Other titles: Development, The Symbol of Progressive Advance, Gradual Development, Infiltrating, Advancing, Growth, Developing, Gradualness, Dialectical Progression, Step by Step, "The slower the stronger." -- D.F. Hook
Judgment
Legge:Gradual Progressshows the good fortune attending the marriage of a young lady. Firm correctness brings advantage.
Wilhelm/Baynes: Development. The maiden is given in marriage. Good fortune. Perseverance furthers.
Blofeld: Gradual Progress. The marriage of a maiden brings good fortune. Persistence in a righteous course brings reward.
Liu: Gradual Development. The marriage of a girl -- Good Fortune. It benefits to continue.
Ritsema/Karcher:Infiltrating, womanhood converting significant. Harvesting Trial. [This hexagram describes your situation in terms of gradually achieving a goal. It emphasizes that advancing through diffuse but steady penetration is the adequate way to handle it. To be in accord with the time, you are told to: infiltrate!]
Shaughnessy:Advancing: For the maiden to return is auspicious; beneficial to determine.
Cleary (2):Gradual Progress in a woman’s marriage is auspicious. It is beneficial to be chaste.
Wu: Gradualness indicates that it is auspicious for a woman to get married and it is advantageous for her to be persevering.
The Image
Legge: A tree on the mountain -- the image of Gradual Progress. The superior man attains and nourishes his extraordinary virtue to improve the manners of the people.
Wilhelm/Baynes: On the mountain, a tree: the image of Development. Thus the superior man abides in dignity and virtue, in order to improve the mores.
Blofeld: This hexagram symbolizes a tree upon a mountain. The Superior Man, abiding in holiness and virtue, inclines the people towards goodness.
Liu: A tree on the mountain symbolizes Gradual Development. The superior man, in maintaining his virtue, improves society's customs.
Ritsema/Karcher: Above mountain possessing wood. Infiltrating. A chun tzu uses residing-in eminent actualizing-tao to improve the vulgar. [Actualize-tao: Ability to follow the course traced by the ongoing process of the cosmos ... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): There are trees on the mountain, growing gradually. Thus do superior people abide in sagacity and improve customs.
Cleary (2): …Developed people improve customs by living wisely and virtuously.
Wu: There are trees on the mountain; this is Gradualness. The jun zi chooses to live in the neighborhood known for its high moral standards and exemplary custom.
COMMENTARY
Confucius/Legge: The ascent of Gradual Progress resembles the fortunate marriage of a young lady. The lines ascend to their proper places, indicating achievement. Because the ascent is made correctly the subject of the hexagram is empowered to rectify his country. He is shown as the dynamic ruler in line five, central and correct. The alternation of Keeping Still and Flexible Penetration ensure that the advance is continuous.
Legge: The written character for Gradual Progress is ordinarily used in the sense of gradually, but there is connected with it also the idea of advance. The whole of it denotes a gradual advance like the soaking in of water. The other two hexagrams that contain the idea of advance are number thirty-five, Advance of Consciousness and number forty-six,Pushing Upward-- each expresses its own nuance of meaning, and here the nuance is the gradual manner in which the advance takes place.
The theme of the hexagram is the advance of men to offices in the state -- how it should take place gradually and by successive steps. Lines 2, 3, 4 and 5 are all in their proper places as dynamic or magnetic, and we ascend them as by regular steps to the top of the hexagram.
The marriage of a young lady illustrates an important event which takes place according to various preliminary steps which must be correctly done in an orderly sequence. So must it be with the advance of a man in the service of the state.
The K'ang-hsi editors say: "A tree springing up on the ground is a tree as it begins to grow. A tree on a hill is high and large. Every tree when it begins to grow shows its branches and twigs gradually becoming long. Every morning and every evening show some difference; and when the tree is high and great, whether it be of an ordinary or extraordinary size, it has taken years to reach its dimensions."
