Gradual growth thrives with mindful boundaries, leading to lasting harmony.
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Development
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Limitation
One knows the classics because the others had wanted one to be well educated. taoscopy.com
Development53
Steady progress through gradual development.
↓ Line 1
Initial steps may be uncertain and bring challenges, but they are necessary for progress. Stay cautious and avoid blame.
↓ Line 2
Progress brings stability and harmony. Enjoy the benefits of your efforts and maintain peace.
↓ Line 3
Progress may lead to separation or unfulfilled potential. Be vigilant against threats and protect what is important.
↓ Line 6
Reaching the highest potential brings honor and recognition. Your achievements are celebrated and bring good fortune.
↓ Limitation60
Set boundaries and apply discipline to create balance and order in life. Prioritize moderation and clear limits for greater focus and harmony.
Other titles: Development, The Symbol of Progressive Advance, Gradual Development, Infiltrating, Advancing, Growth, Developing, Gradualness, Dialectical Progression, Step by Step, "The slower the stronger." -- D.F. Hook
Judgment
Legge:Gradual Progressshows the good fortune attending the marriage of a young lady. Firm correctness brings advantage.
Wilhelm/Baynes: Development. The maiden is given in marriage. Good fortune. Perseverance furthers.
Blofeld: Gradual Progress. The marriage of a maiden brings good fortune. Persistence in a righteous course brings reward.
Liu: Gradual Development. The marriage of a girl -- Good Fortune. It benefits to continue.
Ritsema/Karcher:Infiltrating, womanhood converting significant. Harvesting Trial. [This hexagram describes your situation in terms of gradually achieving a goal. It emphasizes that advancing through diffuse but steady penetration is the adequate way to handle it. To be in accord with the time, you are told to: infiltrate!]
Shaughnessy:Advancing: For the maiden to return is auspicious; beneficial to determine.
Cleary (2):Gradual Progress in a woman’s marriage is auspicious. It is beneficial to be chaste.
Wu: Gradualness indicates that it is auspicious for a woman to get married and it is advantageous for her to be persevering.
The Image
Legge: A tree on the mountain -- the image of Gradual Progress. The superior man attains and nourishes his extraordinary virtue to improve the manners of the people.
Wilhelm/Baynes: On the mountain, a tree: the image of Development. Thus the superior man abides in dignity and virtue, in order to improve the mores.
Blofeld: This hexagram symbolizes a tree upon a mountain. The Superior Man, abiding in holiness and virtue, inclines the people towards goodness.
Liu: A tree on the mountain symbolizes Gradual Development. The superior man, in maintaining his virtue, improves society's customs.
Ritsema/Karcher: Above mountain possessing wood. Infiltrating. A chun tzu uses residing-in eminent actualizing-tao to improve the vulgar. [Actualize-tao: Ability to follow the course traced by the ongoing process of the cosmos ... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): There are trees on the mountain, growing gradually. Thus do superior people abide in sagacity and improve customs.
Cleary (2): …Developed people improve customs by living wisely and virtuously.
Wu: There are trees on the mountain; this is Gradualness. The jun zi chooses to live in the neighborhood known for its high moral standards and exemplary custom.
COMMENTARY
Confucius/Legge: The ascent of Gradual Progress resembles the fortunate marriage of a young lady. The lines ascend to their proper places, indicating achievement. Because the ascent is made correctly the subject of the hexagram is empowered to rectify his country. He is shown as the dynamic ruler in line five, central and correct. The alternation of Keeping Still and Flexible Penetration ensure that the advance is continuous.
Legge: The written character for Gradual Progress is ordinarily used in the sense of gradually, but there is connected with it also the idea of advance. The whole of it denotes a gradual advance like the soaking in of water. The other two hexagrams that contain the idea of advance are number thirty-five, Advance of Consciousness and number forty-six,Pushing Upward-- each expresses its own nuance of meaning, and here the nuance is the gradual manner in which the advance takes place.
