Opposition melts away as unity forges a new dawn; unleash your creative power.
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Opposition
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The Creative
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One is going to take all of it to try to understand. taoscopy.com
Opposition38
Conflict arises from differences. Seek common ground and understanding to overcome separations and oppositions. Mutual respect paves the way for harmony.
↓ Line 3
Initial setbacks may occur, but perseverance leads to eventual success.
↓ Line 5
Resolving misunderstandings and seeking reconciliation leads to positive outcomes.
↓ The Creative1
Pure potential. Creative energy. Initiate bold actions.
Other titles: Opposition, The Symbol of Strangeness and Disunion, The Estranged, Opposites, Polarizing, Alienation, Distant From, Perversion, Disharmony, Separated, Contradiction, Estrangement, Incongruity
Judgment
Legge: Despite Mutual Alienation there will be success in small matters.
Wilhelm/Baynes:Opposition. in small matters, good fortune.
Blofeld: The Estranged -- good fortune in small matters.
Liu: Opposition. In small things, good fortune.
Ritsema/Karcher:Polarizing, Small Affairs significant. [This hexagram describes your situation in terms of things that are connected but should not join. It emphasizes that putting things in opposition while acknowledging their essential link is the adequate way to handle it...]
Shaughnessy: Perversion: Little affairs are auspicious.
Cleary (1): Disharmony. A small matter will turn out all right.
Cleary (2): Opposition, Etc.
Wu: Incongruity indicates auspiciousness for doing small things.
The Image
Legge: The image of fire over a marsh forms Mutual Alienation. The superior man, in accordance with this, accepts the diversities which make up the whole.
Wilhelm/Baynes: Above fire; below the lake: the image of Opposition. Thus amid all fellowship the superior man retains his individuality.
Blofeld: This hexagram symbolizes fire above and a marshy lake below. The Superior Man achieves difference through unity.
Liu: Fire above the lake symbolizes Opposition. Living with the people, the superior man distinguishes among them.
Ritsema/Karcher: Fire above, marsh below. Polarizing. A chun tzu uses concording and-also dividing. [Cf. Solve et Coagula—Ed.]
Cleary (1): Above is fire, below is a lake, disparate. Thus are superior people the same yet different.
Cleary (2): Above is fire, below is a lake – opposite. Developed people, etc.
Wu: Fire above and marsh below form Incongruity. Thus the Jun zi take separate paths, but arrive at the same goal.
COMMENTARY
Confucius/Legge: In Mutual Alienation we see fire ascending and water descending. We see two sisters living together whose wills move in opposite directions. However, the lower trigram of Cheerfulness is attached to the upper trigram of Clarity, and the magnetic fifth line is responded to by the dynamic second line; these are signs that there can still be good fortune in small matters. Heaven and earth are separate and apart, but the work which they do is the same. Male and female are separate and apart, but with a common will they seek the same object. There is a diversity between the myriad classes of beings, but there is an analogy between their several operations. Great indeed are the phenomena and the results of this condition of disunion and separation.
Legge: Mutual Alienationshows a condition in which disunion and mistrust prevail. The hexagram teaches how this state of affairs may be overcome in small matters and the way prepared for the cure of the whole system. The commentators suggest that the condition symbolized here is a necessary sequel to the regulation of the family in the preceding hexagram.
The K'ang-hsi editors observe that in many hexagrams we have two daughters dwelling together, but that only in this and number forty-nine is attention called to it. The reason is that in these two diagrams the sisters are the second and third daughters, while in the others one of them is the eldest, whose place and superiority are fixed, so that between her and either of the others there can be no division or collision. The lesson in the Confucian commentary is not unity in diversity, but union with diversity.
NOTES AND PARAPHRASES
Judgment: In resolving disputes, begin with their least controversial aspects.
The Superior Man respects alternative points of view.
Turn the hexagram of Familyupside-down and you get the hexagram ofMutual Alienation. The opposite of family unity is estrangement, which combined with the idea of polarity, suggests the kind of energetic "pushing away" one feels when two horseshoe magnets are matched to the same poles. Despite this opposition however, every line deals positively with the situation -- there is not one image in the hexagram that doesn't intimate an eventual resolution.
