Other titles: Exhaustion, The Symbol of Repression and Confinement, Adversity, Weariness, Confining, Entangled, Hardship, Depression, Tiresome Restriction, Dried Up, "Actions speak louder than words." -- D.F. Hook
Judgment
Legge: Oppression means that successful progress is still possible. The perseverance of the truly great man brings good fortune without error; but if he relies on words, no one will believe them.
Wilhelm/Baynes: Oppression . Success. Perseverance. The great man brings about good fortune. No blame. When one has something to say, it is not believed.
Blofeld:Adversity leading to success thanks to persistence in a righteous course; good fortune for the truly great and freedom from error! Though words be spoken, they will not inspire confidence. [`Great' refers to high moral qualities. This hexagram is of evil omen for most people, but success can be won through tremendous persistence in doing what is right.]
Liu: Oppression. Success. Persistence. Good fortune for the great man. No blame. If one indicates with words only, no one will believe.
Ritsema/Karcher:Confining, Growing. Trial: Great People significant. Without fault. Possessing words not trustworthy. [This hexagram describes your situation in terms of restriction and distress. It emphasizes that turning inward through accepting enclosure is the adequate way to handle it...]
Shaughnessy: Entangled: Receipt; determination for the great man is auspicious; there is no trouble. There are words that are not trustworthy.
Cleary (1): Exhaustion develops the righteous. Great people are fortunate and blameless. If one complains, one will not be trusted.
Cleary (2): Exhausted but coming through successfully, upright great people are fortunate and impeccable. Mere words are not believed.
Wu: Hardship indicates pervasion and perseverance. There will be good fortune for the great men. No error. But their words do not make impressions on people.
The Image
Legge: An abyss beneath the marsh that drains its water -- the image ofOppression. Thus the superior man will sacrifice his life to attain his purpose.
Wilhelm/Baynes: There is no water in the lake: the image of Exhaustion. Thus the superior man stakes his life on following his will.
Blofeld: This hexagram symbolizes a marsh in which no water (appears). The Superior Man risks his life to carry out his will.
Liu: The lake with no water symbolizesOppression.The superior man would give up his life to achieve his purpose.
Ritsema/Karcher: Marsh without stream. Confining. A chun tzu uses involving fate to release purpose.
Cleary (1): A lake with no water is exhausted. Therefore superior people use life to the full and achieve their aim. [When people lack purpose their path is at an end. Therefore they use life to the full to achieve their aim… Using life to the full means to get to the end of conditioned life; achieving one’s aim means to achieve the primordial life… Using the temporal to restore the primordial, ending false life and establishing real life, producing being in the midst of nothingness, seeking life within death, getting through an exhausting impasse, is like a lake without water again being filled with water.]
Cleary (2): …Developed people accomplish their will by living out their destiny. [Developed people only live out their destiny; they do not willingly try to avoid following and accepting it. Being strong and balanced, they are able to be joyful even in danger; this is the will that is up to oneself. Developed people intend to accomplish their will and do not vacillate just because they run into problems.]
Wu: The marsh has no water; this is Hardship. Thus the jun zi is prepared to dedicate his life to fulfill his commitments. [A marsh devoid of water is like a man deprived of his intellectual pursuits. This is unacceptable to a jun zi. He would rather fight to the end than surrender to idiocy.]
COMMENTARY
Confucius/Legge: In Oppressionwe see the dynamic lines covered and obscured by the magnetic. We see the attribute of Perilousness in the lower trigram going on to Cheerfulness in the upper. Who but the superior man is still able to advance although straitened by circumstances? The central position of the dynamic lines explains the good fortune of the great man who is firm and correct. As regards speech making, to be fond of argument or persuasion is the way to be reduced to extremity.
Legge: The written Chinese character of Oppression presents us with the picture of a tree within an enclosure. "A plant," according to Williams, "fading for want of room." "A tree," according to T'ai Tung, "not allowed to spread its branches." The image conveys the idea of being straitened and distressed, and the hexagram indicates how skilful management may relieve it.
The two central places in the figure are occupied by dynamic lines, but line two is confined between one and three, which are magnetic; and line five (the ruler), as well as four (his minister), are covered by the magnetic sixth line. These conditions indicate the repression of good men by adversity. The K'ang-hsi editors imply that "actions and not words" are what are required in the case.
