Stay centered amidst life's pressures, for resilience reshapes burdens into breakthroughs.
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Keeping Still
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Critical Mass
One updates one's data according to the new information one has received. taoscopy.com
Keeping Still52
Stay still and composed. Focus inward, find tranquility amidst chaos. Embrace calmness to understand your inner self.
↓ Line 2
There is a struggle to maintain stillness. One may feel trapped or unable to help others.
↓ Line 4
Achieving a state of inner stillness and peace. This is a positive and stable position.
↓ Line 5
Control over speech and thoughts leads to clarity and resolution of past mistakes.
↓ Line 6
Achieving a noble and virtuous state of stillness brings good fortune and success.
↓ Critical Mass28
Embrace resilience during times of overwhelming pressure. Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse. Balance is crucial for enduring success.
Other titles: Mountain, Keeping Still, The Symbol of Checking and Stopping, Desisting, Stilling, Stillness, Stoppage, Bound, Reposing, Resting, Meditation, Non-action, Stopping, Arresting Movement, "Refers to meditation and yoga." -- D.F. Hook
Judgment
Legge: When his repose is like the back, and he loses all consciousness of self; when he walks in his courtyard and does not see the people, there will be no error.
Wilhelm/Baynes: Keeping Still. Keeping his back still so that he no longer feels his body. He goes into his courtyard and does not see his people. No blame.
Blofeld: Keeping the back so still as to seem virtually bodiless, or walking in the courtyard without noticing the people there involves no error!
Liu: Stillness. Keeping the back still -- one feels that the body no longer exists. Even when one walks in the courtyard, one sees no people. No blame.
Ritsema/Karcher: Bound: one's back. Not catching one's individuality. Moving one's chambers. Not visualizing one's people. Without fault. [This hexagram describes your situation in terms of confronting a boundary or obstacle. It emphasizes that stopping and acknowledging the limit, the action of Bound, is the adequate way to handle it. To be in accord with the time, you are told to stop!]
Shaughnessy: Stilling his back , but not stilling his body: Walking into his courtyard, but not seeing his person; there is no trouble.
Cleary (1):Stopping at the back, one does not have a body; walking in the garden, one does not see a person. No fault.
Cleary (2):Stilling the back, one does not find the body, etc.
Wu:Stoppage indicates that, resting on his back, he does not find his body and walking in his courtyard, he does not see any person. Faultless.
The Image
Legge: The image of one mountain atop another formsKeeping Still. The superior man, in accordance with this, does not allow his thoughts to go beyond the duties of his immediate circumstances.
Wilhelm/Baynes: Mountains standing close together: the image of Keeping Still.. Thus the superior man does not permit his thoughts to go beyond his situation.
Blofeld: This hexagram symbolizes two mountains conjoined. The Superior Man takes thought in order to avoid having to move from his position.
Liu: Mountain next to mountain symbolizes stillness. The superior man's thoughts do not go beyond his position.
Ritsema/Karcher: Joined mountains. Bound. A chun tzu uses pondering not to issue-forth-from one's situation.
Cleary (1):Joining mountains. Thus do superior people think without leaving their place.
Cleary (2):The mountains are still. Thus the thoughts of developed people are not out of place.
Wu: One mountain overlapping another makes Stoppage. Thus the jun zi does not contemplate things beyond his position. [Confucius said: “If you do not hold an office, do not give counsels on its administration.” What he meant is: not to volunteer counsels freely. On the other hand, if you are requested, then give the best you can.]
COMMENTARY
Confucius/Legge:Keeping Stillmeans stopping: One rests when it is time to rest, and acts when it is time to act. When action and rest occur at the proper times, one's behavior is enlightened. Keeping his back still, he rests in his proper place. The upper and lower lines of the hexagram all mirror each other, but are without any interaction: Hence it is said that he has no consciousness of [ego]. He does not see the persons in his courtyard, and there will be no error.
