In times of challenge, protect your light within and rise steadily with calm strength, leaving behind what holds you back.
From
36
Clouded Perception
To
52
Keeping Still
Losing enthusiasm
There was a time when one had faith and could do better works. taoscopy.com
Clouded Perception36
Stay resilient amidst adversity. When in challenging circumstances, maintain inner clarity and integrity while concealing your light from those who may not understand or appreciate it. Patience and perseverance are key.
↓ Line 1
In times of adversity, one must be cautious and avoid drawing attention. Perseverance is needed despite hardships.
↓ Line 6
One may experience extreme highs and lows. It is important to remain grounded and not be swayed by external circumstances.
↓ Keeping Still52
Stay still and composed. Focus inward, find tranquility amidst chaos. Embrace calmness to understand your inner self.
Other titles: Darkening of the Light, The Symbol of the Appearance of Clear Intelligence Wounded, Injury, Wounding of the Bright, Brightness Hiding, Calling Pheasant, The Darkened Light, Concealment of Illumination, Injury of Illumination, Light Obliterated, Intelligence Unappreciated, Censorship, Hiding One's Light, The Dark Night of the Soul, Ignorance "Not necessarily as bad as it sounds, may just mean being restricted or restricting yourself." -- D.F. Hook
Judgment
Legge: Under the conditions of Clouded Perceptionbe aware of the difficulty of your position and maintain firm correctness.
Wilhelm/Baynes: Darkening of the Light. In adversity it furthers one to be persevering.
Blofeld:Darkening of the Light. Righteous persistence in the face of difficulty brings reward.
Liu:Darkening of the Light. It benefits one to carry on through hard times.
Ritsema/Karcher: Brightness Hiding, Harvesting: drudgery, Trial. [This hexagram describes your situation in terms of intelligence hidden or harmed. It emphasizes that deliberately concealing your light by entering what is beneath you is the adequate way to handle it. To be in accord with the time, you are told to: hide your brightness!]
Shaughnessy: Calling pheasant: Beneficial to determine about difficulty.
Cleary (1): In concealment of illumination, it is beneficial to be upright in difficulty.
Cleary (2): When illumination is damaged, it is beneficial to be upright in difficulty.
Wu:Light Obliterated indicates that it is advantageous to be persevering in time of danger.
The Image
Legge: The sun enters the earth -- the image ofClouded Perception.The superior man manages his subordinates and shows his intelligence by keeping it hidden.
Wilhelm/Baynes: The light has sunk into the earth: the image of Darkening of the Light. Thus does the superior man live with the great mass: He veils his light, yet still shines.
Blofeld: This hexagram symbolizes light hidden within the earth. In governing the people, the Superior Man, though taking care to conceal his light, nevertheless shines.
Liu: The sun sinking under the earth symbolizes the Darkening of the Light. In approaching the people the superior man veils his brightness, yet still has glory.
Ritsema/Karcher: Brightness entering earth center. Brightness Hiding. A chun tzu uses supervising the crowds to avail-of darkening and-also Brightening.
Cleary (1): Light enters into the earth, illumination is concealed.Thus do Superior people deal with the masses, acting unobtrusively while in fact illuminated. [When practitioners of the Tao are among the masses, if they use their illumination too much, they will startle the ignorant and amaze the worldly, easily bringing on abuse and slander.]
Cleary (2): Illumination goes underground, in concealment of illumination. In dealing with the masses, true leaders act unobtrusively while in fact being illuminated. [What sages learn is to become daily more illumined unbeknownst to others.]
Wu: The light enters the earth; this is Light Obliterated. Thus the jun zi uses the spirit of dimness in place of brightness to administer affairs of the populace. [By “dimming” his internal strength, he would make people feel that he is one of them.]
COMMENTARY
Confucius/Legge: The image of Brightness entering into the midst of the earth suggests clarity that has been wounded or obscured. The lower trigram shows Clarity, the upper Docility. King Wen had both of these qualities, yet he was involved in great difficulties. The individual concerned should obscure his brightness. Thus was Count Chi able to correctly maintain his mind and intent amidst the difficulties of his situation.
Legge: This hexagram shows an able officer going forth in the service of his country, notwithstanding the occupancy of the throne by a weak and unsympathetic ruler. Hence the name Clouded Perception or Intelligence Wounded -- that is, injured and oppressed. The lesson of the figure is to show how such an officer will conduct himself and maintain his purpose.
King Wen was not of the line of Shang. Though opposed and persecuted by its sovereign, he could pursue his own course, till his line came in the end to supersede the other. It could not be so with the Count of Chi, who was a member of the House of Shang. He could do nothing that would help on its downfall.
