Other titles: The Joyous, Joyousness, Pleased Satisfaction, Encouraging, Delight, Open, Usurpation, Self-indulgence, Pleasure, Cheerfulness, Frivolity, Callow Optimism
Judgment
Legge:Joy intimates that under its conditions there will be progress and attainment, but it will be advantageous to be firm and correct.
Wilhelm/Baynes:The Joyous. Success. Perseverance is favorable.
Blofeld: Joy -- success! Persistence in a righteous course brings reward.
Liu: Joyousness. Success. Continuance is favorable.
Ritsema/Karcher:Open, Growing. Harvesting Trial. [This hexagram describes your situation in terms of interaction and exchange. It emphasizes that stimulating things through cheering and persuasive speech, the action of Open, is the adequate way to handle it. To be in accord with the time, you are told to: stimulate!]
Shaughnessy:Usurpation: Receipt; a little beneficial to determine.
Cleary (1): Joy is developmental, beneficial if correct. [This hexagram represents joy in practicing the Tao. Having one’s will in the Tao is finding joy in the Tao; when one delights in the Tao, then one can practice the Tao. This is why Joy is developmental.]
Cleary (2):Delight comes through, beneficial if correct.
Wu:Joy indicates pervasiveness. It is advantageous to be persevering.
The Image
Legge: Two images of the waters of a marsh, one over the other, form Joy. The superior man, in accordance with this, encourages the conversation of friends and the stimulus of their common practice.
Wilhelm/Baynes: Lakes resting one on the other: the image of The Joyous. Thus the superior man joins with his friends for discussion and practice.
Blofeld: This hexagram symbolizes two bodies of water conjoined. The Superior Man joins his friends in discussions and in practicing the various arts and virtues.
Liu: The beautiful lakes symbolize Joyousness. The superior man joins his fellows for teaching and study.
Ritsema/Karcher: Congregating marshes. Open. A chun tzu uses partnering friends to explicate repeating.
Cleary (1): Joined lakes are joyful. Thus do superior people explain and practice with companions. [As water provides moisture for myriad beings, joy develops myriad beings; joyful within and without, reaching the outer from within, communicating with the inner from without, inside and outside are conjoined, without separation between them – therefore it is called joy.]
Cleary (2): ... Thus do developed people study and practice with companions.
Wu: One marsh is adjacent to another; this is Joy. Thus the jun zi discusses and exchanges ideas with friends.
COMMENTARY
Confucius/Legge:Joy has the meaning of Pleased Satisfaction. We have the dynamic lines in the center and the magnetic lines on the outer edge of the two trigrams, indicating that in pleasure what is most advantageous is the maintenance of firm correctness. Through this there will be found an accordance with the will of heaven, and a correspondence with the feelings of men. When such pleasure goes before the people, and leads them on, they forget their toils; when it animates them in encountering difficulties, they forget the risk of death. How great is the power of this Pleased Satisfaction, stimulating in such a way the people!
Legge: The feeling of pleasure is the subject of this hexagram, which is made up of the doubled trigram of Cheerfulness, or Pleased Satisfaction. The progress and attainment of the figure are due to the one magnetic line surmounting each trigram and supported by the two dynamic lines. The idea is that of mildness which is energized by a double portion of strength.
The pleasure which leads the people to endure toil and risk death is the effect of the instructive example of their ruler. Fu Fan-hsien paraphrases this portion of the text as: "When the sage with this precedes them, he can make them endure toil without any wish to decline it, and go with him into difficulty and danger without their having any fear."
Anthony: This hexagram speaks, on the one hand, of that on which true joy depends, and on the other, of joy as desire, which leads to conflict. The essence of true joy is inner stability. Being firmly devoted to our path, we do not waver. When we think of the soft and comfortable path, on the other hand, self-conflict begins. Therefore, getting this hexagram indicates that we may be wavering or irresolute.
NOTES AND PARAPHRASES
Judgment: A cheerful attitude serves the will.
The Superior Man shares his thoughts and feelings. [Or, psychologically interpreted: observes, weighs and integrates his thoughts with his feelings.]
