Other titles: Coming to Meet, The Symbol of Meeting, Contact, Sexual Intercourse, Encountering, Coupling, Infiltration by Inferior Men, Adultery "Contains a definite warning about a person or situation which may appear harmless but will prove dangerous." -- D.F. Hook
Judgment
Legge: Temptation shows a female who is bold and strong. It will not be good to marry such a female.
Wilhelm/Baynes: Coming to Meet. The maiden is powerful. One should not marry such a maiden.
Blofeld: Contact. Women wield the power. Do not marry. [At this time marriage would be unfortunate; the husband would almost surely be henpecked.]
Liu: Encountering. The female is forceful. One should not marry her.
Ritsema/Karcher:Coupling, womanhood invigorating. No availing-of grasping womanhood. [This hexagram describes your situation in terms of the encounter of primal energies. It emphasizes that seeing-through your personal situation as the connection of objective forces is the adequate way to handle it...]
Couple , KOU: intense, driven encounter, at once transitory and enduring, that is the reflection of primal yin and yang; meet, encounter, copulate; mating animals; magnetism, gravity; to be gripped by impersonal forces. Primal forces couple in the inner world, seeding enduring new forms.
Shaughnessy: The maiden matures ; do not herewith take a maiden.
Cleary (1):Meeting, the woman is strong. Don’t get married.
Cleary (2): In meeting, the woman is strong. Do not marry the woman.
Wu:Rendezvous indicates that the woman is strong. It is not advisable to marry that woman.
The Image
Legge: The image of wind with the sky above it forms Temptation. The sovereign, in accordance with this, delivers his charges, and promulgates his announcements throughout the four quarters of the kingdom.
Wilhelm/Baynes: Under heaven, wind: the image of Coming to Meet. Thus does the prince act when disseminating his commands and proclaiming them to the four quarters of heaven.
Blofeld: This hexagram symbolizes wind blowing across the face of the earth. When the ruler issues commands, he has them proclaimed in every corner of the world.
Liu: The wind under the sky symbolizes Encountering. The ruler issues his directives, announcing them to the four corners (throughout his country).
Ritsema/Karcher: Below heaven possessing wind. Coupling. The crown-prince uses spreading-out fate to command the four sides.
[Fate, MING: individual destiny; birth and death as limits of life; issue orders with authority; consult the gods. The ideogram: mouth and order, words with heavenly authority.]
Cleary (1): There is wind under heaven, meeting. Thus do rulers announce their directives to the four quarters.
Wu: There is wind under heaven; this is Rendezvous. Thus, the sovereign announces the royal mandate to the whole nation.
COMMENTARY
Confucius/Legge:Temptationhas the significance of unexpectedly coming on. We see in it the magnetic line coming unexpectedly on the dynamic ones. Marriage is improper, because one so symbolized should not be long associated with. When heaven and earth meet together as here represented, all the variety of natural things becomes displayed. When a dynamic line finds itself in the central and correct position, good government will nourish all under the sky. Great indeed is the significance of what has to be done at the time indicated byTemptation.
Legge: A single, magnetic line enters at the bottom of the hexagram. This is the figure used to represent the time of year when light and heat begin to wane. In the divided line we see the symbol of the inferior man, beginning to insinuate himself into the government of the country. His influence, if unchecked, would go on to grow and fill the vacant seats with others like himself. The objective of the Judgment is to arouse resistance to this evil influence.
Temptation is defined here as a sudden and casual meeting with something inferior -- the divided line is seen as appearing all at once in the figure. The first line, magnetic in a dynamic place, becomes the symbol of a bold woman of more than questionable virtue who appears unexpectedly on the scene with the object of seducing all five of the dynamic (male) lines to herself. No one would contract a marriage with such a female, and every good servant of his country will repel the entrance into government of every officer who can be so symbolized.
On the first two sentences of the Confucian commentary, the K'ang-hsi editors say: "The magnetic line meets with (or comes unexpectedly on) the dynamic ones. The magnetic line, that is, plays the principal part. The case is like that of the minister who assumes the power of decision in place of the ruler, or of a hen crowing at sunrise -- is not the name of shameless boldness rightly applied to it?"
NOTES AND PARAPHRASES
Judgment: Do not unite with an inferior element in your situation. ("Lead us not into temptation.")
The Superior Man formulates his code of conduct and abides by it.
