Align with the flow of life, allowing unexpected alliances to guide you towards your destiny.
From
54
The Marrying Maiden
To
44
Temptation
One escalates an emerging conflict by sympathizing with those who should have been repelled gently. taoscopy.com
The Marrying Maiden54
Proceed cautiously, recognizing limitations and external influences. Adapt to circumstances with humility and patience, but remain aware of your own path and intentions.
↓ Line 1
Despite limitations, there is potential for success if one is willing to accept a subordinate position.
↓ Line 3
Accepting a lower status can lead to a form of union, but it may not be fulfilling.
↓ Line 5
True worth is not in outward appearances. Inner value and timing bring good fortune.
↓ Line 6
Efforts are in vain when the essential elements are missing. Actions may not lead to desired outcomes.
↓ Temptation44
A fleeting encounter with a powerful influence. Be mindful and cautious. Keep your integrity intact.
Other titles: The Marrying Maiden, The Symbol of the Marriage of the Younger Sister, Marriageable Maiden, The Marrying Girl, Subordinate, The Second Wife, Converting Maidenhood, Returning maiden, Making a young girl marry, Marrying a young girl, Marrying a Maiden, Unilateral Action, Impropriety, Improper Advances, "Deals with life and death, sex and birth. It contains a warning about a person or situation. It deals essentially with discrimination. The first step on the Path without which we are useless." -- D.F. Hook
Judgment
Legge:Propriety indicates that action will be evil, and in no wise advantageous.
Wilhelm/Baynes: The Marrying Maiden. Undertakings bring misfortune. Nothing that would further.
Blofeld:The Marriageable Maiden. Advance brings misfortune. No goal (or destination) is now favorable.
Liu: The Marrying Girl. Undertaking leads to misfortune. Nothing benefits.
Ritsema/Karcher: Converting Maidenhood, chastising: pitfall. Without direction: Harvesting. [Without direction: Harvesting: ... In order to take advantage of the situation, do not impose a direction on events.] [This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it...]
Shaughnessy:Returning maiden: To be upright is inauspicious; there is no place beneficial.
Cleary (1): Making a young girl marry: To go on will lead to misfortune; no profit is gained.
Cleary (2):Marrying a young girl. To go on an expedition leads to misfortune, with nothing gained.
Wu: Marrying a Maiden indicates that it will be foreboding to make moves. There is nothing to be gained.
The Image
Legge: The waters of a Marsh with Thunder over it form the hexagram of Propriety. The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning.
Wilhelm/Baynes: Thunder over the lake: the image of The Marrying Maiden. Thus the superior man understands the transitory in the light of the eternity of the end.
Blofeld: This hexagram symbolizes thunder over a pool. The Superior Man knows that, to achieve an enduring end, he must be aware of his mistakes at the beginning.
Liu: Thunder over the lake symbolizes the Marrying Girl. The superior man knows the cause of error, and persists in his virtue to the end.
Ritsema/Karcher: Above marsh possessing thunder. Converting Maidenhood. A chun tzu uses perpetually completing to know the cracked.
Cleary (1): There is thunder above a lake, making a young girl marry. Thus superior people persist to the end and know what is wrong.
Cleary (2): Thunder over a lake – Marrying a young girl. Developed people consider lasting results and know what is wrong. [The way developed people handle things is that before they take the time to ask how to start something, they first consider lasting results. If they think of lasting results, they know what is wrong with acting prematurely, like marrying an immature girl. If you understand the meaning of this, you can apply it to government and to contemplating mind as well.]
Wu: There is thunder above the marsh; this is Marrying a Maiden. Thus, the jun zi in the pursuit of lasting excellence realizes the flaws and corrects them.
COMMENTARY
Confucius/Legge: In the marriage of a young bride the proper relationship between heaven and earth is seen. Nothing could grow or flourish if heaven and earth did not unite. The marriage of a young bride is therefore both the commencement and goal of humanity. But here the desire of pleasure employs movement to attain union. This action will be evil because the lines are in inappropriate places, and the magnetic three and five are mounted on dynamic lines.
