Other titles: Mountain, Keeping Still, The Symbol of Checking and Stopping, Desisting, Stilling, Stillness, Stoppage, Bound, Reposing, Resting, Meditation, Non-action, Stopping, Arresting Movement, "Refers to meditation and yoga." -- D.F. Hook
Judgment
Legge: When his repose is like the back, and he loses all consciousness of self; when he walks in his courtyard and does not see the people, there will be no error.
Wilhelm/Baynes: Keeping Still. Keeping his back still so that he no longer feels his body. He goes into his courtyard and does not see his people. No blame.
Blofeld: Keeping the back so still as to seem virtually bodiless, or walking in the courtyard without noticing the people there involves no error!
Liu: Stillness. Keeping the back still -- one feels that the body no longer exists. Even when one walks in the courtyard, one sees no people. No blame.
Ritsema/Karcher: Bound: one's back. Not catching one's individuality. Moving one's chambers. Not visualizing one's people. Without fault. [This hexagram describes your situation in terms of confronting a boundary or obstacle. It emphasizes that stopping and acknowledging the limit, the action of Bound, is the adequate way to handle it. To be in accord with the time, you are told to stop!]
Shaughnessy: Stilling his back , but not stilling his body: Walking into his courtyard, but not seeing his person; there is no trouble.
Cleary (1):Stopping at the back, one does not have a body; walking in the garden, one does not see a person. No fault.
Cleary (2):Stilling the back, one does not find the body, etc.
Wu:Stoppage indicates that, resting on his back, he does not find his body and walking in his courtyard, he does not see any person. Faultless.
The Image
Legge: The image of one mountain atop another formsKeeping Still. The superior man, in accordance with this, does not allow his thoughts to go beyond the duties of his immediate circumstances.
Wilhelm/Baynes: Mountains standing close together: the image of Keeping Still.. Thus the superior man does not permit his thoughts to go beyond his situation.
Blofeld: This hexagram symbolizes two mountains conjoined. The Superior Man takes thought in order to avoid having to move from his position.
Liu: Mountain next to mountain symbolizes stillness. The superior man's thoughts do not go beyond his position.
Ritsema/Karcher: Joined mountains. Bound. A chun tzu uses pondering not to issue-forth-from one's situation.
Cleary (1):Joining mountains. Thus do superior people think without leaving their place.
Cleary (2):The mountains are still. Thus the thoughts of developed people are not out of place.
Wu: One mountain overlapping another makes Stoppage. Thus the jun zi does not contemplate things beyond his position. [Confucius said: “If you do not hold an office, do not give counsels on its administration.” What he meant is: not to volunteer counsels freely. On the other hand, if you are requested, then give the best you can.]
COMMENTARY
Confucius/Legge:Keeping Stillmeans stopping: One rests when it is time to rest, and acts when it is time to act. When action and rest occur at the proper times, one's behavior is enlightened. Keeping his back still, he rests in his proper place. The upper and lower lines of the hexagram all mirror each other, but are without any interaction: Hence it is said that he has no consciousness of [ego]. He does not see the persons in his courtyard, and there will be no error.
Legge: Two trigrams symbolizing Mountain make up the hexagram ofKeeping Still. Mountains rise up grandly from the surface of the earth, their huge masses resting on it in quiet and solemn majesty. They are barriers to the onward progress of the traveler. The attributes of this hexagram are both resting and arresting. It denotes the characteristic of resting in what is right in principle, right on the widest possible scale -- in the absolute conception of the mind and in every possible position in which a man can be placed. As in hexagram number thirty-one, Initiative, the symbolism is taken from the different parts of the human body.
According to the K'ang-hsi editors, the second sentence in the Image should be translated: "The superior man, in consequence with this, thinks anxiously how he shall not go beyond the duties of his position."
NOTES AND PARAPHRASES
Judgment:"Wipe out imagination: check desire: extinguish appetite: keep the ruling faculty in its own power.” -- Marcus Aurelius
The Superior Man eliminates all distraction and concentrates on the matter at hand.
