In times of discord, find your inner harmony and let inspiration ignite your path forward.
From
38
Opposition
To
16
Enthusiasm
Noticing a slight tremor
One is amused by the loss of a worthless object. taoscopy.com
Opposition38
Conflict arises from differences. Seek common ground and understanding to overcome separations and oppositions. Mutual respect paves the way for harmony.
↓ Line 1
Initial opposition can be overcome by patience and self-restraint. Avoid hasty actions.
↓ Line 2
Unexpected encounters can lead to beneficial outcomes. Stay open to possibilities.
↓ Line 6
Misjudgments can lead to unnecessary conflict. Clarity and understanding bring resolution and good fortune.
↓ Enthusiasm16
Inspiration fuels energy; align enthusiasm with purpose to move forward effectively.
Other titles: Opposition, The Symbol of Strangeness and Disunion, The Estranged, Opposites, Polarizing, Alienation, Distant From, Perversion, Disharmony, Separated, Contradiction, Estrangement, Incongruity
Judgment
Legge: Despite Mutual Alienation there will be success in small matters.
Wilhelm/Baynes:Opposition. in small matters, good fortune.
Blofeld: The Estranged -- good fortune in small matters.
Liu: Opposition. In small things, good fortune.
Ritsema/Karcher:Polarizing, Small Affairs significant. [This hexagram describes your situation in terms of things that are connected but should not join. It emphasizes that putting things in opposition while acknowledging their essential link is the adequate way to handle it...]
Shaughnessy: Perversion: Little affairs are auspicious.
Cleary (1): Disharmony. A small matter will turn out all right.
Cleary (2): Opposition, Etc.
Wu: Incongruity indicates auspiciousness for doing small things.
The Image
Legge: The image of fire over a marsh forms Mutual Alienation. The superior man, in accordance with this, accepts the diversities which make up the whole.
Wilhelm/Baynes: Above fire; below the lake: the image of Opposition. Thus amid all fellowship the superior man retains his individuality.
Blofeld: This hexagram symbolizes fire above and a marshy lake below. The Superior Man achieves difference through unity.
Liu: Fire above the lake symbolizes Opposition. Living with the people, the superior man distinguishes among them.
Ritsema/Karcher: Fire above, marsh below. Polarizing. A chun tzu uses concording and-also dividing. [Cf. Solve et Coagula—Ed.]
Cleary (1): Above is fire, below is a lake, disparate. Thus are superior people the same yet different.
Cleary (2): Above is fire, below is a lake – opposite. Developed people, etc.
Wu: Fire above and marsh below form Incongruity. Thus the Jun zi take separate paths, but arrive at the same goal.
COMMENTARY
Confucius/Legge: In Mutual Alienation we see fire ascending and water descending. We see two sisters living together whose wills move in opposite directions. However, the lower trigram of Cheerfulness is attached to the upper trigram of Clarity, and the magnetic fifth line is responded to by the dynamic second line; these are signs that there can still be good fortune in small matters. Heaven and earth are separate and apart, but the work which they do is the same. Male and female are separate and apart, but with a common will they seek the same object. There is a diversity between the myriad classes of beings, but there is an analogy between their several operations. Great indeed are the phenomena and the results of this condition of disunion and separation.
Legge: Mutual Alienationshows a condition in which disunion and mistrust prevail. The hexagram teaches how this state of affairs may be overcome in small matters and the way prepared for the cure of the whole system. The commentators suggest that the condition symbolized here is a necessary sequel to the regulation of the family in the preceding hexagram.
The K'ang-hsi editors observe that in many hexagrams we have two daughters dwelling together, but that only in this and number forty-nine is attention called to it. The reason is that in these two diagrams the sisters are the second and third daughters, while in the others one of them is the eldest, whose place and superiority are fixed, so that between her and either of the others there can be no division or collision. The lesson in the Confucian commentary is not unity in diversity, but union with diversity.
NOTES AND PARAPHRASES
Judgment: In resolving disputes, begin with their least controversial aspects.
The Superior Man respects alternative points of view.