Legge: Two trigrams symbolizing Mountain make up the hexagram ofKeeping Still. Mountains rise up grandly from the surface of the earth, their huge masses resting on it in quiet and solemn majesty. They are barriers to the onward progress of the traveler. The attributes of this hexagram are both resting and arresting. It denotes the characteristic of resting in what is right in principle, right on the widest possible scale -- in the absolute conception of the mind and in every possible position in which a man can be placed. As in hexagram number thirty-one, Initiative, the symbolism is taken from the different parts of the human body.
According to the K'ang-hsi editors, the second sentence in the Image should be translated: "The superior man, in consequence with this, thinks anxiously how he shall not go beyond the duties of his position."
NOTES AND PARAPHRASES
Judgment:"Wipe out imagination: check desire: extinguish appetite: keep the ruling faculty in its own power.” -- Marcus Aurelius
The Superior Man eliminates all distraction and concentrates on the matter at hand.
A large portion of the Work consists of nothing more than the will to keep still. Anyone who has ever tried it can attest that Keeping Still, or doing “nothing,” is probably the most difficult thing that a human can be asked to do. We are an ever-flowing fountain of restless desire -- the senses are mindlessly programmed to encounter their objects, and when we prevent them from doing this, a great commotion occurs in the psyche. We are so accustomed to feeling our desires, drives, instincts and appetites as integral to our awareness, that we are seldom conscious of the fact that they are actually autonomous forces -- as separate from the ego, or choice-making complex, as we are from other people, creatures or objects in the physical world. Try controlling an ingrained habit, such as smoking, and observe how difficult it is to impose your will upon it. Who controls whom?
The power of sight does not come from the eye, the power to hear does not come from the ear, nor the power to feel from the nerves; but it is the spirit of man that sees through the eye, and hears with the ear, and feels by means of the nerves. Wisdom and reason and thought are not contained in the brain, but they belong to the invisible and universal spirit which feels through the heart and thinks by means of the brain. All these powers are contained in the invisible universe, and become manifest through material organs, and the material organs are their representatives, and modify their mode of manifestation according to their material construction, because a perfect manifestation of power can only take place in a perfectly constructed organ, and if the organ is faulty, the manifestation will be imperfect, but not the original power defective. Paracelsus -- De Viribus Membrorum
The ego has only one legitimate function -- to make choices: it is the switchboard in the psyche which directs where the energy of the instinctual powers shall go. If these autonomous forces are stronger than the will of the ego, they soon learn to get their way as often as possible. The main difference between an inferior and a superior man is that the latter has learned to control and direct his energies for a higher purpose. One of the best ways to acquire this ability is to learn the lessons inherent within Keeping Still.
Psychoanalysis has demonstrated that the power of these images and complexes lies chiefly in the fact that we are unconscious of them, that we do not recognize them as such. When they are unmasked, understood, and resolved into their elements, they often cease to obsess us; in any case we are then much better able to defend ourselves against them. Roberto Assagioli -- Psychosynthesis
The lines of the upper and lower trigrams are mirror images of each other, yet not one of them has a proper correlate: they don't connect with each other. This suggests the separation of the senses from their objects. For example, eyeballs are sensory-receptors designed for the perception of light and form -- close your eyes, and they are prevented from contacting the phenomena they were created to perceive. That the psychic entities attached to this desire to perceive phenomena might resist restriction is a foregone conclusion, but the ego has control over the eyelids -- or should have. “Not seeing the people in one's own courtyard” means that one ignores one's autonomous impulses.
Regulation of the psyche’s autonomous manifestations in accordance with the will of the Self is for the purpose of gaining a controlling influence over one’s karma. As stated herein many times, you, as ego, are nothing more than a tool created by the Self for the direction of its own destiny.