NOTES AND PARAPHRASES
Judgment: Recognize a difficult situation and use your willpower to cope with its restrictions.
The Superior Man manages the situation by subduing his need to speculate, meddle, or call attention to himself. (Alternate: When in the presence of arrogance, the wise man plays the fool.)
The thirty-fifth hexagram shows the trigram of Clarity progressing over the earth -- an image of advancing awareness. The thirty-sixth hexagram is the inverse of this -- it shows the trigram of Clarity swallowed up by the earth. If the image of Advance of Consciousness symbolizes noon, when the sun is at the midheaven, then Clouded Perception symbolizes midnight, when the sun is at the Imum Coeli, or undersky. It is a time of maximum darkness, maximum ignorance; a time when the dark forces of the unconscious are at their strongest. We are reminded of the Dark Night of the Soul, an inescapable and inevitable phase of the Work:
When, at length, they have practiced themselves for some time in the journey of virtue, persevering in meditation and prayer, wherein, with the suavity and relish they have found, they have become detached from worldly things, and acquired some spiritual strength in God, so as to be able to curb the creature appetites and in some small degree suffer for God some slight load and dryness, without turning back at the crucial moment; when, to their thinking, they are proceeding in these spiritual exercises to their entire satisfaction and delight; and when the Sun of Divine favors seems to them to shine most radiantly upon them, God darkens all this light, and shuts the door and fountain of the sweet spiritual water, which they were wont to drink in God as often and as long as they chose ... and thus, he leaves them in darkness so profound that they know not whither to direct the sense of the imagination and speculations of the mind. St. John of the Cross
The Dark Night of the Soul is the universal experience of everyone who follows the way beyond the tried and true paths of the spiritual dilettante. It is an archetypal filter for determining the survival of the fittest in psychic evolution. For those who have entered this phase of the Work, it is good to remember that no one is given a test that they can't pass if they sincerely want to.
The situation in line five of this hexagram means little to one who is unacquainted with Chinese history. In its essence, the story of Count Chi concerns a superior man who was imprisoned by an evil emperor. The only way that he could survive this dark time was to feign insanity. Thus the message in the Image counsels us to show our intelligence by concealing it. There is a wide range of applications for this rule, and perhaps Lao Tse gives us the best paraphrase of the idea in his famous aphorism: He who knows does not speak; He who speaks does not know.
In terms of the Work this can mean that one must firmly understand that there are some things which cannot be shared with just anyone. Inner work is very fragile until it has had time to crystallize, and to expose its truths to the harsh light of unsophisticated intellect is to risk severe damage to the process of individuation.
One must not tell people of things they cannot grasp. There are mysteries that cannot be shared with everybody ... Some things can be told to no one and a secret told to a wrong person is destructive and even irresponsible. M.L. Von Franz -- The Feminine in Fairytales
This hexagram can symbolize many situations, but sometimes it is a suggestion that you are ignorant or "in the dark" about the true state of affairs now prevailing.
Line 1
Legge: The first line, dynamic, shows its subject with clouded perception, flying, but with drooping wings. When the superior man is about his business he may go for three days without eating. Wherever he goes, the people there may speak derisively of him.
Wilhelm/Baynes: Darkening of the light during flight. He lowers his wings. The superior man does not eat for three days on his wanderings. But he has somewhere to go. The host has occasion to gossip about him.
Blofeld: Failure of the light during his progress through the sky caused him to lower his wings. When busy with affairs, the Superior Man may go without food for three days on end, so intent is he on reaching his goal; but his lord will have something to say about this.
Liu: The darkened light flies and droops its wings. The superior man fasts for three days during his wanderings. His host speaks of him with derision. He leaves to go someplace.
Ritsema/Karcher: Brightness Hiding tending-towards flying. Drooping one's wings. A chun tzu tending-towards moving: three days not taking in. Possessing directed going. A lord: people possessing words.
Shaughnessy: The calling pheasant in flight, drops its left wing: the gentleman on the move, for three days does not eat; there is someplace to go; the ruler has words.
Cleary (1): Concealing illumination in flight, letting the wings hang down; a superior man on a journey not eating for three days has a place to go. The master is criticized.
Cleary (2): Illumination concealed in flight, etc … The ruler has something to say.
Wu: It is like a bird in flight with its wings drooping. If the jun zi takes a journey, he may go without food for three days andhis host will have words about his undertakings.