Turn the hexagram of Familyupside-down and you get the hexagram ofMutual Alienation. The opposite of family unity is estrangement, which combined with the idea of polarity, suggests the kind of energetic "pushing away" one feels when two horseshoe magnets are matched to the same poles. Despite this opposition however, every line deals positively with the situation -- there is not one image in the hexagram that doesn't intimate an eventual resolution.
The thirty-eighth hexagram lays even more emphasis than usual on the relationships (polarities) existing between its correlate lines. This suggests that inner connections outrank any superficial estrangement. The Mutual Alienationthen, is not a permanent condition -- it represents more of a challenge than a disaster. All polarity is potential energy to accomplish useful work, and in this hexagram the polarities are more than usually available for this purpose. This doesn't mean that the work here is necessarily easy, just that it offers a major opportunity for growth.
A crisis develops when some pressure or event creates a state of uncomfortable disequilibrium which fails to respond to usual defenses and coping mechanisms. It involves danger with both a considerable risk for worsening and opportunity for growth (with enhancement of insight, mastery, and self-esteem) ... The patient should be educated to understand his situation and helped to see that painful episodes may prove to be part of a constructive process, and are not proof of a dire outcome. R.P. Kluft -- Hypnotherapeutic Crisis Intervention in Multiple Personality
Line 1
Legge: The first line, dynamic, shows that to its subject occasion for repentance will disappear. He has lost his horses, but let him not seek for them -- they will return of themselves. Should he meet with bad men, he will not err in communicating with them.
Wilhelm/Baynes: Remorse disappears. If you lose your horse, do not run after it; it will come back of its own accord. When you see evil people, guard yourself against mistakes.
Blofeld: Regret vanishes! Do not follow the straying horse, for it will return of its own accord. Though he allows evil men to visit him, he remains without error.
Liu: Remorse vanishes. If one loses a horse, one should not look for it; it will return by itself. Even if one sees evil men, no blame.
Ritsema/Karcher: Repenting extinguished. Losing the horse, no pursuit, originating-from returning. Visualizing hateful people. Without fault.
Shaughnessy: Regret is gone; Losing a horse, do not pursue; it will of itself return. Seeing an ugly man; there is no trouble.
Cleary (1): Regret disappears: When you lose the horse, don’t chase it – it will return on its own. Seeing an evil person, there is no blame.
Cleary (2): Regret vanishes. Having lost the horse, do not chase after it – it will come back by itself. Seeing evil people, there is no blame. [Whenever thoughts of gain and loss become serious, or the idea of good and bad is too defined, then what is the same will be differentiated, and what is different cannot be made the same. Only when we follow firm and upright celestial virtue do gain and loss disappear, good and bad merge. Then even if we are in a time of oppositions, we can be free of regret.]
Wu: There will be no regret. He need not look for a lost horse, as it will come back by itself. If he meets with a disagreeable man, there will be no error.
COMMENTARY
Confucius/Legge: He communicates with the bad men to avoid the evil of their condemnation. Wilhelm/Baynes: When you see evil people, avoid mistakes. Blofeld: That is to say, his very purpose in receiving them is to avoid error. [We must expect to encounter unlikable people whom it would be impolitic or dangerous to ignore.] Ritsema/Karcher: Using casting-out fault indeed. Cleary (2): Seeing evil people, one avoids blame. Wu: He meets with a disagreeable man to avoid getting into troubles.
Legge: The first line is dynamic in a dynamic place, but his correlate in line four is also dynamic, so disappointment and repentance are likely to ensue. However, through the good services of line four the first line won't have to repent. His condition may be symbolized by a traveler’s loss of his horses, which return to him of themselves.
NOTES AND PARAPHRASES
Siu: At the outset, the man slips into avoidable mistakes during times of opposition. When members of his own fold are estranged, he should not run after them; he should let them come back of their own accord. On the other hand, those who do not belong to this group but force their evil presence into the company must be endured. This silences their slanderous tongues; they will withdraw of their own accord.