Added Commentary: Blofeld appends the following footnote to each line in this hexagram: it is easier to read it here as his general commentary. [The additional Chinese commentaries explain that the wild goose is a bird which moves toward the sun. Now, a commonly used Chinese term for the sun is YANG, namely the male principle. So the bird obviously (sic) betokens a maiden seeking a husband. Its movement from river bank to rock, dry land, a tree, a hillock and the mainland (which is said in one commentary to mean peninsula) signifies gradual movement in an unchanging direction. From the point of view of divination, this is the best course for us, even if marriage is not our objective. Regarding marriage: the first line betokens gossip, although the marriage is not unsuitable; the second, a materially successful marriage; the third, an unfortunate marriage; the fourth, marriage to someone exceedingly kind and thoughtful; the fifth, a blissful marriage; the sixth, marriage to a public figure who has some responsibility for good order within the realm and who succeeds in his task.]
NOTES AND PARAPHRASES
Judgment: The proper union of forces within the psyche is a matter of slow maturation.
The Superior Man maintains his will and transforms the psyche. "Example is the school of mankind, and they will learn at no other." -- Burke
This is one of the most hierarchical of the hexagrams -- each line represents a clear advance from the position of the preceding line, thus giving an image of Gradual Progress. The vehicle of this progression is the wild goose, which also appears in every line. A goose is a bird -- primarily a creature of the air, or realm of thought; but because it also thrives on either water or land, the goose symbolizes thought which permeates the lower two categories of consciousness -- emotion (water), and sensation (earth).
Another traditional interpretation of the goose motif is that of the universal aspect of the soul. The wild goose is able to move about everywhere, on firm land, in water and in the air. It is the bird of Hermes, who is the leader of souls. E.C. Whitmont -- The Symbolic Quest
The progress of the goose is a gradual one, from the shore, or threshold of awareness in line one, to the mountain heights, or realm of the Spirit in line six. The fact that this progress is linked with the idea of marriage in the Judgment is a clear hint that we are dealing here with the idea of the union of opposites within the psyche. (See commentary on hexagram number eleven.) The message is unambiguous: the process of psycho-spiritual growth is one of slow maturation. There are no short-cuts to enlightenment.
Evils and falsities must be removed, to the intent that a new life which is the life of heaven may be implanted. This can in nowise be done hastily; for every evil enrooted with its falsities has connection with all evils and their falsities; and such evils and falsities are innumerable, and their connection is so manifold that it cannot be comprehended ... From this it is plain that the life of hell in man cannot be suddenly destroyed, for if it were suddenly done he would straightway expire; and that the life of heaven cannot be suddenly implanted, for if this were done suddenly he would also expire. Swedenborg -- Arcana Coelestia
Line 1
Legge: The first line, magnetic, shows the wild geese gradually approaching the shore. A young officer in similar circumstances will be in a position of danger, and be spoken against; but there will be no error.
Wilhelm/Baynes: The wild goose gradually draws near the shore. The young son is in danger. There is talk. No blame.
Blofeld: The wild goose moves gradually towards the river bank. The younger son is in trouble. There is talk, but no error.
Liu: The wild goose gradually approaches the shore. The boy is in danger. There is gossip. No blame. [This line indicates difficulty, but you will ultimately be able to achieve your undertaking.]
Ritsema/Karcher: The wild-swan Infiltrating tending-towards the barrier. The small son, adversity possessing words. Lacking fault.
Shaughnessy: The wild goose advances to the depths; for the little son dangerous; there are words; there is no trouble.
Cleary (1): Geese gradually proceed on the shoreline. The small ones are in danger; there is criticism, no fault.
Cleary (2): Geese gradually proceed to the shoreline. If humble people are diligent and speak up, there is no blame.
Wu: The wild goose flies in gradually to rest by the riverbank. The little fellow is in jeopardy and he is being talked about, but without fault.
COMMENTARY
Confucius/Legge: The danger is owing to no fault of hers in the matter of what is right. Wilhelm/Baynes: The danger besetting the little son implies no blame. Blofeld: `The younger son is in trouble' is just a way of saying that there is trouble for which we are not to blame. Ritsema/Karcher: Righteous, without fault indeed. Cleary (2): The diligence of humble people is dutiful and blameless. Wu: In principle he is faultless.