A large portion of the Work consists of nothing more than the will to keep still. Anyone who has ever tried it can attest that Keeping Still, or doing “nothing,” is probably the most difficult thing that a human can be asked to do. We are an ever-flowing fountain of restless desire -- the senses are mindlessly programmed to encounter their objects, and when we prevent them from doing this, a great commotion occurs in the psyche. We are so accustomed to feeling our desires, drives, instincts and appetites as integral to our awareness, that we are seldom conscious of the fact that they are actually autonomous forces -- as separate from the ego, or choice-making complex, as we are from other people, creatures or objects in the physical world. Try controlling an ingrained habit, such as smoking, and observe how difficult it is to impose your will upon it. Who controls whom?
The power of sight does not come from the eye, the power to hear does not come from the ear, nor the power to feel from the nerves; but it is the spirit of man that sees through the eye, and hears with the ear, and feels by means of the nerves. Wisdom and reason and thought are not contained in the brain, but they belong to the invisible and universal spirit which feels through the heart and thinks by means of the brain. All these powers are contained in the invisible universe, and become manifest through material organs, and the material organs are their representatives, and modify their mode of manifestation according to their material construction, because a perfect manifestation of power can only take place in a perfectly constructed organ, and if the organ is faulty, the manifestation will be imperfect, but not the original power defective. Paracelsus -- De Viribus Membrorum
The ego has only one legitimate function -- to make choices: it is the switchboard in the psyche which directs where the energy of the instinctual powers shall go. If these autonomous forces are stronger than the will of the ego, they soon learn to get their way as often as possible. The main difference between an inferior and a superior man is that the latter has learned to control and direct his energies for a higher purpose. One of the best ways to acquire this ability is to learn the lessons inherent within Keeping Still.
Psychoanalysis has demonstrated that the power of these images and complexes lies chiefly in the fact that we are unconscious of them, that we do not recognize them as such. When they are unmasked, understood, and resolved into their elements, they often cease to obsess us; in any case we are then much better able to defend ourselves against them. Roberto Assagioli -- Psychosynthesis
The lines of the upper and lower trigrams are mirror images of each other, yet not one of them has a proper correlate: they don't connect with each other. This suggests the separation of the senses from their objects. For example, eyeballs are sensory-receptors designed for the perception of light and form -- close your eyes, and they are prevented from contacting the phenomena they were created to perceive. That the psychic entities attached to this desire to perceive phenomena might resist restriction is a foregone conclusion, but the ego has control over the eyelids -- or should have. “Not seeing the people in one's own courtyard” means that one ignores one's autonomous impulses.
Regulation of the psyche’s autonomous manifestations in accordance with the will of the Self is for the purpose of gaining a controlling influence over one’s karma. As stated herein many times, you, as ego, are nothing more than a tool created by the Self for the direction of its own destiny.
Both karma theory and quantum mechanics refuse to accept that observers can exist independent of the systems they observe. Spiritual science goes so far as to take the observer’s own internal universe and its states as its experimental field. For it is within that field that karma is produced and stored …The “matter” from which we and our obstructions are created includes both the dense physical material from which our bodies are built and the thoughts, attitudes and emotions that make up our minds. Tantric practice is karmic engineering within this field of name and form, orchestration of substance and action into result. First you direct new causes against previous effects to nullify adverse influences on your awareness, then you unleash yet further actions to negate the influence of the nullifying actions. Robert Svoboda –Aghora III, The Law of Karma
How any ego could tackle such responsibilities with any hope of progress is impossible to imagine without the direction of the Self. Keeping Still certainly has its own karmic consequences, but when the “not choosing” implied in this hexagram is done in accordance with the Self’s will and intent, the results slowly lead to ever higher levels of awareness – eventually into realms beyond the physical. That is what the Work is all about: any other choice is to lock ourselves into a continuous round of birth and death in physical manifestation.