Wing: There is an estrangement present between elements that naturally belong together. Do not try to reunify the situation with force. Allow things to return to a state of accord naturally, as they will. Do not worry about it. Things will work themselves out. If something inferior is being forced upon you, a cold shoulder will work wonders.
Editor: Psychologically, to lose one's horses is to lose one's power, or to have emotion "run away with itself." The image suggests a temporary loss which one need not worry about. To "communicate with bad men" means to consciously monitor your negative feelings -- to be aware of resentments, fears, hostility, or whatever the situation has called forth, without acting on them. In other words, maintain your will in the face of unstable impulses. The unusual beneficial correlation between two dynamic lines in one and four recalls a similar configuration in hexagram number fifty-five.
Analytic experience has shown that there seems to be a general law which decides between psychic health and psychopathology. The balance is tipped by the ego's strength, capacity and willingness to unbar the doors and windows to the unconscious and to receive the stranger; that is, to confront and channel the inner world of images and affects while, at the same time, retaining its own grasp upon external reality. E.C. Whitmont --The Symbolic Quest
A. A temporary conflict will soon resolve itself. Endure the inferior elements in the situation without polarizing them to action.
B. For the moment your emotions have run away with you. Confront a harmful or severely limiting attitude or belief.
Line 2
Legge: The second line, dynamic, shows its subject happening to meet with his ruler in a bye-passage. There will be no error.
Wilhelm/Baynes: One meets his lord in a narrow street. No blame.
Blofeld: He encountered his lord in a narrow lane -- no error!
Liu: One meets his superior in an alley. No blame.
Ritsema/Karcher: Meeting a lord, tending-towards the street. Without fault.
Shaughnessy: Meeting the ruler in an alley; there is no trouble.
Cleary (1): Meeting the master in an alley, there is no blame. [When yin and yang have gotten out of harmony, aberrant energy is strong and true sane energy is weak – the mind of Tao is not easy to meet. However, if firmness is applied with flexibility, advancing by way of a small path, using the human mind to produce the mind of Tao, this is like “meeting the master in an alley.” The formerly blameworthy can then be blameless. This is setting disharmony right when it is in full force.]
Cleary (2): Meeting the ruler, etc.
Wu: He meets his master in a lane. There will be no error.
COMMENTARY
Confucius/Legge: He has not deviated for this meeting from the proper course. Wilhelm/Baynes: If one meets his lord in a narrow street, one has not lost his way. Blofeld: He was not in error for he had not strayed from his path. Ritsema/Karcher: Not-yet letting-go tao indeed. Cleary (2): Does not deviate from the right way. Wu: He has not gone beyond the bounds.
Legge: The fifth-line correlate of the second line is magnetic and the two might meet openly if it weren't for the separation and disunion of the time. A casual, as it were a stolen interview, as in a bye-lane or passage, will be useful however, and may lead to better understanding.
NOTES AND PARAPHRASES
Siu: Misunderstanding prevents people who share an inner affinity from meeting together in the normal way. A casual meeting between the man and his master under informal circumstances proves useful.
Wing: An unexpected or accidental encounter with an important idea or person will benefit you. There is a natural attraction at work here, although a direct approach would have been inconceivable or impossible.
Wilhelm (from Lectures on the I Ching): (Man)...accepts his karma, his fate, which from within the situation has been given him and which he affirms. The image of the narrow street indicates that this is not a simple transaction. A counterpart is, for example, found in the Bible, when a prophet receives his calling. Prophets are such men who have met their masters in narrow streets. How the prophet Jeremiah rages and complains! All his life he reproaches God for having burdened him with too heavy a load, but nonetheless accepts his destiny and completes the task.
Editor: The image is one of a meeting (union) between high and low in a tight place, or under restricted circumstances. This "narrow passage," pinched circumstances, or rough-going, could refer to the discipline of the Work. An ego/Self connection is implied.
