Rise with the dawn, balance ambition with humility, and let your light gently guide the way to grounded greatness.
From
35
Progress
To
15
Modesty
Ostracizing
One increases the distress of others when one refuses to talk to them. taoscopy.com
Progress35
Progress and clarity emerge. With effort and clarity, advancement is possible. Keep honesty and integrity at the forefront.
↓ Line 3
Harmony with others leads to the removal of regrets and smooth progress.
↓ Line 4
Cautious progress is necessary, but be aware of potential dangers and remain vigilant.
↓ Line 6
Aggressive progress is justified only for self-correction. Awareness of risks leads to good fortune, but persistence in aggression may lead to disgrace.
↓ Modesty15
Embrace humility and balance; let modesty guide your actions for harmonious progress.
Other titles: Progress, Prospering, The Symbol of Forwardness, To Advance, Advancement, Making Headway, Getting the Idea, “Comes the Dawn”
Judgment
Legge: In Advance of Consciousness we see a prince who secures the tranquility of the people presented on that account with numerous horses by the king, and three times in a day received at interviews.
Wilhelm/Baynes: Progress . The powerful prince is honored with horses in large numbers. In a single day he is granted audience three times.
Blofeld: Progress. The richly endowed prince receives royal favors in the form of numerous steeds and is granted audience three times in a single day. [This passage indicates great merit richly rewarded.]
Liu: The Marquis K'ang (rich, powerful, healthy) is bestowed with many horses by the king, who receives him three times in a single day.
Ritsema/Karcher: Prospering , the calm feudatory avails-of bestowing horses to multiply the multitudes. Day-time sun three-times reflected. [This hexagram describes your situation in terms of thriving in the full light of the sun. It emphasizes that contributing to this increase by helping things to flourish is the adequate way to handle it...]
Shaughnessy: The Lord of Kang is herewith awarded horses in luxuriant number, during daylight thrice connecting.
Cleary (1):Advancing, a securely established lord presents many horses, and grants audience three times a day.
Cleary (2): Advancing , a securely established lord is presented with, etc.
Wu: Advancement indicates that the prince who has secured peace and prosperity of the state is conferred with many fine horses. The king grants him an audience three times in one day.
The Image
Legge: The image of the earth and that of the bright sun coming forth above it form Advance of Consciousness. The superior man, in accordance with this, gives himself to make more brilliant his bright virtue.
Wilhelm/Baynes: The sun rises over the earth: the image of Progress. Thus the superior man himself brightens his bright virtue.
Blofeld: This hexagram symbolizes fire blazing from the earth. The Superior Man reflects in his person the glory of heaven's virtue.
Liu: The sun rising above the earth is the symbol of Progress. Thus the superior man brightens his character.
Ritsema/Karcher: Brightness issuing-forth above earth. Prospering. A chun tzu uses originating enlightening to brighten actualizing-tao. [Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): Light emerges over the earth, advancing. Thus do superior people by themselves illumine the quality of enlightenment.
Cleary (2): Light emerges over the ground, advancing. Developed people illumine the quality of enlightenment by themselves.
Wu: Brightness rises above the earth; this is Advancement. Thus the jun zi keeps his bright virtue shining.
COMMENTARY
Confucius/Legge: In Advance of Consciousnesswe have the bright sun appearing above the earth; the symbol of Docile Submission cleaving to that of the Great Brightness; and the magnetic line advanced and moving above: all these things give us the idea of a prince who secures the tranquility of the people.
Legge: The subject of the Judgment is a feudal prince whose services to his country have made him acceptable to his king. The King's favor has been shown to him by gifts and personal attentions. The symbolism of the lines indicates the situations encountered by the prince. The written character for this hexagram means "to advance," a quality it shares with hexagrams number forty-six, Pushing Upward, and number fifty-three, Gradual Progress. In the present case the sun ascending from the earth to the meridian readily suggests the idea of advancing.
Hu Ping-wen (Yuan dynasty) says: "Of the strong things there is none so strong as Heaven, and hence the superior man patterns himself on its strength. Of bright things there is none so bright as the sun, and he patterns himself on its brightness."
Anthony: This hexagram concerns self-development which yields progress in our external life situation. If we are not making progress, we should review our attitude. Some widely accepted ideas may be decadent from the viewpoint of the Sage, hence obstruct progress. [Anthony’s “Sage” is conceptually identical to the “Self. -- Ed.]