Legge: The Chinese phrase for this hexagram might be equivalent to the English "giving in marriage,” but there are some special meanings in this case which must be understood. The Judgment gives a bad auspice because the trigram of the Youngest Daughter is beneath the trigram of the Eldest Son. Since the action of the hexagram begins with the lowest trigram, we have two violations of propriety. First, the marriage is initiated by the woman and her friends. She goes unilaterally to her future home instead of the bridegroom coming to fetch her. Second, the parties are unequally matched -- there is too great a disparity in their ages. In addition, all the lines in the hexagram except the top and the bottom are in places inappropriate for them. Some commentators insist that the symbol of the contracting of a marriage in this hexagram sets forth some principles which should obtain in the relation between a ruler and his ministers.
The growth of things in nature from the interaction of heaven and earth is analogous to the increase of mankind through the interaction between male and female in marriage. The K'ang-hsi editors reconcile this good auspice with the unfavorable Judgment by saying: "The interaction of the yin and yang cannot be dispensed with, but we ought to be careful about it in the beginning in order to prevent mischief in the end.” The error here is that the desire for the marriage originated with the lady, and that she is heedless of the disparity in their ages.
NOTES AND PARAPHRASES
Judgment: Propriety means that unilateral action is inappropriate.
The Superior Man understands that the Work is guided from within, and that choices which ignore this truth can only retard its progress. (Present actions originate future consequences: pay heed to your choices.)
The traditional name for this hexagram is The Marrying Maiden -- a title which does not convey to modern western readers the subtlety of its symbolism. Blofeld says: "This hexagram is, on the whole, a most unfortunate omen ... We must not suppose that it deals only with marriage. What is said about the maiden symbolizes in some way or other what we may expect for ourselves within the context of our enquiry." The figure is certainly difficult, but "unfortunate" only if its import is resisted or denied: any portrayal of our situation which eliminates illusion (however painful the realization), must be regarded as a positive lesson.
Although the Confucian commentary describes this hexagram in terms of self-seeking aspiration, the wretched protagonist of the figure is not invariably culpable, and neither Judgment nor Image imply this. In addition to being at the very bottom of the social pecking order, the maiden is portrayed as half-blind, crippled and a "slave." Although condemned by the commentators for importuning a marriage that would raise her status, a close reading of the lines reveals that only the sixth place suggests possible impropriety -- the others all contain advice about how one of extremely low status should cope with restricted circumstances. The hexagram therefore can deal with either of two possible conditions: those involving Proprietyand those involving Making-do as an adaptation to adversity.
In the first instance, it is useful to compare the symbolism here with that of the preceding hexagram of Gradual Progress. There we see the organic progression of the Work allegorized as the proper marriage of a young woman. In this case, Gradual Progress has been turned upside down and the symbolism reversed: this young woman improperly pursues a marriage on her own initiative. Psychologically interpreted, it can be regarded as an image of the ego pushing its own agenda or desire for union.
The ego may move in directions and toward actions that are at variance with the intentions and standards of the Self ... The mature adult needs to recognize eventually his or her relative limitedness vis-à-vis the "Self- field" and the cosmic organism of which s/he is but a cell. We are subject to the ordering and growth intents of the entelechy of the whole. E. C. Whitmont -- The Alchemy of Healing
To recognize our `relative limitedness “vis-à-vis the Self-field” is to renounce our claim to unilateral action. Though the ego ardently desires a marriage with the Self, only the Self can initiate such a union. Chou Tun I, an early Neo-Confucian, makes an observation which illuminates Legge's Image:
"The superior man, in accordance with this, having regard to the far-distant end, knows the mischief that may be done at the beginning. The most important things in the world are tendencies. Tendencies may be strong or weak. If a tendency is extremely strong, it cannot be controlled. But it is possible to control it quickly if one realizes that it is strong. To control it requires effort. If one does not realize early enough, it will not be easy to apply effort.”