The aim of the ordinary man is to live his life avoiding all difficulties, discomforts and unpleasantness within the bounds of his conscience. The esoteric student should be a man with a very demanding conscience and so his life is more difficult. This does not mean that he goes about seeking for or making difficulties for himself, but he meets all obstacles as a challenge, and the greater the obstacle the greater the opportunity it is for him to overcome the weaker aspects of his nature. Gareth Knight -- Qabalistic Symbolism
A. Truth or duty is encountered in a tight spot or limited situation.
B. Restricted circumstances evoke their own dynamics for growth. Stress is a great teacher.
C. "A tough row to hoe." A difficult (fated) co-incidence of some kind.
Line 6
Legge: The sixth line, dynamic, shows its subject solitary amidst the prevailing disunion. In the subject of the third line, he seems to see a pig bearing on its back a load of mud, or fancies there is a carriage full of ghosts. He first bends his bow against her, and afterwards unbends it, for he discovers that she is not an assailant to injure, but a near relative. Going forward, he shall meet with the genial rain, and there will be good fortune.
Wilhelm/Baynes: Isolated through opposition, one sees one's companion as a pig covered with dirt, as a wagon full of devils. First one draws a bow against him, then one lays the bow aside. He is not a robber; he will woo at the right time. As one goes, rain falls; then good fortune comes.
Blofeld: Wandering estranged and lonely, he saw a boar covered with mud and a wagon loaded with demons. First he stretched his bow, but then put it aside. It is not an obstacle but a matter of betrothal which causes delay or hesitation. If rain is encountered during the conduct of affairs, good fortune will ensue. [The first two sentences imply that we shall meet with unpleasant and frightening things; that, at first, we shall think to fend them off, but then decide to let them be. The sentence about betrothal means only that there will be some delay or hesitation for very good reasons. The last sentence may or may not mean exactly what it says. If we decide that it is not to be taken literally, then we must take it to mean that a slight setback on the way is a good omen.]
Liu: Isolated due to opposition, one sees a dirty pig by the roadside, and many devils in a cart. First he draws his bow against him, then he puts it down. He is not a robber, he will propose marriage. If he meets the rainfall, there will be good fortune.
Shaughnessy: Perverse solitude; seeing a pig with mud on its back and one cart carrying ghosts; the first drawn bow is later released into the jar; it is not robbers who in the evening have intercourse; going and meeting rain then it will be auspicious.
Cleary (1): Disharmony results in isolation; see a pig covered with mire, a wagon carrying devils. First you draw the bow, later you put the bow down. It is not an enemy but a partner. Going on, it is fortunate if you encounter rain.
Cleary (2): … Encountering rain, then there is good fortune.
Wu: He is isolated because of incongruity. He sees a pig hoarding mud on its back and a cart loaded with ghosts. At first he draws his bow, but soon after laying it down, he realizes what he sees is not a transgressor, but a suitor. It will be auspicious if he goes ahead and encounters rain.
COMMENTARY
Confucius/Legge: The good fortune of the rain symbolizes the passing away of all doubts. Wilhelm/Baynes: All doubts disappear. Blofeld: The last sentence implies the dispersal of all doubt. [Coupling this commentary with what is said about rain, we may suppose that, if rain (or an unexpected setback) occurs, then we shall no longer have any reason to doubt the successful outcome of our plans.] Ritsema/Karcher: The flock doubt extinguished indeed. Cleary (2): Doubts disappear. Wu: The dissolution of all doubts.
Legge: Line six is a magnetic place, yet this line is dynamic -- what can he do? He looks at the magnetic three, his proper correlate, with the mistrustful eye of disunion. The third line appears no better than a filthy pig, no more real than an impossible carriage-load of ghosts. He bends his bow, then unbends it when he discovers that three is his friend, as did one in four, and five in two. He acts with good luck, comparable to the falling rain which results from the happy union of the yang and yin in nature.
NOTES AND PARAPHRASES
Siu: The man misjudges his friend unfairly because of misunderstandings. But he realizes his mistake and relieves the tension.
Wing: Misunderstandings and mistrust have caused you to lose all perspective. You see your true friends as enemies and become defensive. You will, however, see your mistakes, and the tensions will be relieved. Just when Contradictions are at their worst they begin to ebb. Good fortune.