NOTES AND PARAPHRASES
Judgment: When the autonomous manifestations of our inner drives are channeled, their energy becomes the ego's own. (Psychologically interpreted: Ego and Self are in accord.)
The Superior Man focuses his awareness on perfecting the Work. (Sometimes this can take the meaning of: "Wise up!")
The trigram of Clarity in progression over that of Docility gives the formula for an Advance of Consciousness. The submission of the ego to the restrictions of the Work, and the consequent tranquil subjugation of one's restless drives, appetites and impulses, eventually results in a focused flow of energy from within. (After years of effort, this is sometimes felt physically as a radiating sensation emanating from the chest, or heart region.) To receive this figure without changing lines does not necessarily mean that one has reached this phase of the Work, but it suggests progress in that direction. The traditional name for this hexagram is, in fact: Progress.
The king presenting horses to the prince in reward for pacifying the kingdom is analogous to the Self rewarding the ego for controlling the autonomous forces within the psyche. This is a quintessentially shamanic discipline: the "horses" symbolize tamed drives and emotions. Such circumstances indicate an Advance of Consciousness or progression toward the goal of "en-light-enment" or psychic integration, symbolized by the sun traversing the earth.
That state of life dynamism in which consciousness realizes itself as a split and separated personality that yearns and strives toward union with its unknown and unknowable partner, the Self, Jung has called the individuation process. It is a conscious striving for becoming what one "is" or rather "is meant to be." E.C. Whitmont -- The Symbolic Quest
The last sentence of the above quotation is exactly analogous to the Ritsema/Karcher translation of the Image of this hexagram, wherein the superior man (chun tzu) "uses originating enlightening to brighten actualizing-tao."
"Actualizing-tao" is the "ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be."
Psychologically interpreted then, this hexagram addresses various themes encountered during the progress of the individuation process, which is nothing if not an Advance of Consciousness.
The key phrase in Legge's Judgment is "tranquility of the people." It is relatively easy to sublimate one's drives, yet still feel resentful about it -- indeed, that is the form that the process normally takes at the beginning of the Work. Our inner forces are like children or animals who must learn to accept the restrictions of discipline. Once they have accepted it and have ceased to resent it (i.e. once they have become "tranquil"), they are ready to be useful to the Self's intentions.
For example: an untrained dog will instinctively chase and kill sheep if it gets the chance to do so; on the other hand, a properly trained dog will herd and control a flock of sheep even in its master's absence. Anyone who has observed a trained sheep dog in action knows what amazing feats they accomplish with great joy in the performance. They are "tranquil" in their role, and will even protect the sheep from untrained dogs that would kill them. When our instincts have learned how to tranquilly accept discipline they are ready to assist us in the higher levels of the Work. Until that time, the Work consists largely of "dog training." The analogy is apt, because just as an untrained dog is never as happy in its willfulness as a well-trained dog is in its purposefulness, so undisciplined permissiveness cannot compare with the joys of controlled power and focused intent.
Line 3
Legge: The third line, magnetic, shows its subject trusted by all around her. All occasion for repentance will disappear.
Wilhelm/Baynes: All are in accord. Remorse disappears.
Wu: There is consensus among many people. No regret.
COMMENTARY
Confucius/Legge: Their common aim is to move upwards and act. Wilhelm/ Baynes: Because there is a will to go upward. Blofeld: This implies unanimous determination to press upwards. Ritsema/Karcher: Moving above indeed. Cleary(2): The aim is upward progress. Wu: A desire to advance.
Legge: Line three is magnetic in a dynamic place, but the first and second lines share her desire to advance. They are all united by a common trust and aim, hence the good auspice.
NOTES AND PARAPHRASES
Siu: The man moves forward with the trust and support of all around him.
Wing: Your Progress is dependent upon the company and encouragement of others. The benefits of this common trust will remove any cause for remorse.
Editor: This can be seen as a positive image of forces seeking synthesis.
Psychologically, the line suggests an inner unity of some kind -- thoughts and feelings are in harmony and predisposed toward transformation.
