Legge: Upon fulfillment of the conditions implied in Initiative, there will be free course and success. Advantage depends upon firm correctness, as in marrying a young lady. Good fortune.
Wilhelm/Baynes:Influence. Success. Perseverance furthers. To take a maiden to wife brings good fortune.
Blofeld: Attraction. Success! Righteous persistence brings reward. Taking a wife will result in good fortune.
Liu: Attraction. Success. To continue is of benefit. To marry a girl is good fortune.
Ritsema/Karcher: Conjoining, Growing. Harvesting Trial. Grasping womanhood significant. [This hexagram describes your situation in terms of the influence that separated parts of an intrinsic whole have on each other. It emphasizes that bringing these parts into contact is the adequate way to handle the situation...]
Shaughnessy: Feelings : Receipt; beneficial to determine; to take to wife a woman is auspicious.
Cleary (1): Sensitivity is developmental. It is beneficial to be correct. Marriage brings good fortune.
Cleary (2):Sensing gets through, beneficial if correct. Marriage is auspicious.
Wu:Affection indicates pervasion and advantage to be persevering. There will be good fortune to marry a young woman.
The Image
Legge: The image of a marsh over a mountain forms Initiative. The superior man frees his mind of preoccupation so that he is open to the influence of others. [Lit: "Thus the superior man receives people by virtue of emptiness."]
Wilhelm/Baynes: A lake on the mountain: the image of Influence. Thus the superior man encourages people to approach him by his willingness to receive them.
Blofeld: This hexagram symbolizes a lake situated upon a mountain. In dealing with men, the Superior Man shows himself to be entirely void of selfishness.
Liu: The lake on top of the mountain symbolizes Attraction. With a humble manner the superior man receives people.
Ritsema/Karcher: Above mountain possessing marsh. Conjoining. A chun tzu uses emptiness to acquiesce people.
Cleary (1): There is a lake on a mountain. Thus does the superior person accept people with openness.
Cleary (2): There is a lake atop a mountain – Sensing. Developed people accept others with openness.
Wu: There is a marsh in the mountain; this is Affection. Thus the jun zi receives people with humility.
COMMENTARY
Confucius/Legge: Initiative is here used in the sense of mutually influencing. The magnetic trigram is above and the dynamic trigram is below -- their two influences move, respond and unite with each other. The male is placed below the female -- his repression is her satisfaction and brings fulfillment. Advantage depends upon firm correctness, as in the marrying of a young lady. Heaven and earth stimulate each other and all things attain birth. The sages stimulate the minds of men and harmony is born. If we examine the pattern of these influences, the nature of heaven and earth is revealed.
Legge: The lines of the hexagram all deal with moving or influencing to movement, and the figure is an essay on the different ways of creating an influence, and the results engendered thereby. The lower trigram of the youngest son supports the upper trigram of the youngest daughter in happy union. This is correct because the lower trigram (here yang) should always take the initiative. No influence is so powerful and constant as that between husband and wife, and where they are both young, it is especially active. Therefore, mutual influence, correct in itself, and for correct ends is sure to be effective.
NOTES AND PARAPHRASES
Judgment: Initiative succeeds only when it originates from the Self.
The Superior Man clears his mind and remains receptive to the will of the Self.
Wilhelm's translation of the name of this hexagram is Influence, but I have chosen Initiative to emphasize the idea of the proper source of the influence implied in the symbolism. Webster's Third New International Dictionary defines initiative as follows:
Initiative 1 : an introductory step or movement: an act designed to originate or set on foot, as a process or train of events. Often used in the phrase: on one's own initiative, as in: "Don't blame me, he acted on his own initiative."
The Judgment states that the situation can be furthered only by the firm correctness associated with the proper contracting of a marriage. We already know that the symbolism of marriage refers to a union of opposites within the psyche. To understand what is meant by the proper contracting of a marriage, we need only look at hexagram number fifty-four,Propriety (The Marrying Maiden), to see the improper way to do it -- that is, when the woman takes the initiative.
