Wiki I Ching

Breakthrough 43.1.3.6 6 Conflict

Clear the path with courage and conviction, for resolution requires balance, perseverance, and open-hearted dialogue.

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43
Breakthrough
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6
Conflict

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Breakthrough 43
Break through obstacles with determination and clarity.
Confront negativity openly while maintaining integrity and wisdom.
The truth must be revealed, yet patience is required.


Line 1
Be cautious in taking the first step.
Overconfidence can lead to mistakes.


Line 3
Standing firm in one's beliefs may lead to isolation and criticism, but it is necessary.


Line 6
Ignoring warnings and failing to act can lead to misfortune.


Conflict 6
Conflict arises.
Approach disputes with clarity and fairness.
Seek resolution over victory.
Compromise is key.



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Original Readings

43
Breakthrough


Other titles: Break-through, The Symbol of Decision, Resolution, Determination, Parting, Removing Corruption, Eradication

 

Judgment

Legge: Recognizing the risks involved in criminal prosecution, justice demands a resolute proof of the culprit's guilt in the royal court. One informs one's own city that armed force is not necessary. In this way progress is assured.

Wilhelm/Baynes:Break-through. One must resolutely make the matter known at the court of the king. It must be announced truthfully. Danger. It is necessary to notify one's own city. It does not further to resort to arms. It furthers one to undertake something.

Blofeld: Resolution. When a proclamation is made at the court of the King, frankness in revealing the true state of affairs is dangerous. [In vital matters, frankness may prove dangerous.] In making announcements to the people of his own city, it is not fitting for the ruler to carry arms. [It is better to repose trust in our own people.] It is favorable to have some goal (or destination).

Liu: Determination. Someone is proud in the king's court, and the king trusts him. If one exposes the truth, danger. It must be told to one's own people. Using force does not benefit. It does benefit to do something else. [You must decide how to deal with a situation before it reaches a dangerous point, or things will take their own course and overwhelm you.]

Ritsema/Karcher:Parting, displaying tending-towards kingly chambers. Conforming, crying-out, possessing adversity. Notifying originates from the capital. Not Harvesting: approaching arms. Harvesting: possessing directed going. [This hexagram describes your situation in terms of separation and diverging directions. It emphasizes that resolutely dividing your energies is the adequate way to handle it...]

Shaughnessy:Resolution: Raised up at the royal court, returning crying out; there is danger. Announcing from the sky; not beneficial to regulate the belligerents; beneficial to have someplace to go.

Cleary (1): Parting is lauded in the royal court. The call of truth involves danger. Addressing one’s own domain, it is not beneficial to go right to war, but it is beneficial to go somewhere. [The royal court is the abode of the mind-ruler, where true and false are distinguished.]

Cleary (2): Decision is brought up in the royal court. A sincere statement involves danger, etc.

Wu:Eradication indicates a conceited pronouncement in the royal court on the one hand, and a concerted call for vigilance on the other. It is essential to make the danger known to the people, but not to resort to force now. It is advantageous to have undertakings.

 

The Image

Legge: The image of the waters of a marsh mounting over heaven forms Resoluteness. The superior man, in accordance with this, does not hoard his wealth, but shares it with his subordinates.

Wilhelm/Baynes: The lake has risen up to heaven: the image of Break-through. Thus the superior man dispenses riches downward and refrains from resting on his virtue.

Blofeld: This hexagram symbolizes a marshy lake being drawn (sucked) towards the sky. The Superior Man distributes his emoluments to those below; dwelling in virtue, he renounces them.

Liu: The lake ascends to heaven, symbolizing Determination. The superior man distributes wealth below him, without displaying his favors.

Ritsema/Karcher: Above marsh with-respect-to heaven. Parting. A chun tzu uses spreading-out benefits to extend to the below. A chun tzu uses residing-in actualizing tao, by- consequence keeping-aloof. [Actualize-tao: Ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being what it is meant to be.]

