Other titles: Decrease, The Symbol of Lessening, Loss, Diminishing, Reduction, Diminution of Excesses, Decline, Bringing into Balance, Dynamic Balance, Sacrifice, "Not necessarily material loss. Can mean decreasing the lower self to increase the higher." -- D.F. Hook
Judgment
Legge: Compensating Sacrifice means that sincerely maintained rectitude brings great success. Action is appropriate if one's sacrifice is sincere -- even two baskets of grain, though there be nothing else, may be offered.
Wilhelm/Baynes:Decrease combined with sincerity brings about supreme good fortune without blame. One may be persevering in this. It furthers one to undertake something. How is this to be carried out? One may use two small bowls for the sacrifice.
Blofeld: Loss accompanied by confidence -- sublime good fortune and no error! It is favorable to have in view some goal (or destination). If there is doubt as to what to use for the sacrifice, two small bowls will suffice.
Liu:Decrease with sincerity: great good fortune, no blame. One may continue. It is beneficial to go somewhere. How can this (decrease with sincerity) be done? One may use two bamboo containers of grain for a sacrifice.
Ritsema/Karcher: Diminishing, possessing conformity. Spring significant. Without fault, permitting Trial. Harvesting: possessing directed going. Asking-why: having availing of. Two platters permit availing-of presenting. [This hexagram describes your situation in terms of sacrifice and loss. It emphasizes that lessening yourself and decreasing your involvements is the adequate way to handle it...]
Shaughnessy: There is a return; prime auspiciousness; there is no trouble. It can be determined. Beneficial to have someplace to go. Why use two tureens; you can use aromatic grass.
Cleary (1): Reduction with sincerity is very auspicious, impeccable. It should be correct. It is beneficial to go somewhere. What is the use of the two bowls? They can be used to receive.
Cleary (2): … It is beneficial to have somewhere to go, etc … They can be used for presentation.
Wu: Loss indicates that with confidence there will be great fortune, no error, perseverance, and advantage to have undertakings. What to use in offerings? Two boxes of grain are adequate.
The Image
Legge: The image of a mountain and beneath it the waters of a marsh form Compensating Sacrifice. The superior man, in accordance with this, restrains his wrath and represses his desires.
Wilhelm/Baynes: At the foot of the mountain, the lake: the image of Decrease. Thus the superior man controls his anger and restrains his instincts.
Blofeld: This hexagram symbolizes a marshy lake at the foot of a mountain. The Superior Man keeps his anger under control and is moderate in his desires.
Liu: The lake beside the mountain symbolizes Decrease. The superior man curbs his indignation and restricts his desires.
Ritsema/Karcher: Below mountain possessing marsh. Diminishing. A chun tzu uses curbing anger to block the appetites.
Cleary (1): There is a lake under a mountain, reducing it. Thus does the superior person eliminate wrath and cupidity.
Cleary (2): Lake below a mountain – Reducing. Thus do developed people eliminate anger and greed.
Wu: There is a marsh below the mountain; this is Loss. Thus the jun zi mitigates his anger and restrains his desires.
COMMENTARY
Confucius/Legge: In Compensating Sacrificethe lower trigram is diminished to increase the upper, and the flow is upward. The two baskets of grain accord with the time. There is a time when the strong should be diminished and the weak strengthened. Decrease and increase, overflowing and emptiness, take place in harmony with the demands of the time.
Legge: Ch'eng-tzu says: "Every diminution and repression of what we have in excess to bring it into accordance with right and reason is comprehended under Compensating Sacrifice. If there is sincerity in doing this it will lead to success and happiness, and even if the offering is small, yet it will be accepted."
The K'ang-hsi editors say: "What is meant by diminishing in this hexagram is the regulation of expenditure or contribution according to the time. This would vary in a family according to its poverty or wealth, and in a state according to the abundance or scantiness of its resources. If one supplements the insufficiency of his offering with the abundance of his sincerity, the insignificance of his two baskets will not be despised."