COMMENTARY
Confucius/Legge: In such a case he feels it right not to eat. Wilhelm/ Baynes: It is the obligation of the superior man to refrain from eating during his wanderings. Blofeld: It is the duty of the Superior Man to go without food for three days if his activities require this of him. Ritsema/Karcher: A chun tzu tending-towards moving: righteously not taking-in indeed. Cleary (2): It is right that they do not eat. [This is like a just person fleeing a vicious tyrant … such is the speed of travel that they do not have the leisure to eat for three days.]Wu: For righteousness sake, he refuses to eat.]
Legge: Line one is dynamic, and in its right place. He should be going forward, but the general signification of the hexagram supposes him to be wounded. The wound, received at the commencement of the action, is but slight. It suggests a bird hurt so that it must droop its wings. The subject then appears directly as the superior man. He understands that he must desist from the struggle for a time, and is so rapt in the thought that he can fast for three days and not think of it. When he does withdraw, opposition may follow him, but he holds to his own purpose. The commentary says that he does not purposely fast, but when he has nothing to eat he doesn't complain. He thinks it right that it should be so in this case.
NOTES AND PARAPHRASES
Siu: At the outset, the man encounters hostility and derision in his attempt to soar above all obstacles. He does not compromise but perseveres in his thinking and remains true to his principles. People do not understand him.
Wing: An attempt to rise above the obstacles in your environment will be met with hostility. If you decide to serve your personal drives and compromise the needs of society, you will be misunderstood and censured. Such is the difficulty of the position.
Editor: Flying: Air is the realm of thought. To fly is to move in the realm of ideas: to think, speculate, reason. Drooping wings: Wounded in the realm of thought: impaired thinking, inferior conceptualization, crippled by faulty ideas or incomplete information, “clipped wings.” He does not eat: he doesn't jump to conclusions, but reasons it out to the end. Three days: A period of completion. ("The Chinese say that numbers begin at one and are made perfect at three." -- Gaskell, Dictionary of Scriptures and Myths.) People speak derisively: Subordinate elements within the psyche (emotions, etc.) clamor for resolution, easy answers, etc. Psychologically, this combination of symbols points to a confused situation which demands careful differentiation. Though answers may not be forthcoming immediately, be patient and you will get what you seek. The line can also refer to painfully following one's path regardless of consequences. (Compare with symbolism of fourth line correlate.)
In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i.e., give battle to the nursery demons of his local culture) and break through to the undistorted direct experience and assimilation of what C.G. Jung has called "the archetypal images." This is the process known to Hindu and Buddhist philosophy as viveka, "discrimination." Joseph Campbell --The Hero with a Thousand Faces
A. Your thinking is confused and requires a new point of view. Don't jump to easy conclusions. Even though you are anxious to resolve the issue, you are obliged to reason it through to the end.
Line 6
Legge: The sixth line, magnetic, shows the case where there is no light, but only obscurity. Its subject had at first ascended to the top of the sky; her future shall be to go into the earth.
Wilhelm/Baynes: Not light but darkness. First he climbed up to heaven, then he plunged into the depths of the earth.
Blofeld: Nothing to lighten the darkness! Having once climbed to heaven, he later descended into the earth.
Liu: Not light, but shadows. First he ascended to the sky, and later plunged into the earth.
Shaughnessy: Not bright or dark: initially it rises into the heavens, afterwards it enters into the ground.
Cleary (1): The darkness of non-understanding; first ascending to heaven, then descending into the earth.
Cleary (2): In the darkness of ignorance, first ascending to heaven, later going underground.
Wu: Knowing not how to use the spirit of dimness, he first ascends to heaven and then falls into the depths of the earth.
COMMENTARY
Confucius/Legge: She might have enlightened the four quarters of the kingdom. She has failed to fulfill the model of a ruler. Wilhelm/Baynes:
Thus he might have been able to illuminate the lands of all the four quarters of the earth. Because he had lost the rule. Blofeld: He illumined the four quarters of the empire; his descent into the earth means that he transgressed divine law. Ritsema/Karcher: Illuminating the four cities indeed. Letting-go by consequence indeed. Cleary (2): First ascending to heaven is lighting up the nations; later going underground is losing guidance. Wu:“He first ascends to heaven” when his brightness shines at the four corners of the kingdom, “and then falls into the depths of the earth” when he violates the code of conduct.
Legge: Line six shows the fate of the ruler, who opposes the officer who would do her good and intelligent service. Instead of becoming as the sun, enlightening all from the height of the sky, she is as the sun hidden below the earth.
NOTES AND PARAPHRASES
Siu: There is only darkness. The ruler opposes officers capable of good and intelligent service. He does not shower blessings upon his people but ignores his duties and responsibilities for increasing the common good.