Wilhelm translates the forty-fourth hexagram as Coming to Meet, and Blofeld gives it the rather startling subtitle of Sexual Intercourse. There is no doubt at all that the figure has an aura of illicit excitement associated with it which I feel is best conveyed by R. L. Wing's title of Temptation, though Adultery might also be suitable. One sometimes receives this hexagram under dramatic circumstances, and it serves to dump cold water on a potentially volatile series of choices and their equally volatile consequences.
When we consider the importance of the proper correlation of male and female lines in the I Ching, we see that the Judgment in this hexagram can psychologically depict the temptation to an adulterous union of thought and feeling. Adultery is a very useful metaphor for understanding the principles of the Work -- it means union with anything which, inI Ching terms, is not a "proper correlate.” To adulterate something is to degrade a pure substance by the addition of an inferior ingredient. The image of a temptation to adulterate the Work in this hexagram is therefore a warning in the strongest possible terms that you are vulnerable to some inferior choices.
Consequently by marriages not only the earths but also the heavens are filled with inhabitants ... The earth indeed may be filled with inhabitants by fornications and adulteries as well as by marriages; but not heaven. The reason is that hell is from adulteries, and heaven from marriages ... When the procreations of the human race are effected through marriages in which the holy love of good and truth from the Lord reigns, then it is done on earth as in the heavens, and the kingdom of the Lord on earth corresponds to the kingdom of the Lord in the heavens. Swedenborg -- Apocalypse Explained
The concept of the hieros gamos, or holy marriage, is a ubiquitous archetype found in every tradition rooted in the Perennial Philosophy. If this "marriage” symbolizes a proper union or reunion of previously separated elements, then it follows that the opposite situation: a union of mismatched entities would be symbolized by adultery. To recreate a primordial gestalt of perfection out of an exploded multiverse of mixed forces demands that all of the original pairs of opposites become properly matched correlates. Although any two opposite genders might feel a mutual attraction, there is really only one opposite which is an appropriate spouse. In the realm of human relationships this is evoked in the concept of the Soul Mate. Esoterically speaking, every polarized force in the multiverse has its proper correlate; it follows that the Work (in its largest conception) cannot be completed until each is reunited with each.
Indeed every act of sexual intercourse which has occurred between those unlike one another is adultery... Members of a race usually have associated with those of like race. So spirit mingles with spirit, and thought consorts with thought and light shares with light. If you are born a human being, it is the human being who will love you. If you become a spirit, it is the spirit which will be joined to you. If you become thought, it is thought which will mingle with you. If you become light, it is the light which will share with you. The Gnostic Gospel of Philip
The point is important enough to bear repeating: psycho-spiritually interpreted, sexual intercourse and marriage symbolize the possibility of a unification of forces. Conversely, union with an improper correlate means adulteration of the Work. This is the esoteric meaning underlying the Hindu caste system:
When (unrighteousness) overwhelms the family, O Krishna The women of the family become corrupt; and when, O Krishna, the women are corrupt, there arises a mixing of castes. Bhagavad-Gita 1: 41
The "mixing of castes” is, in the symbolism of theI Ching, the union of improper correlate forces. ("Women,” as we have seen, usually symbolize the emotional and feeling aspects of the psyche.) We readily recognize that the above quotation from the Bhagavad-Gita accurately reflects the symbolism of the forty-fourth hexagram, reiterating the great truth that when emotions make the choices, the unity of the psyche is compromised.
Added notes, 9/7/10: Sometimes this hexagram is received in answer to queries related more to a fated (karmic) situation than anything normally regarded as “temptation.” In these cases Ritsema/Karcher’s expanded notes on the ideograms are useful guides: “… gripped by impersonal forces. Primal forces couple in the inner world, seeding enduring new forms… This hexagram describes your situation in terms of the encounter of primal energies. It emphasizes that seeing-through your personal situation as the connection of objective forces is the adequate way to handle it...”
Line 3
Legge: The third line, dynamic, shows one from whose buttocks the skin has been stripped so that he walks with difficulty. The position is perilous, but there will be no great error.
Wilhelm/Baynes: There is no skin on his thighs, and walking comes hard. If one is mindful of the danger, no great mistake is made.
Blofeld: His haunches have been flayed and he walks totteringly -- trouble, but no great error!
Liu: He loses skin on his thighs and walks with difficulty. Danger. No great mistake.
Ritsema/Karcher: The sacrum without flesh. One moves the resting-place moreover. Adversity. Without the great: fault.