The theme of the hexagram is the advance of men to offices in the state -- how it should take place gradually and by successive steps. Lines 2, 3, 4 and 5 are all in their proper places as dynamic or magnetic, and we ascend them as by regular steps to the top of the hexagram.
The marriage of a young lady illustrates an important event which takes place according to various preliminary steps which must be correctly done in an orderly sequence. So must it be with the advance of a man in the service of the state.
The K'ang-hsi editors say: "A tree springing up on the ground is a tree as it begins to grow. A tree on a hill is high and large. Every tree when it begins to grow shows its branches and twigs gradually becoming long. Every morning and every evening show some difference; and when the tree is high and great, whether it be of an ordinary or extraordinary size, it has taken years to reach its dimensions."
Added Commentary: Blofeld appends the following footnote to each line in this hexagram: it is easier to read it here as his general commentary. [The additional Chinese commentaries explain that the wild goose is a bird which moves toward the sun. Now, a commonly used Chinese term for the sun is YANG, namely the male principle. So the bird obviously (sic) betokens a maiden seeking a husband. Its movement from river bank to rock, dry land, a tree, a hillock and the mainland (which is said in one commentary to mean peninsula) signifies gradual movement in an unchanging direction. From the point of view of divination, this is the best course for us, even if marriage is not our objective. Regarding marriage: the first line betokens gossip, although the marriage is not unsuitable; the second, a materially successful marriage; the third, an unfortunate marriage; the fourth, marriage to someone exceedingly kind and thoughtful; the fifth, a blissful marriage; the sixth, marriage to a public figure who has some responsibility for good order within the realm and who succeeds in his task.]
NOTES AND PARAPHRASES
Judgment: The proper union of forces within the psyche is a matter of slow maturation.
The Superior Man maintains his will and transforms the psyche. "Example is the school of mankind, and they will learn at no other." -- Burke
This is one of the most hierarchical of the hexagrams -- each line represents a clear advance from the position of the preceding line, thus giving an image of Gradual Progress. The vehicle of this progression is the wild goose, which also appears in every line. A goose is a bird -- primarily a creature of the air, or realm of thought; but because it also thrives on either water or land, the goose symbolizes thought which permeates the lower two categories of consciousness -- emotion (water), and sensation (earth).
Another traditional interpretation of the goose motif is that of the universal aspect of the soul. The wild goose is able to move about everywhere, on firm land, in water and in the air. It is the bird of Hermes, who is the leader of souls. E.C. Whitmont -- The Symbolic Quest
The progress of the goose is a gradual one, from the shore, or threshold of awareness in line one, to the mountain heights, or realm of the Spirit in line six. The fact that this progress is linked with the idea of marriage in the Judgment is a clear hint that we are dealing here with the idea of the union of opposites within the psyche. (See commentary on hexagram number eleven.) The message is unambiguous: the process of psycho-spiritual growth is one of slow maturation. There are no short-cuts to enlightenment.
Evils and falsities must be removed, to the intent that a new life which is the life of heaven may be implanted. This can in nowise be done hastily; for every evil enrooted with its falsities has connection with all evils and their falsities; and such evils and falsities are innumerable, and their connection is so manifold that it cannot be comprehended ... From this it is plain that the life of hell in man cannot be suddenly destroyed, for if it were suddenly done he would straightway expire; and that the life of heaven cannot be suddenly implanted, for if this were done suddenly he would also expire. Swedenborg -- Arcana Coelestia
Line 1
Legge: The first line, magnetic, shows the wild geese gradually approaching the shore. A young officer in similar circumstances will be in a position of danger, and be spoken against; but there will be no error.
Wilhelm/Baynes: The wild goose gradually draws near the shore. The young son is in danger. There is talk. No blame.
Blofeld: The wild goose moves gradually towards the river bank. The younger son is in trouble. There is talk, but no error.
Liu: The wild goose gradually approaches the shore. The boy is in danger. There is gossip. No blame. [This line indicates difficulty, but you will ultimately be able to achieve your undertaking.]