No man is good enough to govern another man without that other's consent. Abraham Lincoln
A. The image suggests a cooperative advance.
B. You're on the right track.
Line 4
Legge: The fourth line, dynamic, shows its subject with the appearance of advancing, but like a marmot. However firm and correct he may be, the position is one of peril.
Wilhelm/Baynes: Progress like a hamster. Perseverance brings danger. [In times of progress it is easy for strong men in the wrong places to amass great possessions. But such conduct shuns the light. And since times of progress are also always times in which dubious procedures are inevitably brought to light, perseverance in such action always leads to danger.]
Blofeld: Squirrel-like progress -- persistence would have serious consequences.
Liu: When progress is like a hamster, to continue brings danger.
Ritsema/Karcher: Prospering, thus bushy-tailed rodents. Trial: adversity. [Trial, CHEN: test by ordeal; inquiry by divination and its result... Adversity, LI: danger; threatening, malevolent demon...]
Shaughnessy: Aquatically the mole cricket; determination is dangerous.
Cleary(1): Advancing like a squirrel, even if correct it is dangerous.
Cleary(2): Advancing like a squirrel is dangerous even if determined.
Wu: He makes advance like a giant rat. Even with correctness, he is in peril.
COMMENTARY
Confucius/Legge: His place is not that appropriate for him. Wilhelm/
Baynes: A hamster gets into danger through perseverance; the place is not appropriate. Blofeld: Because the position of this line is unsuitable. Ritsema/Karcher: Situation not appropriate indeed. Cleary (2): Because the position is not appropriate. Wu: The giant rat is in peril despite making no error, because his position is improper.
Legge: Line four is dynamic, but in a magnetic place and not central. It suggests the idea of a marmot or rat, stealthily advancing. Nothing could be more opposed to the idea of the feudal lord in the hexagram.
Anthony: The ego is on hand at every situation, searching for glory, comfort and a reason to exist, or finding cause for our abandoning the path. We must constantly be on guard against its burrowing and amassing of possessions for itself.
NOTES AND PARAPHRASES
Siu: The man advances like a marmot. But such machinations are always uncovered.
Wing: Progress is coming about through questionable means or inferior persons. Although it is possible to advance this way, the truth will nevertheless come to light. This is all very risky and you may find yourself in a dangerous position.
Editor: Wilhelm adds the insight that rodents are nocturnal animals, and because line four has just entered the upper trigram of Clarity and Light, it is exposed and vulnerable. Blofeld suggests one who tries to progress too quickly and thereby exposes himself to danger. The image is that of a mouse scurrying along a wall, trying to reach the safety of its hole before the cat can pounce. This is "progress" of a sort, but hardly something to be desired. The line is often received as a warning about restlessness and anxiety. Such impatience to advance leads to Splitting Apart, which is the hexagram created if this is the only changing line. Sometimes this can be a warning about the malicious intentions of others.
All human error is impatience, a premature renunciation of method, a delusive pinning down of a delusion. Franz Kafka
A. Impatience or anxiety have placed you in jeopardy.
B. Dark forces push into the light -- unconscious elements enter awareness and threaten the Work.
C. The line can sometimes refer to compulsive speculation.
Line 6
Legge: The sixth line, dynamic, shows one advancing his horns. But he only uses them to punish the rebellious people in his own city. The position is perilous, but there will be good fortune. Yet, however firm and correct he may be, there will be occasion for regret.
Wilhelm/Baynes: Making progress with the horns is permissible only for the purpose of punishing one's own city. To be conscious of danger brings good fortune. No blame. Perseverance brings humiliation.
Blofeld: He advances as with lowered horns, intent solely upon subduing the cities of his enemies. Whether his affairs go awry or prosper, he is not in error, but for him to persist thus would involve him in ignominy
Liu: Progressing to the horns. It is only in order to chastise his own city. Awareness of danger brings fortune and no blame. To continue brings humiliation.
Ritsema/Karcher: Prospering: one's horns. Holding-fast avails-of subjugating the capital. Adversity significant, without fault. Trial: abashment.
Shaughnessy: Aquatic his horns; it is only to be used to attack the city; danger; auspicious; there is no trouble; determination is distressful.
Cleary (1): Advancing the horns; this requires conquering one’s domain.
There is danger, but it bodes well, so there will be no blame. But even though correct it is humiliating.