Both karma theory and quantum mechanics refuse to accept that observers can exist independent of the systems they observe. Spiritual science goes so far as to take the observer’s own internal universe and its states as its experimental field. For it is within that field that karma is produced and stored …The “matter” from which we and our obstructions are created includes both the dense physical material from which our bodies are built and the thoughts, attitudes and emotions that make up our minds. Tantric practice is karmic engineering within this field of name and form, orchestration of substance and action into result. First you direct new causes against previous effects to nullify adverse influences on your awareness, then you unleash yet further actions to negate the influence of the nullifying actions. Robert Svoboda –Aghora III, The Law of Karma
How any ego could tackle such responsibilities with any hope of progress is impossible to imagine without the direction of the Self. Keeping Still certainly has its own karmic consequences, but when the “not choosing” implied in this hexagram is done in accordance with the Self’s will and intent, the results slowly lead to ever higher levels of awareness – eventually into realms beyond the physical. That is what the Work is all about: any other choice is to lock ourselves into a continuous round of birth and death in physical manifestation.
The Kabbalists teach that everything we do stirs up a corresponding energy in other realms of reality. Actions, words, or thoughts set up reverberations in the universe. The universe unfolds from moment to moment as a function of all the variables leading up to that moment. When we remain cognizant of this mystical system, we are careful about what we do, say, or even think, for we know that everything is interdependent; we know that a seemingly insignificant gesture could have weighty consequences. Rabbi David Cooper – God is a Verb
SUGGESTIONS FOR MEDITATION
Notice that every line of this hexagram except the last deals with an inherent challenge involved in the discipline required to keep still. Compare the lines in Keeping Still with similar lines in hexagram 31, Initiative.
Line 2
Legge: The second line, magnetic, shows its subject keeping the calves of her legs at rest. She cannot help the subject of the line above whom she follows, and is dissatisfied in her mind.
Wilhelm/Baynes: Keeping his calves still. He cannot rescue him whom he follows. His heart is not glad.
Blofeld: Stilling the calves. His heart is sad because he is unable to save his followers. [Perhaps the implication is that the mind's injunction to be still reached the calves but was delayed there, so that the feet continued moving until it was too late. In other words, we are too late in deciding to stay where we are, although circumstances make this most desirable.]
Liu: Keeping the calves still. But he cannot restrain the movements that follow, and he is uneasy in his mind. [A person cannot achieve his goal now.]
Ritsema/Karcher: Bound: one's calves. Not rescuing one's following. One's heart not keen.
Shaughnessy: Stilling his calves: not raising aloft his rent flesh, his heart is not glad.
Cleary (1): Stopping at the calves doesn’t help out the following. The heart is unhappy.
Cleary (2): Stopping the calves, they don’t rise to follow. The mind is not happy.
Wu: He rests the calves of his legs. He cannot help the one he follows and feels unhappy.
COMMENTARY
Confucius/Legge: He whom she follows will not retreat to listen to her. Wilhelm/Baynes: Because this one does not turn toward him to listen to him. Blofeld: He cannot save them because he failed to retire and wait. Ritsema/ Karcher: Not-yet withdrawing-from hearkening indeed. Cleary (2): Not rising to follow means not retreating to listen. Wu: Because that person is unwilling to step back and listen to him.
Legge: Above the toes are the calves, represented by the second line which is magnetic but in its proper place. Above this again, are the loins, represented by the third line -- dynamic and in danger of being violent. The second line follows the third and would like to help him, but is unable to do so because there is no correlation between them. The third line will persist in his course without heeding the warnings of line two.
Anthony: Keeping his calves still . When we allow ourself to be lured by a wrong motive, it means we doubt that the correct way will work. When doubt pervades, we should not act. “He cannot rescue him whom he follows.” If our inner eye is fastened on what another person does, we follow their path rather than our own. We can only rescue them if we follow our own path. When they see that they are truly alone, with no one to rescue them, they will try to save themselves.
NOTES AND PARAPHRASES
Siu: The man is unable to stop his stronger master even when the latter is bent on the direction of wrongdoing. He is unhappy about being swept along by such a movement.
Wing: You are swept along by your goals and the events you've set into motion. Even though you may wish to stop and reconsider, you cannot halt the flow of action. This condition brings unhappiness.
Editor: The image depicts one bound to a force or situation which one either can't or won't control. Ritsema/Karcher translate "hearkening” in the Confucian commentary as: “T'ING: ...The ideogram ear and actualizing-tao, hear and obey.” Perhaps you have disregarded your intuition or inner voice: the Self. In some contexts, the image suggests one disempowered by circumstances not of one’s own making. Little or nothing can be done to influence the situation.