Ritsema/Karcher: The wild-swan Infiltrating tending-towards the barrier. The small son, adversity possessing words. Lacking fault.
Shaughnessy: The wild goose advances to the depths; for the little son dangerous; there are words; there is no trouble.
Cleary (1): Geese gradually proceed on the shoreline. The small ones are in danger; there is criticism, no fault.
Cleary (2): Geese gradually proceed to the shoreline. If humble people are diligent and speak up, there is no blame.
Wu: The wild goose flies in gradually to rest by the riverbank. The little fellow is in jeopardy and he is being talked about, but without fault.
COMMENTARY
Confucius/Legge: The danger is owing to no fault of hers in the matter of what is right. Wilhelm/Baynes: The danger besetting the little son implies no blame. Blofeld: `The younger son is in trouble' is just a way of saying that there is trouble for which we are not to blame. Ritsema/Karcher: Righteous, without fault indeed. Cleary (2): The diligence of humble people is dutiful and blameless. Wu: In principle he is faultless.
Legge: In line one the geese appear for the first time in the season approaching the shore. Then comes the real subject of the line -- she is magnetic in a dynamic place and without a proper correlate above. The difficulty and danger of her situation are seen as the result of circumstances -- the young officer has not brought it on herself.
NOTES AND PARAPHRASES
Siu: At the outset, the young man begins to make his way in the world. He is subjected to criticisms because his inexperienced steps are slow and hesitant. These will help prevent future errors on his part.
Wing: Your position is one of the classic beginner. Criticism is now unavoidable, however -- it can be used to your advantage in refining your skills. You can lay down the early foundations for later successes.
Editor: Air (thought) is more abstract than water (emotion); water is more abstract than earth (sensation). Of the three elements, earth is the most solid and the shore is where they all meet. As a creature at home in air, water or on land, the goose symbolizes a force which grounds an abstraction where it can be seen, grasped and understood. The young officer is inexperienced awareness coping with a new situation. "Danger" and being "spoken against" suggest confusion and conflicting emotions within the psyche as one deals with something new and unfamiliar. Remembering that the symbol of marriage in the Judgment relates to the union of thought and feeling within our physical vehicle, we can see that this first line represents a new synthesis of some sort.
It is the firmness, the effort and the skillfulness of the conscious ego's position that finally decide whether the onrush from the deep will bring about chaos and meaningless suffering or whether the suffering can instead provide the dark background from which the light of a new order may arise. E.C. Whitmont --The Symbolic Quest
A. Expect confusion and difficulty in coping with a developing situation.
B. Inexperience with new concepts necessitates careful differentiation of all the factors involved.
Line 2
Legge: The second line, magnetic, shows the geese gradually approaching the large rocks, where they eat and drink joyfully and at ease. There will be good fortune.
Wilhelm/Baynes: The wild goose gradually draws near the cliff. Eating and drinking in peace and concord. Good fortune.
Blofeld: The wild goose moves gradually towards the rock. Eating and drinking happily -- good fortune.
Liu: The wild goose gradually approaches a big rock. It eats and drinks joyfully. Good fortune.
Ritsema/Karcher: The wild-swan Infiltrating tending-towards the stone. Drinking and taking-in: feasting, feasting. Significant.
Shaughnessy: The wild goose advances to the slope: wine and food so overflowing; auspicious.
Cleary (1): Geese gradually proceed on boulders; they eat and drink happily. Good fortune.
Cleary (2): Geese gradually proceed onto a boulder; etc. This is auspicious.
Wu: The wild goose flies in gradually to rest on a big rock. There is joy in eating and drinking. Auspicious.
COMMENTARY
Confucius/Legge: They eat and drink joyfully, but not without having earned their food. Wilhelm/Baynes: He does not merely eat his fill. Blofeld: Good fortune in the form of delicate and plentiful food. Ritsema/Karcher: Not sheer satiation indeed. Cleary (2): They don’t just stuff themselves idly. Wu: Not for the sake of gluttony.