Cleary (2): … Hard work leads to good results, without blame; but even though correct, one is humiliated. [Since one was unable to govern oneself early on, and only now has been capable of self-mastery, even though it is correct, it is still humiliating.]
Wu: He advances with his horns to quell disturbances of his town. Although he makes a risky move, he is not in error. His insistence is nevertheless regrettable.
COMMENTARY
Confucius/Legge: His course of procedure is not yet brilliant. Wilhelm/ Baynes: The way is not yet in the light. Blofeld: Solely to subdue the cities? The way is not yet clear! Ritsema/Karcher: Tao not-yet shining indeed. Cleary (2): The way is not yet illumined. Wu: His administration is not beyond reproach. [If he had done things right, there would have been no disturbances.]
Legge: Line six is dynamic, and suggests the idea of its subject relentlessly pushing his advance with both firm correctness and exceptional force. The horns are an emblem of threatening strength, and though he uses them only against the rebels in his own state, the fact that a prince should have any occasion to use force is regrettable. This aggressiveness exceeds King Wen's concept of firm correctness for a ruler, and therefore his light is not yet that of the full-orbed sun.
NOTES AND PARAPHRASES
Siu: The man uses force in punishing the rebellious people of his own city. This is permissible. Continuation of the offensive, especially against strangers, however, will bring occasion for regret.
Wing: Take aggressive and offensive measures only when you seek to discipline yourself. Such severe precautions will help you to avoid regretful errors. Do not, however, make the mistake of using the same force on others or you will suffer the humiliation of alienation and failure.
Editor: Psychologically interpreted, the City symbolizes the psyche, and the rebels symbolize any undisciplined emotions, drives, desires, appetites, thoughts, etc. The Judgment specifically mentions the importance of gaining the tranquility of the people; here they are obviously not tranquil, so the idea of the hexagram has not been accomplished. Although force is required to stabilize the situation, martial law can hardly be regarded as anything but a temporary expedient: however necessary it may be at times, it is still humiliating for a ruler (ego) to have to resort to it. The line often refers to backsliding on some issue.
The possibility of choice and relationship depends fundamentally upon getting out of this state of identity. As long as this unconscious identity with a drive or impulse persists there is no possibility of choice, for we act like helpless puppets and we never know what strings have pulled us. There is no possibility for any personal conscious relatedness because neither of two people who are identical with their impulses knows what is moving him or what, if anything, this has to do with the other person. Separation from the original state of identity is fundamental for any psychological development and for personal differentiation. E.C. Whitmont -- The Symbolic Quest
A. Control yourself. Discipline must be applied to the restless aspects within your own psyche. Do nothing to try to influence others.
Other titles: Modesty, The Symbol of Humility, Moderation, Humbling, Respectful/Humble, Yielding/Retiring. 1. Obtaining this hexagram implies that modesty is needed in our attitude, meaning, to allow ourself to be led without resistance. – C.K. Anthony. 2. A Humble or modest person is thought of as having an “empty or unoccupied” mind, meaning a mind without prejudice. – Chung Wu. 3. Only superior people who practice Tao know where to stop, disregard what they have and appear to have nothing. – T. Cleary.
Judgment
Legge:Temperance indicates successful progress. Temperancebrings a good issue to the superior man's undertakings.
Wilhelm/Baynes: Modesty creates success. The superior man carries things through.
Blofeld:Modesty brings success. The Superior Man is able to carry affairs through to completion.
Liu: Modesty: success. The superior man can continue to work to the end.
Ritsema/Karcher: Humbling, Growing. A chun tzu possesses completing. [This hexagram describes your situation in terms of the necessity to cut through pride and complication. It emphasizes that keeping your words unpretentious is the adequate way to handle it...]
Shaughnessy: Modesty: Receipt; the gentleman has an end.
Cleary (1):Humility is developmental. The superior person has a conclusion.
Cleary (2):Humility gets through. A leader has a conclusion.
Wu:Humility is pervasive. The jun zi will have grace in death.
The Image
Legge: A mountain hidden within the earth -- the image of Temperance. The superior man, in accordance with this, diminishes his excesses to augment his insufficiencies, thus creating a just balance.
Wilhelm/Baynes: Within the earth, a mountain: the image of Modesty. Thus the superior man reduces that which is too much, and augments that which is too little. He weighs things and makes them equal.