Cleary (1): Moisture ascends to heaven, which parts with it. Thus do superior people distribute blessings to reach those below, while avoiding presumption of virtue. [After people get mixed up in temporal conditioning, the discriminatory consciousness takes charge of affairs; wine and sex distract them from reality, the lure of wealth deranges their nature, emotions and desires well forth at once, thoughts and ruminations arise in a tangle, and the mind-ruler is lost in confusion. Because habituation becomes second nature over a long period of time, it cannot be abruptly removed. It is necessary to work on the matter in a serene and equanimous way, according to the time: Eventually discrimination will cease, and the original spirit will return; the human mind will sublimate and the mind of Tao will be complete – again you will see the original self.]

Cleary (2): … If they presumed on their virtue, they would be resented.

Wu: The marsh rises to heaven; this is Eradication. Thus the jun zi distributes his emolument to those below and is loath to monopolize virtues.

 

COMMENTARY

Confucius/Legge: Resoluteness is the symbol of displacing or removing. We see the dynamic lines displacing the magnetic line. The figure displays the attributes of Strength and Cheerfulness. There is displacement, but harmony continues. The exhibition of the criminal's guilt in the royal court is shown by the magnetic line mounted on five dynamic lines. The awareness of danger and appeal for justice makes the matter clear. If he has recourse to arms, what he prefers will soon be exhausted. When the advance of the dynamic lines is complete, there will be an end to displacement.

Legge:Resoluteness represents the third month when the last vestige of winter, represented by the sixth line, is about to disappear before the advance of summer. The single yin line at the top symbolizes an inferior man, a feudal prince or high minister who is corrupting the government. The five yang lines below are the representatives of good order. The lesson of the hexagram is how to remove corruption from the kingdom. He who would do this must do so by the force of his character more than the force of arms. Never forgetting the dangerous nature of his undertaking, he must openly denounce the criminal in the court and awaken general sympathy to his cause. Among his own adherents ("In his own city") he must prevent any tendency to resort to armed conflict. As a worthy statesman he is not motivated by private feelings.

Hu Ping-wen says: "If but a single inferior man is left, he is sufficient to make the superior man anxious; if but a single inordinate desire be left in the mind, that is sufficient to disturb the harmony of the heavenly principles. The eradication in both cases must be complete, before the labor is ended."

 

NOTES AND PARAPHRASES

Judgment:Resoluteness involves astute discernment of what is wrong and a discreet re-establishment of order without polarizing the situation. Be clear in your own strategy, but let common sense be your guide about how much you need to disclose to others. Avoid aggression at all costs.

The Superior Man maintains equilibrium by distributing his energy equitably -- he smoothes things out.

The forty-third hexagram is an image of the eradication of an inferior force from the situation at hand: five yang lines resolutely advance on the single yin line, which is about to be pushed out of the hexagram at the top. This is a negative image of the twenty-third hexagram, Disintegration, which shows the opposite situation of five lower yin lines undermining one upper yang line. It is instructive to compare the nearly identical message for the superior man in the Images of each of these figures. The idea is one of fostering an equitable distribution of energy within the situation -- Disintegration and the Resoluteness required to rectify it are extreme situations requiring extreme measures. Such extremes must always be neutralized through a justly distributed balance of forces.

It's not the concern of law that any one class in the city fare exceptionally well, but it contrives to bring this about for the whole city, harmonizing the citizens by persuasion and compulsion, making them share with one another the benefit that each class is able to bring to the commonwealth. And it produces such men in the city not in order to let them turn whichever way each wants, but in order that it may use them in binding the city together.
Plato --The Republic

Compare the nuances of meaning in each translation of the Judgment. Wilhelm's is most radical, advising a direct (albeit dangerous), expose of what is wrong. Most of the others imply room for discretion about what needs to be revealed. Diplomacy is the art of knowing when full- disclosure only prevents resolution of the problem. Ritsema/Karcher allude to the proper mind-set required to manage such situations: "[A chun tzu uses] residing-in actualizing tao, by-consequence keeping-aloof." To "reside in actualizing tao," is to live directly from one's essence, and when this is associated with "keeping-aloof" we get an image of quietly rectifying a situation without revealing our purpose or strategy.