The waters of a marsh are continually rising up in vapor to bedew the hill above it, and thus increase its verdure. What is taken from the marsh gives increase to the hill.
NOTES AND PARAPHRASES
Judgment: A sacrifice creates equilibrium.
The Superior Man sacrifices his appetites to a higher principle.
The traditional name for this hexagram is Decrease, but the lines and commentary all describe a compensating exchange of forces to attain equilibrium. The idea of "sacrifice" is mentioned in the Judgment, and that also might make a good title, though the image of two baskets of grain suggests a balancing scale: a "compensating" device. In this hexagram, the flow of energy moves from below upwards -- the waters of the lake or marsh are dispersed to enrich the mountain. In psychological terms we think of the ego sacrificing or decreasing its autonomy to achieve psychic equilibrium with the Self: we forfeit something valuable to obtain something even more valuable. Without this quid pro quo, the concept of sacrifice is meaningless and irrational.
A sacrifice is meant to be a loss, so that one may be sure that the egoistic claim no longer exists. Therefore the gift should be given as if it were being destroyed. But since the gift represents myself, I have in that case destroyed myself, given myself away without expectation of return. Yet, looked at in another way, this intentional loss is also a gain, for if you can give yourself it proves that you possess yourself. Nobody can give what he has not got. Jung -- Transformation Symbolism in the Mass
Compare the Image message from hexagram number 15, Temperance with the notion of a compensating balance: "The superior man, in accordance with this, diminishes his excesses to augment his insufficiencies, thus creating a just balance." We are reminded of another "Temperance" -- the 14th Arcanum of the Tarot, which depicts an angel pouring water from one vessel into another: "compensating." A comparison of its symbolism with that of hexagram number 41 yields many insights:
The Path of ... TEMPERANCE, leads from ... the Personality [ego] to the Higher Self ... The whole experience is one of preparation of the Personality [ego], and the body in which it is operating, to deal with an influx of Light which would be devastating to a system unready to handle such energy. Most important here is the monitoring of progress, the continual testing from above. It is the angel here which is at once the Higher Self and the initiatory forces of Nature, which pours the elixir from vase to vase. This is an ongoing process of testing; measuring to see how much the physical vehicle can bear. R. Wang --The Qabalistic Tarot
Without belaboring the point, we can see that all sacrifice is a kind of remuneration: it couldn't be otherwise in an interconnected universe. The Image instruction for the superior man to “control his anger” is also echoed in the Temperance card. This relates to:
...an aspect of the Mysteries only rarely discussed, and certainly germane to the Twenty-Fifth Path [the Kabbalistic equivalent of the relationship between lines one and four in this hexagram]: this is the very real hostility often felt by the student toward the Path itself, as he works day after day and seems to be getting nowhere. Such hostility and frustration is in itself a major test; it is part and parcel of the work prior to the emergence of inner proofs. -- Ibid
"Decrease with sincerity" (Liu) refers to one's continuous sacrifice for the goals of the Work, and "curbing anger" (Ritsema/Karcher) is how one handles the archetypal forces evoked when the decrease seems endless and you've yet to receive anything in return. Like any other hexagram, Compensating Sacrifice can symbolize an infinity of possible situations, but psychologically speaking we can first regard it as an image of sacrifice for the purpose of attaining a balance of power within the psyche. Without the sacrificial devotion of the ego, the Self cannot attain its will; and if the Self can't make it, the ego is doomed by default.
Line 3
Legge: The third line, magnetic, shows how of three men walking together, the number is diminished by one; and how one, walking, finds his friend.
Wilhelm/Baynes: When three people journey together, their number decreases by one. When one man journeys alone, he finds a companion.
Blofeld: If three set forth together now, one will be lost on the way; whereas one man going forth alone will find company.
Liu: Three people walking together will lose one. When one walks alone, he will meet a friend.