Editor: The image is quite clear -- through misperception one initially rejects something valuable which appears to be either repugnant or fantastic. Psychologically, this suggests the idea of projection -- the assignment of our own unconscious material to external phenomena. To "go forward to meet the rain” is to make the proper connection -- to unite with the truth. In the I Ching rain always means the union between heaven and earth, above and below, Self and ego, thought and feeling, etc. The supreme union is a holy marriage, as described in hexagram number eleven. Here it simply refers to making a connection -- getting the message.
These psychic elements lying behind the ego in the individual's unconscious are projected, that is, they are reflected or mirrored externally, in persons and things and situations which therefore acquire for him a significance and power of attraction borrowed from the unknown aspects of his own psyche. M.E. Harding -- Psychic Energy
A. What you perceive as evil circumstances will in time reveal themselves as fortunate.
B. Disparate elements in the psyche are about to come together. You perceive disunion where none exists.
Other titles: The Symbol of Harmonious Joy, Repose, Happiness, Providing-for/Provision, Excess, Merriment, Self-confidence, Contentment, Harmonize, Excitement, Intemperance, Self-deception "Repose in the absolute confidence that the action now being taken is right. Also refers to music." -- D.F. Hook
Judgment
Legge: Enthusiasm indicates that feudal princes may be set up and the army advantageously mobilized.
Wilhelm/Baynes:Enthusiasm. It furthers one to install helpers and to set armies marching.
Blofeld:Repose profits those engaged in building up the country and sending forth armies. [This means that perfect certainty as to the rightness of our cause is of great value under the conditions mentioned. The usual meaning of this character is "beforehand" or "happiness." In the English translation of Wilhelm's version, it appears as "enthusiasm." "Repose" was suggested by the Chinese experts who kindly vetted this manuscript. At first I felt hesitant about adopting it, until I realized that, where it is used favorably, it must be understood as the kind of mental repose which follows absolute confidence that the action now being taken is the right one. In lines one, three and six, however, it clearly means failure to act when action is essential; in line five, failure to act owing to incapacity.]
Liu:Happiness. It is of benefit to build up the country (or business), and send the army forth. [Receivers of this hexagram should be wary of exhibiting excessive enthusiasm when beginning a new undertaking. If they are not, there will be misfortune. The hexagram also advises that everything necessary for advancement should be made ready. Then if an opportunity presents itself, it should be seized immediately, without hesitation.]
Ritsema/Karcher: Providing-for , Harvesting: installing feudatories to move legions. [This hexagram describes your situation in terms of what is needed to meet the future. It emphasizes that accumulating strength through foresight and prudence so things can be fully enjoyed is the adequate way to handle it. To be in accord with the time, you are told to: provide-for!]
Shaughnessy: Excess: Beneficial to establish a lord and to move troops.
Cleary (1):Joy. It is advantageous to set up a ruler and mobilize the army.
Wu:Merriment indicates the advantage of establishing principalities and taking military actions.
The Image
Legge: Thunder exploding out of the Earth -- the image of Enthusiasm. The ancient kings, in accordance with this, composed their music and honored virtue, offering it especially to God when they worshipped him at the service of their ancestors.
Wilhelm/Baynes: Thunder comes resounding out of the earth: the image of Enthusiasm. Thus the ancient kings made music in order to honor merit, and offered it with splendor to the Supreme Deity, inviting their ancestors to be present.
Blofeld: This hexagram symbolizes thunder over the earth. The ancient rulers venerated heaven's gifts with solemn music and they sacrificed abundantly to the Supreme Lord of Heaven in order to be worthy of their ancestors.
Liu: Thunder arising from the earth symbolizes Happiness. The ancient kings composed music to honor virtue, offering it to God and the spirits of their ancestors.
Ritsema/Karcher: Thunder issuing-forth-from earth impetuously. Providing-for. The Earlier Kings used arousing delight to extol actualizing-tao. Exalting worship's Supreme Above. Using equalizing the grandfather predecessors. [Actualize-tao:ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): When thunder emerges the earth stirs: Thus did the kings of yore make music to honor virtue, offering it in abundance to God, thereby to share it with their ancestors.