Psychologically interpreted,Resoluteness, like Disintegration, depicts an extreme situation which must first be rectified, then prevented from re-occurring through the maintenance of a just balance of power which is administered by the ego under the will of the Self.


Line 1

Legge: The first line, dynamic, shows its subject in the pride of strength, advancing with his toes. He goes forward, but will not succeed. There will be ground for blame.

Wilhelm/Baynes : Mighty in the forward-striding toes. When one goes and is not equal to the task, one makes a mistake.

Blofeld: To set out with a great show of strength, advance, but win no success is shameful. [That is, we should not voluntarily and somewhat boastfully take on a difficult task, unless we are sure of success.]

Liu: Power in toes moving forward. If one goes and lacks ability, he makes a mistake.

Ritsema/Karcher: Invigorating tending-towards the preceding foot. Going not mastering, activating faulty.

Shaughnessy: Mature in the front foot; to go will not be victorious, but will be trouble.

Cleary (1): Vigor in the advancing feet, going but not prevailing, this is faulty.

Wu: He has strong toes. If he acts in a rash way and is not able to get his job done, he will be blamed.

 

COMMENTARY

Confucius/Legge: Without being able to succeed he goes forward -- this is an error. Wilhelm/Baynes: When one goes without being equal to the task, it is a mistake. Blofeld: This illustrates the shame involved in taking on something and then failing. Ritsema/Karcher: Not mastering and also going. Fault indeed. Cleary (2): To go without prevailing is faulty. Wu: Acting in a rash way with no ability to get his job done is a mistake.

Legge: Line one, the first line in the lower trigram of Strength, is in the lowest place in the hexagram. The stage of the enterprise is too early and the preparation too small to make victory certain. He had better not take the field.

 

NOTES AND PARAPHRASES

Siu: At the outset, the man presses forward prematurely without sufficient preparation and strength. Initial setbacks due to blind miscalculations are grounds for blame.

Wing: Despite strong resolve, beginnings are the most difficult and dangerous of times. Be certain that you are equal to the task you have in mind. A mistake now could become an insurmountable setback. Better rethink this one.

Editor: Compare this line with the first line in hexagram number thirty-four, Great Power,in which an almost identical idea is presented.

"Work-addiction," the "manager disease," the compulsive need of always having to do something in order to appear busy, also indicates the inability of modern man to find a meaning in life.
E.C. Whitmont -- The Symbolic Quest

A. Don't force the issue. You aren't equal to the consequences of your impulses.

B. "Don't bite off more than you can chew."

Line 3

Legge: The third line, dynamic, shows its subject about to advance with strong and determined looks. There will be evil. But the superior man, bent on cutting off the criminal, will walk alone and encounter the rain, till he be hated by his proper associates as if he were contaminated by the others. In the end there will be no blame against him.

Wilhelm/Baynes: To be powerful in the cheekbones brings misfortune. The superior man is firmly resolved. He walks alone and is caught in the rain. He is bespattered, and people murmur against him. No blame.

Blofeld: Strength in the cheekbones -- misfortune! [Making a parade of our strength.] The Superior Man is firmly determined; but if, while walking alone in the rain, he is irked by the mud, he is not to be blamed for that. [Nothing must deflect us, but a little grumbling at unpleasantness is in order.]

Liu: To display too much strength in the face -- misfortune. The superior man is determined. He walks alone through the rain. He gets wet. He is unhappy. No blame.

Ritsema/Karcher: Invigorating tending-towards the cheek- bones: Possessing a pitfall. A chun tzu: Parting, Parting. Solitary going, meeting rain. Like soaking, possessing indignation. Without fault.

Shaughnessy: Mature in the cheekbones; there is inauspiciousness. The gentleman so broken-up moves alone, meeting rain that is like moistening; there are hot springs; there is no trouble.

Cleary (1): Vigor in the face has bad luck. A superior person leaves what is to be left; going alone, encountering rain and so getting wet, there is irritation, but no fault.