To receive this hexagram without changing lines can be an admonition to examine your motives and actions in the matter at hand. Where are you out of line? If no obvious impropriety is involved, it could also portray an essentially impotent predicament. At such times Ritsema/Karcher's synopsis bears repetition: "This hexagram describes your situation in terms of the changing status of someone who cannot control their circumstances. It emphasizes that finding a real field of activity through accepting this imposition is the adequate way to handle it.”
SUGGESTIONS FOR MEDITATION
Compare Propriety with hexagram number fifty-three, Gradual Progress, then compare them both with hexagram number thirty-one,Initiative. What are the similarities in their ideas? Now look at hexagrams number eleven, seventeen and twenty-two and observe the over-all philosophy which begins to emerge.
Line 1
Legge: The first line, dynamic, shows the young woman married off in a position ancillary to the real wife. It suggests the idea of a person lame in one leg who yet manages to tramp along. Going forward will be fortunate.
Wilhelm/Baynes:The Marrying Maiden as a concubine. A lame man who is able to tread. Undertakings bring good fortune.
Blofeld: The maiden marries and becomes a concubine. The lame can walk -- to advance brings good fortune. [Some advance is indicated, but not a very splendid one. To become a concubine is doubtless better than remaining single; to walk with a limp is better than not walking at all – neither is greatly to be desired.]
Liu: The marrying maiden is to be a concubine. A crippled man can walk. Undertaking is good fortune. [Even with limited ability a person will achieve his undertakings by depending on someone influential.]
Ritsema/Karcher: Converting Maidenhood using the junior- sister. Halting enabling treading. Chastising significant.
Shaughnessy: The returning maiden with younger sisters; the lame are able to walk; to be upright is auspicious.
Cleary (1): Marrying off a young girl as a junior wife. The lame can walk. It is good to go on. [The time is not right but her virtue is right, and she does not do anything improper. This represents the ability to maintain rectitude when the time is not right.]
Cleary (2): Marrying a young girl, taking junior wives. The lame can walk. To go on leads to good fortune.
Wu: The marrying of a young woman with her younger sister is like treading with one lame leg. It is auspicious to proceed.
COMMENTARY
Confucius/Legge: That she is in a subordinate position is the constant practice in such a case. Even though lame she can render useful service. Wilhelm/Baynes: "The marrying maiden as a concubine,” because that gives duration. "A lame man who is able to tread...,” because they receive each other. Blofeld: What is described in the first sentence was due to her constancy; the second sentence presages mutual support. Ritsema/Karcher: Using persevering indeed. Mutualizing receiving indeed. Cleary (2): The lame can walk to good fortune because of service. Wu: It is auspicious because they have roles to play.
Legge: A feudal prince was said to marry nine ladies at once. The principal of them was the bride who was to be the proper wife, and she was attended by two others, virgins from her father's harem; a cousin and a half-sister, a daughter of her father by another mother of inferior rank. Under line one the young woman of the hexagram appears in the inferior position of this half-sister. But the line is dynamic, indicative of a female of firm virtue. The mean condition and its duties are to be deplored, and give the auspice of lameness; but notwithstanding, the secondary wife will in a measure discharge her service. There will be good fortune.
Notwithstanding apparent disadvantages, an able officer may do his ruler good service. "It is the constant practice for such a case" in the Confucian commentary seems to mean that an ancillary wife has no right to the disposition of herself, but must do what she is told. Thus it is that the mean position of the younger sister does not interfere with the service that she can render.
NOTES AND PARAPHRASES
Siu: At the outset, the man in a relatively low position enjoys the confidence of the prince. Outwardly, he keeps tactfully behind the official ministers. Although this diminishes his status, he continues to perform valuable services for the state.