Far from being a sexist idea, the symbolism reveals a profound archetypal truth. The polarity of forces in the psyche shows the ego as magnetic to the dynamic Self. That is, the conscious ego-complex in any psyche, male or female, is feminine, or magnetic in relation to the Self, which is masculine, or dynamic. In the I Ching the Self is symbolized by heaven, and the ego is symbolized by earth. This primordial relationship between the two qualities is found in many symbol systems. Here's the Kabbalistic version:
This clearly indicates the function of polarity that prevails between the planes of form and the planes of force; the planes of form being the female aspect, polarized and made fertile by the influencesof the planes of force. D. Fortune -- The Mystical Qabalah
The Hermetic tradition describes it this way:
There is this dual aspect in the mind of every person. The "I" [Self] represents the Masculine Principle of Mental Gender -- the "Me" [ego] represents the Female Principle. The Kybalion
In the contracting of a marriage between heaven and earth (uniting the polarities within the divided psyche), the ego must learn, usually through great suffering, that its correct role is a magnetic one in relation to that of the Self. The Work cannot progress until this lesson has been learned and accepted completely. As long as the ego insists on taking dynamic initiative “as usual" in the illusory world of appearances, the results can only be the kind of objective world we inhabit -- one of chaos and strife. The lesson of this hexagram then, is the realization that the only correct source of power lies with the Self, and that the ego must yield to that source as a bride to her bridegroom. (Unfortunately, the contemporary relationship between the sexes has become so confused that this metaphor is seldom effective in conveying the profound truth it represents.)
The Self (the Causal Body of Theosophy) dwells beyond the restrictions of spacetime and is pre-eminently suited for directing the Work, since it can "see ahead” so to speak, and it knows the effects of all of the available choices. The ego, on the other hand, dwells in spacetime and is able to take action: by its choices it makes or breaks the Work. The ideal reciprocity between ego and Self is a simple and logical division of labor -- the Self can see ahead but cannot take direct action, and the ego can take direct action but cannot see ahead. For the ego to act without direction from the Self is to grope blindly in the dark -- and the Work clearly cannot progress under such circumstances. The superior man therefore, "clears his mind and remains receptive to the will of the Self.” Obviously, it takes time to learn how to do this properly; in its initial stages, that's what the Work is all about.
The majority of people are more or less the slaves of heredity, environment, etc., and manifest very little freedom. They are swayed by the opinions, customs and thoughts of the outside world, and also by their emotions, feelings, moods, etc. They manifest no Mastery, worthy of the name. The Kybalion
The second and third sentences in the Confucian commentary elicit the sexual symbolism in this hexagram quite clearly: "The [female] trigram is above and the [male] trigram is below -- their two influences move, respond and unite with each other. The male is placed below the female -- his repression is her satisfaction and brings fulfillment.” Blofeld comments on this in a footnote:
I doubt if this should be regarded as shedding light upon the ancient Chinese concept of the most acceptable position for intercourse; it is more likely to mean that the girl is able to depend upon the man as a plant depends upon the earth for its nourishment.
Symbolism works on many levels, and Blofeld's aborted insight does apply to some of them. It is an established fact that the sentences in question accurately describe tantric sexual techniques practiced in the Orient for millennia. To understand the principles of the Work we must be able to see the "obvious" as symbolic of an abstraction -- and vice- versa. Sexual polarity is a very tricky and volatile symbol because we are predisposed to confine it to its most literal meaning. The hardest part of symbolic interpretation is to know where in the continuum a specific symbol belongs in any given situation.
Without changing lines this hexagram suggests that you examine your impulses and motivations to act and see if they are truly in accordance with the goals of the Work. The figure can sometimes take on the meaning of importuning: "to press or urge with frequent or unreasonable requests or troublesome persistence.” In other words, you might be importuning the oracle for answers which it is of no mind to give you. It is also significant to note that every line has a more or less negative connotation. These are all very strong warnings to the ego to control its compulsive need to take the Initiative, to influence the situation. Calm down -- reality is not what it appears to be. Please allow the Self to direct the Work.
SUGGESTIONS FOR MEDITATION
Compare the concepts in this hexagram with hexagram number fifty-four,Propriety; number fifty-three, Gradual Progress; and number eleven, Harmony. How do they all deal with the symbol of marriage as an aspect of the Work? Compare the first three lines with hexagram number 52,Keeping Still.
Initiativeis the first hexagram of Part II of the I Ching. Why do you suppose the book was divided into two unequal sections? Why did the division appear between the thirtieth and thirty-first hexagrams? (An even division would be between the thirty-second and thirty-third.)