Legge: In line one the geese appear for the first time in the season approaching the shore. Then comes the real subject of the line -- she is magnetic in a dynamic place and without a proper correlate above. The difficulty and danger of her situation are seen as the result of circumstances -- the young officer has not brought it on herself.
NOTES AND PARAPHRASES
Siu: At the outset, the young man begins to make his way in the world. He is subjected to criticisms because his inexperienced steps are slow and hesitant. These will help prevent future errors on his part.
Wing: Your position is one of the classic beginner. Criticism is now unavoidable, however -- it can be used to your advantage in refining your skills. You can lay down the early foundations for later successes.
Editor: Air (thought) is more abstract than water (emotion); water is more abstract than earth (sensation). Of the three elements, earth is the most solid and the shore is where they all meet. As a creature at home in air, water or on land, the goose symbolizes a force which grounds an abstraction where it can be seen, grasped and understood. The young officer is inexperienced awareness coping with a new situation. "Danger" and being "spoken against" suggest confusion and conflicting emotions within the psyche as one deals with something new and unfamiliar. Remembering that the symbol of marriage in the Judgment relates to the union of thought and feeling within our physical vehicle, we can see that this first line represents a new synthesis of some sort.
It is the firmness, the effort and the skillfulness of the conscious ego's position that finally decide whether the onrush from the deep will bring about chaos and meaningless suffering or whether the suffering can instead provide the dark background from which the light of a new order may arise. E.C. Whitmont --The Symbolic Quest
A. Expect confusion and difficulty in coping with a developing situation.
B. Inexperience with new concepts necessitates careful differentiation of all the factors involved.
Line 3
Legge: The third line, dynamic, shows the geese gradually advanced to the dry plains. It suggests also the idea of a husband who goes on an expedition from which he does not return, and of a wife who is pregnant, but will not nourish her child. There will be evil. The case symbolized might be advantageous in resisting plunderers.
Wilhelm/Baynes: The wild goose gradually draws near the plateau. The man goes forth and does not return. The woman carries a child but does not bring it forth. Misfortune. It furthers one to fight off robbers.
Blofeld: The wild goose moves gradually towards the dry land. The husband goes forth and does not return. The wife is pregnant, but the child's birth is delayed -- misfortune! This is an auspicious time for chastising evil-doers.
Liu: The wild goose gradually approaches the highland. The man sets out and does not return. The woman is pregnant, but does not give birth. Misfortune. It is beneficial to protect oneself from robbers. [Fearfulness and disharmony are indicated by this line.]
Ritsema/Karcher: The wild-swan Infiltrating tending-towards the highlands. The husband chastised, not returning. The wife pregnant, not nurturing. Pitfall. Harvesting: resisting outlawry.
Shaughnessy: The wild goose advances to the land; The husband campaigns but does not return, the wife is pregnant but does not give birth; inauspicious; beneficial to have that which robs.
Cleary (1): Geese gradually proceed on a plateau. The husband who goes on an expedition does not return; the wife who gets pregnant does not raise the child. Misfortune. It is beneficial to defend against brigands. [The misfortune comes about because in the use of strength it is important to stop in the proper place and defend against brigands, not act arbitrarily and become a brigand oneself. This is gradual progress in which one is strong but loses control.]
Cleary (2): Geese gradually proceed onto high ground. Etc. It is beneficial to defend against enemies.
Wu: The wild goose flies in gradually to rest on high ground. The husband joins active military duty, but does not return; the wife is pregnant, but miscarries. Foreboding. Yet it is advantageous to defend against the intruders. [The third nine is overly strong…he wants to go alone and may have gotten lost or been captured.]