Wing: Your position within the situation is low in stature, but you have the good fortune of being taken into the confidence of a superior. If you remain Subordinate, you will assure your security. You can then influence the situation using tact and reserve.
Editor: This line does not lend itself to the usual gender designation employed in this book. Generally speaking, the line should be read as symbolic of any situation in which one is in a subordinate, powerless position. Often it suggests the need for some sort of compromise in the situation at hand.
In that game of interaction which the ego plays with the objective psyche, it appears as if the cards were dealt by the unconscious, since it is the unconscious which gives rise to and shapes the strength or weakness of the ego. The ego's responsibility is to do the best that it can with the hand it is dealt. E.C. Whitmont -- The Symbolic Quest
A. An image of making do with what you have. Get by as best you can.
B. Although in a weak and powerless position, you can still render service to the Work.
Line 3
Legge: The third line, magnetic, shows the young woman who was to be married off in a mean position. She returns and accepts an ancillary position.
Wilhelm/Baynes: The Marrying Maiden as a slave. She marries as a concubine.
Blofeld: From being a servant, the marriageable maiden becomes a concubine. [Again, a small advance is made, but nothing very satisfying is won.]
Liu: The marrying girl is to be a maidservant. She marries as a concubine.
Ritsema/Karcher:Converting Maidenhood: using hair-growing. Reversing Converting: using the junior-sister.
Shaughnessy:The returning maiden with consorts turns around and returns with younger sisters.
Cleary (1): When the bride-to-be seeks, it will be the little sister who is married instead.
Wu: The marrying of the young woman is being put on hold. Instead, her younger sister is married in her place.
COMMENTARY
Confucius/Legge: This is shown by the improprieties indicated in the line. Wilhelm/ Baynes: She is not yet in the appropriate place. Blofeld: Her former state is indicated by the unsuitable position of this line. Ritsema/Karcher: Not- yet appropriate indeed. Cleary (2): The bride-to-be who seeks is not right. Wu: Because her position is improper.
Legge: The third line is magnetic in a dynamic place at the top of the trigram of Frivolity. She is of so mean a character and such a slave of passion that no one will marry her. She returns and accepts the position of a concubine.
NOTES AND PARAPHRASES
Siu: It is preferable to be a concubine rather than a slave. The inferior person enters into situations incompatible with self-esteem, in pursuit of joys that cannot be attained legitimately.
Wing: To attain your desires, it will be necessary for you to compromise your Self.
Editor: There are at least two interpretations of this line: one portrays moving from an abject position (slavery) to accept a correct, albeit still subservient role. On the other hand, the line can suggest an attempt at a union or synthesis which is unstable or premature: The imbalances within the situation cause its dynamics to be re-adjusted at a lower level than desired. An inherent instability cannot be maintained no matter how much we want it to be otherwise.
Those who do not seek release from the bondage of the instinctive drives by the road of inner development remain the slaves of their own passionate desirousness or suffer the sterility resulting from its ruthless repression. In any time of crisis these persons have no power to curb their own barbaric reactions. M.E. Harding --Psychic Energy
A. An image of modestly improving one's position -- better a servant than a slave.
B. "You can't always get what you want” – accept the best alternative.
C. Don't compromise yourself.
Line 5
Legge: The fifth line, magnetic, reminds us of the marrying of the younger sister of King Ti-yi, when the sleeves of the princess were not equal to those of the still younger sister who accompanied her in an inferior capacity. The case suggests the thought of the moon almost full. There will be good fortune.
Wilhelm/Baynes: The sovereign I gave his daughter in marriage. The embroidered garments of the princess were not as gorgeous as those of the serving maid. The moon that is nearly full brings good fortune.
Blofeld: The Emperor's second marriageable daughter wore regal garments less splendid that those of her bridesmaid. [The implication is that the princess showed better taste than her maid in not dressing too grandly. We must be on our guard against ostentation.] Close upon the full moon comes good fortune!
