Other titles: Nourishment, Calculated Inaction, Attending, Biding One's Time, Nourishment Through Inaction, Waiting for Nourishment, Moistened, "Waiting with the assurance that a blessing will come." -- D.F. Hook
Judgment
Legge:Waitingintimates that with sincerity and firmness there will be brilliant success and good fortune. It will be advantageous to cross the great stream.
Wilhelm/Baynes:Waiting. If you are sincere, you have light and success. Perseverance brings good fortune. It furthers one to cross the great water.
Blofeld: Calculated inaction (or exhibiting the power to wait) and the confidence of others win brilliant success. Righteous persistence brings good fortune. It will be advantageous to cross the great river (or sea). [The significance of this hexagram is that inaction while awaiting the outcome of events will enable us to avoid a danger now threatening. Firmness, clarity of mind and success in winning the confidence of others are now demanded of us; with them, our undertakings will prosper. Moreover, this period of inaction is a good time in which to go on a journey or else for relaxation and enjoyment.]
Liu: Waiting.If you are sincere you will have glory (light) and success. Continuing leads to good fortune. It is of benefit to cross the great water (to travel to remote places).
Ritsema/Karcher: Attending, possessing conformity . Shining Growing, Trial: significant. Harvesting: wading the Great River. (Editor: "Possessing conformity" is translated as: ... "Inner and outer are in accord; confidence of the spirits has been captured...") [This hexagram describes your situation in terms of being compelled to wait for and serve something. It emphasizes that fixing your attention on what is required while waiting carefully for the right moment to act is the adequate way to handle it. To be in accord with the time, you are told to: attend!]
Shaughnessy: Moistened: There is a return, radiant receipt; determination is auspicious; beneficial to ford the great river.
Cleary (1): In Waiting there is sincerity and great development. It is good to be correct. It is beneficial to cross a great river.
Cleary (2):Waiting with truthfulness lights up success in correct orientation toward good. It is beneficial to cross a great river.
Wu: Waiting indicates having confidence. It is brilliant and pervasive and auspicious to be persevering. It will be advantageous to cross the big river.
The Image
Legge: The image of clouds ascending over the sky forms Waiting. The superior man, in accordance with this, eats and drinks, feasts and enjoys himself as if there were nothing else to employ him.
Wilhelm/Baynes: Clouds rise up to heaven: the image of Waiting. Thus the superior man eats and drinks, is joyous and of good cheer.
Blofeld: This hexagram symbolizes clouds rising to the zenith -- inactivity! The Superior Man will pass this time in feasting and enjoyment.
Liu: Clouds rise up in the sky; this symbolizes Waiting. The superior man enjoys his food and drink. He remains relaxed and happy.
Ritsema/Karcher: Above clouds with-respect-to heaven. Attending. A chun tzu uses drinking [and] taking-in to repose delighting.
Cleary (1): Clouds rise to heaven, waiting. The superior person makes merry with food and drink.
Wu: The clouds ascend to the sky; this is Waiting. Thus the jun zi enjoys food and peace.
COMMENTARY
Confucius/Legge: Waiting shows peril in front, but its subject does not allow himself to be involved in the dangerous defile. The success in sincerity and good fortune in firmness are shown by the position of the fifth line which is correctly situated in the central place assigned by Heaven. Crossing the great stream will be followed by meritorious achievement.
Legge: Waiting is composed of the lower trigram of strength and the upper trigram of peril. Strength confronted by peril might be expected to advance boldly and deal with it at once, but the lesson of the hexagram is that it is wiser to wait until success is sure. In the situation at hand, firm correctness is all that is required for eventual victory.
"Crossing the great stream" is a frequent expression in the I Ching which symbolizes the undertaking of hazardous enterprises, or encountering great difficulties. Historically it refers to the Yellow River which the lords of Chou had to cross in their revolution against the Yin Dynasty tyrants. The crossing made by King Wu in 1122 B.C. was one of the greatest deeds in the history of China, and was preceded by a long period of waiting until success could be assured.
Regarding the Image, it is said that the cloud that has risen to the top of the sky has nothing to do but wait until the harmony of heaven and earth require it to discharge its store of rain. The superior man is likewise counseled to enjoy his idle time while waiting for the correct moment to deal with the approaching danger.
NOTES AND PARAPHRASES
Judgment: Strength in the face of danger here consists of the will to sit tight and do nothing.
The Superior Man carries on as if nothing was the matter, and nourishes himself through inaction.