Cleary (2): Vigor in the face involves misfortune. Developed people part decisively and travel alone. Encountering rain, if they get wet there is irritation but no fault.

Wu: He has strong cheekbones. Foreboding. The jun zi is determined to eradicate the little man. Walking alone, he encounters rain and gets wet. He is angry, but not to be blamed.

 

COMMENTARY

Confucius/Legge: The superior man looks bent on cutting off the culprit – there will in the end be no error. Wilhelm/Baynes: Ultimately this is not a mistake. Blofeld: The resolutely determined Superior Man is blameless to the end. Ritsema/Karcher: Completing without fault indeed. Cleary (2): Developed people part decisively and are faultless in the end. Wu: (He) will not be blamed in the end.

Legge: Line three is dynamic, and displays his purpose too eagerly. Being beyond the central position gives an indication of evil. Lines three and six are also proper correlates, and as elsewhere in theI Ching, the meeting of yin and yang lines is associated with falling rain. Line three, therefore, communicates with line six in a way that annoys his associates. Nevertheless, he commits no error, and in the end incurs no blame.

 

NOTES AND PARAPHRASES

Siu: The man displays his purposes too openly. The superior man does not show outward hostility when bent on cutting off the criminal, since the time is not ripe and the inferior man will endanger the situation through countermeasures. He resolves the difficulty by maintaining outward politeness, avoiding recriminations, and awaiting the propitious opportunity. Although he is misunderstood and maligned by the multitude, there will be no blame in the end.

Wing: Your struggle against an adversary is one you must approach alone. Although your entire milieu may be against this foe, the battle is still yours. In overcoming this difficulty, you may temporarily align yourself with it. This looks bad and you are misunderstood but you remain without error in the end.

Editor: Rain symbolizes the union of heaven and earth -- male with female, thought with feeling. It means encountering the truth -- making a "fertile connection." Psychologically, this line suggests the travail and turmoil involved in coming to grips with an unpleasant truth or duty. The superior man's "associates" are those complexes in the psyche which prefer not to cope with the situation. The misfortune of being "strong in the cheekbones" suggests that determined action accomplishes more than expressions of righteous indignation.

And he who takes his hand from the plough of his immediate Earthly duty, (which is a Cosmic and Spiritual duty also, however much familiarity may tend to breed contempt), will never by that act attain to his heavenly home in the stars. The furrow awaits his tilling – and until it be tilled, and the seed sown, and the harvest garnered and gathered in -- his place remains in Earth, with the added burden of rooting out the weeds and breaking up the clodded sods brought about by his own neglect and spiritual defection.
Gareth Knight -- Qabalistic Symbolism

A. Bite the bullet and do what needs to be done without making a big deal out of it.

B. You are stuck with an unpopular but necessary duty.

Line 6

Legge: The sixth line, magnetic, shows its subject without any helpers on whom to call. Her end will be evil.

Wilhelm/Baynes: No cry. In the end misfortune comes.

Blofeld: In the end, misfortune will come without warning.

Liu: Without a cry. Misfortune in the end. [If you get this line you will have difficulty in a new undertaking.]

Ritsema/Karcher: Without crying-out. Completing: possessing a pitfall.

Shaughnessy: There is no crying out; in the winter there is inauspiciousness.

Cleary (1): No call; in the end there is misfortune.

Wu: He has no one to call for help. It will be foreboding in the end.

 

COMMENTARY

Confucius/Legge: There is the misery of having none on whom to call-- the end will be that she cannot continue any longer. Wilhelm/Baynes: The misfortune of not crying out should in the end not be allowed to persist. Blofeld: This unheralded misfortune will be due to our failure to persist to the end. Ritsema/ Karcher: Without crying-out's pitfall. Completing not permitting long-living indeed. [Cry- out/outcry: HAO: call out, proclaim; signal, order, command; mark, label, sign.] Cleary (2): There cannot be growth at the end. [The five lines below epitomize the exhortations and admonitions of sages to the strong who gather together. Here one who is weak is at the top and even though correct is unable to call forth caution for preparedness, so in the end cannot grow.] Wu: The foreboding of having no one to call for help will come before long.