Ritsema/Karcher: Three people moving, by-consequence Diminishing the-one-person. The-one-person moving. By-consequence acquiring one's friend.
Shaughnessy: If three men move then they will decrease by one man; if one man moves then he will obtain his friend.
Cleary (1): Three people traveling are reduced by one person; one person traveling finds a companion.
Cleary (2): … One person traveling gets companionship.
Wu: When three persons walk, one will be left out. When one walks alone, he will find a friend.
COMMENTARY
Confucius/Legge: When three are together, doubts arise among them. Wilhelm/Baynes: If a person should seek to journey as one of three, mistrust would arise. Blofeld: It is well to travel alone now, as three would give rise to suspicion. Ritsema/Karcher: Three by-consequence doubting indeed. Cleary (2): When one person travels, three then doubt. Wu: Three would create doubts.
The Master said: "Heaven and earth come together, and all things take shape and find form. Male and female mix their seed, and all creatures take shape and are born. In the Book of Changes it is said: `When three people journey together, their number decreases by one. When one man journeys alone, he finds a companion.' This refers to the effect of becoming one."
Legge: Chu Hsi says that the lower trigram was originally three yang lines, like "three men" walking together, and that the third line was removed and made into the topmost line of the upper trigram which was originally three yin lines. This exchange of places between lines three and six maintains their proper correlation and suggests the proper pairing of affinities. The K'ang-hsi editors observe that this line is true not only of three men, but of many repetitions of thought or action.
NOTES AND PARAPHRASES
Siu: A close bond is possible only between two persons. A group of three engenders jealousy. The lone man finds a complementary companion.
Wing: The closest bonds are now possible only between two persons. Groups of three create jealousy and mistrust and will eventually splinter. Yet someone who remains alone becomes lonely and will seek a companion. It is time to strike a proper balance.
Editor: The original condition described by Chu Hsi is an image of hexagram number eleven, Harmony, which represents the correct union of male and female forces. Psychologically the Syzygy archetype is suggested: the proper pairing of male and female which is seen in its supreme state in the hieros gamos or holy marriage. (See commentary on hexagram eleven for further detail.) A dialectical process is also implied.
God unfolds himself in the world in the form of syzygies (paired opposites), such as heaven/earth, day/night, male/female, etc ... At the end of this fragmentation process there follows the return to the beginning, the consummation of the universe through purification and annihilation. Jung -- Aion
A. The image suggests a sorting-out of affinities to attain balance or unity. Forces are seeking their natural level.
B. "Birds of a feather flock together."
Line 4
Legge: The fourth line, magnetic, shows its subject diminishing the ailment under which she labors by making the subject of the first line hasten to her help, and make her glad. There will be no error.
Wilhelm/Baynes: If a man decreases his faults, it makes the other hasten to come and rejoice. No blame.
Blofeld: He reduced the number of ills besetting him and thus hastened the arrival of happiness -- no error!
Liu: If he decreases his sickness (or faults) quickly, he will be happy. No blame.
Ritsema/Karcher: Diminishing one's affliction. Commissioning swiftly possesses rejoicing. Without fault.
Shaughnessy: Decreasing his illness; serving ends has happiness; there is no trouble.
Cleary (1): Reducing sickness, causing there to be joy quickly, there is no fault.
Cleary (2): Reducing the ailment causes there to be joy soon. No blame.
Wu: His illness is alleviated and conditions are quickly improved. There is joy. No error.
COMMENTARY
Confucius/Legge: This is a matter for joy. Wilhelm/Baynes: It is indeed something that gives cause for joy. Blofeld: A reduction of troubles is in itself a cause for happiness. Ritsema/Karcher: Truly permitting rejoicing indeed. Cleary (2): Reducing the ailment is a matter of joy. Wu: Capable of alleviating his illness is a cause for joy.