The thirty-eighth hexagram lays even more emphasis than usual on the relationships (polarities) existing between its correlate lines. This suggests that inner connections outrank any superficial estrangement. The Mutual Alienationthen, is not a permanent condition -- it represents more of a challenge than a disaster. All polarity is potential energy to accomplish useful work, and in this hexagram the polarities are more than usually available for this purpose. This doesn't mean that the work here is necessarily easy, just that it offers a major opportunity for growth.
A crisis develops when some pressure or event creates a state of uncomfortable disequilibrium which fails to respond to usual defenses and coping mechanisms. It involves danger with both a considerable risk for worsening and opportunity for growth (with enhancement of insight, mastery, and self-esteem) ... The patient should be educated to understand his situation and helped to see that painful episodes may prove to be part of a constructive process, and are not proof of a dire outcome. R.P. Kluft -- Hypnotherapeutic Crisis Intervention in Multiple Personality
Line 3
Legge: In the third line, magnetic, we see one whose carriage is dragged back, while the oxen in it are pushed back, and she is herself subjected to the shaving of her head and the cutting off of her nose. There is no good beginning, but there will be a good end.
Wilhelm/Baynes: One sees the wagon dragged back, the oxen halted, a man's hair and nose cut off. Not a good beginning, but a good end.
Blofeld: He watched them dragging at his axle and striking his oxen. As for himself, his topknot and nose were sliced off -- not much of a beginning, but there was an end to his troubles. [This is a frighteningly inauspicious line. We must expect severe trouble; the only comfort we can take is the knowledge that it will not be permanent.]
Liu: When the ox stopped, the cart moved back. He sees a man whose hair and nose have been cut off. Misfortune in the beginning, good fortune later.
Ritsema/Karcher: Visualizing the cart pulled-back. One's cattle hampered.
One's person stricken, moreover nose-cut. Without initially possessing completion.
Shaughnessy: Seeing the cart with one horn upturned, its cow dragging, its man branded on the forehead and with his nose cut off; there is no beginning, there is an end.
Cleary (1): One sees the vehicle dragged back, the ox halted; the person’s hair and nose are cut off. There is no beginning, but there is an end.
Cleary (2): Having the vehicle dragged back, the ox halted, the person is punished by heaven. There is no beginning, but there is an end.
Wu: He sees a cart pulled back, its ox led away, and its carter’s forehead tattooed and his nose cut off. He has a bad beginning that ends well.
COMMENTARY
Confucius/Legge: The carriage is drawn back because of the inappropriateness of the line's position. The good end arises from her meeting with the strong topmost line. Wilhelm/Baynes: The place is not the right one. This happens through meeting one that is firm. Blofeld: The first part of this passage is indicated by the unsuitable position of the line. That, despite this poor beginning, there is an end to his troubles -- or ours -- can be deduced from this line's meeting with a firm one immediately above it. Ritsema/Karcher: Situation not appropriate indeed. Meeting a solid indeed. Cleary (2): Out of place. Having firmness. Wu: His place is out of order. He engages in strength.
Legge: Line three is magnetic where it ought to be dynamic. Her correlate line six is dynamic, and the relation between them might be correct if the magnetic three wasn't sandwiched between the dynamic second and fourth lines. Because it is a time of disunion, these two check and repulse her. At the same time, line six inflicts upon three the punishments mentioned. It is thus bad for three at first, but in the end it will go well with her, and this will be due to the strength of the sixth line. What is right and good is destined to triumph over what is wrong and bad. Disorder shall eventually give place to order, and disunion to union.
NOTES AND PARAPHRASES
Siu: Things look completely hopeless. The man is opposed and dishonored. But if he clings to what he believes to be right, the ending will be good.
Wing: Difficulties will pile on difficulties and you will be opposed at every turn. Although this is a bad beginning, there is a possibility of a good ending. Cling to what you know is right or align yourself with a strong helper and the matter will end well.