Shaughnessy: The buttocks has (Sic) no skin; his movements are hither and thither; danger; there is no great trouble.
Cleary (1): No flesh on the buttocks, having trouble walking. If one is diligent in danger, there’s no great fault.
Cleary (2): With no flesh on the buttocks, the walk is halting. There is danger, but no great fault.
Wu: His buttocks have no skin. He hobbles along. He is in a precarious situation, but makes no big error.
COMMENTARY
Confucius/Legge: He walks with difficulty, but his steps have not yet been drawn into the course of the first line. Wilhelm/Baynes: He still walks without being led. Blofeld: Being able to walk without being dragged. [Despite rather severe trouble, for which we are not much to blame, we shall manage to get along somehow.] Ritsema/Karcher: Moving, not-yet hauling-along indeed. Cleary (2): The walk is halting because it is unconnected. Wu: He does not lead the sheep away.
Legge: Compare this line with line four of the preceding hexagram. Line three is dynamic, but has gone beyond the central place and has no correlate above. He is cut off from the first line by the intervening second line, and therefore cannot do much against her. But since his aim is to repress her, there will be no great error.
NOTES AND PARAPHRASES
Liu: The man is tempted to join with the inferior element. Circumstances prevent this, leaving him with a painful decision. The position is perilous, but a clear insight will prevent great errors.
Wing: Although you are tempted to fall into an inferior situation, you are held back in spite of yourself. You must now resolve this indecisive conflict. Give it a great deal of thought, gain some insight, and you can avoid mistakes.
Editor: Line four of hexagram number forty-three also describes "One from whom whose buttocks the skin has been stripped.” Since hexagram forty-four and hexagram forty-three are upside down images of each other, it is interesting to note that lines three and four swap places with very similar images. Note the difference between them however -- in the present instance no blame is attached to the position. It is a good rendering of the stresses of temptation, of the discipline required to resist any compulsion. Sometimes the line suggests that you may only be able to affect the situation in a limited way. At its most neutral, it's an image of walking a tough path.
But it is to be known that no one is regenerated without temptation; and that many temptations succeed, one after another. The reason is that regeneration is effected for an end; in order that the life of the old man may die, and the new life which is heavenly be insinuated. It is evident therefore that there must certainly be a conflict; for the life of the old man resists and determines not to be extinguished; and the life of the new man can only enter where the life of the old is extinct. Swedenborg -- Arcana Coelestia
A. A difficult position. Cope with care and sensitivity. Don't surrender to circumstances.
B. You have not yet yielded to temptation and can still escape its consequences.
Line 5
Legge: The fifth line, dynamic, shows its subject as a medlar tree overspreading the gourd beneath it. If he keeps his brilliant qualities concealed, a good issue will descend from heaven.
Wilhelm/Baynes: A melon covered with willow leaves. Hidden lines. Then it drops down to one from heaven.
Blofeld: The medlar leaves wrapping the melon hide its beauty. Something falls from heaven. [This is more or less equivalent to hiding our light under a bushel.]
Liu: The melon lies under the medlar tree. The glory is hidden. Something (blessing) comes down from heaven.
Shaughnessy: With jealousy wrap the gourd; it contains a pattern; something drops from the heavens.
Cleary (1): Wrapping a melon in river willow. Hiding embellishments, being detached, one realizes the celestial self.
Cleary (2): Wrapping a melon in river willows, containing brilliance, there is a descent from heaven.
Wu: He uses willow branches to wrap a melon to protect its beautiful patterns, as if a mandate had come from heaven.
COMMENTARY
Confucius/Legge: His qualities are kept concealed because of his central and correct position. His aim does not neglect the ordinances of heaven. Wilhelm/ Baynes: It is in the middle and correct. Because the will does not give up what has been ordained. Blofeld: What is willed is consonant with heaven's decrees. Ritsema/Karcher: Centering correctness indeed. Purpose, not stowing-away fate indeed. Cleary (2): Balanced correctly. Aspiration not disregarding destiny. Wu: He is central and correct. He does not intend to compromise his prerogatives.
Legge: Line five is dynamic and in the ruler's place. His relationship to the first line is like that of a forest tree to a gourd growing beneath it. Force must not be used to repress or destroy the growth of line one. He must restrain himself and keep his excellence concealed. Then heaven will set a seal to his virtue. While mindful of his task of repressing the growth of the first line, he keeps his wise plans concealed until the time for carrying them into execution. Then comes the successful stroke of his policy as if it were directly from heaven.