Legge: The geese have advanced in line two, and so has the officer, though she is not mentioned. Line two is magnetic, humble and central, and has a proper correlate in the fifth line. Hence the good auspice.
NOTES AND PARAPHRASES
Siu: The man soon overcomes his initial insecurity. He acquires a good position, earns a reasonable livelihood, and enjoys the company of his comrades.
Wing: You are in a secure position. The activities that lie on the road ahead will further consolidate your development. You may feel free to share your good fortune and security with others.
Editor: The first line describes confusion as a new situation begins to develop; line two suggests that this new force has established a beachhead and now consolidates (nourishes) itself for further advancement.
Without the development of the ego and its discipline, the growth of modern thought, modern science, modern technology would have been impossible. Man’s intelligence has apparently not increased -- at all events, not during historical times -- but his ability to govern and direct it has expanded enormously. M.E. Harding -- Psychic Energy
A. The image depicts the consolidation of a position.
B. Nurture your new-won advantages.
Line 3
Legge: The third line, dynamic, shows the geese gradually advanced to the dry plains. It suggests also the idea of a husband who goes on an expedition from which he does not return, and of a wife who is pregnant, but will not nourish her child. There will be evil. The case symbolized might be advantageous in resisting plunderers.
Wilhelm/Baynes: The wild goose gradually draws near the plateau. The man goes forth and does not return. The woman carries a child but does not bring it forth. Misfortune. It furthers one to fight off robbers.
Blofeld: The wild goose moves gradually towards the dry land. The husband goes forth and does not return. The wife is pregnant, but the child's birth is delayed -- misfortune! This is an auspicious time for chastising evil-doers.
Liu: The wild goose gradually approaches the highland. The man sets out and does not return. The woman is pregnant, but does not give birth. Misfortune. It is beneficial to protect oneself from robbers. [Fearfulness and disharmony are indicated by this line.]
Ritsema/Karcher: The wild-swan Infiltrating tending-towards the highlands. The husband chastised, not returning. The wife pregnant, not nurturing. Pitfall. Harvesting: resisting outlawry.
Shaughnessy: The wild goose advances to the land; The husband campaigns but does not return, the wife is pregnant but does not give birth; inauspicious; beneficial to have that which robs.
Cleary (1): Geese gradually proceed on a plateau. The husband who goes on an expedition does not return; the wife who gets pregnant does not raise the child. Misfortune. It is beneficial to defend against brigands. [The misfortune comes about because in the use of strength it is important to stop in the proper place and defend against brigands, not act arbitrarily and become a brigand oneself. This is gradual progress in which one is strong but loses control.]
Cleary (2): Geese gradually proceed onto high ground. Etc. It is beneficial to defend against enemies.
Wu: The wild goose flies in gradually to rest on high ground. The husband joins active military duty, but does not return; the wife is pregnant, but miscarries. Foreboding. Yet it is advantageous to defend against the intruders. [The third nine is overly strong…he wants to go alone and may have gotten lost or been captured.]
COMMENTARY
Confucius/Legge: The husband separates himself from his comrades. The wife has failed in her proper course. By resisting thieves men would preserve one another. Wilhelm/Baynes: He leaves the group of his companions. She has lost the right way. Devotion and mutual protection. Blofeld: The husband's failure to return symbolizes separation from our normal companions. Delayed childbirth symbolizes our going astray. The final sentence indicates willingness to take precautions for mutual protection. Ritsema/Karcher: Radiance flocking demons indeed. [Demon(iac), CH'OU: possessed by a malignant genius; ugly, physically or morally deformed: vile, disgraceful, shameful; drunken. The ideogram: fermenting liquor and soul...] Letting-go her tao indeed. Yielding mutualizes protection indeed. Cleary (2): Leaving the group is disgraceful. The wife…loses the way. Harmoniously protecting one another. Wu: He separates from his comrades. She does not take the proper course. Because people would unite to protect one another.