Liu: Emperor I gives his daughter in marriage. The embroidered dress of the princess is not as splendid as that of the concubine. The moon is nearly full. Good fortune.
Ritsema/Karcher: The supreme burgeoning Converting Maidenhood. One's chief's sleeves: One's junior-sister's sleeves not thus fine. The moon almost facing, significant.
Shaughnessy: Di Yi marries off the maiden: the primary wife's sleeves are not as fine as her younger sister's sleeves; the day's moon is past full; auspicious.
Cleary (1): The emperor marries off his younger sister; the attire of the empress is not as good as the attire of the young wife. The moon is nearly full. Good fortune.
Cleary (2): ... The attire of the lady is not as good as that of the junior wives. The moon is almost full. This is auspicious.
Wu: Di Yi married off his younger sister. Her dress was not so elaborate as her younger sister’s. The moon was almost full. Auspicious. [ This was considered proper, for what was proper was the virtuous union, not the wedding dress.]
COMMENTARY
Confucius/Legge: That her sleeves were not equal to her inferior's shows her noble character, indicated by the central position of the line. Wilhelm/Baynes: The place is in the middle, hence action has value. Blofeld: The first sentence means that, though we may be of only middle rank, we should behave with true nobility. Ritsema/Karcher: One's situation located-in the center. Using valuing movement indeed. Cleary (2): The position is one of balance, behaving in a noble manner. Wu: Her position was central and royal. She had no need for ornamentations.
Legge: The King's sister is here honorably married, suggesting that the adornment she preferred was the "ornament of the hidden man of the heart.” Ch'eng-tzu says: "The moon is not full, but only nearly full. A wife ought not to eclipse her husband.” She is in the place of honor, with a proper correlate in line two.
NOTES AND PARAPHRASES
Siu: The man is reminded that the sister of King I placed herself graciously below her outranked husband and remained free of vanity. The moon that is full does not face the sun.
Wing: When you can overlook your social position and stature and place yourself in the service of another, you will realize good fortune. To accomplish this you must overcome vanity, pride, and any ostentatious behavior. To Subordinate yourself to others, regardless of their position, is now a good thing.
Editor: It is instructive to compare this line with the fifth line of hexagram number eleven,Harmony, which also refers to King Ti-yi's younger sister. A clue to the symbolism comes from the Neo-Confucian classic, The Doctrine of the Mean:
The Book of Odes says, "Over her brocaded robe, she wore a plain and simple dress,” for she disliked the loudness of its color and patterns. Thus the way of the superior man is hidden but becomes more prominent every day, whereas the way of the inferior man is conspicuous but gradually disappears. It is characteristic of the superior man to be plain, and yet people do not get tired of him. He is simple and yet rich in cultural adornment. He is amiable and yet systematically methodical. He knows what is distant begins with what is near. He knows where the winds (moral influence) come from. And he knows the subtle will be manifested. Such a man can enter into virtue.
We see here a princess-bride who is less attractively arrayed than her bridesmaid, and a waxing moon which has yet to reach full illumination. The context of the line is a royal marriage -- the hieros gamos or holy marriage of the alchemists which is also described in hexagram number eleven. Psychologically, the image can suggest that during a time when forces are coming together for synthesis, less important elements in the situation may seem more attractive than the true essence. Since the moon isn't full yet, we haven't seen all of the light -- full comprehension has yet to dawn. Sometimes the line simply boils down to the idea that "things are not what they seem.”
It should also be pointed out that the reaching up into the realm of the super-conscious and its exploration, while approaching the consciousness of the Self, may sometimes even constitute an obstacle to full Self- realization, to the reaching of the summit where the personal-I awareness blends into awareness of the spiritual Self. One can become so fascinated by the wonders of the super-conscious realm, so absorbed in it, so identified with some of its special aspects or manifestations as to lose or paralyze the urge to reach the summit of Self-realization. Roberto Assagioli -- Psychosynthesis
A. "You can't see the forest for the trees." The truth is hidden by distracting elements, but in the fullness of time it will be revealed. Seek simplicity.