The (I Ching) was originally divided into two books. (Appendix VI) considers the first of these as dealing with the world of nature, and the second as dealing with that of man. Fung Yu-Lan -- A Short History of Chinese Philosophy
What insights does the alchemical concept of the Unus Mundus bring to bear on these questions?
Line 2
Legge: The second line, magnetic, shows one moving the calves of her legs. There will be evil. If she abides quietly in her place, there will be good fortune.
Wilhelm/Baynes: The influence shows itself in the calves of the legs. Misfortune. Tarrying brings good fortune.
Blofeld: Sensation in the legs -- misfortune! [I.e. Misfortune if we yield to the urge to exercise our legs by going somewhere else.] Good fortune comes to those who do not venture forth.
Liu: Stimulation in the calves of the legs. Misfortune. Stillness invites good fortune.
Shaughnessy: Feeling his calf; inauspicious; to dwell is auspicious.
Cleary (1): Sensing in the calf is inauspicious. Biding is auspicious.
Cleary (2): Sensing in the calf bodes ill. To stay put bodes well.
Wu: He moves his calves. It will be foreboding. Should he stay, there will be good fortune.
COMMENTARY
Confucius/Legge: If she abides quietly in her place and complies with the circumstances of her condition there will be no injury. Wilhelm/Baynes: Even though misfortune threatens, tarrying brings good fortune. One does not come to harm through devotion. Blofeld: If we gladly accord with others, we shall come to no harm. Ritsema/Karcher: Yielding, not harming indeed. Cleary (2): Because obedience does no harm. Wu: His rash move will be foreboding. Patience will turn into good fortune, as observance will keep out humiliation.
Legge: The calves cannot move of themselves -- they follow the moving of the feet. She is too anxious to move. However, she is magnetic and central, so if she abides quietly in her place until she is acted upon from above, there will be good fortune.
NOTES AND PARAPHRASES
Siu: The influence of the man increases, yet it is not obvious. He is eager to act but should wait for more favorable circumstances.
Wing: You may feel compelled to move, to take some kind of action, yet you really don't know what you're doing. It's a little like sleepwalking. Avoid action until you wake up to what's going on. Otherwise there is some danger of getting into trouble.
Editor: This image of the calves of the legs might be rendered in Western idiom as "knee-jerk responses." The meaning is analogous, if not identical.
During the years of our indiscretion, while we are driven hither and thither by our various likes and dislikes, we serve many Masters, who often prove veritable tyrants to us, but when we have had enough of them, we find that there is a Master of a different stamp, who lives not by our passions and desires, but rather by their suppression and subdual. E. Gewurz -- The Hidden Treasures of the Ancient Qabalah
A. Control your knee-jerk responses. Do not pursue this train of thought, line of speculation, hypothesis, etc. Wait for inspiration from the Self.
Line 5
Legge: The fifth line, dynamic, shows one moving the flesh along the spine above the heart. There will be no occasion for repentance.
Wilhelm/Baynes: The influence shows itself in the back of the neck. No remorse.
Blofeld: Sensation in the fleshy covering of the spinal column -- no regret.
Liu: Stimulation in the middle of the back. No remorse. [Conflict. Perhaps one's strong opinions ... will create discord ... One can expect difficulty in carrying out his plans. Only small ventures will succeed.]
Ritsema/Karcher: Conjoining one's neck. Without repenting.
Shaughnessy: Feeling his (thigh:) spine; there is no regret.
Cleary (1): Sensing in the flesh of the back, there is no regret. [What separates the mind of Tao from the human (ego) mind is but a hairbreadth; sensing it in the flesh of the back means it is near the heart …The mind that is not mind is called the true mind … It is open awareness unobscured … This is sensitivity preserving the mind of Tao without the human mentality.]
Wu: He moves his upper back muscles. There will be no regret.
COMMENTARY
Confucius/Legge: He tries to move the flesh along the spine above the heart -- his aim is trivial. Wilhelm/Baynes: The will is directed to the ramifications. Blofeld: This betokens inability to impose our will as yet. Ritsema/Karcher: Purpose, the tips indeed. [Tips:, MO: growing ends, outermost twigs; last, most distant.]Cleary (2): The aim is concluded. Wu: His affection is at the top.