Legge: Line four is magnetic in a magnetic place, like someone ailing and unable to perform her proper work. But her first line correlate is strong, and is made to hasten to four's relief. The joy of the line shows her desire to do her part in the work of the hexagram.
NOTES AND PARAPHRASES
Siu: As a consequence of giving up his bad habits, the man attracts the help of well-disposed friends.
Wing: If you can now locate your shortcomings and bad habits and make a serious attempt to decrease them you will be approached by friends and helpers. A humble attitude on your part will open the way to progressive interaction and joy.
Editor: The full meaning of this line is best evoked by comparing it with its first line correlate. All translations render line four in the imagery of decreasing one's faults (or illness). That is: rid yourself of error and happiness will come to you. Legge's version depicts incapacity which is overcome through a correct union with line one. Taken in this sense, the line can symbolize the Self (line four, upper trigram of Heaven) gaining from the ego's sacrifice in spacetime (line one, lower trigram of Earth). Whatever the context of your query, the image here is of a harmonization of forces to bring about balance.
Man is a materialized thought; he is what he thinks. To change his nature from the mortal to the immortal state he must cease to hold fast in his thoughts to that which is illusory and perishing, and hold on to that which is eternal. F. Hartmann --Paracelsus: Life and Prophecies
A. A decrease in error is an increase in truth.
B. The elimination of imbalance promotes union; the elimination of illusion makes room for joy.
C. The one above (the Self) accepts your aid, endorses your action, etc.
Line 5
Legge: The fifth line, magnetic, shows parties adding to the stores of its subject ten pairs of tortoise shells, and accepting no refusal. There will be great good fortune.
Wilhelm/Baynes: Someone does indeed increase him. Ten pairs of tortoises cannot oppose it. Supreme good fortune.
Blofeld: There was one who enriched him to the extent of ten PENG of tortoise shells (2,100 of them) and who would accept no refusal -- sublime good fortune!
Liu: He is enriched by twenty tortoises and he cannot refuse. Great good fortune.
Ritsema/Karcher: Maybe augmenting's ten: partnering's tortoise. Nowhere a controlling contradiction. Spring significant.
Shaughnessy: Increasing it by ten double-strands of turtles; you cannot deflect it; prime auspiciousness.
Cleary (1): One is given a profit of ten pairs of tortoise shells. None can oppose. Very auspicious.
Wu: He may be presented with ten pairs of tortoise shells and may not decline the gift. This is great fortune.
COMMENTARY
Confucius/Legge: This is due to the blessing from above. Wilhelm/Baynes: The supreme good fortune comes from its being blessed from above. Blofeld: Good fortune coming from those above. Ritsema/Karcher: Originating-from shielding above indeed. Cleary (2): Help from above. Wu: He has been blessed from heaven.
Legge: Line five is the seat of the ruler, who is here humble, and welcomes the assistance of her correlate in line two. She is a ruler whom all her subjects of ability will rejoice to serve in every possible way, and the result will be great good fortune.
NOTES AND PARAPHRASES
Siu: Fate has marked the man for good fortune. Nothing opposes him. He needs fear nothing.
Wing: You are marked by fate. Nothing stands in the way of this. It comes about through refined inner forces that have led you into this situation. Fear nothing. Good fortune.
Editor: The most ancient method of divination in China involved the use of tortoise shells (Plastromancy). The yarrow stalk and coin methods didn't come into vogue until after King Wen committed the I Ching to writing. At the time that this line was composed then, to receive ten pairs of tortoise shells was a very numinous gift -- perhaps equivalent to "having God on your side.” The "blessing from above” is mentioned by some commentators as a reference to the oracles obtained through divining with the tortoise shells, and could be construed as an endorsement of your interpretative skills. This line changes the hexagram to number sixty-one,Inner Truth, the corresponding line of which expresses the idea of a beneficial synthesis of forces.
Good fortune is a god among men, and more than a god. Aeschylus
A. A great reward -- the context of your query will tell you what it is.
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.