Perilousness is the attribute of the lower trigram, and Cheerfulness that of the upper. The superior man, no matter how straitened, remains master of himself, and pursues his principled intent. The idea of speech making is found in the upper trigram, one of the attributes of which is the mouth, or speech, as well as Pleased Satisfaction. The pleading of the oppressed party still tries to make others pleased with him.
Literally translated, the first sentence of the Image reads: "A marsh with no water is Oppression." Chu Hsi says: "The water descending and leaking away, the marsh above will become dry."
Anthony: Our belief in the ruling power as beneficial is shaken by doubt. This lack of steadfastness is a problem because it obstructs acceptance and its corrective power. We often receive this hexagram when we feel tired. The oppressiveness of doubt exhausts our inner resources.
NOTES AND PARAPHRASES
Judgment: With enough will, success can be won. "Actions speak louder than words.” (i.e., The answer lies beyond the realm of reason and logic -- intuition furthers.)
The Superior Man stakes everything he's got on his will to succeed.
In Oppressionwe have the image of a dry lake bed. Anyone who has ever seen alkali flats in the desert can easily understand this metaphor for Oppression -- almost nothing can live in such an environment. The following hexagram, The Well, is an upside-down image of Oppression depicting the opposite case of an unending source of nourishment flowing from deep beneath the surface of the earth. (A comparison of these two figures will reveal a great deal about the meaning of each.)
To be under Oppression then, is to be cut off from all sustenance -- although there is water down below, it is presently inaccessible, and there is no nourishing flow of inner forces to the surface. This is a common, inevitable and potentially defeating experience for anyone doing serious inner work:
People who try to practice the Tao can all keep steadfast when they are in easy circumstances, but many of them waver in determination when they are in difficult or perilous situations. They may change their minds because of the pressures of making a living, or they may slack in determination due to illness; their spirits may flag because of old age, or they may stop work because of obstruction by some obsession. All these are cases in which people do not exert the mind of Tao and are hindered by exhaustion, so they ultimately do not attain the Tao. T. Cleary – The Taoist I Ching
Obviously, this is a dangerous situation, and we are told how to cope with it in the Confucian commentary, where it is observed that the lower trigram of Peril goes on to the upper trigram of Cheerfulness. These two trigrams are found in reversed sequence in hexagram number sixty, Restrictive Regulations, where a cheerful attitude is described as absolutely essential for the furtherance of the Work. The observations made there also apply here, and we see the superior man thereby enabled to advance under conditions that would utterly defeat lesser individuals.
This Cheerfulness cannot be underestimated. When it comes naturally and isn't forced, it is a gift of grace. Suddenly one is enabled to face the most incredible hardships with a light heart. It isn't that you no longer care -- you still do the best you can to further the Work, but you do it with bemused detachment.
The one thing the Jewish mystics never lost sight of was the suffering experienced in the arena of the profane. They did not retreat from this suffering, but sought instead to find meaning in it by living it. This is the core of mysticism. The temple in which the sacred marriage takes place is the world. C. Ponce -- Kabbalah
Lines 2 and 5 specifically mention sacrifice: an important concept in theI Ching. Sacrifice is mentioned in lines 17:6, 45:2, 46:2, 46:4, 47:2, 47:5, 63:5, and in the Judgment of hexagram 20. Note that in each case sincerity is specifically cited as essential to success.
Sincere 1: marked by genuineness: as a: free of dissimulation: not hypocritical: REAL, TRUE, HONEST...
Very often, the “sincerity” of our sacrifices involves following the dictates of the Work whether we fully understand them or not. Much that takes place in the Work is incomprehensible to ego consciousness; for example, changes often occur within the psyche which we only experience as strange dreams. Yet somehow, perhaps months later, we suddenly realize that we no longer act in a certain way or have lost interest in something that used to be of compelling importance. Our sacrifices are necessary for these changes to take place, even if they don't immediately make sense to us.