Legge: Line three is dynamic, has passed the central place to the top of the lower trigram, and has no proper correlate in line six. He is likely to be violent and unsuccessful in his movements. He is like a husband who deserts his wife, or a wife who neglects her child. But in the case supposed, his strength in the end would be useful. "Separation from his comrades” means he finds no correlate. The wife fails in her proper course because the line is dynamic instead of magnetic, and has in addition passed the central position of balance.
NOTES AND PARAPHRASES
Siu: The man goes too far and plunges into struggles beyond what is required by the natural laws of development. He loses his way. His life and family are jeopardized. He will regain his advantage if he does not provoke conflicts but uses his strength more in guarding his own position in line with his available resources and capabilities.
Wing: If you provoke a conflict or make a bold and forceful advance, you will place yourself and those close to you in danger. This is a foolish risk indeed. You would be much wiser to allow things to develop naturally and, instead, secure what you have.
Editor: This is an image of an aborted synthesis: we see Gradual Progress halted and dissipated in fruitless stagnation. Goose: Sensation and emotion under the influence of thought. Dry Plains: Infertile prospects: an area of futile speculation or endeavor. Wilhelm's rendering of "plateau" emphasizes a horizontal rather than vertical orientation -- reinforcing the image of no increase, no progress. Husband and wife: Union of thought and feeling, intellect and emotion. Child: The product, the ongoing evolution of thought and feeling within the psyche. Plunderers: Divisive, disruptive elements which bring about the separation of what is united. This estrangement brings a halt to the progress of the Work. Ritsema/ Karcher’s “Radiance flocking demons indeed” can represent inner complexes, phobias, compulsions, etc. The best course is to re-organize and defend yourself against further loss. Siu’s paraphrase says it best.
Thus [the patient] is still in an undesirably passive condition where everything is rather uncertain and questionable; neither he nor I know the journey's end. Often it is not much more than a groping about in Egyptian darkness. In this condition we must not expect any very startling results -- the uncertainty is too great for that. Besides which there is always the risk that what we have woven by day the night will unravel. The danger is that nothing is achieved, that nothing remains fixed. Jung -- The Practice of Psychotherapy
A. Image of a stalemate caused by unbalanced forces of some sort – perhaps a severely limiting belief. Withdraw support from this indulgence!
B. Arid speculation abandons its foundation in basic reality. You waste your energy on illusions – -- nothing will come of it.
C. Logos departs, Eros aborts -- defend the Work.
D. You’re blowing energy on a fruitless endeavor.
Line 6
Legge: The sixth line, dynamic, shows the geese gradually advanced to the large heights beyond. Their feathers can be used as ornaments. There will be good fortune.
Wilhelm/Baynes: The wild goose gradually draws near the cloud heights. Its feathers can be used for the sacred dance. Good fortune.
Blofeld: The wild goose moves gradually towards the mainland. Its feathers can be used for ritual purposes -- good fortune!
Liu: The wild goose gradually approaches the cloudy heights. Its feathers can be used in ritual decoration. Good fortune. [You will carry out a significant undertaking with someone’s help.]
Ritsema/Karcher: The wild-swan Infiltrating tending-towards the highlands. Its feathers permit availing-of activating fundamentals. Significant.
Shaughnessy: The wild goose advances to the land: its feathers can be used to be emblems; auspicious.
Cleary (1): Geese gradually proceed to level ground; their feathers can be used for ceremonies. Good fortune.
Wu: The wild goose flies gradually into the clouds. Its feathers may be used for decorum. Auspicious.
COMMENTARY
Confucius/Legge: The object and character of the subject of the line cannot be disturbed. Wilhelm/Baynes: He is not to be disconcerted. Blofeld: The sentence about the feathers indicates that now disorder cannot prevail. [The traditional Chinese conception of good government, good order within the family and so on, allots an important role to ritual because of its efficacy in making people inclined to regard their duties with solemnity and because it helps to make everything seem orderly.]Ritsema/Karcher: Not permitting disarray indeed. Cleary (2): They cannot be put in disarray. Wu: Don’t mess it up.