There are many kinds of courage -- perhaps the greatest of all is the courage to remain unflinchingly in place when all the circumstances seem to cry out for action. It takes far more courage to wait for the dragon to slowly come to you than to rush forth and attack him in his lair. As a strategy, to out-wait your opponent through pure willpower and inner strength can be more effective than a direct attack -- but it can only succeed when you are truly strong. It is as if the real battle takes place on the inner planes, and the first one to act in the world thereby concedes defeat.
A very large part of the Work consists in disciplining oneself to wait -- to take no action until some indefinite time in the future. This is exceedingly difficult to do, and creates incredible stresses within the psyche -- which is exactly why it is necessary. Psychologically, to "cross the great stream" is to subdue all of the autonomous instincts, drives and emotions that are accustomed to responding whenever they are stimulated. As long as waiting creates feelings of stress, you can be sure that the battle has not been won. When you can wait like the superior man -- as if there were nothing else to do, then you can allow yourself to hope that you may be getting somewhere.
To nourish oneself through inaction is to digest and absorb the energy of one's instinctive responses. As in any nourishing assimilation, their strength then becomes your strength. The true adept is one who has digested all of his passion and is thereby empowered to use it for his own purposes. Instead of engaging in civil war, he has united his forces to act in the world.
Tradition says that Moses did not set the Tabernacle up straight away, but delayed for three months, despite the fact that the people wanted to dedicate it at once. In this is repeated a lesson of patience concerning matters of the spirit. For instead of accepting their Teacher's word, which conveyed the will of God, the Israelites sought to impose their own will over what they had made ... This phenomenon is not unknown among those who cannot wait, which is a vital part of esoteric training. Unfortunately, it has to be demonstrated over and over again that the timing of a spiritual event is contingent upon a cosmic schedule, and not the will of the individual. Z.B.S. Halevi -- Kabbalah and Exodus
Line 2
Legge: The second line, dynamic, shows its subject waiting on the sand of the mountain stream. He will suffer the small injury of being spoken against, but in the end there will be good fortune.
Wilhelm/Baynes: Waiting on the sand. There is some gossip. The end brings good fortune.
Blofeld: Inactivity upon the river beach -- some slight gossip may arise, but the final result will be good fortune. [Sitting on a river beach watching the water flow past symbolizes watching what is going forward without taking part.]
Liu: Waiting in the sand (seashore, bank of the river) arouses gossip. Good fortune in the end.
Ritsema/Karcher: Attending tending-towards sands. The small possesses words. Completing significant.
Shaughnessy: Moistened in the sand; there are a few words; in the end auspicious.
Cleary (1): Waiting on the sand, there is some criticism, but it turns out well.
Wu: He is waiting on the sand. He may hear little complaints. Eventually, there will be good fortune.
COMMENTARY
Confucius/Legge: He occupies his place in the center with a generous forbearance. He will bring things to a good issue. Wilhelm/Baynes: One is calm, for the line is central. Although this leads to some gossip, the end brings good fortune. Blofeld: The first sentence indicates a place with water flowing through the middle. Though there be gossip, all will be well in the end. Ritsema/Karcher: Overflowing located in the center indeed. Although the small possesses words, using completing significant indeed. Cleary (2): There is useless excess within. Though there is some criticism, it is to make the end auspicious. Wu: Indicates having forbearance. It will end with good fortune.
Legge: The sand of line two suggests a nearer approach to the defile, but he is still self-restrained and waiting. That he is a dynamic line in a magnetic and central place shows him to be possessed of a large and generous forbearance.
NOTES AND PARAPHRASES
Siu: The danger approaches with disagreements and unrest. The man remains self-controlled and does not respond to slander.
Wing: What you propose to do will bring difficulties into your life. Furthermore, you could become a victim of gossip. If this occurs, don't try to defend yourself, as it will only lend weight to what is otherwise insubstantial. Success will eventually come.
Editor:"Sand” often symbolizes time -- the innumerable petty details of life, or the inexorable wearing away of hours, minutes, seconds. When combined with the image of a river bank (Legge, Blofeld, Liu), the notion of waiting for time and events to fulfill themselves is further emphasized. Psychologically, to be "spoken against" refers to the impatient urging of the instinctual-emotional part of the psyche which demands immediate gratification of every current desire. Wilhelm renders "being spoken against" as "gossip," which is rumor, speculation or imagination. (Cleary’s Buddhist text calls it “criticism.”) To exercise a “generous forbearance” means to endure and ignore these illusion-obsessed inner voices. Blofeld's note about "watching what is going forward without taking part” is especially insightful: the line often portrays a situation in which one is required by circumstances to be an inactive observer. If this is the only changing line, the new hexagram created is number 63, Completion, suggesting that passive contemplation is linked with fulfillment of the Work.