B. The true goal may seem less attractive than lesser, more seductive elements.
C. The simple solution is the best.
Line 6
Legge: The sixth line, magnetic, shows the young lady bearing the basket, but without anything in it, and the gentleman slaughtering the sheep, but without any blood flowing from it. There will be no advantage in any way.
Wilhelm/Baynes: The woman holds the basket, but there are no fruits in it. The man stabs the sheep, but no blood flows. Nothing that acts to further.
Blofeld: A woman holds a basket with nothing inside; a man stabs a sheep without drawing blood. No goal (or destination) is favorable now.
Liu: The woman's basket is empty. The man stabs the sheep, but no blood comes. Nothing beneficial.
Ritsema/Karcher: A woman receiving a basket without substance. A notable disemboweling a goat without blood. Without direction: Harvesting.[ Without direction: Harvesting, WU YU LI: no plan or direction is advantageous; in order to take advantage of the situation, do not impose a direction on events.]
Shaughnessy: The woman holds up the basket, there is no fruit, the man stabs the sheep, there is no blood; there is no place beneficial.
Cleary (1): The woman receives a chest, but there is nothing in it. The man sacrifices a goat, but there is no blood. No benefit is gained.
Wu: The woman carries a basket that is bottomless; the man sacrifices a sheep that has no blood. There is nothing to be gained.
COMMENTARY
Confucius/Legge: The basket is empty. Wilhelm/Baynes: The reason that the top line has no fruits is because it holds an empty basket. Blofeld: This top line implies absence of solid worth, hence the symbol of holding an empty basket. Ritsema/ Karcher: Six above, without substance. Receiving an empty basket indeed.
Cleary (2): The top (line) has no fulfillment. This is receiving an empty chest. Wu: The top line does not have anything substantial to offer, because she carries a bottomless basket.
Legge: The sixth line is magnetic at the top of the hexagram, and without a proper correlate, hence the unfortunate auspice. The marriage contract is broken, and union does not take place. The parties concerned offer sacrifices in the temple, but the woman's basket is empty and the man's effort is fruitless.
Cleary (2): When one does not accumulate virtue in life, then one has no spirit after death and cannot cause one’s descendants to flourish. Developed people, knowing what is wrong by thinking of the lasting results, see this at the outset.
NOTES AND PARAPHRASES
Siu: The man goes through superficial actions, such as offering an empty basket and a pre-slaughtered sheep to the gods, solely to preserve the form. This disregard for content bodes no good for lasting associations.
Wing: Are you just going through the motions? Is there content to the refined manner you present? If you are acting out of adherence to form, don't bother. Nothing will come of it.
Editor: Like everything else in the Book of Changes, this line can symbolize an enormous range of situations. At its most basic level, a union of opposites does not take place. Whether or not blame is involved depends upon the circumstances. Note that blame is not mentioned in the line itself.
Sacrifices, charities and penances performed without faith in the Supreme are nonpermanent. O son of Prtha, they are useless both in this life and in the next. Bhagavad-Gita 17: 28
A. An empty sacrifice, a fruitless offering, wasted effort.
B. A missed connection or fruitless union -- any further striving would be a waste of energy.
Other titles: Coming to Meet, The Symbol of Meeting, Contact, Sexual Intercourse, Encountering, Coupling, Infiltration by Inferior Men, Adultery "Contains a definite warning about a person or situation which may appear harmless but will prove dangerous." -- D.F. Hook
Judgment
Legge: Temptation shows a female who is bold and strong. It will not be good to marry such a female.
Wilhelm/Baynes: Coming to Meet. The maiden is powerful. One should not marry such a maiden.