Legge: The subject of line six has reached the top of the hexagram. There is no more advance for him, and he has no correlate. He will work for the state and verify the auspice derived from the ornamental plumes of the geese.
NOTES AND PARAPHRASES
Siu: The man reaches the pinnacle, completes his work, and leaves inspiration for the world to follow.
Wing: As you achieve the greatest heights in your upward climb, you become an example for others. You are emulated by those who admire you, and this in itself is the greatest praise. There is good fortune for all concerned.
Editor: Most translations emphasize that the use of the feathers is for ritual or sacred purposes. A feather used in religious ritual suggests spiritual thoughts, concepts, truths, aspirations, ideals, etc. "The large heights beyond" would be the realm of ultimate realities and eternal truths to which one aspires. Since one of the central ideas of the hexagram is the contracting of a marriage, this line suggests the consummation of that marriage, and the religious references indicate that it is a hieros gamos, or holy marriage. If we combine Legge's image of ornaments with the idea of religious rites, the Chinese concept of the proper attitude for sacrifice emerges:
In religious sacrifice ... the important thing is one’s attitude, especially sincerity, in the performance. These sacrifices are "ornaments" or refined manifestations of an inner attitude. D.H. Smith --Confucius
A. The image suggests a spiritual synthesis. Energy has been transformed -- the dialectical progression has been successful.
B. The line can suggest the idea of a sacrifice which one makes on behalf of the Work.
Other titles: Restrictive Regulations, Restraint, Regulations, Articulating, Receipt, Restraining, Containment
Judgment
Legge:Restrictive Regulations bring progress and success, but if they are severe and difficult they cannot be permanent.
Wilhelm/Baynes:Limitation. Success. Galling limitation must not be persevered in.
Blofeld:Restraint -- success! It is wrong to persist in harsh restraint.
Liu: Limitation. Success. Bitter limitation should not be continued.
Ritsema/Karcher:Articulating, Growing. Bitter Articulating not permitting Trial. [This hexagram describes your situation in terms of confused relations. It emphasizes that making limits and connections clear, particularly through speech, is the adequate way to handle it...]
Shaughnessy: Receipt. Withered moderation; one may not determine.
Cleary (1):Discipline is developmental, but painful discipline is not to be held to. [Discipline means having limits that are not to be exceeded. This hexagram represents practicing obedience in unfavorable circumstances, adaptably keeping to the Tao. The situation may be up to others, but creation of destiny is up to oneself. When discipline gets to the point of inflicting suffering, it brings on danger itself even where there was no danger; you will only suffer toil and servility which is harmful and has no benefit.]
Cleary (2): Regulation is successful, but painful regulation is not to be held to.
Wu: Regulation indicates pervasiveness. Excessive regulation should not be obstinately pursued. [Sometimes the meaning of conservation or moderation is implied. Although the idea of regulation is convincing, it should not be applied blindly without regard to conditions.]
The Image
Legge: Water over a lake -- the image of Restrictive Regulations. The superior man constructs methods of numbering and measurement, and examines the nature of virtuous conduct.
Wilhelm/Baynes: Water over lake: the image of Limitation. Thus the superior man creates number and measure, and examines the nature of virtue and correct conduct.
Blofeld: This hexagram symbolizes water held in a dyke above a marshy lake. The Superior Man employs a system of regulations in his plans for the widespread practice of virtue.
Liu: Water above the lake symbolizes Limitation. The superior man devises number and measure, and measures conduct and virtue.
Ritsema/Karcher: Above marsh possessing stream. Articulating. A chun tzu uses paring to reckon the measures. A chun tzu uses deliberating actualizing-taoto move.
[Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]
Cleary (1): There is water over a lake, regulated. Thus superior people determine measures and discuss various actions.
Cleary (2): … Leaders establish numbers and measures, and consider virtuous conduct.
Wu: There is water above the marsh; this is Regulation. Thus, the jun zi enacts statutes and deliberates virtues. [A study of the limits and merits will avert difficulties.]