COMMENTARY
Confucius/Legge: The husband separates himself from his comrades. The wife has failed in her proper course. By resisting thieves men would preserve one another. Wilhelm/Baynes: He leaves the group of his companions. She has lost the right way. Devotion and mutual protection. Blofeld: The husband's failure to return symbolizes separation from our normal companions. Delayed childbirth symbolizes our going astray. The final sentence indicates willingness to take precautions for mutual protection. Ritsema/Karcher: Radiance flocking demons indeed. [Demon(iac), CH'OU: possessed by a malignant genius; ugly, physically or morally deformed: vile, disgraceful, shameful; drunken. The ideogram: fermenting liquor and soul...] Letting-go her tao indeed. Yielding mutualizes protection indeed. Cleary (2): Leaving the group is disgraceful. The wife…loses the way. Harmoniously protecting one another. Wu: He separates from his comrades. She does not take the proper course. Because people would unite to protect one another.
Legge: Line three is dynamic, has passed the central place to the top of the lower trigram, and has no proper correlate in line six. He is likely to be violent and unsuccessful in his movements. He is like a husband who deserts his wife, or a wife who neglects her child. But in the case supposed, his strength in the end would be useful. "Separation from his comrades” means he finds no correlate. The wife fails in her proper course because the line is dynamic instead of magnetic, and has in addition passed the central position of balance.
NOTES AND PARAPHRASES
Siu: The man goes too far and plunges into struggles beyond what is required by the natural laws of development. He loses his way. His life and family are jeopardized. He will regain his advantage if he does not provoke conflicts but uses his strength more in guarding his own position in line with his available resources and capabilities.
Wing: If you provoke a conflict or make a bold and forceful advance, you will place yourself and those close to you in danger. This is a foolish risk indeed. You would be much wiser to allow things to develop naturally and, instead, secure what you have.
Editor: This is an image of an aborted synthesis: we see Gradual Progress halted and dissipated in fruitless stagnation. Goose: Sensation and emotion under the influence of thought. Dry Plains: Infertile prospects: an area of futile speculation or endeavor. Wilhelm's rendering of "plateau" emphasizes a horizontal rather than vertical orientation -- reinforcing the image of no increase, no progress. Husband and wife: Union of thought and feeling, intellect and emotion. Child: The product, the ongoing evolution of thought and feeling within the psyche. Plunderers: Divisive, disruptive elements which bring about the separation of what is united. This estrangement brings a halt to the progress of the Work. Ritsema/ Karcher’s “Radiance flocking demons indeed” can represent inner complexes, phobias, compulsions, etc. The best course is to re-organize and defend yourself against further loss. Siu’s paraphrase says it best.
Thus [the patient] is still in an undesirably passive condition where everything is rather uncertain and questionable; neither he nor I know the journey's end. Often it is not much more than a groping about in Egyptian darkness. In this condition we must not expect any very startling results -- the uncertainty is too great for that. Besides which there is always the risk that what we have woven by day the night will unravel. The danger is that nothing is achieved, that nothing remains fixed. Jung -- The Practice of Psychotherapy
A. Image of a stalemate caused by unbalanced forces of some sort – perhaps a severely limiting belief. Withdraw support from this indulgence!
B. Arid speculation abandons its foundation in basic reality. You waste your energy on illusions – -- nothing will come of it.
C. Logos departs, Eros aborts -- defend the Work.
D. You’re blowing energy on a fruitless endeavor.
Line 6
Legge: The sixth line, dynamic, shows the geese gradually advanced to the large heights beyond. Their feathers can be used as ornaments. There will be good fortune.
Wilhelm/Baynes: The wild goose gradually draws near the cloud heights. Its feathers can be used for the sacred dance. Good fortune.
Blofeld: The wild goose moves gradually towards the mainland. Its feathers can be used for ritual purposes -- good fortune!
Liu: The wild goose gradually approaches the cloudy heights. Its feathers can be used in ritual decoration. Good fortune. [You will carry out a significant undertaking with someone’s help.]
Ritsema/Karcher: The wild-swan Infiltrating tending-towards the highlands. Its feathers permit availing-of activating fundamentals. Significant.
Shaughnessy: The wild goose advances to the land: its feathers can be used to be emblems; auspicious.