Legge: The subject of the sixth line, standing above, may be easily disposed of.


NOTES AND PARAPHRASES

Siu: Just as victory is at hand, the man finds no helpers to eradicate the remaining evil. The evil conceals itself, only to spring up again at a later time.

Wing: Danger comes from a seed of evil in your own Self, perhaps a self-delusion or conceit that blinds you. Just when you feel you may relax your resolve and continue without helpers, it will cause you to err. Misfortune.

Anthony: We need not harbor anger or hold onto bad memories to remind ourself that the situation is unresolved… We must leave correction or punishment of the evil inferiors to the Sage as this is not our province of action…

Editor: Despite Legge's one-sentence dismissal of this line in his annotation, there is a great deal of ambiguity here. Notice the range of interpretations for the Confucian commentary: none of them say the same thing in English and Wilhelm's is so labored as to be virtually meaningless. These are strong clues that the text may be ambiguous in the original Chinese. Because Blofeld's translation of HAO (out-cry) as "warning" makes plausible sense, at its most neutral the line can depict an unexpected catastrophe. Also note that although blame is implied for line six via the symbolic structure of the hexagram, its actual text contains no value judgment, and as a magnetic line it remains correctly placed at the top. To complicate things even further, the message can be interpreted as either the elimination or the escape of an inferior force and, depending on the context of the question, one can meditate for hours to ascertain what exactly is meant. In a differentiated multiverse, there will always be forces requiring reconciliation and synthesis: nothing is ever "eradicated.” If this is the only changing line, the new hexagram becomes The Dynamic, with a corresponding line depicting the consequences of arrogance.

The shadow cannot be eliminated. It is the ever-present dark brother or sister. Whenever we fail to see where it stands, there is likely to be trouble afoot. For then it is certain to be standing behind us. The adequate question therefore never is: Have I a shadow problem? Have I a negative side? But rather: Where does it happen to be right now? When we cannot see it, it is time to beware!
E.C. Whitmont -- The Symbolic Quest

A. The image suggests the disempowerment of an inferior force. [Quarantine without allies results in elimination of authority or influence. A negative, inferior force is terminated due to lack of support.]

B. The image suggests a sudden, unexpected misfortune of some sort.

C. The image suggests a demonically stubborn force which escapes rectification.

D. You are alone without allies in a vulnerable position or questionable endeavor.

6
Conflict


Other titles: Conflict, The Symbol of Contention, Strife, Litigation, Quarreling, Arguing, Lawsuit, "It is important to mind one's step at the very beginning then things will have a chance to work out all right." -- D.F. Hook

 

Judgment

Legge: Stress indicates that despite sincere motivations, one still meets with opposition and obstruction. Maintain an apprehensive caution. To prosecute the contention to the bitter end will produce evil results. It is advantageous to see the Great Man. It is not advantageous to cross the great stream.

Wilhelm/Baynes: Conflict. You are sincere and are being obstructed. A cautious halt halfway brings good fortune. Going through to the end brings misfortune. It furthers one to see the great man. It does not further one to cross the great water.

Blofeld: Conflict. Confidence accompanied by obstacles! With care, affairs can be made to prosper in their middle course, but the final outcome will be disaster. It is advantageous to visit a great man, but not to cross the great river (or sea). [In general, this hexagram indicates that we have little chance of success in any conflict, dispute or lawsuit in which we are now engaged and that retreat is the best policy -- unless line one or five is a moving line, in which case the position is more hopeful. We can profit from the advice of someone truly wise, but a journey of any kind at this time would be disastrous.]

Liu: Conflict; you have sincerity even though obstructed, stop halfway -- good fortune; follow to the end -- misfortune. It is of benefit to see a great man, but not to cross the great water.

Ritsema/Karcher: Arguing , possessing conformity. Blocking awe.