Wilhelm (from Lectures on the I Ching): A complete change is taking place. This, however, is connected with utmost difficulty... This is the time of battles. Often, just after receiving the call, one makes no progress. And even if one succeeds for a short time, obstructions soon develop. One's own person is seen as weak among so many strong persons, and the movement, which is still governed by opposition that must be overcome, has at every step internal as well as external obstructions.
Editor: This is a very difficult line. Carriage: Vehicle, forward motion, ability to advance. Oxen: Castrated bulls used as draft animals: an image of inexorable power or motive force. Hair: Energy, power, (Samson lost his strength when his hair was cut off.) Nose: Subtle discrimination, intuition. The line is an image of (usually undeserved) interference that impedes development. Sometimes it can be a reminder that humiliation and impotence in the service of the Work do not last forever.
The news from France is very bad, and I grieve for the gallant French people who have fallen into this terrible misfortune. We shall defend our island, and, with the British Empire around us, we shall fight on unconquerable until the curse of Hitler is lifted from the brows of men. We are sure that in the end all will be well. Winston Churchill, June 17, 1940
A. It seems all but impossible to succeed now. However, if you keep the faith, the prognosis is for victory.
Line 5
Legge: The fifth line, magnetic, shows that to its subject occasion for repentance will disappear. With her relative and minister she unites closely and readily as if she were biting through a piece of skin. When she goes forward with this help, what error can there be?
Wilhelm/Baynes: Remorse disappears. The companion bites his way through the wrappings. If one goes to him, how could it be a mistake?
Blofeld: Regret vanishes! The head of the clan bites through the flesh (or meat). What is there to prevent him proceeding (with his plans)? [This just means that all will go well with our plans. The head of the clan is our mind; the flesh is the difficulty we shall succeed in overcoming.]
Liu: Remorse vanishes. The member of the clan bites the skin. Going. No blame.
Ritsema/Karcher: Repenting extinguished. Your ancestor gnawing flesh. Going wherefore faulty?
Shaughnessy: Regret is gone. Climbing up the ancestral temple and biting flesh; in going what trouble is there?
Cleary (1): Regret vanishes; the ally bites through the skin. What fault is there in joy?
Cleary (2): Regret vanishes. With the ally in close cooperation, what is wrong with proceeding?
Wu: There will be no regret. His association with his relative is close like biting into a piece of skin. If he chooses to proceed, what error can there be?
COMMENTARY
Confucius/Legge: Her going forward will afford ground for congratulation. Wilhelm/Baynes: If one goes to him, it brings blessing. Blofeld: To proceed with current plans will result in blessings. [I.e. unexpected good fortune.]Ritsema/Karcher: Going possessing reward indeed. Cleary (2): With the ally in close cooperation, to proceed will result in celebration. Wu: This means to proceed is to have celebration.
Legge: The place of five is dynamic, but the line itself is magnetic, so that there might arise occasion for repentance. But the dynamic second line is a proper correlate. Because five is in the ruler's place, line two is seen as a relative of the same surname and head of some branch of the royal house. It is as easy for five, so supported, to deal with the disunion of the time as to bite through a piece of skin.
NOTES AND PARAPHRASES
Siu: The true nature of the companion is revealed by looking beneath the surface. The man joins with him to deal effectively with the disunion.
Wing: Because of a general atmosphere of Contradiction and opposition you may fail to recognize someone who can sincerely help you. This person may reveal himself in spite of the mistrust that clouds your perspective. Working together on current plans will now bring good fortune.
Editor: Biting: Differentiation, discernment, "cutting through the red tape," etc. (cf., Hexagram number twenty-one: Differentiation.) Skin:The outer layer, protective surface, facade, persona, superficial appearances, etc. To bite through the skin is to get to the meat of the matter.Relative and minister: An allied power, the Self. (Ritsema/Karcher mention the "ancestor," and Shaughnessy, the "ancestral temple" -- further clues that we are dealing with inner powers: i.e., the Self.)
The God of the Macrocosm and the God of the Microcosm act upon each other, and both are essentially one, for there is only one God and one law and one Nature, through which wisdom becomes manifest. Paracelsus -- De Fundamento Sapientiae
A. Cut through surface appearances to reach a deeper level of understanding.
B. Image of an ego/Self connection. Proceed with your plans.
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.