Wing: The current trend is coming to an end. The bad times are consuming themselves and will become but a memory. Those who once struggled to control the situation will fall back into obscurity.
Editor: This line is the Lord of Darkness oppressing the entire hexagram. Psychologically interpreted, the ego has not seen the light. Because this line changes the hexagram to number twenty-two, Persona, there is a hint that some sort of egocentric vanity may be involved.
Hence it is that they shun the light of heaven, and cast themselves down into their own light; a light which is like the light from glowing coals, and in some places like that from burning sulphur. But even this light is turned into thick darkness, when any particle of light from heaven flows in there. Swedenborg -- Heaven and Hell
A. You had clarity, then you lost it.
B. An image of the source of darkness, ignorance or negativity in the situation at hand.
Other titles: Mountain, Keeping Still, The Symbol of Checking and Stopping, Desisting, Stilling, Stillness, Stoppage, Bound, Reposing, Resting, Meditation, Non-action, Stopping, Arresting Movement, "Refers to meditation and yoga." -- D.F. Hook
Judgment
Legge: When his repose is like the back, and he loses all consciousness of self; when he walks in his courtyard and does not see the people, there will be no error.
Wilhelm/Baynes: Keeping Still. Keeping his back still so that he no longer feels his body. He goes into his courtyard and does not see his people. No blame.
Blofeld: Keeping the back so still as to seem virtually bodiless, or walking in the courtyard without noticing the people there involves no error!
Liu: Stillness. Keeping the back still -- one feels that the body no longer exists. Even when one walks in the courtyard, one sees no people. No blame.
Ritsema/Karcher: Bound: one's back. Not catching one's individuality. Moving one's chambers. Not visualizing one's people. Without fault. [This hexagram describes your situation in terms of confronting a boundary or obstacle. It emphasizes that stopping and acknowledging the limit, the action of Bound, is the adequate way to handle it. To be in accord with the time, you are told to stop!]
Shaughnessy: Stilling his back , but not stilling his body: Walking into his courtyard, but not seeing his person; there is no trouble.
Cleary (1):Stopping at the back, one does not have a body; walking in the garden, one does not see a person. No fault.
Cleary (2):Stilling the back, one does not find the body, etc.
Wu:Stoppage indicates that, resting on his back, he does not find his body and walking in his courtyard, he does not see any person. Faultless.
The Image
Legge: The image of one mountain atop another formsKeeping Still. The superior man, in accordance with this, does not allow his thoughts to go beyond the duties of his immediate circumstances.
Wilhelm/Baynes: Mountains standing close together: the image of Keeping Still.. Thus the superior man does not permit his thoughts to go beyond his situation.
Blofeld: This hexagram symbolizes two mountains conjoined. The Superior Man takes thought in order to avoid having to move from his position.
Liu: Mountain next to mountain symbolizes stillness. The superior man's thoughts do not go beyond his position.
Ritsema/Karcher: Joined mountains. Bound. A chun tzu uses pondering not to issue-forth-from one's situation.
Cleary (1):Joining mountains. Thus do superior people think without leaving their place.
Cleary (2):The mountains are still. Thus the thoughts of developed people are not out of place.
Wu: One mountain overlapping another makes Stoppage. Thus the jun zi does not contemplate things beyond his position. [Confucius said: “If you do not hold an office, do not give counsels on its administration.” What he meant is: not to volunteer counsels freely. On the other hand, if you are requested, then give the best you can.]
COMMENTARY
Confucius/Legge:Keeping Stillmeans stopping: One rests when it is time to rest, and acts when it is time to act. When action and rest occur at the proper times, one's behavior is enlightened. Keeping his back still, he rests in his proper place. The upper and lower lines of the hexagram all mirror each other, but are without any interaction: Hence it is said that he has no consciousness of [ego]. He does not see the persons in his courtyard, and there will be no error.
Legge: Two trigrams symbolizing Mountain make up the hexagram ofKeeping Still. Mountains rise up grandly from the surface of the earth, their huge masses resting on it in quiet and solemn majesty. They are barriers to the onward progress of the traveler. The attributes of this hexagram are both resting and arresting. It denotes the characteristic of resting in what is right in principle, right on the widest possible scale -- in the absolute conception of the mind and in every possible position in which a man can be placed. As in hexagram number thirty-one, Initiative, the symbolism is taken from the different parts of the human body.
According to the K'ang-hsi editors, the second sentence in the Image should be translated: "The superior man, in consequence with this, thinks anxiously how he shall not go beyond the duties of his position."
NOTES AND PARAPHRASES
Judgment:"Wipe out imagination: check desire: extinguish appetite: keep the ruling faculty in its own power.” -- Marcus Aurelius
The Superior Man eliminates all distraction and concentrates on the matter at hand.