The Kabbalists teach that everything we do stirs up a corresponding energy in other realms of reality. Actions, words, or thoughts set up reverberations in the universe. The universe unfolds from moment to moment as a function of all the variables leading up to that moment. When we remain cognizant of this mystical system, we are careful about what we do, say, or even think, for we know that everything is interdependent; we know that a seemingly insignificant gesture could have weighty consequences. Rabbi David Cooper – God is a Verb
SUGGESTIONS FOR MEDITATION
Notice that every line of this hexagram except the last deals with an inherent challenge involved in the discipline required to keep still. Compare the lines in Keeping Still with similar lines in hexagram 31, Initiative.
Line 1
Legge: The first line, magnetic, shows its subject keeping her toes at rest. There will be no error, but it will be advantageous for her to be persistently firm and correct.
Wilhelm/Baynes: Keeping his toes still. No blame. Continued perseverance furthers.
Blofeld: Stilling the toes -- no error. Unwavering persistence in a righteous course brings advantage. [This suggests the simplest kind of stillness, namely staying where we are.]
Liu: Keeping the toes still. No error. Continued persistence is advantageous.
Ritsema/Karcher: Bound: one's feet. Without fault. Harvesting: perpetual Trial.
Shaughnessy: Stilling his foot: there is no trouble; beneficial for permanent determination.
Cleary (1): Stopping at the feet, there is no fault. It is beneficial to be always upright.
Wu: He rests his toes. No error. It is advantageous to be persevering.
COMMENTARY
Confucius/Legge: She does not fail in what is correct according to the idea of the figure. Wilhelm/Baynes: What is right is not yet lost. Blofeld: This passage is implied by the position of this line, which is not out of order. Ritsema/Karcher: Not-yet letting-go correcting indeed. Cleary (2): Stop the feet before losing correctness. Wu: He has not lost the correct way.
Legge: The symbolism of the hexagram rises from one part of the body to the other. The first line at the bottom of the figure fitly suggests the toes. Toes play a great part in walking, but there are here at rest, and so do not lose the correct idea of Keeping Still. The lesson is that from the first men should rest in and be anxious to do what is right in all their affairs. The dynamic line in a magnetic place accounts for the caution with which the phrase concludes.
NOTES AND PARAPHRASES
Siu: At the outset, the man pauses to study the situation as it actually exists -- without being led astray by wishful thinking or ulterior motives. He must remain persistently firm and correct to avoid irresolute drifting.
Wing: Because the situation is only at its beginning, you are able to see things as they are. Furthermore, your interests and motives have not yet become self-serving. Continuing in this objective attitude is necessary for advancement.
Editor: The I Chingconsistently uses the image of toes as symbolic of initial movement -- the beginning of some kind of action. Here the message is to refrain from action. There is a hint that egotistical compulsiveness or impatience might be involved. You are counseled to squelch this urge and remain quietly in place.
Our vitality constantly drives us to do something and if we stop that, something within us keeps going on. Try once to think of nothing even for half a second! You cannot! You think: "Gosh, I have to go to the butcher, etc." It is the constant autonomous restlessness of the life we lead and our will-power is insufficient to enable a simple inner life to overcome that autonomous liveliness. With the help of the Self, however, it comes forth. M.L. Von Franz -- Alchemical Active Imagination
A. Do not initiate action.
Line 2
Legge: The second line, magnetic, shows its subject keeping the calves of her legs at rest. She cannot help the subject of the line above whom she follows, and is dissatisfied in her mind.
Wilhelm/Baynes: Keeping his calves still. He cannot rescue him whom he follows. His heart is not glad.
Blofeld: Stilling the calves. His heart is sad because he is unable to save his followers. [Perhaps the implication is that the mind's injunction to be still reached the calves but was delayed there, so that the feet continued moving until it was too late. In other words, we are too late in deciding to stay where we are, although circumstances make this most desirable.]
Liu: Keeping the calves still. But he cannot restrain the movements that follow, and he is uneasy in his mind. [A person cannot achieve his goal now.]