If you have given way to anger, be sure that over and above the evil involved therein, you have strengthened the habit, and added fuel to the fire. If overcome by a temptation of the flesh, do not reckon it a single defeat, but that you have also strengthened your dissolute habits. Habits and faculties are necessarily affected by the corresponding acts. Those that were not there before, spring up: the rest gain in strength and extent. Epictetus
A. Depicts a powerless relationship with a controlling inferior force.
B. Fight hard against your "need" to act.
Line 4
Legge: The fourth line, magnetic, shows its subject keeping her trunk at rest. There will be no error.
Wilhelm/Baynes: Keeping his trunk still. No blame.
Blofeld: Stilling the body -- no error!
Liu: Keeping the body still. No error.
Ritsema/Karcher: Bound: one's individuality. Without fault.
Shaughnessy: Stilling his torso.
Cleary (1): Stopping at the body, there is no blame.
Cleary (2): Stopping at the torso, there is no fault.
Wu: He rests on his body. No error.
COMMENTARY
Confucius/Legge: She keeps herself free from agitation. Wilhelm/Baynes: He stops within his own body. Blofeld: Stilling the body means stilling the whole self. Ritsema/ Karcher: Stopping connoting the body indeed. Cleary (2): Stopping the torso stills the body. Wu: This means he puts a stop at his own person.
Legge: Each part of the body, such as the mouth, eyes and ears has its own particular appetite which draws it to that which is outside of itself. The back alone has nothing to do with anything beyond itself -- hardly with itself even. All that it has to do is stand straight and strong. So should it be with us, resting in principle, free from the intrusion of selfish thoughts and external objects.
NOTES AND PARAPHRASES
Siu: The man forgets his ego. This leads to the highest state of rest.
Wing: Your frame of mind is conducive to self-mastery. You have only to transcend the impulses of your ego to achieve the ideal of Meditation.
Editor: Siu's paraphrase combined with Legge's commentary, implies that the situation requires total non-action in the physical, emotional and mental realms of the psyche. This of course is the ideal of almost all forms of meditation.
If, in experiencing an emotion -- any emotion -- a person consciously refrains from acting on it while at the same time keeping the event alive within himself, he will discover that the emotion leads him to another dimension of experience. He will discover that the energy of the emotion does not die because of his refusal to give it a space outside of himself. If he holds on to the tail of this tiger as it rebounds inward, he will discover its source. He will then learn why the mediaeval alchemists and Kabbalists insisted that man contains within him a sun, a center of pure energy. It should be stressed that the method I am talking about here is nothing new. The idea is implicit in all Oriental yogas. C. Ponce -- Kabbalah
A. Non-action is correct action. Maintain repose.
B. Meditate.
Line 5
Legge: The fifth line, magnetic, shows its subject keeping her jawbones at rest, so that her words are all orderly. Occasion for repentance will disappear.
Wilhelm/Baynes: Keeping his jaws still. The words have order. Remorse disappears.
Blofeld: Stilling the jaws. Since his words are well ordered, he ceases to have cause for regret.
Liu: Keeping the jaws still. His speech has order. Remorse vanishes.
Ritsema/Karcher: Bound: one's jawbones. Words possessing sequence. Repenting extinguished.
Shaughnessy: Stilling his cheeks: words have sequence; regret is gone.
Cleary (2): Stopping the jaws, there is order in speech, and regret vanishes.
Wu: He rests his lower jaw. He speaks with orderliness. Regret vanishes.
COMMENTARY
Confucius/Legge: She acts correctly in harmony with her central position. Wilhelm/ Baynes: As a result of central and correct behavior. Blofeld: This is indicated by the suitable position of this line, which is central to the upper trigram. Ritsema/Karcher: Using centering correcting indeed. Cleary (2): Stopping the jaws is done with balance and uprightness. Wu: Because of his central position.
Legge: The place of the magnetic fifth line is not proper for it, hence the mention of her repenting. Yu Pen (Ming dynasty) says on line five: "Words should not be uttered rashly. Then, when uttered, they will accord with principle. But it is only the master of the virtue of the due mean who can attain to this."