"With sacrifice shall you nourish the gods; and may the gods nourish you. Thus nourishing one another, you will obtain the Highest Good. "The gods, nourished by sacrifice, will bestow on you the enjoyments you desire." He is verily a thief who enjoys the things that they give without offering to them anything in return. The Bhagavad-Gita
Each of Cleary’s Taoist (1) and Buddhist (2) commentaries provides valuable insights into how much courage is required to follow the dictates of the Work at its more advanced levels. Take comfort that others before you have persevered and survived: “Developed people accomplish their will by living out their destiny.”
Line 1
Legge: The first line, magnetic, shows its subject with bare buttocks straitened under the stump of a tree. She enters a dark valley, and for three years has no prospect of deliverance.
Wilhelm/Baynes: One sits oppressed under a bare tree and strays into a gloomy valley. For three years one sees nothing.
Blofeld: With dried branches entangling the lower part of his body, he enters a gloomy valley. For three years he encounters no one. [Whoever receives this line must resign himself to failure.]
Liu: His bottom is oppressed by the bare tree. He enters a dark valley. For three years, he sees no one. [This line indicates fear, sadness or mourning.]
Ritsema/Karcher: The sacrum Confined, tending-towards stump wood. Entering tending-towards a shady gully. Three year's- time not encountering.
Shaughnessy: The lips are entangled in a columnar tree: Entering into a dark valley, for three years he is not drawn out; inauspicious.
Cleary (1): Sitting exhausted on a tree stump, gone into a dark ravine, not to be seen for three years.
Wu: He sits on tree roots. He enters a lonely valley. He does not see the outside world for three years. [It is all in his mind. (He) is preoccupied with the thoughts of hardship before it actually happens.]
COMMENTARY
Confucius/Legge: So benighted is she, and without clear vision. Wilhelm/Baynes: One is gloomy and not clear. Blofeld: What is said about entering a gloomy valley indicates darkness that will not be dispelled. Ritsema/Karcher: Shady, not bright indeed. Cleary (2): It is obscure and unclear. Wu: His mind is not open.
Legge: The poor subject of line one sitting on a mere stump, which affords her no shelter, is indeed badly off. The line is at the bottom of the trigram of Peril, and her correlate fourth line is unable to render help. So stupid is line one that by her own action she increases her distress. "Three years" is used for a long time.
NOTES AND PARAPHRASES
Siu: At the outset, the man lacks clear vision and is badly off. He is overwhelmed and has no immediate prospects of deliverance.
Wing: You are in danger of falling into a trap created by an adverse situation. The trap is of your own making and comes about because of discouragement. Discouragement creates a pattern for failure that will continue if not halted now.
Anthony: As long as we are influenced by doubt, we are blocked from seeing the solution. We must firmly resist doubt and hopelessness to restore open-mindedness. The way out will show itself at the right time.
Editor: Despite Blofeld's note on this line, it does not necessarily always intimate complete failure. In the most neutral sense, it's an image of stalemate, though there is a definite suggestion that this is due to one's own failing in something. Self-pity is hinted at, as well as lack of clarity. Some kind of illusion prevails. There is a possibility that things aren't as bad as they seem, or your attitude is making them worse than they need to be. The line can sometimes indicate that you have misunderstood a previous hexagram.
There are two wrongs the soul commits. The first is its descent; the second, the evil done after arrival here below. The first is punished by the very conditions of its descent. Punishment for the second is passage once more into other bodies, there to remain at greater or less length according to the judgment of its deserts.
(The word "judgment" indicates that this takes place as a result of divine law.) If, however, its perversity goes beyond all measure, the soul incurs an even more severe penalty administered by avenging daimons. Plotinus -- The Enneads
A. You are oppressed and confined by ignorance; perhaps the aridity of "reason."
B. A self-created impasse.
Line 2
Legge: The second line, dynamic, shows its subject straitened amidst his wine and viands. There come to him anon the red knee-covers of the ruler. It will be well for him to maintain his sincerity as in sacrificing. Active operations on his part will lead to evil, but he will be free from blame.
Wilhelm/Baynes: One is oppressed while at meat and drink. The man with the scarlet knee bands is just coming. It furthers one to offer sacrifice. To set forth brings misfortune. No blame. [This pictures a state of inner oppression. Externally, all is well, one has meat and drink. But one is exhausted by the commonplaces of life, and there seems to be no way of escape. Then help comes from a high place… Here a disagreeable situation must be overcome by patience of spirit.]