Ritsema/Karcher: Bound: one's calves. Not rescuing one's following. One's heart not keen.
Shaughnessy: Stilling his calves: not raising aloft his rent flesh, his heart is not glad.
Cleary (1): Stopping at the calves doesn’t help out the following. The heart is unhappy.
Cleary (2): Stopping the calves, they don’t rise to follow. The mind is not happy.
Wu: He rests the calves of his legs. He cannot help the one he follows and feels unhappy.
COMMENTARY
Confucius/Legge: He whom she follows will not retreat to listen to her. Wilhelm/Baynes: Because this one does not turn toward him to listen to him. Blofeld: He cannot save them because he failed to retire and wait. Ritsema/ Karcher: Not-yet withdrawing-from hearkening indeed. Cleary (2): Not rising to follow means not retreating to listen. Wu: Because that person is unwilling to step back and listen to him.
Legge: Above the toes are the calves, represented by the second line which is magnetic but in its proper place. Above this again, are the loins, represented by the third line -- dynamic and in danger of being violent. The second line follows the third and would like to help him, but is unable to do so because there is no correlation between them. The third line will persist in his course without heeding the warnings of line two.
Anthony: Keeping his calves still . When we allow ourself to be lured by a wrong motive, it means we doubt that the correct way will work. When doubt pervades, we should not act. “He cannot rescue him whom he follows.” If our inner eye is fastened on what another person does, we follow their path rather than our own. We can only rescue them if we follow our own path. When they see that they are truly alone, with no one to rescue them, they will try to save themselves.
NOTES AND PARAPHRASES
Siu: The man is unable to stop his stronger master even when the latter is bent on the direction of wrongdoing. He is unhappy about being swept along by such a movement.
Wing: You are swept along by your goals and the events you've set into motion. Even though you may wish to stop and reconsider, you cannot halt the flow of action. This condition brings unhappiness.
Editor: The image depicts one bound to a force or situation which one either can't or won't control. Ritsema/Karcher translate "hearkening” in the Confucian commentary as: “T'ING: ...The ideogram ear and actualizing-tao, hear and obey.” Perhaps you have disregarded your intuition or inner voice: the Self. In some contexts, the image suggests one disempowered by circumstances not of one’s own making. Little or nothing can be done to influence the situation.
If you have given way to anger, be sure that over and above the evil involved therein, you have strengthened the habit, and added fuel to the fire. If overcome by a temptation of the flesh, do not reckon it a single defeat, but that you have also strengthened your dissolute habits. Habits and faculties are necessarily affected by the corresponding acts. Those that were not there before, spring up: the rest gain in strength and extent. Epictetus
A. Depicts a powerless relationship with a controlling inferior force.
B. Fight hard against your "need" to act.
Line 4
Legge: The fourth line, magnetic, shows its subject keeping her trunk at rest. There will be no error.
Wilhelm/Baynes: Keeping his trunk still. No blame.
Blofeld: Stilling the body -- no error!
Liu: Keeping the body still. No error.
Ritsema/Karcher: Bound: one's individuality. Without fault.
Shaughnessy: Stilling his torso.
Cleary (1): Stopping at the body, there is no blame.
Cleary (2): Stopping at the torso, there is no fault.
Wu: He rests on his body. No error.
COMMENTARY
Confucius/Legge: She keeps herself free from agitation. Wilhelm/Baynes: He stops within his own body. Blofeld: Stilling the body means stilling the whole self. Ritsema/ Karcher: Stopping connoting the body indeed. Cleary (2): Stopping the torso stills the body. Wu: This means he puts a stop at his own person.
Legge: Each part of the body, such as the mouth, eyes and ears has its own particular appetite which draws it to that which is outside of itself. The back alone has nothing to do with anything beyond itself -- hardly with itself even. All that it has to do is stand straight and strong. So should it be with us, resting in principle, free from the intrusion of selfish thoughts and external objects.
NOTES AND PARAPHRASES
Siu: The man forgets his ego. This leads to the highest state of rest.