Legge: The symbolism of line five refers to a part of the body behind the heart, and is supposed to indicate an ineffective influence. The triviality of the aim explains the ineffectiveness of the movement, but since it is free from selfish motivations it is nothing to be repented of.
NOTES AND PARAPHRASES
Siu: The man's goals are trivial, although free from selfish motives.
Wing: Look within to determine the depth of your influence on external matters. People with a profound inner resolve can accomplish much. Those with shallow roots cannot exert significant external influence.
Editor: Despite the "no remorse," this is can be a less than positive line. The influence here doesn't come from the heart, but from a region near the heart: it isn't that the motivations are insincere, it's that they miss the mark. "Trivial" (Legge, Siu) means "of little or no value" -- a fair synonym for "illusion." At a deeper level, Wilhelm comments: "What takes place in the depths of one's being, in the unconscious, can neither be called forth nor prevented by the conscious mind. It is true that if we cannot be influenced ourselves, we cannot influence the outside world.” If this is the only changing line, the new hexagram is number 62, Small Powers,with its corresponding line portraying a lack of understanding of hidden matters. This can sometimes imply things within the situation which are beyond the ego's immediate comprehension.
To educate men to a faith they do not understand is certainly a well- meant undertaking, but one runs the risk of creating an attitude that believes everything it does not understand. Jung -- The Symbolic Life
A. Although your motives are sincere, they are not in accordance with reality. Sincere illusions are still illusions.
B. "The road to hell is paved with good intentions." The image suggests erroneous actions or motivations.
Alternate: Cleary’s Taoist commentary describes “the mind of Tao” able to manifest autonomously when the ego-mind does not impede it – a very high and unfortunately rare state of consciousness. Wing’s paraphrase captures the dual nature of this line quite well.
C. The mind of Tao supersedes ego-mindedness. Or: The Self can manifest when the ego doesn’t take the Initiative.
Line 6
Legge: The sixth line, magnetic, shows one moving her jaws and tongue.
Wilhelm/Baynes: The influence shows itself in the jaws, cheeks, and tongue.
Shaughnessy: Feeling his cheeks, jowls, and tongue.
Cleary (1): Sensing in the jaws and tongue. [When the mouth moves, the mind moves. This is sensitivity using the human mentality, utterly lacking the mind of Tao.]
Wu: He moves his tongue and cheeks.
COMMENTARY
Confucius/Legge: She only talks with loquacious mouth. Wilhelm/Baynes: He opens his mouth and chatters. Blofeld: This is a way of saying that we open wide our mouths and talk too much. Ritsema/Karcher: The spouting mouth stimulating indeed. Cleary (2): Sensing in the jaws and tongue is speaking a lot. Wu: He likes chattering.
Legge: Line six is magnetic in a magnetic place at the top of the trigram of Frivolity. Her influence by means of speech will only be that of garrulous flattery.
NOTES AND PARAPHRASES
Siu: The man resorts to superficial ways of influencing others through nothing but talk. The results are negligible.
Wing: Words are only words. Ideas mean little unexecuted. What are you doing?
Editor: The divided line at the top of the upper trigram is said to symbolize an open mouth. To talk is to use words, and words are a product of the mental realm. The image is of empty rhetoric -- perhaps a too-intellectual approach to the situation at hand. This blather can be inner as well as outer, and the line sometimes refers to the excesses of reason and logic which can blind us to the truths of an expanded awareness. Often in the course of the Work we are severely tested by choices which demand the abandonment of common sense in favor of faith in the Self to carry us to a realm transcending reason. Such tests are excruciating, and often we fail them because we cannot let go of our faith in logic, words and "common sense." Compare with line five of Hexagram 52.
I gradually form the habit of listening inwardly, whenever I want to say something, to be sure I have authority to say it. Gradually I learn to keep my mouth shut except when I really have something to say. And I come to recognize two beings in my self: a personal ego which is often inclined to chatter, without control, purely for the sake of communicating and attracting attention to my person -- and in the background of my consciousness a higher self which restrains my personal ego, telling it when and what it is to speak or do, and when it is to remain silent or passive. The important thing is to pay attention and obey the orders of this higher self. Merely to hear its commands is not enough; everybody does that! Elisabeth Haich -- Initiation
A. An image of rationalization or intellectual drivel. Your idea is without merit.
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?