Blofeld: Contact. Women wield the power. Do not marry. [At this time marriage would be unfortunate; the husband would almost surely be henpecked.]
Liu: Encountering. The female is forceful. One should not marry her.
Ritsema/Karcher:Coupling, womanhood invigorating. No availing-of grasping womanhood. [This hexagram describes your situation in terms of the encounter of primal energies. It emphasizes that seeing-through your personal situation as the connection of objective forces is the adequate way to handle it...]
Couple , KOU: intense, driven encounter, at once transitory and enduring, that is the reflection of primal yin and yang; meet, encounter, copulate; mating animals; magnetism, gravity; to be gripped by impersonal forces. Primal forces couple in the inner world, seeding enduring new forms.
Shaughnessy: The maiden matures ; do not herewith take a maiden.
Cleary (1):Meeting, the woman is strong. Don’t get married.
Cleary (2): In meeting, the woman is strong. Do not marry the woman.
Wu:Rendezvous indicates that the woman is strong. It is not advisable to marry that woman.
The Image
Legge: The image of wind with the sky above it forms Temptation. The sovereign, in accordance with this, delivers his charges, and promulgates his announcements throughout the four quarters of the kingdom.
Wilhelm/Baynes: Under heaven, wind: the image of Coming to Meet. Thus does the prince act when disseminating his commands and proclaiming them to the four quarters of heaven.
Blofeld: This hexagram symbolizes wind blowing across the face of the earth. When the ruler issues commands, he has them proclaimed in every corner of the world.
Liu: The wind under the sky symbolizes Encountering. The ruler issues his directives, announcing them to the four corners (throughout his country).
Ritsema/Karcher: Below heaven possessing wind. Coupling. The crown-prince uses spreading-out fate to command the four sides.
[Fate, MING: individual destiny; birth and death as limits of life; issue orders with authority; consult the gods. The ideogram: mouth and order, words with heavenly authority.]
Cleary (1): There is wind under heaven, meeting. Thus do rulers announce their directives to the four quarters.
Wu: There is wind under heaven; this is Rendezvous. Thus, the sovereign announces the royal mandate to the whole nation.
COMMENTARY
Confucius/Legge:Temptationhas the significance of unexpectedly coming on. We see in it the magnetic line coming unexpectedly on the dynamic ones. Marriage is improper, because one so symbolized should not be long associated with. When heaven and earth meet together as here represented, all the variety of natural things becomes displayed. When a dynamic line finds itself in the central and correct position, good government will nourish all under the sky. Great indeed is the significance of what has to be done at the time indicated byTemptation.
Legge: A single, magnetic line enters at the bottom of the hexagram. This is the figure used to represent the time of year when light and heat begin to wane. In the divided line we see the symbol of the inferior man, beginning to insinuate himself into the government of the country. His influence, if unchecked, would go on to grow and fill the vacant seats with others like himself. The objective of the Judgment is to arouse resistance to this evil influence.
Temptation is defined here as a sudden and casual meeting with something inferior -- the divided line is seen as appearing all at once in the figure. The first line, magnetic in a dynamic place, becomes the symbol of a bold woman of more than questionable virtue who appears unexpectedly on the scene with the object of seducing all five of the dynamic (male) lines to herself. No one would contract a marriage with such a female, and every good servant of his country will repel the entrance into government of every officer who can be so symbolized.
On the first two sentences of the Confucian commentary, the K'ang-hsi editors say: "The magnetic line meets with (or comes unexpectedly on) the dynamic ones. The magnetic line, that is, plays the principal part. The case is like that of the minister who assumes the power of decision in place of the ruler, or of a hen crowing at sunrise -- is not the name of shameless boldness rightly applied to it?"
NOTES AND PARAPHRASES
Judgment: Do not unite with an inferior element in your situation. ("Lead us not into temptation.")
The Superior Man formulates his code of conduct and abides by it.