Blofeld: Difficulties arise through indulgence in food and drink. A vermillion sash-wearer (man of very high rank) appears; it is advisable to utilize this opportunity to offer sacrifice. Advancing brings misfortune, though no error is involved.
Liu: Oppressed by food and drink. The man in the red ceremonial robe comes. It is beneficial to sacrifice. It leads to misfortune to set forth. No blame.
Shaughnessy: Entangled in wine and food: the scarlet kneepads having just arrived, it is beneficial to use an aromatic grass sacrifice; to be upright is inauspicious; there is no trouble.
Cleary (1): Hard up for wine and food; then comes the regal robe. It is beneficial to make ceremonial offerings. To go on an expedition brings misfortune. No blame.
Cleary (2): Exhausted, but with food and drink. When the regal robe comes, it is beneficial to make a ceremonial offering. An expedition leads to misfortune, but there is no blame.
Wu: He is enslaved by wine and food. He just received a red vestment. It is good for making offerings. He will encounter ill fortune in having undertakings, but no error.
COMMENTARY
Confucius/Legge: Although straitened, his position is central, and there will be ground for congratulation. Wilhelm/Baynes: The middle brings blessing. Blofeld: The difficulties arising from our gluttony may nevertheless be productive of blessings. Ritsema/Karcher: Center possessing reward indeed. Cleary (2): There is celebration within. Wu: The central position has things worthy of celebration.
Legge: The three dynamic lines in the figure (two, four and five) are all superior men, and their being straitened is not in themselves, but in their circumstances which prevent self-development. Hence line two is straitened while he fares sumptuously. His correlate in the fifth place, though not quite proper, is the ruler who comes to his help. (The red knee covers distinguish the ruler from those of the nobles, which are scarlet.) Let line two cultivate his sincerity and do the work of the hexagram as if he were sacrificing to spiritual beings, and then, if he keeps quiet, all will be well.
NOTES AND PARAPHRASES
Siu: The man is apparently well off but is actually inwardly depressed. He is unable to solve the ordinary problems of life and develop his basic principles. He is rescued by the prince, who is looking for able helpers. However, he must first be patient until the unseen obstacles are overcome by prayers and sacrifices.
Wing: An Adversity facing you now comes about from boredom. Indulgences and pleasures may come too easily for you. Try giving yourself to a worthwhile cause. There is redemption in such altruistic actions.
Editor: The core idea here is that a sacrifice of some kind is necessary to relieve your oppression. Sacrifice is a universal principle deeply rooted in the unconscious psyche. The general idea behind it is the offering of something valuable to obtain something more valuable, which may not be immediately obvious; it is an act of faith and acknowledgment of subservience to higher guidance. In terms of the Work, this is the ego's sacrifice of its autonomy to the Self. Here the situation is the seeming contradiction of being oppressed while surrounded by plenty, so the sacrifice could involve not partaking of what is readily available. Compare with 45:2, which is created if this is the only changing line.
Sacrifice, "making sacred" (from the Latin sacrum facere) psychologically entails a surrender of ego libido to the service and intents of the transpersonal entelechy ... Transformation rests on sacrifice, on making "holy" by giving up and rendering to the transpersonal, "sacred" powers what one "has" while remaining what one essentially "is." One submits to change, death and loss of some aspects of one's being, abilities or possessions, while refusing to "curse God, and die" (Job 2:9), in other words, refusing to let go of one's trust in life and one's central core of integrity and Self. E.C. Whitmont -- The Alchemy of Healing
A. Starving amid plenty, one has almost made a connection with the source of truth. Give up your illusions and wait.
B. What you seek is all around you, and the connection is immanent. Have the will to sacrifice an option to relieve your oppression.
C. You can afford to sacrifice something now in the faith that you'll get something better later on.
Line 4
Legge: The fourth line, dynamic, shows its subject proceeding very slowly to help the subject of the first line, who is straitened by the carriage adorned with metal in front of him. There will be occasion for regret, but the end will be good.
Wilhelm/Baynes: He comes very quietly, oppressed in a golden carriage. Humiliation, but the end is reached.