NOTES AND PARAPHRASES
Siu: The man is well disposed toward his subordinates, tolerates their weaknesses, and protects their welfare. He is modest about his talents and does not resort to outward show or tireless admonition.
Wing: The superior person now relies upon the correctness of his principles and the force of his character to achieve an effect. He works quietly from within. His will is consonant with the direction of the cosmos, and he attains his aim.
Von Franz: “Hidden lines” means in China a pattern of the Tao which man does not yet know and which, when it becomes suddenly conscious to him after a ripening process in the unconscious, is compared with the falling of a ripe fruit from above. So the oracle evidently means that the melon represents a latent conscious order within the darkness, which suddenly and unexpectedly becomes manifest. [The Dream of Descartes]
Editor: Most of the translators render "gourd” as "melon” --a fruit described as beautiful or glorious. The image is of a fruit ripening unseen beneath sheltering leaves. (Every gardener has experienced the surprise of finding a large fruit or vegetable which grew hidden in such a fashion.) Ritsema/Karcher say the ideogram contains the meanings of: "enfold and self, a fetus in the womb.” Wilhelm says: "We entrust the fruit in our care entirely to its own natural development. Then it ripens of its own accord.” The line usually suggests the promise of future reward or sometimes can be a warning not to interfere with a natural process.
A fruit plucked before maturity rots and gets spoiled. A wound bleeds if you remove the scab before time, but when the wound is healed it drops off of itself. Sri Ramakrishna
A. Don't meddle in a growth process -- allow the situation to develop naturally.
Other titles: Before Completion, The Symbol of What is not yet Past, Not-yet Fording, Not Yet Completed, Tasks yet to be Completed, Not yet, Yet to be, Before the End, Mission yet Unaccomplished, A State of Transition
Judgment
Legge: Unfinished Business suggests successful progress, butif the young fox that has nearly crossed the stream gets his tail wet, there will be no advantage.
Wilhelm/Baynes:Before Completion. Success. But if the little fox, after nearly completing the crossing, gets his tail in the water, there is nothing that would further.
Blofeld: Before Completion -- success! Before the little fox has quite completed its crossing of the ice, its tail gets wet. [This implies that we are to expect a setback in our plans.] No goal (or destination) is favorable now. [Hence this is a time for waiting and for drawing in our horns. That the LAST of the sixty-four hexagrams should be Before Completion rather than After Completion (#63) may seem surprising until it is recalled that there is nothing final about it; the cycle of change continues, passing from hexagram #64 onto the first hexagram, and so on eternally.]
Liu: Before Completion. Success. A young fox almost across wets his tail in the water. Nothing benefits.
Ritsema/Karcher: Not-yet Fording, Growing. The small fox, a muddy Ford. Soaking one's tail: without direction: Harvesting. (Without direction: Harvesting, WU YU Li: no plan or direction is advantageous; in order to take advantage of the situation, do not impose a direction on events.) [This hexagram describes your situation in terms of being on the edge of an important change of situation. It emphasizes that waiting and accumulating energy to begin the upcoming move is the adequate way to handle it...]
Shaughnessy:Not Yet Completed: Receipt; the little fox at the point of fording, wets his tail; there is no place beneficial.
Cleary (1): Being as yet unsettled is developmental. A small fox, having nearly crossed the river, gets its tail wet, does not succeed.
Cleary (2): Being unsettled leads to success. A little fox, almost crossing, gets its tail wet. Nothing is gained.
Wu:Mission yet Unaccomplished indicates pervasiveness. A little fox almost makes it crossing the river, but gets its tail wet. Nothing is gained.
The Image
Legge: Fire over water -- the image ofUnfinished Business. The superior man carefully discriminates among the qualities of things, and the different positions they naturally occupy.
Wilhelm: Fire over water: the image of the condition before transition. Thus the superior man is careful in the differentiation of things, so that each finds its place.
Blofeld: This hexagram symbolizes fire above water. The Superior Man takes care to distinguish between things before arranging them in order.
Liu: Fire above water symbolizes Before Completion. The superior man carefully distinguishes things, and puts them in their appropriate place.
Ritsema/Karcher: Fire located above stream. Not-yet Fording. A chun tzu uses considering to mark-off the beings residing on-all-sides.
Cleary (1): Fire is above water, not yet settled. Thus superior people carefully discern things and keep them in their places.
Cleary (2): Fire over water – unsettled.