Cleary (1): Geese gradually proceed to level ground; their feathers can be used for ceremonies. Good fortune.
Wu: The wild goose flies gradually into the clouds. Its feathers may be used for decorum. Auspicious.
COMMENTARY
Confucius/Legge: The object and character of the subject of the line cannot be disturbed. Wilhelm/Baynes: He is not to be disconcerted. Blofeld: The sentence about the feathers indicates that now disorder cannot prevail. [The traditional Chinese conception of good government, good order within the family and so on, allots an important role to ritual because of its efficacy in making people inclined to regard their duties with solemnity and because it helps to make everything seem orderly.]Ritsema/Karcher: Not permitting disarray indeed. Cleary (2): They cannot be put in disarray. Wu: Don’t mess it up.
Legge: The subject of line six has reached the top of the hexagram. There is no more advance for him, and he has no correlate. He will work for the state and verify the auspice derived from the ornamental plumes of the geese.
NOTES AND PARAPHRASES
Siu: The man reaches the pinnacle, completes his work, and leaves inspiration for the world to follow.
Wing: As you achieve the greatest heights in your upward climb, you become an example for others. You are emulated by those who admire you, and this in itself is the greatest praise. There is good fortune for all concerned.
Editor: Most translations emphasize that the use of the feathers is for ritual or sacred purposes. A feather used in religious ritual suggests spiritual thoughts, concepts, truths, aspirations, ideals, etc. "The large heights beyond" would be the realm of ultimate realities and eternal truths to which one aspires. Since one of the central ideas of the hexagram is the contracting of a marriage, this line suggests the consummation of that marriage, and the religious references indicate that it is a hieros gamos, or holy marriage. If we combine Legge's image of ornaments with the idea of religious rites, the Chinese concept of the proper attitude for sacrifice emerges:
In religious sacrifice ... the important thing is one’s attitude, especially sincerity, in the performance. These sacrifices are "ornaments" or refined manifestations of an inner attitude. D.H. Smith --Confucius
A. The image suggests a spiritual synthesis. Energy has been transformed -- the dialectical progression has been successful.
B. The line can suggest the idea of a sacrifice which one makes on behalf of the Work.
Other titles: Difficulty at the Beginning, The Symbol of Bursting, Sprouting, Hoarding, Distress, Organizational Growth Pains, Difficult Beginnings, Growing Pains, Initial Obstacles, Initial Hardship
Judgment
Legge: Difficulty indicates progress and success through firm correctness. Action should not be undertaken lightly, and it is wise to seek help.
Wilhelm/Baynes:Difficulty at the Beginning works supreme success, furthering through perseverance. Nothing should be undertaken. It furthers one to appoint helpers.
Blofeld: Difficulty followed by sublime success! Persistence in a righteous course brings reward; but do not seek some new goal (or destination); it is highly advantageous to consolidate the present position. [The fundamental idea of this hexagram is that of birth and growth amidst difficulty, as with a sprouting seed becoming a young plant and forcing its way through the earth. Our affairs, being still in their early stages, are vulnerable; we must not wander forth, but attend to them until they ripen; then, with proper care, the seed will bring forth a splendid tree. The upper trigram, a pit, suggests a need for caution; but, if we heed these omens, our success is assured.]
Liu: Difficulty in the Beginning : great success. It is of benefit to continue without planning to go someplace. One should find helpers.
Ritsema/Karcher: Sprouting . Spring Growing Harvesting Trial. No availing-of possessing directed going. Harvesting: installing feudatories. [This hexagram describes your situation in terms of beginning growth. It emphasizes that collecting potential in preparation for arduous labor is the adequate way to handle it...]
Shaughnessy: Hoarding : Prime receipt; beneficial to determine. Do not herewith have someplace to go; beneficial to establish a lord.
Cleary(1): In difficulty, creativity and development are effective if correct. Do not use. There is a place to go. It is beneficial to set up a ruler.
Cleary(2):Creativity is successful. It is beneficial to be correct. Do not make use of going somewhere. It is beneficial to set up lords.