Centering significant. Completing: pitfall. Harvesting: visualizing Great People. Not Harvesting: wading the Great River. [This hexagram describes your situation in terms of a dispute. It emphasizes that actively expressing your claims and objections is the adequate way to handle it. To be in accord with the time, you are told to argue!] (Sic)

Shaughnessy: Lawsuit : There is a return; pitying and tranquil, it succeeds to be auspicious, but in the end is inauspicious; beneficial herewith to see the great man; not beneficial to ford the great river.

Cleary (1): Contention; there is blockage of truth. Caution and moderation lead to good results, finality leads to bad results. It is beneficial to see a great person, not beneficial to cross a great river.

Cleary (2): …Wariness within leads to good results, but ending up that way is unfortunate … etc.

Wu:Litigation indicates an obstruction of trust. If the subject is vigilant, he will have good fortune. If he is libelous to the end, he will face foreboding. It will be advantageous to see the great man. It will not be advantageous to cross the big river.

 

The Image

Legge: The image of water moving away from heaven forms Stress. The superior man, in accordance with this, takes good counsel about the beginning of any enterprise.

Wilhelm/Baynes: Heaven and water go their opposite ways: the image of Conflict. Thus in all his transactions the superior man carefully considers the beginning.

Blofeld: This hexagram symbolizes sky and water in opposition. The Superior Man does not embark upon any affair until he has carefully planned the start.

Liu: Heaven and water go in different directions, symbolizing Conflict. The superior man contemplates the beginning before undertaking an enterprise.

Ritsema/Karcher: Heaven associating-with stream, contradicting movements. Arguing, a chun tzu uses arousing affairs to plan beginning.

Cleary (1): When heaven and water go in different directions, there is contention. Superior people plan in the beginning when they do things.

Cleary (2): … When leaders do things, they plan to begin with.

Wu: Heaven and water go in opposite directions; this is Litigation. Thus the jun zi plans well before taking actions.

 

COMMENTARY

Confucius/Legge: The coming together of Strength and Peril gives the idea of Stress. A dynamic line in the central place in the lower trigram shows how there will be good fortune if one maintains apprehensive caution; but because contention should not be taken to extremes, there will be evil if one prosecutes his contention to the bitter end. The great man sets a value on the due mean. If one attempts to cross the great stream, he finds himself in an abyss.

Legge: The upper trigram of Strength here controls the lower trigram of Peril which is trying to attack it. Or it may also be seen as someone in a perilous situation contending with strong outside forces. The image is of contention and strife. The sincere yang line in the middle of the trigram of Peril gives a character to the whole figure -- an individual so represented will be very cautious and have good fortune. But since contention is bad, even a sincere individual must fail if he pursues it to the bitter end. The fifth line represents the great man, whose agency is sure to be good. His decision in any matter of contention will be correct. The sixth line is also dynamic, but his action is likely to be too rash for a great enterprise, hence the warning about not attempting to cross the great stream.

 

NOTES AND PARAPHRASES

Judgment: Be careful, don't attempt much, and don't allow the situation to get out of hand.

The Superior Man is judicious about his choices of action to ensure that the situation remains stable.

The hexagram portrays a high level of tension. Wilhelm points out that the only "favorable" line is the ruler in the fifth place, and that all of the other lines symbolize people quarreling. It should also be noted that lines one through four counsel either retreat from contention or remaining passively in place. Only line five suggests that an active struggle can have a favorable outcome, and line six portrays the sorry fate of those who insist on "demanding their rights." If we turn the hexagram upside down we have Waiting, which suggests some subtle truths about the proper way to handle stress.

He who has a taste for dispute has a taste for blows,
the man of haughty speech courts destruction.
Proverbs 17: 19

At deciding lawsuits I am no better than anyone else; but what is necessary is to bring about a state of affairs in which there will be no lawsuits.
Confucius

Note that Ritsema/Karcher's summation of the Judgment stands in stark disagreement with the general tenor of the figure: I have never received this hexagram when that interpretation has applied.