COMMENTARY
Confucius/Legge: Progress and attainment are seen in the equally divided dynamic and magnetic lines, with the dynamic lines in the central places. If the regulations are severe and difficult, the course of action will come to an end. We see a cheerful attitude directing the course amidst peril. The rules are correctly initiated by the ruler in the fifth place. Heaven and earth observe their regular cycles and complete the four seasons. When rulers frame their laws according to just limitations, the resources of the state suffer no injury, and the people receive no hurt.
Legge: The written Chinese character which denotes Restrictive Regulations means the regular division of a whole, such as the division of the seasons of the year into ninety-day periods clearly marked by the solstices and equinoxes. Whatever makes regular division may be denominated by a "restrictive regulation," and there enter into it the ideas of ordering and restraining. The hexagram deals with the regulations of government enacted for the guidance and control of the people. An important point is made that these regulations must be adapted to the circumstances and not made too strict and severe.
Ch'eng-tzu says on the Image: "The water which a lake or marsh will contain is limited to a certain quantity. If the water flowing in exceeds that amount, it overflows. This gives us the idea of Restrictive Regulations."
NOTES AND PARAPHRASES
Judgment: Restrictive Regulations are necessary for growth, but severe restriction must itself be limited.
The Superior Man differentiates his options in relation to the goals of the Work.
The Work itself is nothing if not a rigid structure imposed upon one's life -- a "restrictive regulation" of the ego's illusion of freedom of choice. Ordinary people insist that their lives are ordered by the intelligent exercise of free will, but this "freedom" is more commonly just a rationalization for the activity of autonomous complexes. No one can look objectively at the current state of the world and seriously claim that it reflects either rational order or balanced perception. Collective human experience on this planet is determined by the whims of archetypal forces expressing themselves through the unconscious psyches of six-billion people.
The Work then, is a restrictive regulation of these autonomous forces -- it is a limitation, a containment of the expression of instinct and desire. We are reminded of the alchemical vessel which is hermetically sealed to prevent its contents from escaping before they have been transmuted into gold. If the alchemist miscalculates his "methods of numbering and measurement" the vessel becomes a kind of bomb: the seal breaks, the contents explode, and the Work is ruined. This is what is meant by "if the regulations are severe and difficult, the course of action will come to an end." If we restrict the contents of the vessel beyond their capacity for confinement the psyche boils over in some degree of rebellion. This is no minor thing -- depending on the circumstances, severe psychotic reactions can be created in this manner.
On the other hand, the ego thinks that all but the most minor restrictions are severe and difficult, and it is constantly on the verge of rebellion. As always, it is the Self which must determine how far the restrictive regulations can be taken. From its perspective outside of spacetime it is best able to determine how much pressure the psyche can take -- frequently it is far more (or sometimes far less) than the ego thinks possible.
The Confucian commentary observes: "We see a cheerful attitude directing the course amidst peril." This refers to the lower trigram of Cheerfulness encountering the upper trigram of Peril or Danger. The restrictions of the Work are more often than not unpleasant and risky, constantly verging on some kind of an explosion. An attitude of cheerful acceptance enables one to survive these difficult trials. This is an extremely important concept, because without it one can all too easily fall into a suicidal despair. The Work can become an impossible burden unless one learns how to approach stress and hardship with an almost irreverent sense of humor. (This in itself is an essential lesson about how to purge the ego of its myopic notions of what it will and will not "accept" in life.)
There is an old Zen proverb that says: "Hell, also, is a place to live in." The message is clear: be of good cheer, because without it you are sure to fail.
The seeming inevitability of conflict among the archetypal "powers" can cause us to experience life as a hopeless, senseless impasse. But the conflict can also be discovered to be the expression of a symbolic pattern still to be intuited. It can be lived as if it were a drama, the play of life or of the gods, for the purpose of experiencing an ultimate meaning ... When one can feel with Goethe that "everything transient is but a symbol," then meaning can be found not only in creativity, joy and love but also in impasse, suffering and conflict. Then life can be lived as a work of art. E.C. Whitmont -- The Symbolic Quest