Blofeld: A slow arrival. Trouble in a golden carriage. Shame, but not for long. [Trouble in a golden carriage coupled with shame suggests that we get into difficulty through our presumption, or through placing too much confidence in someone of much higher station than ourselves.]
Liu: He comes slowly, oppressed in a golden carriage. Embarrassment, but good results in the end.
Shaughnessy: Coming slowly, entangled in the metal chariot; distress; there is an end.
Cleary (1): Coming gradually, exhausted in a golden cart; shame has an end.
Cleary (2): Coming slowly, exhausted in a gold car, there is shame, but there is a conclusion.
Wu: Walking slowly and leisurely, he is distressed in seeing a golden carriage and feels humiliated, but he will complete his assignments.
COMMENTARY
Confucius/Legge: His aim is directed to help the lower line. Although he is not in his appropriate place, he and his correlate will in the end be together. Wilhelm/ Baynes: His will is directed downward. Though the place is not appropriate, he nevertheless has companions. Blofeld: The tardy arrival implies that our will-power is at a low ebb. However, though the line is not suitably placed, it does not stand alone. [At least we may hope for a little aid from others.]Ritsema/Karcher: Purpose located below indeed. Although not an appropriate situation, possessing associating indeed. Cleary (2): The mind is on something lower. There is a partner. Wu: He wishes to be with the one below. He is responsive to the other.
Legge: Lines four and one are proper correlates, but four is dynamic in a magnetic place and therefore slow to give assistance. Then line one is run over by line two, which is represented as a chariot of metal. It is difficult for one and four to come together and effect much, but four is near the ruler, also dynamic, and through this common sympathy a measure of success is attained.
NOTES AND PARAPHRASES
Siu: The man in a high position proceeds hesitantly to help the lower class. He encounters difficulty in breaking loose from the circle of the wealthy and the powerful. The original intention of his good resolution eventually brings favorable results.
Wing: Your progress is slowed by your position in the situation. Although your intentions are good, you are diverted from your path by temptations. There is some humiliation, but you will accomplish your aim.
Editor: Most translations render this line as a golden carriage (a luxurious vehicle), slowly transporting the subject of the fourth line to his destination. The implication is that our unhurried progress may be due to self-indulgence, but the position is not totally improper and a delayed relief of oppression is assured.
In each of us there is another whom we do not know. He speaks to us in dreams and tells us how differently he sees us from the way we see ourselves. When, therefore, we find ourselves in a difficult situation to which there is no solution, he can sometimes kindle a light that radically alters our attitude -- the very attitude that led us into the difficult situation. Jung -- Civilization in Transition
A. Resolution of the situation is slow in coming: "Better late than never."
B. Illusions of ease and pleasure retard your progress. Nevertheless, mediocre performance does not necessarily portend failure.
Other titles: Difficulty at the Beginning, The Symbol of Bursting, Sprouting, Hoarding, Distress, Organizational Growth Pains, Difficult Beginnings, Growing Pains, Initial Obstacles, Initial Hardship
Judgment
Legge: Difficulty indicates progress and success through firm correctness. Action should not be undertaken lightly, and it is wise to seek help.
Wilhelm/Baynes:Difficulty at the Beginning works supreme success, furthering through perseverance. Nothing should be undertaken. It furthers one to appoint helpers.
Blofeld: Difficulty followed by sublime success! Persistence in a righteous course brings reward; but do not seek some new goal (or destination); it is highly advantageous to consolidate the present position. [The fundamental idea of this hexagram is that of birth and growth amidst difficulty, as with a sprouting seed becoming a young plant and forcing its way through the earth. Our affairs, being still in their early stages, are vulnerable; we must not wander forth, but attend to them until they ripen; then, with proper care, the seed will bring forth a splendid tree. The upper trigram, a pit, suggests a need for caution; but, if we heed these omens, our success is assured.]
Liu: Difficulty in the Beginning : great success. It is of benefit to continue without planning to go someplace. One should find helpers.
Ritsema/Karcher: Sprouting . Spring Growing Harvesting Trial. No availing-of possessing directed going. Harvesting: installing feudatories. [This hexagram describes your situation in terms of beginning growth. It emphasizes that collecting potential in preparation for arduous labor is the adequate way to handle it...]