Wu: There is fire above water; this is Mission yet Unaccomplished. Thus the jun zi makes careful distinction of things and their proper places of being.
COMMENTARY
Confucius/Legge: Progress and success are suggested by the magnetic fifth line in the ruler's place. Although he has nearly crossed the stream, the young fox has not yet escaped from the midst of danger and calamity. Getting his tail wet means that the end does not reflect the intent of the beginning. Although the places of the different lines are not those appropriate to them, yet a dynamic and a magnetic line always respond to each other.
Legge:Unfinished Businessis the reverse of Completion: it means that the successful accomplishment of the matter at hand has not yet been realized; the crossing of the great stream is as yet incomplete.
Some have wished that theI Chingmight have concluded with Completion, and the last hexagram have left us with the picture of human affairs all brought to good order. But this would not have been in harmony with the idea of change. Again and again it has been pointed out that we find in the book no idea of a perfect and abiding state. Just as the seasons of the year change and pursue an ever-recurring round, so it is with the phases of society. The reign of order has peaked and declined, and this hexagram calls us to renew the struggle to make things right again. It deals with the conduct necessary to secure this result.
Not one of the lines in the hexagram is in its correct place -- all the dynamic lines are in magnetic places, and the magnetic lines are in dynamic places. At the same time, each of them has a proper correlate, so there is the possibility of some progress.
The symbol of the fox suggests a want of caution on the part of those who try to remedy prevailing disorders. They are unsuccessful and thereby get themselves into trouble. Line two represents this state of mind -- he is dynamic in a magnetic place in the center of the trigram of Peril. He is restless, and attracted by his magnetic correlate in the fifth place, he will be incautious in taking action. The outcome of the issue will be different than what was intended at the beginning.
The trigram of Water is below, and Fire above, showing how the two principles cannot act on each other profitably. This symbolizes the unregulated condition of general affairs now prevailing.
NOTES AND PARAPHRASES
Judgment: Although many achievements fuel our growth, the ego is only the facilitator, not the doer. To ignore this truth creates negative consequences: don't destroy the Work!
The Superior Man critically examines the situation and re-checks his priorities.
This hexagram represents the time before the climax of a cycle, just as the preceding figure symbolizes the time after the climax (and hence the transition to a new beginning). The Work is by no means "almost over" -- the lines all match as correlates, but every one of them unites "upside-down," so to speak. (Turn the hexagram over, and then they are in perfect correlation.) That the superior man "discriminates among the qualities of things, and the different positions they naturally occupy" means that he knows that the correct positions of the lines (the ones they "naturally occupy") are as in hexagram number sixty-three, not this one.
This "backward correlation of lines" is arguably a fair image of the relationship of thoughts and feelings in the average human psyche. The stresses of life are what eventually break up these mismatched correlates through endless cycles of stimulus and response until they finally all unite correctly in a hypothetical "Completion of the Great Work." That this is an ideal rather than a humanly attainable goal is suggested in this quote from Shao Yung:
The principle of the Way finds its full development in Heaven; the principle of Heaven, in Earth; the principle of Earth, in the myriad things; and that of the myriad things, in man. One who knows how the principles of Heaven, Earth, and all things find their full development in man can give full development to his people.
For all practical purposes, it is wisest to aspire to attainable completions and realize that the Work's "full development" is the Self's, not the ego's responsibility.
To strive for perfection is a high ideal. But I say: "Fulfill something you are able to fulfill rather than run after what you will never achieve." Nobody is perfect. Remember the saying: "None is good but God alone" [Luke 18:19], and nobody can be. It is an illusion. We can modestly strive to fulfill ourselves and to be as complete human beings as possible, and that will give us trouble enough. Jung -- The Tavistock Lectures
The Judgment suggests that before any climax or resolution there may still exist an indeterminate amount of free choice to influence the outcome -- only the specific circumstances can suggest how much or how little. As always, the choices are defined within the structure of the situation. The magnetic ruler in the fifth place implies that a favorable outcome is possible, but only through clear perception and willpower can it come about.
The conditional interpretation (boldface italics added) in both Legge's and Wilhelm's translation of the Judgment is necessary for its text to make sense. Note that Ritsema/Karcher define "Without direction: Harvesting" as: "No plan or direction is advantageous; in order to take advantage of the situation, do not impose a direction on events." This is a common oracle response, and sharpens the meaning here. Line one depicts the negative consequences of ignoring the Judgment’s explicit message.