When Siddhartha listened attentively to this river, to this song of a thousand voices; when he did not listen to the sorrow or laughter, when he did not bind his soul to any one particular voice and absorb it in his Self, but heard them all, the whole, the unity; then the great song of a thousand voices consisted of one word: Om -- perfection. Hermann Hesse -- Siddhartha
A. Contemplate the unfolding situation: restrain your impulse to meddle, even if action seems necessary.
B. For the moment, maintain the status quo.
Line 3
Legge: The third line, dynamic, shows its subject in the mud close by the stream. He thereby invites the approach of injury.
Wilhelm/Baynes: Waiting in the mud brings about the arrival of the enemy.
Blofeld: Inactivity amidst the mud -- this permits the approach of evil. [This suggests a danger of our being so bogged down that we can neither fight nor flee.]
Shaughnessy: Moistened in the mud; it causes robbers to arrive.
Cleary (1): Waiting in the mud brings on enemies.
Wu: He is waiting in the mud. This invites harm.
COMMENTARY
Confucius/Legge: He is waiting in the mud -- the calamity in the upper trigram is close at hand. He invites the approach of injury, but if he is reverent and careful, he will not be worsted. Wilhelm/Baynes: The misfortune is outside. Seriousness and caution prevent defeat. Blofeld: Remaining inactive in the midst of mud subjects us to external dangers, but the approaching evil will not harm us if we exercise care. [We must not allow the mud to bog us down.]Ritsema/Karcher: Calamity located outside indeed. Originating-from my involving outlawry. Respectful consideration, not destroying indeed. Cleary (2): Once I have brought on enemies, I am careful not to be defeated. Wu: Inviting harm is a self-inflicted act. With respect and caution, however, he will be free from defeat.
Legge: Here the subject is on the brink of the stream. His advance to this position has provoked resistance which may result in his injury.
NOTES AND PARAPHRASES
Siu: The man attempts a complex undertaking without sufficient capacity for success in one try. He finds himself mired in the intricacies, thereby inviting enemies onto the scene. Caution is required.
Wing: Because of premature action on your part, inspired perhaps by anxiety, you will leave yourself open to attack. This situation is truly difficult because you are vulnerable. Only extreme caution will protect you.
Editor: In its most neutral interpretation, this line is an image of serious vulnerability: an unstable position invites attack. Mud is earth mixed with water. Psychologically, sensation (earth) and emotion (water) unite in a gooey morass of fear or anxiety which leaves one vulnerable to harm. Since the Work proceeds dialectically upward or downward, this position points out the danger of emotional responses: you could lose what you have gained unless you hold firm. Don't surrender to the complexes urging differentiation: heed the gnosis which counsels integration.
Instinctive reactions and emotional expressions thus shade imperceptibly into each other. Every object that excites an instinct excites an emotion as well. William James
A. Emotional vulnerability threatens the ego's ability to act effectively.
B. You're on shaky footing -- take care.
Line 4
Legge: The fourth line, magnetic, shows its subject waiting in the place of blood. But she will get out of the cavern.
Wilhelm/Baynes: Waiting in blood. Get out of the pit.
Blofeld: Inactivity amidst blood -- we shall emerge from the abyss.
Liu: Waiting in blood. Come out from the pit.
Ritsema/Karcher: Attending tending-towards blood. Issuing- forth originates-from the cave.
Shaughnessy: Moistened in the blood; it comes out from the cavity.
Cleary(1): Waiting in blood. Leaving the cave.
Wu: He is waiting in blood. He exits from the cave.
COMMENTARY
Confucius/Legge: She accommodates herself to the circumstances of the time, and hearkens to its requirements. Wilhelm/Baynes: He is yielding and obeys. Blofeld: To abstain from action amidst deeds of blood is to accord with the principle of allowing things to take their course. Ritsema/Karcher: Yielding uses hearkening indeed. Cleary (2): Means listening receptively. Wu: Waiting in blood calls for obedience.