Blofeld: This hexagram symbolizes a mountain in the centre of the earth. The Superior Man takes from where there is too much in order to augment what is too little. He weighs things and apportions them fairly. [The component trigrams symbolize a mountain surrounded by flat earth, thus suggesting too much in one place and too little in others.]
Liu: The mountain within the earth symbolizes modesty. The superior man reduces the excess and increases the lacking; he weighs and then equalizes all things.
Ritsema/Karcher: Earth center possessing mountain. Humbling. A chun tzu uses reducing the numerous to augment the few. A chun tzu uses evaluating beings to even spreading-out.
Cleary (1): There are mountains in the earth; modesty. Thus does the superior person decrease the abundant and add to the scarce, assessing things and dealing impartially.
Cleary (2): … Leaders assess people and give impartially, by taking from the abundant and adding to the scarce.
Wu: There is a mountain inside earth; this is Humility. Thus the jun zi takes excess from the more to enrich the less and measures goods to ensure fair distribution. [To prepare oneself to accept what is fair among all his fellow men is the essence of humility.]
COMMENTARY
Confucius/Legge: It is the way of heaven to dispense its blessings downwards, and the way of earth to radiate its influence upwards. Both heaven and earth diminish the full to augment the lowly. Spiritual beings inflict calamity on the proud and bless the meek, and men resent ostentation and love temperance. Temperanceenlightens an honorable office, and neither will men ignore it in lowly positions. Thus does the superior man attain his ends. [Emphasis editor's -- Ritsema/Karcher translate "spiritual beings" [Kuei Shen] as: "The whole range of imaginal beings both inside and outside the individual; spiritual powers, gods, demons, ghosts, powers, fetishes.”]
Legge: An essay on temperance rightly follows that on abundant possessions. The third line, dynamic among five magnetic lines, in the topmost place of the trigram of Keeping Still, is the ruler of the hexagram. He is the representative of Temperance -- strong, but self-effacing. The idea is that temperance is the way to permanent success.
The Confucian commentary deals generally with the subject of temperance, showing how it is valued by heaven and earth, by spirits and by men. The descent of the heavenly influences, and the low position of the earth are both symbolic of temperance. The heavenly influences are seen in the daily fluctuations of the sun and moon, and the fertility of the earth correspondingly waxes and wanes with the seasons.
The Daily Lecture says:"The five yin lines above and below symbolize the earth; the one yang line in the center is the mountain in the midst of the earth. The many yin lines represent men's desires; the one yang line represents the heavenly principle. The superior man, looking at this symbolism, diminishes the multitude of human desires within him, and increases the single shoot of the heavenly principle; so does he become grandly just, and can deal with all things evenly according to the nature of each. In whatever circumstances or place he is, he will do what is right.”
NOTES AND PARAPHRASES
Judgment:Temperance means maintaining a dynamic/magnetic balance of forces to attain success.
The Superior Man maintains equilibrium in all that he does.
The most common translation of the title for this hexagram is Modesty, but I have chosen Temperance as a title more expressive of the ideas in the Image and Confucian commentary. The words “modesty” and “humility” often carry a connotation of weakness in western usage, and “temperance,” meaning to temper or regulate, is more expressive of the dynamic strength of will required to restrain and modulate the drive to dominate every situation.
The Image shows a mountain hidden beneath the earth--the quiet, invincible power of sheer will is hidden from view, yet it influences everything. Who observing such a level surface would know that the bulk of Mt. Everest was buried beneath it? Temperance means that one's power is hidden, that the fluctuations of heaven and earth are kept in such dynamic/magnetic balance as to be invisible to ordinary vision. The temperate person is strong enough to bear the weight of the world when that is necessary for the Work.
Marcus Aurelius, the Stoic Roman Emperor, was arguably the most powerful man of his time, yet his temperance and modesty showed him to fulfill the ideal of the superior man. Only the truly strong can be truly modest.
And let this truth be present to thee in the excitement of anger, that to be moved by passion is not manly, but that mildness and gentleness, as they are more agreeable to human nature, so also are they more manly; and he who possesses these qualities possesses strength, nerves and courage, and not the man who is subject to fits of passion and discontent. For in the same degree in which a man's mind is nearer to freedom from all passion, in the same degree also is it nearer to strength. Marcus Aurelius