A large portion of the Work consists of nothing more than the will to keep still. Anyone who has ever tried it can attest that Keeping Still, or doing “nothing,” is probably the most difficult thing that a human can be asked to do. We are an ever-flowing fountain of restless desire -- the senses are mindlessly programmed to encounter their objects, and when we prevent them from doing this, a great commotion occurs in the psyche. We are so accustomed to feeling our desires, drives, instincts and appetites as integral to our awareness, that we are seldom conscious of the fact that they are actually autonomous forces -- as separate from the ego, or choice-making complex, as we are from other people, creatures or objects in the physical world. Try controlling an ingrained habit, such as smoking, and observe how difficult it is to impose your will upon it. Who controls whom?
The power of sight does not come from the eye, the power to hear does not come from the ear, nor the power to feel from the nerves; but it is the spirit of man that sees through the eye, and hears with the ear, and feels by means of the nerves. Wisdom and reason and thought are not contained in the brain, but they belong to the invisible and universal spirit which feels through the heart and thinks by means of the brain. All these powers are contained in the invisible universe, and become manifest through material organs, and the material organs are their representatives, and modify their mode of manifestation according to their material construction, because a perfect manifestation of power can only take place in a perfectly constructed organ, and if the organ is faulty, the manifestation will be imperfect, but not the original power defective. Paracelsus -- De Viribus Membrorum
The ego has only one legitimate function -- to make choices: it is the switchboard in the psyche which directs where the energy of the instinctual powers shall go. If these autonomous forces are stronger than the will of the ego, they soon learn to get their way as often as possible. The main difference between an inferior and a superior man is that the latter has learned to control and direct his energies for a higher purpose. One of the best ways to acquire this ability is to learn the lessons inherent within Keeping Still.
Psychoanalysis has demonstrated that the power of these images and complexes lies chiefly in the fact that we are unconscious of them, that we do not recognize them as such. When they are unmasked, understood, and resolved into their elements, they often cease to obsess us; in any case we are then much better able to defend ourselves against them. Roberto Assagioli -- Psychosynthesis
The lines of the upper and lower trigrams are mirror images of each other, yet not one of them has a proper correlate: they don't connect with each other. This suggests the separation of the senses from their objects. For example, eyeballs are sensory-receptors designed for the perception of light and form -- close your eyes, and they are prevented from contacting the phenomena they were created to perceive. That the psychic entities attached to this desire to perceive phenomena might resist restriction is a foregone conclusion, but the ego has control over the eyelids -- or should have. “Not seeing the people in one's own courtyard” means that one ignores one's autonomous impulses.
Regulation of the psyche’s autonomous manifestations in accordance with the will of the Self is for the purpose of gaining a controlling influence over one’s karma. As stated herein many times, you, as ego, are nothing more than a tool created by the Self for the direction of its own destiny.
Both karma theory and quantum mechanics refuse to accept that observers can exist independent of the systems they observe. Spiritual science goes so far as to take the observer’s own internal universe and its states as its experimental field. For it is within that field that karma is produced and stored …The “matter” from which we and our obstructions are created includes both the dense physical material from which our bodies are built and the thoughts, attitudes and emotions that make up our minds. Tantric practice is karmic engineering within this field of name and form, orchestration of substance and action into result. First you direct new causes against previous effects to nullify adverse influences on your awareness, then you unleash yet further actions to negate the influence of the nullifying actions. Robert Svoboda –Aghora III, The Law of Karma
How any ego could tackle such responsibilities with any hope of progress is impossible to imagine without the direction of the Self. Keeping Still certainly has its own karmic consequences, but when the “not choosing” implied in this hexagram is done in accordance with the Self’s will and intent, the results slowly lead to ever higher levels of awareness – eventually into realms beyond the physical. That is what the Work is all about: any other choice is to lock ourselves into a continuous round of birth and death in physical manifestation.
The Kabbalists teach that everything we do stirs up a corresponding energy in other realms of reality. Actions, words, or thoughts set up reverberations in the universe. The universe unfolds from moment to moment as a function of all the variables leading up to that moment. When we remain cognizant of this mystical system, we are careful about what we do, say, or even think, for we know that everything is interdependent; we know that a seemingly insignificant gesture could have weighty consequences. Rabbi David Cooper – God is a Verb
SUGGESTIONS FOR MEDITATION
Notice that every line of this hexagram except the last deals with an inherent challenge involved in the discipline required to keep still. Compare the lines in Keeping Still with similar lines in hexagram 31, Initiative.