Legge: Line four has passed from the lower to the upper trigram and entered the scene of danger and strife: "the place of blood." However, she is magnetic and in her correct place, so she withdraws from engagement with the enemy and is thereby enabled to escape from the cavern. Recognition of the circumstances of the time and yielding to its requirements are the lessons here. She acknowledges her inadequacies and takes the prudent step.
NOTES AND PARAPHRASES
Siu: The man enters the scene of strife and danger in a life and death struggle. He accommodates himself to fate, stands fast, and refrains from aggravating the problem.
Wing: You are waiting in the very center of chaos. Any sort of confrontation with the problems that present themselves will only make things worse. Remove yourself immediately and unobtrusively from the situation.
Editor: Psychologically interpreted, this line sometimes implies that during a transitional phase in the dialectical process of individuation one must avoid any influence that might interfere with that process. Each translator uses a different word for what may be interpreted as an image of the unconscious psyche: "cavern," "pit," "abyss," "cave" and "cavity" all describe a hidden, dark, dangerous influence in the situation at hand.
For the ordinary esoteric aspirant the best approach to the evil within us is, after having recognized and faced it, to starve it, working only upon the development of the good and spiritual qualities. By developing the contact of the Spirit the psyche will eventually be so transformed that there is no room for evil within it. Direct work upon evil forces will tend to set up a polarity and occult link with these forces and this is one thing which must be sedulously avoided. Gareth Knight --Qabalistic Symbolism
A. Withdraw from a dangerous position.
B. "Don't touch it with a ten-foot pole!"
C. Wait until the situation clarifies.
Line 5
Legge: The fifth line, dynamic, shows its subject waiting amidst the appliances of a feast. Through his firmness and correctness there will be good fortune.
Wilhelm/Baynes: Waiting at meat and drink. Perseverance brings good fortune.
Blofeld: Inactivity amidst food and wine -- righteous persistence will bring good fortune. [We may safely relax and enjoy ourselves, but we must preserve our determination to act when the time is ripe.]
Liu: Waiting at the feast. Continuing brings good fortune.
Shaughnessy: Moistened in the wine and food; determination is auspicious.
Cleary(1): Waiting with food and wine, it is good to be correct.
Wu: He is waiting at feasting. Perseverance brings good fortune.
COMMENTARY
Confucius/Legge: The good fortune is indicated by his being in the central
and correct place. Wilhelm/Baynes: Because of the central and correct character. Blofeld: The line is a firm one between two yielding lines. Ritsema/Karcher: Using centering correcting indeed. Cleary (2): Being centered correctly. Wu: Central and correct.
Legge: Line five is dynamic in the central and correct place of the ruler. All good qualities therefore belong to him. He has triumphed, and with firmness will continue to triumph.
NOTES AND PARAPHRASES
Siu: The man fortifies his reserve strength by enjoying the intervals of peace between crises. At the same time he maintains his orientation to the ultimate goal with optimistic buoyancy.
Wing: Your difficulties are held in abeyance now and it is a good time to relax and gain perspective on the situation. While you enjoy your respite, keep in mind that there is still much to be done in the attainment of your goals.
Editor: This line recalls the Image -- the superior man "eats and drinks, feasts and enjoys himself as if there were nothing else to employ him." If this is the only changing line, the hexagram becomes number eleven: Harmony-- suggesting that one is situated very well indeed.
A meditating man may appear, at a glance, to be doing nothing. But as with Buddha seated under his Bohdi tree, this apparent physical inaction hid the cosmic activity of inner illumination. Z.B.S. Halevi -- An Introduction to the Cabala
A. You are surrounded by nourishing influences – relax and allow the situation to mature.
Line 6
Legge: The sixth line, magnetic, shows its subject entered into the cavern. But there are three guests coming, without being urged, to help her. If she receives them respectfully, there will be good fortune in the end.
Wilhelm/Baynes: One falls into the pit. Three uninvited guests arrive. Honor them, and in the end there will be good fortune.
Blofeld: Entering a pit. Three uninvited guests arrive; to honor them will ultimately bring good fortune.
Liu: Entering the pit, three unexpected guests arrive. Treat them courteously. Good fortune in the end.
Ritsema/Karcher: Entering tending-towards the cave. Possessing not urging's visitors. Three people coming. Respecting them: completing significant.
Shaughnessy: Entering into the cavity; there are unbidden guests, three men, who come; respect them; in the end auspicious.
Cleary (1): Entering a cave. Three people come, guests not in haste: Respect them, and it will turn out well.