Wu:Distress is primordial, pervasive, prosperous, and persevering. The subject should proceed with caution. It will be advantageous to establish marquisates.
The Image
Legge: The image of clouds and thunder formsDifficulty. The superior man, in accordance with this, adjusts his measures of government as in sorting the threads of the warp and woof.
Wilhelm/Baynes: Clouds and thunder: the image of Difficulty at the Beginning. Thus the superior man brings order out of confusion.
Blofeld: This hexagram symbolizes lightning spewed forth by the clouds -- difficulty prevails! The Superior Man busies himself setting things in order.
Liu: Clouds and thunder symbolize Difficulty at the Beginning. The superior man makes order out of disorder.
Ritsema/Karcher: Clouds, Thunder, Sprouting. A chun tzu uses the canons to coordinate. [Canons: standards, laws; regular, regulate; the Five Classics. The ideogram: warp-threads in a loom.]
Cleary(1): Thunder in the clouds is held back; the superior person orders and arranges.
Cleary(2): Clouds and thunder – Difficulty. Thereby leaders organize.
Wu: Clouds and thunder form hexagram Distress. Thus the jun zi plans and organizes.
COMMENTARY
Confucius/Legge:Difficultyis experienced as Heaven and Earth begin their intercourse, but correct action succeeds in the face of danger. By the action of thunder and rain, which are the attributes of the lower and upper trigrams, all between Heaven and Earth is filled up. But the conditions of the time are irregular and obscure. Authority should be delegated, but the feeling that rest and peace have been secured should not be indulged in even then.
Legge: The written character for Difficultyis pictorial, and shows a plant struggling with difficulty as it rises above the surface of the earth. This initial difficulty is a metaphor for how struggle is the condition of a state which is emerging from disorder after a revolution. The author saw his social and political world in great disorder and difficult to reform, yet he had faith in himself and the destiny of his House. Let there be prudence and caution, with unswerving adherence to the right. Let the government of the different states be entrusted to good and able men -- then all will be well.
According to the arrangement of the eight trigrams, Heaven and Earth are the parents of the other six, who are their children. The first-born son is the lower trigram of Movement, and the second-born son is the upper trigram of Peril. McClatchie renders here: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering."
The power to move in the lower trigram is likely to produce great effects; to do this in perilous and difficult circumstances (symbolized by the upper trigram) requires firmness and correctness. Good princes throughout the realm will help to remedy the political and social disorder of the times, but the supreme ruler should not trust his subordinates to the point of relaxing his vigilance.
The lower trigram represents thunder, the upper represents rain clouds. The hexagram therefore places us in the atmosphere of a thunderstorm -- a metaphor for the situation of a political state in difficulty. When the thunder has pealed, and the clouds have discharged their burden of rain, the atmosphere is cleared and there is a feeling of relief.
Anthony: This hexagram means that we have not yet found the correct path.
It also means confusion: too many possibilities. Nothing is clear. This lack of clarity is the “hindrance” referred to in the first line of the hexagram. In the second line, the remedies that come forth are inappropriate. In the first stages of dealing with a problem, we are tempted to grasp at solutions, whereas we should wait until the proper actions become clear.
NOTES AND PARAPHRASES
Judgment: Under the conditions of Difficulty it is best to mark time while seeking assistance.
The superior man uses careful analysis to separate order from confusion.
Wilhelm’s title for this hexagram is Difficulty at the Beginning. I prefer Difficulty, because it is a situation encountered at any phase of the Work, not just the beginning.
Difficulty is experienced because confusion and multiplicity prevail during the initial phase of any creative activity -- thoughts and feelings proliferate and threaten to overwhelm the mind with infinite complexity. The only way to proceed under such circumstances is to carefully sort out the components of the situation and arrange them in categories and in order of importance. To "sort the threads of the warp and woof" is to weave a tangled mess into a tapestry.