Wu: Thunder breaks out above the earth with a boom; this is Merriment. Thus the ancient kings used music to praise virtuous accomplishments and made grand offerings to the Supreme Being to be accompanied by their ancestors.
COMMENTARY
Confucius/Legge: Enthusiasm shows one dynamic line inspiring responsive obedience in all the others: devoted obedience takes action. Such obedient action conforms to natural law and creates order and discipline in the people. The planets and the seasons follow their natural cycles. The sages similarly obey the laws of their nature and the people acknowledge their regulations and punishments as just.
Legge:Enthusiasm shows harmony and contentment throughout the kingdom -- a time when the people rejoice in their sovereign and readily obey him. At such a time his appointments and any military undertakings would be hailed and supported. Because he is close to the fifth place of dignity, the dynamic fourth line is seen as the chief executive officer of the ruler. The ruler has confidence in him, and all of the magnetic lines yield their obedience. Obedience is the attribute of the lower trigram which here takes the initiative and uses Movement, which is the attribute of the upper trigram.
The symbolism of the Image is more obscure than usual. The use of music at sacrifices is supposed to assist in producing the union between God and his worshippers as well as the present and past generations.
NOTES AND PARAPHRASES
Judgment: Delegate authority and gather your forces.
The Superior Man synchronizes his will with the intent of the Self via the principles of the Work.
Enthusiasm is the reverse of the preceding hexagram of Temperance. In Temperance we saw the calm strength of a mountain concealed within the earth. In Enthusiasm we see thunder exploding out of the ground into the sky: the strength that was formerly tempered and restrained is now released. It is significant to note that while every line of Temperance is more or less "favorable,” every line of Enthusiasm is either negative or cautionary -- even the generally positive fourth line carries a hint of warning about “doubt.”
Negatively, Self-Deception (the passion of True Believers) seems to be what this hexagram is portraying. The figure often suggests a callow or deluded buoyancy -- the kind of outlook associated with romantic idealists. In its most negative aspect, Enthusiasm is Intemperance -- the exact opposite of the moderation and restraint shown in the preceding hexagram. The behavior of an untrained Great Dane puppy suddenly bursting into a formal dinner party could be described as "enthusiasm,” but hardly a desirable form thereof. The lower trigram of Obedient Devotion has suddenly employed the action and energy of the upper trigram of Thunderous Shock to express itself. This is inconsistent with the code of the superior man.
Conversely, in its most positive sense, Enthusiasm suggests the surety of total self-confidence. Blofeld translates this as Repose, explaining that the name was suggested to him by his Chinese advisors. We begin to understand this subtle distinction when we compare the seemingly obscure connection with music in the Image with a passage from Chuang- tse:
He who understands the music of heaven lives in accordance with nature in his life and takes part in the process of change of things in his death. In repose, his character is in harmony with the yin principle; in activity, his movement is in harmony with the yang principle. Therefore he who understands the music of heaven is not blamed by heaven or criticized by men ... It is said, "In action he is like heaven. In repose he is like the earth ... Because his mind has found repose, therefore the creation pays homage to him.”
To understand “the music of heaven” is to attain Repose, which is another way of describing the tranquility that comes with furthering the intent of the Self. The only dynamic line in the hexagram is in the minister's place just below the fifth-line ruler. He has the confidence of his sovereign and his actions therefore accord with heaven. We can turn to the Stoics to find an illustration of this idea:
My will is simply that which comes to pass. For I esteem what God wills better than what I will. To Him will I cleave as His minister and attendant; having the same movements, the same desires, in a word the same will as He. -- Epictetus
Thus we see that the hexagram can describe either one of two opposite conditions -- the intemperate Enthusiasm of ego-confidence (a synonym for Self-Deception), or the calm Repose of true SELF-confidence. The fifteenth and sixteenth hexagrams, each the inverse of the other, represent magnetic and dynamic aspects of the same general idea: Enthusiasm, when it emanates from the Self, is just Temperance in action.