Cleary (2): … Three unhurried guests come … etc.
Wu: He enters the cave. There come three uninvited guests. To receive them with respect will be auspicious in the end.
COMMENTARY
Confucius/Legge: There has been no great failure in what has been done. Wilhelm/Baynes: Although the line is not in its proper place, at least no great mistake is made. Blofeld: Nothing is lost by it. [There is a Chinese proverb which runs: `Being over-courteous excites no blame from others.'] Ritsema/ Karcher: Not-yet the great let-go indeed. Cleary (2): Even though you do not reach rank, still you have not lost much. Wu: Although his position is not tenable, he has not faulted badly.
Legge: The magnetic sixth line has entered deeply into the cavern. Her correlate third line comes with two dynamic companions from the lower trigram to give help. If they are respectfully received, that help will prove effectual.
NOTES AND PARAPHRASES
Siu: The man falls into great complications. Everything looks black. But unexpected help arrives. If he is sensitive to it and accepts it graciously, there will be a happy turn of events.
Wing: The time is complex. The waiting is over because the difficulties are upon you. There appears to be no way out of the situation. Yet help arrives if you recognize it. To know and graciously accept such unexpected and unfamiliar assistance will turn the entire situation toward the good.
Editor: A cavern, a narrow, dark and restricted place, can refer to ignorance as well as danger. However, things here are not as dark as they may appear and the issue will improve if you are receptive to a solution. Waiting is the subjective experience of the passage of time. If time and consciousness are in some ways synonymous, then "waiting” implies the interval between ignorance and enlightenment.
What is experienced only in terms of a personal impasse can seem quite hopeless until and unless it receives a general human meaningfulness by being recognized as one's individual and perhaps discordant share in, or variation of, a general theme of human striving and seeking. E.C. Whitmont -- The Symbolic Quest
A. The working out of an impasse -- respect the process by allowing it to unfold naturally.
Other titles: Biting Through, Gnawing, The Symbol of Mastication and Punishment by Pressing and Squeezing, Gnawing Bite, Severing, Chewing, Punishment, Reformation, Reform, Differentiation, Discrimination, Making a Distinction, Getting the message "Something which should be, or has to be bitten through. This is essentially the legal hexagram. When asking about a man's intentions, he is probably married." -- D.F. Hook
Judgment
Legge: Success is found in Discernment. The restrictions of the law bring advantage.
Wilhelm/Baynes:Biting Through has success. It is favorable to let justice be administered.
Blofeld: Gnawing. Success! The time is favorable for legal processes. [The concept of gnawing is suggested by the component trigrams, which are regarded (owing to the arrangement of their lines) as not commingling; they are as separate from each other as the upper and lower jaw when something tough is being gnawed.]
Liu: Chewing: Success. It benefits to administer justice. [Chewing indicates success through hard work. Those who get this hexagram will have trouble in the beginning.]
Ritsema/Karcher:Gnawing Bite, Growing. Harvesting: availing of litigating. [This hexagram describes your situation in terms of confronting a tenacious obstacle. It emphasizes that biting through and picking things clean until the essential is revealed is the adequate way to handle it. To be in accord with the time, you are told to: gnaw and bite through!]
Shaughnessy: Biting and chewing: Receipt; beneficial to use a court case.
Cleary (1):Biting through is developmental. It is beneficial to administer justice.
Cleary (2): Biting through is successful. It is beneficial to apply justice.
Wu: Discernment is pervasive. It will be advantageous to exact punishments.
The Image
Legge: The images of thunder and lightning form Discernment. Thus the ancient kings promulgated their laws and framed their penalties with intelligence.
Wilhelm/Baynes: Thunder and lightning: The image of Biting Through. Thus the kings of former times made firm the laws through clearly defined penalties.
Blofeld: This hexagram symbolizes lightning accompanied by thunder. The ancient rulers, after making their legal code perfectly clear to all, enforced the laws vigorously. [The firm and yielding lines more or less alternate; or the lower trigram can be regarded as filled with the power of thunderous force, while the upper trigram, representing beauty, is soft and yielding. (Li, the upper trigram, stands for lightning as well as for fire, beauty, etc.) I do not know what the ancient Chinese views on thunder and lightning were; it appears from this that they were regarded as two forces which, like steel and flint, emitted brilliance when brought into sharp contact with each other. A pair of trigrams both with yielding centers is not felt to be a good arrangement; that it nevertheless favors the process of the law may have been suggested to the writer of the Text by the fact that the weak lines (morally weak people?) are fully contained by the strong (prison walls, warders and so forth?)]