Wilhelm translates the forty-fourth hexagram as Coming to Meet, and Blofeld gives it the rather startling subtitle of Sexual Intercourse. There is no doubt at all that the figure has an aura of illicit excitement associated with it which I feel is best conveyed by R. L. Wing's title of Temptation, though Adultery might also be suitable. One sometimes receives this hexagram under dramatic circumstances, and it serves to dump cold water on a potentially volatile series of choices and their equally volatile consequences.
When we consider the importance of the proper correlation of male and female lines in the I Ching, we see that the Judgment in this hexagram can psychologically depict the temptation to an adulterous union of thought and feeling. Adultery is a very useful metaphor for understanding the principles of the Work -- it means union with anything which, inI Ching terms, is not a "proper correlate.” To adulterate something is to degrade a pure substance by the addition of an inferior ingredient. The image of a temptation to adulterate the Work in this hexagram is therefore a warning in the strongest possible terms that you are vulnerable to some inferior choices.
Consequently by marriages not only the earths but also the heavens are filled with inhabitants ... The earth indeed may be filled with inhabitants by fornications and adulteries as well as by marriages; but not heaven. The reason is that hell is from adulteries, and heaven from marriages ... When the procreations of the human race are effected through marriages in which the holy love of good and truth from the Lord reigns, then it is done on earth as in the heavens, and the kingdom of the Lord on earth corresponds to the kingdom of the Lord in the heavens. Swedenborg -- Apocalypse Explained
The concept of the hieros gamos, or holy marriage, is a ubiquitous archetype found in every tradition rooted in the Perennial Philosophy. If this "marriage” symbolizes a proper union or reunion of previously separated elements, then it follows that the opposite situation: a union of mismatched entities would be symbolized by adultery. To recreate a primordial gestalt of perfection out of an exploded multiverse of mixed forces demands that all of the original pairs of opposites become properly matched correlates. Although any two opposite genders might feel a mutual attraction, there is really only one opposite which is an appropriate spouse. In the realm of human relationships this is evoked in the concept of the Soul Mate. Esoterically speaking, every polarized force in the multiverse has its proper correlate; it follows that the Work (in its largest conception) cannot be completed until each is reunited with each.
Indeed every act of sexual intercourse which has occurred between those unlike one another is adultery... Members of a race usually have associated with those of like race. So spirit mingles with spirit, and thought consorts with thought and light shares with light. If you are born a human being, it is the human being who will love you. If you become a spirit, it is the spirit which will be joined to you. If you become thought, it is thought which will mingle with you. If you become light, it is the light which will share with you. The Gnostic Gospel of Philip
The point is important enough to bear repeating: psycho-spiritually interpreted, sexual intercourse and marriage symbolize the possibility of a unification of forces. Conversely, union with an improper correlate means adulteration of the Work. This is the esoteric meaning underlying the Hindu caste system:
When (unrighteousness) overwhelms the family, O Krishna The women of the family become corrupt; and when, O Krishna, the women are corrupt, there arises a mixing of castes. Bhagavad-Gita 1: 41
The "mixing of castes” is, in the symbolism of theI Ching, the union of improper correlate forces. ("Women,” as we have seen, usually symbolize the emotional and feeling aspects of the psyche.) We readily recognize that the above quotation from the Bhagavad-Gita accurately reflects the symbolism of the forty-fourth hexagram, reiterating the great truth that when emotions make the choices, the unity of the psyche is compromised.
Added notes, 9/7/10: Sometimes this hexagram is received in answer to queries related more to a fated (karmic) situation than anything normally regarded as “temptation.” In these cases Ritsema/Karcher’s expanded notes on the ideograms are useful guides: “… gripped by impersonal forces. Primal forces couple in the inner world, seeding enduring new forms… This hexagram describes your situation in terms of the encounter of primal energies. It emphasizes that seeing-through your personal situation as the connection of objective forces is the adequate way to handle it...”