Wing: Your frame of mind is conducive to self-mastery. You have only to transcend the impulses of your ego to achieve the ideal of Meditation.
Editor: Siu's paraphrase combined with Legge's commentary, implies that the situation requires total non-action in the physical, emotional and mental realms of the psyche. This of course is the ideal of almost all forms of meditation.
If, in experiencing an emotion -- any emotion -- a person consciously refrains from acting on it while at the same time keeping the event alive within himself, he will discover that the emotion leads him to another dimension of experience. He will discover that the energy of the emotion does not die because of his refusal to give it a space outside of himself. If he holds on to the tail of this tiger as it rebounds inward, he will discover its source. He will then learn why the mediaeval alchemists and Kabbalists insisted that man contains within him a sun, a center of pure energy. It should be stressed that the method I am talking about here is nothing new. The idea is implicit in all Oriental yogas. C. Ponce -- Kabbalah
A. Non-action is correct action. Maintain repose.
B. Meditate.
Line 5
Legge: The fifth line, magnetic, shows its subject keeping her jawbones at rest, so that her words are all orderly. Occasion for repentance will disappear.
Wilhelm/Baynes: Keeping his jaws still. The words have order. Remorse disappears.
Blofeld: Stilling the jaws. Since his words are well ordered, he ceases to have cause for regret.
Liu: Keeping the jaws still. His speech has order. Remorse vanishes.
Ritsema/Karcher: Bound: one's jawbones. Words possessing sequence. Repenting extinguished.
Shaughnessy: Stilling his cheeks: words have sequence; regret is gone.
Cleary (2): Stopping the jaws, there is order in speech, and regret vanishes.
Wu: He rests his lower jaw. He speaks with orderliness. Regret vanishes.
COMMENTARY
Confucius/Legge: She acts correctly in harmony with her central position. Wilhelm/ Baynes: As a result of central and correct behavior. Blofeld: This is indicated by the suitable position of this line, which is central to the upper trigram. Ritsema/Karcher: Using centering correcting indeed. Cleary (2): Stopping the jaws is done with balance and uprightness. Wu: Because of his central position.
Legge: The place of the magnetic fifth line is not proper for it, hence the mention of her repenting. Yu Pen (Ming dynasty) says on line five: "Words should not be uttered rashly. Then, when uttered, they will accord with principle. But it is only the master of the virtue of the due mean who can attain to this."
NOTES AND PARAPHRASES
Siu: The man is judicious in his choice of words. He thereby eliminates occasions for regret.
Wing: Once you have centered yourself, your words will be chosen more carefully, and outspoken or unthinking comments will be avoided. In this way you will no longer suffer shame or regret.
Editor: At its most obvious level, to keep the jawbones at rest is to refrain from ill-considered remarks. But what if one receives this line in a context where speech, per se, is not a factor? Speech is the utterance of words, and words express ideas. As artifacts of the mental realm, words are the components of conceptualization. All of the translations emphasize the idea of bringing order to one's words, hence the line in its larger context is an injunction to sort out the facts of the matter at hand and arrange them in a meaningful pattern. It can refer to re-thinking a situation, or sometimes just to the need to shut off your constant inner chatter. Ritsema/Karcher's Confucian commentary uses the term "Centering correcting," which they translate as: "Make rectifying one-sidedness and error your central concern; reaching a stable center in yourself can correct the situation."
It is very difficult for a man to keep silent about things that interest him. He would like to speak about them to everyone with whom he is accustomed to share his thoughts ... This is the most mechanical of all desires and in this case silence is the most difficult abstinence of all. But if a man understands this or, at least, if he follows this rule, it will constitute for him the best exercise possible for self-remembering and for the development of will. Only a man who can be silent when it is necessary can be master of himself. Gurdjieff
A. Bring order to your thinking. Thought structures can become barriers to correct perception -- don't jump to simplistic conclusions.
B. "Make sure brain is engaged before putting mouth in gear."
C. When you don't understand what's happening, refrain from useless speculation.
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.