullest. If we were to receive this image in a dream it might take the blatantly sexual form of the pelvic thrusting associated with male dogs. When seen in this way the idea behind this line becomes clear.

Hence it is that in men the privy member is disobedient and self-willed, like a creature that will not listen to reason, and because of frenzied appetite bent upon carrying all before it. In women again, for the same reason, what is called the matrix or womb, a living creature within them with a desire for childbearing, if it be left unfruitful beyond the due season, is vexed and aggrieved, and wandering throughout the body and blocking the channels of the breath, by forbidding respiration brings the sufferer to extreme distress and causes all manner of disorders; until at last the Eros of the one and the Desire of the other bring the pair together, pluck as it were the fruit from the tree and sow the plowland of the womb with living creatures still unformed and too small to be seen.
Plato -- The Timaeus

A. The image suggests a mindless and compulsive urge to influence the situation.

B. You allow yourself to be influenced by base emotions.

17
Following


Other titles: According With, Acquiring Followers, Adapting, Adjusting, To Accord With, To Accompany, Concordance, Conformance to The Work, "Learn to serve in order to rule. Quit the old ways." -- D.F. Hook

 

Judgment

Legge: Following indicates successful progress and no error through firm correctness.

Wilhelm/Baynes: Following has supreme success. Perseverance furthers. No blame.

Blofeld:Following. Sublime success! Righteous persistence brings reward -- no error! [This sublime success comes, of course, only to those who follow what is right, namely the will of heaven or of those whose own will embodies it.]

Liu:Following. Great success. It is of benefit to continue. No blame.

Ritsema/Karcher: Following. Spring Growing Harvesting Trial.

Without fault. [This hexagram describes your situation in terms of being impelled or drawn into moving forward. It emphasizes that yielding to the impulse by accepting guidance is the adequate way to handle it. To be in accord with the time, you are told to: follow!]

Shaughnessy:Following: Prime receipt; beneficial to determine; there is no trouble.

Cleary (1):Following is greatly developmental: it is beneficial if correct; then there is no fault.

Cleary (2): Following is very successful, etc.

Wu: Following is primordial, pervasive, prosperous, and persevering. There will be no blame.

 

The Image

Legge: Thunder in the marsh: the image of Following. The superior man, in accordance with this, at nightfall enters his house and rests.

Wilhelm/Baynes: Thunder in the middle of the lake: the image of Following. Thus the superior man at nightfall goes indoors for rest and recuperation.

Blofeld: This hexagram symbolizes thunder rumbling within a swamp! When darkness falls, the Superior Man goes within and rests peacefully. [The component trigrams can be read as thunder and marsh, but also as movement and joy. In the Book of Change, joy is frequently associated with willing obedience to and glad acceptance of what is right.]

Liu: Thunder in the lake symbolizesFollowing. In the evening, the superior man rests and relaxes in his home.

Ritsema/Karcher: Marsh center possessing thunder. Following. A chun tzu uses turning-to darkening to enter a reposing pause.

Cleary (1): There is thunder in the lake, Following. Thus do superior people go inside and rest when the sun goes down.

Cleary (2): … Leaders go in and rest at sundown.

Wu: Thunder in the marsh is the symbol of Following. Thus the jun zi retires toward the twilight of the day.

 

COMMENTARY

Confucius/Legge: In Followingthe dynamic trigram places itself under the magnetic. We see in them the attributes of Movement and Pleasure. Through firm correctness all under heaven will be found following at such a time.

Legge: Following comes after Enthusiasm, the symbol of harmony and satisfaction. When these conditions prevail men are sure to follow. The hexagram includes the ideas of both following others and being followed by others.(Emphasis mine, Ed.) The good auspice is due to this flexibility, but in either instance the following must be guided by a reference to what is correct. The lower trigram of Movement represents the eldest son, and the upper trigram of Pleasure represents the youngest daughter. The strong places itself under the weak -- esteeming others higher than himself, and giving the idea of following. The union of Movement with Pleasure suggests the same idea.

 

NOTES AND PARAPHRASES

Judgment: Following means advancement through willpower.

The Superior Man rests on his inner virtue.

In Following, the trigram of Movement "follows" the trigram of Cheerfulness: independent action subordinates itself and allows itself to be led by cheerful obedience. In terms of the Work, this symbolizes our willingness to "follow" or adhere to its principles. Psychologically interpreted, Followingmeans the compliant subordination of ego-autonomy to the Great Work of psychic integration.

Blofeld points out that the trigram of Joy, or Cheerfulness is often associated with "willing obedience to and glad acceptance of what is right." Hence the cheerful following of the intent of the Self. He explains the role of the superior man in the Image as: "It is not hard to see the connection between following and resting peacefully; for, once we have given our allegiance to others [the Self], we no longer have to worry about what should be done."

At seventy ... Confucius allowed his mind to follow whatever it desired, yet everything he did was naturally right of itself. His actions no longer needed a conscious guide. He was acting without effort. This represents the last stage in the development of the sage.
Fung Yu-Lan -- A Short History of Chinese Philosophy

When received without changing lines this hexagram often takes the meaning of: "To accord with" -- in such instances the answer is an affirmation to your query.