Shaughnessy: Hoarding : Prime receipt; beneficial to determine. Do not herewith have someplace to go; beneficial to establish a lord.
Cleary(1): In difficulty, creativity and development are effective if correct. Do not use. There is a place to go. It is beneficial to set up a ruler.
Cleary(2):Creativity is successful. It is beneficial to be correct. Do not make use of going somewhere. It is beneficial to set up lords.
Wu:Distress is primordial, pervasive, prosperous, and persevering. The subject should proceed with caution. It will be advantageous to establish marquisates.
The Image
Legge: The image of clouds and thunder formsDifficulty. The superior man, in accordance with this, adjusts his measures of government as in sorting the threads of the warp and woof.
Wilhelm/Baynes: Clouds and thunder: the image of Difficulty at the Beginning. Thus the superior man brings order out of confusion.
Blofeld: This hexagram symbolizes lightning spewed forth by the clouds -- difficulty prevails! The Superior Man busies himself setting things in order.
Liu: Clouds and thunder symbolize Difficulty at the Beginning. The superior man makes order out of disorder.
Ritsema/Karcher: Clouds, Thunder, Sprouting. A chun tzu uses the canons to coordinate. [Canons: standards, laws; regular, regulate; the Five Classics. The ideogram: warp-threads in a loom.]
Cleary(1): Thunder in the clouds is held back; the superior person orders and arranges.
Cleary(2): Clouds and thunder – Difficulty. Thereby leaders organize.
Wu: Clouds and thunder form hexagram Distress. Thus the jun zi plans and organizes.
COMMENTARY
Confucius/Legge:Difficultyis experienced as Heaven and Earth begin their intercourse, but correct action succeeds in the face of danger. By the action of thunder and rain, which are the attributes of the lower and upper trigrams, all between Heaven and Earth is filled up. But the conditions of the time are irregular and obscure. Authority should be delegated, but the feeling that rest and peace have been secured should not be indulged in even then.
Legge: The written character for Difficultyis pictorial, and shows a plant struggling with difficulty as it rises above the surface of the earth. This initial difficulty is a metaphor for how struggle is the condition of a state which is emerging from disorder after a revolution. The author saw his social and political world in great disorder and difficult to reform, yet he had faith in himself and the destiny of his House. Let there be prudence and caution, with unswerving adherence to the right. Let the government of the different states be entrusted to good and able men -- then all will be well.
According to the arrangement of the eight trigrams, Heaven and Earth are the parents of the other six, who are their children. The first-born son is the lower trigram of Movement, and the second-born son is the upper trigram of Peril. McClatchie renders here: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering."
The power to move in the lower trigram is likely to produce great effects; to do this in perilous and difficult circumstances (symbolized by the upper trigram) requires firmness and correctness. Good princes throughout the realm will help to remedy the political and social disorder of the times, but the supreme ruler should not trust his subordinates to the point of relaxing his vigilance.
The lower trigram represents thunder, the upper represents rain clouds. The hexagram therefore places us in the atmosphere of a thunderstorm -- a metaphor for the situation of a political state in difficulty. When the thunder has pealed, and the clouds have discharged their burden of rain, the atmosphere is cleared and there is a feeling of relief.
Anthony: This hexagram means that we have not yet found the correct path.
It also means confusion: too many possibilities. Nothing is clear. This lack of clarity is the “hindrance” referred to in the first line of the hexagram. In the second line, the remedies that come forth are inappropriate. In the first stages of dealing with a problem, we are tempted to grasp at solutions, whereas we should wait until the proper actions become clear.
NOTES AND PARAPHRASES
Judgment: Under the conditions of Difficulty it is best to mark time while seeking assistance.
The superior man uses careful analysis to separate order from confusion.
Wilhelm’s title for this hexagram is Difficulty at the Beginning. I prefer Difficulty, because it is a situation encountered at any phase of the Work, not just the beginning.
Difficulty is experienced because confusion and multiplicity prevail during the initial phase of any creative activity -- thoughts and feelings proliferate and threaten to overwhelm the mind with infinite complexity. The only way to proceed under such circumstances is to carefully sort out the components of the situation and arrange them in categories and in order of importance. To "sort the threads of the warp and woof" is to weave a tangled mess into a tapestry.