The Orderly Sequence of the Hexagrams gives us an image of what takes place under the hexagram of Difficulty:
When there were Heaven and Earth, then afterwards all things were produced. What fills up the space between Heaven and Earth are those individual things. Hence the Dynamic and Magnetic are followed by Difficulty. Difficulty means filling up.
"Filling up," is rendered as "fullness" in some translations. This is the exact meaning of the gnostic term: "Pleroma," or "Fullness" which Jung correlates with the Collective Unconscious or Objective Psyche. These are interior dimensions from which emanate the archetypal energies which we experience as instinctual drives and emotional complexes. This is the "hyperspace" from which the Self, via the oracle, responds to our queries and directs the Work.
Thus we see that the third hexagram, following the creation of the cosmic pair of opposites in the first two figures, represents a dialectical progression. Lao Tse, who wrote the Tao Te Ching some six-hundred years after the I Ching was committed to writing, describes this unfolding process:
Out of Tao, One is born;
Out of One, Two;
Out of Two, Three;
Out of Three, the created universe.
The created universe carries the yin at its back
and the yang in front;
Through the union of their pervading principles
it reaches harmony.
The identical idea is found in many traditions, giving it the status of an archetype within human consciousness. It is not necessary to be familiar with the technical terminology of Kabbalah to recognize that the same idea is being discussed in the following passage:
In Chokmah and Binah we have the archetypal Positive and Negative; the primordial Maleness and Femaleness, established while "countenance beheld not countenance" and manifestation was incipient ... It is between these two polarizing aspects of manifestation -- the Supernal Father and the Supernal Mother -- that the web of life is woven; souls going back and forth between them like a weaver's shuttle. In our individual lives, in our physiological rhythms, and in the history of the rise and fall of nations, we observe the same rhythmic periodicity. D. Fortune --The Mystical Qabalah
This idea has been stated very simply:
All things are a single form which has divided and multiplied in time and space. W.B. Yeats -- A Vision
Is not the sky a father and the earth a mother, and are not all living things with feet or wings or roots their children? -- Black Elk
And also with poetic complexity:
In the beginning God created the heavens and the earth. Now the earth was a formless void, there was darkness over the deep, and God's spirit hovered over the water ... God said, "Let the waters teem with living creatures, and let birds fly above the earth within the vault of heaven." And so it was ... God blessed them, saying, "Be fruitful, multiply, and fill the waters of the seas; and let the birds multiply upon the earth. Genesis
There are some profound ideas in these images about the structure of human consciousness and the contents of the unconscious psyche. The basic idea is that of Emanation -- the creation of physical reality from a supreme principle in ordered hierarchies of increasing complexity. This concept is essential for a full understanding of the Work.
The involution of man was his descent from the sphere of the spirit, developing bodies of a mental, emotional and then physical nature until he manifested upon this planet. His evolution is to civilize this planet and to develop mastery of the physical, emotional and mental planes and relink himself in unity with God once more, thus completing the cycle. He came from God as an inexperienced Spark of Divine Fire and returns to Him, with all the experience of manifestation, as a Lord of Humanity. Gareth Knight -- The Work of a Modern Occult Fraternity
In many systems of thought, the proliferation of forces is seen in sexual terms -- the cosmic parents produce entities in male and female pairs (gnostic syzygies), which in turn produce offspring. Hence, Confucius says: "Difficulty is experienced as Heaven and Earth begin their intercourse." That this has an explicit sexual connotation is confirmed by McClatchie: "The figure of Difficulty represents the hard and the soft beginning to have sexual intercourse, and bringing forth with suffering." Thus we see that the correct and incorrect correlation ("intercourse") of dynamic (male) and magnetic (female) lines in anyI Ching hexagram symbolizes the favorable (life-enhancing) or unfavorable (life-negating) combinations of thought and feeling within the psyche.
SUGGESTIONS FOR MEDITATION
The sexual intercourse of Heaven and Earth is also described in hexagram number eleven,Harmony. In terms of these sexual metaphors, what does the term "adultery" imply in regard to the Work? See hexagram number forty-four, Temptation, for further insight on this theme.