NOTES AND PARAPHRASES
Siu: The man is judicious in his choice of words. He thereby eliminates occasions for regret.
Wing: Once you have centered yourself, your words will be chosen more carefully, and outspoken or unthinking comments will be avoided. In this way you will no longer suffer shame or regret.
Editor: At its most obvious level, to keep the jawbones at rest is to refrain from ill-considered remarks. But what if one receives this line in a context where speech, per se, is not a factor? Speech is the utterance of words, and words express ideas. As artifacts of the mental realm, words are the components of conceptualization. All of the translations emphasize the idea of bringing order to one's words, hence the line in its larger context is an injunction to sort out the facts of the matter at hand and arrange them in a meaningful pattern. It can refer to re-thinking a situation, or sometimes just to the need to shut off your constant inner chatter. Ritsema/Karcher's Confucian commentary uses the term "Centering correcting," which they translate as: "Make rectifying one-sidedness and error your central concern; reaching a stable center in yourself can correct the situation."
It is very difficult for a man to keep silent about things that interest him. He would like to speak about them to everyone with whom he is accustomed to share his thoughts ... This is the most mechanical of all desires and in this case silence is the most difficult abstinence of all. But if a man understands this or, at least, if he follows this rule, it will constitute for him the best exercise possible for self-remembering and for the development of will. Only a man who can be silent when it is necessary can be master of himself. Gurdjieff
A. Bring order to your thinking. Thought structures can become barriers to correct perception -- don't jump to simplistic conclusions.
B. "Make sure brain is engaged before putting mouth in gear."
C. When you don't understand what's happening, refrain from useless speculation.
Line 6
Legge: The sixth line, dynamic, shows its subject devotedly maintaining his restfulness. There will be good fortune.
Wilhelm/Baynes: Noble hearted keeping still. Good fortune.
Blofeld: The highest form of stillness -- good fortune!
Liu: Keeping still with benevolence. Good fortune.
Confucius/Legge: To the end he shows himself generous and good. Wilhelm/ Baynes: The good fortune of noble hearted keeping still comes from the fact that there is an ample end. Blofeld: He achieves this in order to win greater benefit in the end. Ritsema/Karcher: Using munificence to complete indeed. Cleary (2): A rich conclusion. Wu: It ends with honor.
Legge: The third line of the trigrams, and the sixth line of the hexagram, is what makes Keeping Still what it is -- the symbol of a mountain. The subject of it therefore will carry out the resting required by the whole figure in the highest style.
NOTES AND PARAPHRASES
Siu: The man attains tranquility in relation to life in its entirety.
Wing: When your inner composure can reach even beyond the situation into all aspects of your life, you can penetrate the true meaning of things. From this perspective comes great good fortune.
Editor: The sixth line suggests the very top of the mountain -- the peak which is nearest to heaven and hence most in conformance with the ideals of the hexagram of Keeping Still.
If meditation is controlled thinking, it implies that the individual has the entire thought process under control, including input from the subconscious. The experienced meditator learns how to think what he wants to think, when he wants to think it. He can always be in control of the situation, resisting psychological pressures that work on the subconscious. He is also in control of himself, never doing something that he knows he really does not want to do. In many schools, this self-mastery is one of the most important goals of meditation. Aryeh Kaplan --Jewish Meditation
Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma
Judgment
Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.
Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.
Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]
Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.
Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]
Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.
Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]
Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.
Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.
The Image
Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.
Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.
Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]
Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.
Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.
Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.
Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]
Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.
CONFUCIAN COMMENTARY
Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.
Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.
NOTES AND PARAPHRASES
Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)
The Superior Man serves The Work by going his own way, regardless of public opinion.
Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.
In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)
Legge’s translation of the Judgment is:
"...It is advantageous to move in any direction whatever. "
This is a different message than Wilhelm's:
"...It furthers one to have somewhere to go."
Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:
When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.
Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):
The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor. G. Knight -- A Practical Guide to Kabbalistic Symbolism
SUGGESTIONS FOR MEDITATION
Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.
Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.