The Orderly Sequence of the Hexagrams gives us an image of what takes place under the hexagram of Difficulty:
When there were Heaven and Earth, then afterwards all things were produced. What fills up the space between Heaven and Earth are those individual things. Hence the Dynamic and Magnetic are followed by Difficulty. Difficulty means filling up.
"Filling up," is rendered as "fullness" in some translations. This is the exact meaning of the gnostic term: "Pleroma," or "Fullness" which Jung correlates with the Collective Unconscious or Objective Psyche. These are interior dimensions from which emanate the archetypal energies which we experience as instinctual drives and emotional complexes. This is the "hyperspace" from which the Self, via the oracle, responds to our queries and directs the Work.
Thus we see that the third hexagram, following the creation of the cosmic pair of opposites in the first two figures, represents a dialectical progression. Lao Tse, who wrote the Tao Te Ching some six-hundred years after the I Ching was committed to writing, describes this unfolding process:
Out of Tao, One is born;
Out of One, Two;
Out of Two, Three;
Out of Three, the created universe.
The created universe carries the yin at its back
and the yang in front;
Through the union of their pervading principles
it reaches harmony.
The identical idea is found in many traditions, giving it the status of an archetype within human consciousness. It is not necessary to be familiar with the technical terminology of Kabbalah to recognize that the same idea is being discussed in the following passage:
In Chokmah and Binah we have the archetypal Positive and Negative; the primordial Maleness and Femaleness, established while "countenance beheld not countenance" and manifestation was incipient ... It is between these two polarizing aspects of manifestation -- the Supernal Father and the Supernal Mother -- that the web of life is woven; souls going back and forth between them like a weaver's shuttle. In our individual lives, in our physiological rhythms, and in the history of the rise and fall of nations, we observe the same rhythmic periodicity. D. Fortune --The Mystical Qabalah
This idea has been stated very simply:
All things are a single form which has divided and multiplied in time and space. W.B. Yeats -- A Vision
Is not the sky a father and the earth a mother, and are not all living things with feet or wings or roots their children? -- Black Elk
And also with poetic complexity:
In the beginning God created the heavens and the earth. Now the earth was a formless void, there was darkness over the deep, and God's spirit hovered over the water ... God said, "Let the waters teem with living creatures, and let birds fly above the earth within the vault of heaven." And so it was ... God blessed them, saying, "Be fruitful, multiply, and fill the waters of the seas; and let the birds multiply upon the earth. Genesis
There are some profound ideas in these images about the structure of human consciousness and the contents of the unconscious psyche. The basic idea is that of Emanation -- the creation of physical reality from a supreme principle in ordered hierarchies of increasing complexity. This concept is essential for a full understanding of the Work.
The involution of man was his descent from the sphere of the spirit, developing bodies of a mental, emotional and then physical nature until he manifested upon this planet. His evolution is to civilize this planet and to develop mastery of the physical, emotional and mental planes and relink himself in unity with God once more, thus completing the cycle. He came from God as an inexperienced Spark of Divine Fire and returns to Him, with all the experience of manifestation, as a Lord of Humanity. Gareth Knight -- The Work of a Modern Occult Fraternity
In many systems of thought, the proliferation of forces is seen in sexual terms -- the cosmic parents produce entities in male and female pairs (gnostic syzygies), which in turn produce offspring. Hence, Confucius says: "Difficulty is experienced as Heaven and Earth begin their intercourse." That this has an explicit sexual connotation is confirmed by McClatchie: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering." Thus we see that the correct and incorrect correlation ("intercourse") of dynamic (male) and magnetic (female) lines in anyI Ching hexagram symbolizes the favorable (life-enhancing) or unfavorable (life-negating) combinations of thought and feeling within the psyche.
SUGGESTIONS FOR MEDITATION
The sexual intercourse of Heaven and Earth is also described in hexagram number eleven,Harmony. In terms of these sexual metaphors, what does the term "adultery" imply in regard to the Work? See hexagram number forty-four, Temptation, for further insight on this theme.