Liu: Thunder and lightning symbolize Chewing. The ancient kings made the laws and clarified the penalties.
Ritsema/Karcher: Thunder, lightning. Gnawing Bite. The Earlier Kings used brightening flogging to enforce the laws.
Cleary (1): Thunder and lightning, biting through. Thus did the kings of yore clarify penalties and proclaim laws. [Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life.]
Wu: Thunder and lightning form Discernment. Thus the ancient kings made just punishments and upheld the law of the land.
COMMENTARY
Confucius/Legge: The existence of something between the jaws gives rise to the name Discernment-- union by means of biting through the intervening article. The dynamic and magnetic lines are equally divided in the figure. Movement is denoted by the lower trigram, and Clarity by the upper -- thunder and lightning uniting in them, and having brilliant manifestation. The magnetic fifth line is in the center, and acts in her high position. Although she is not in her proper place, this is advantageous for the use of legal constraints.
Legge: Discernment means literally "union by gnawing." The figure consists of undivided lines in the top, bottom and fourth places -- giving the image of open jaws with something in them "being gnawed." When the object has been bitten through, the upper and lower jaws come together in union -- hence: " Union by gnawing." Remove the obstacles to union and high and low will meet together in understanding. The force exerted by gnawing suggests the idea of legal constraints.
The equal division of the dynamic and magnetic lines is seen by taking them in pairs, though the order of the first pair is different from the other two. The magnetic fifth line is the ruler of the hexagram, indicating that judgment is tempered by leniency.
Ch'eng-tzu says that thunder and lightning are always found together, and hence their trigrams go together to give the idea of union intended in Discernment: one trigram symbolizing majesty and the other intelligence.
Cleary (1): Practice of the Tao is like administering justice: Discerning true and false, right and wrong, is like the judge deciding good and bad; getting rid of falsehood and keeping truth, so as to preserve essence and life, is like the [just] administration rewarding the good and punishing the bad, so as to alleviate the burden of injustice.
NOTES AND PARAPHRASES
Judgment: Further the Work through careful Discernment between what is true and false, right and wrong, correct and incorrect.
The Image portrays the connection between cause and effect, where consequences are always based on the inexorable laws of nature.
To bite is to comprehend, and to bite through is to make distinctions. The top and bottom lines of the hexagram represent the upper and lower jaws, and both bear images of restriction and punishment. Each of the lines between them portrays some version of biting through flesh. Hence, the jaws define the general problem, and the teeth differentiate the details.
The symbol of losing teeth has the primitive meaning of losing one's grip because under primitive circumstances and in the animal kingdom, the teeth and mouth are the gripping organ. If one loses teeth, one loses the grip on something. Now this can mean a loss of self-control, etc. The English word grip is contained in the German word begriff (conception or notion). The Latin word conceptio means the same, i.e., catching hold of something, having a grip on something. Jung -- Letters
In I Ching symbolism, the "ancient kings” are always synonymous with spiritual authority. Analogous to gods or cosmic forces, their "laws" are like the laws of karma or of nature -- inexorable in their outcome. Therefore, the punishment theme in the hexagram warns us that a lack of Discernment in the matter at hand has built-in penalties: i.e., "Get the message or suffer the consequences.”
Behold, sin and punishment are one, and the fire of punishment is the fire that refines my works. Even in the sinner I am the actor, and I, too, am the sufferer in the experience of punishment. P.F. Case -- The Book of Tokens
To receive this hexagram without changing lines indicates a need to make some important distinctions in the matter at hand. “Figure it out” might make a good alternate title at such times. Cleary’s Taoist note on the image (“Those who administer laws should emulate the ancient kings in first clarifying them before executing them, in order to avoid mistakenly injuring life”) is a clear admonition to get all of your facts straight before proceeding with your inquiry. That you don’t know or understand something is implied.
SUGGESTIONS FOR MEDITATION
The twenty-first hexagram turned upside down becomes the twenty-second. The message for the superior man in the Image of each concerns the enforcement of law. What is the relationship between Discernmentand Persona in such a context? The component trigrams of these two figures also make up hexagrams number fifty-five, Expansion of Awareness and number fifty-six, Transition.The messages for the superior man in each of these figures also relate to litigation. Why? What do the four hexagrams suggest about the nature of the Work?