The title of this hexagram denotes joyousness and pleasure, and most people regard it as a good omen when they receive it. Yet, an analysis of the lines indicates that only the first two are particularly favorable, and the hexagram itself seldom seems to refer to anything remotely resembling “Joy” in a typical oracle consultation. The lessons to be learned from the figure are the differences between self-indulgence and maintaining emotional stability in one's conduct of the Work, which always demands a firm control over one’s affects. To receive this hexagram without changing lines requires the querent's careful discrimination -- it can mean simply: "Oh happy day!" Or, it can suggest that you examine an inclination toward lack of control in the situation at hand. The oracle is capable of brutal sarcasm when your query warrants it, so don't be too quick to accept the shallow meaning ofJoy – as often as not, Self-indulgence is the more appropriate title.
In light frivolity, the center is lost; in hasty action, self-mastery is lost. Lao Tse
The Image depicts an open interchange among “friends.” Intrapsychically, this suggests the normal give and take between thoughts and feelings for the purpose of reaching integration. The symbol of “two bodies of water conjoined” (Blofeld) might refer to the adjacent dimensions of thought and emotion within the psyche. When feelings are not in harmony with intellectual differentiation (a common phenomenon), give and take (“discussion and practice”), is essential to effect integration: i.e., harmony, or “joy.”"Practice" suggests cycles of time, and the notion that perfection is still to be achieved.
Shaughnessy’s seemingly anomalous title of Usurpation for this hexagram offers some subtle insights into the symbolism here. Emotions, feelings, affects, are often portrayed as daemonic forces which “usurp” ego consciousness and indulge themselves in the “joy” of expressing whatever they happen to represent in the psyche. This is often what is implied when receiving this hexagram.
Each of us is equipped with a psychic disposition that limits our freedom in high degree and makes it practically illusory. Not only is "freedom of the will" an incalculable problem philosophically, it is also a misnomer in the practical sense, for we seldom find anybody who is not influenced and indeed dominated by desires, habits, impulses, prejudices, resentments, and by every conceivable kind of complex. All these natural facts function exactly like an Olympus full of deities who want to be propitiated, served, feared and worshipped, not only by the individual owner of this assorted pantheon, but by everybody in his vicinity. Jung -- Psychology and Religion
Cleary’s Taoist commentary: “As water provides moisture for myriad beings, etc.,” supports this interpretation. Water symbolizes the emotional realm, and the “myriad beings” dwelling therein are emotional entities: creatures like untamed animals, which are never happier than when running free. To them it’s Joy; to the executive function in the psyche, it’s Self-indulgence. Usurpation has taken place.
Line 1
Legge: The first line, dynamic, shows the pleasure of inward harmony. There will be good fortune.
Wilhelm/Baynes: Contented joyousness. Good fortune.
Blofeld: Harmonious joy -- good fortune!
Liu: Harmonious joyousness -- good fortune!
Ritsema/Karcher: Harmonious Opening, significant.
Shaughnessy: Beneficent usurpation; auspicious.
Cleary (1): The joy of harmony is good.
Cleary (2): Harmonious delight is auspicious.
Wu: There is joy in harmony, Auspicious.
COMMENTARY
Confucius/Legge: This arises from there being nothing in the conduct of the subject of the line to awaken doubt. Wilhelm/Baynes: One's way has not yet become doubtful. Blofeld: This indicates our being able to act without being troubled by doubts. Ritsema/Karcher: Movement not-yet doubted indeed. Cleary (2): Action is not doubted. Wu: Absence of doubt.
Legge: Line one, dynamic in a dynamic place with no proper correlate above, is self-sufficient. He has as yet taken no action and there is therefore no cause for suspicion.
NOTES AND PARAPHRASES
Siu: At the outset, the man lives in quiet, self-contained joy.
Wing: A contented assurance about your path and principles leads to good fortune. With such an attitude, you do not need to rely upon external circumstances for your happiness.
Editor: The image here suggests a cheerful self-sufficiency in the matter at hand; in some sense the situation is obvious and under control. "Inward harmony" might relate to unconscious dynamics unavailable to conscious awareness.
If the individual mind is one with the Universal Mind, and if the possessor of the individual mind wishes to find out some secret of Nature, he does not require to seek for it outside of the sphere of his mind, but he looks for it in himself, because everything that exists in Nature (which is a manifestation of the Universal Mind) exists in, and is reflected by himself, and the idea of there being two minds is only an illusion; the two are one. F. Hartmann -- Paracelsus: Life and Prophecies
A. Have a simple faith in the unfolding of the Work and cheerfully accept the status quo.
B. "Don't worry. Be happy."
C. Inner harmony is sufficient unto itself.
Line 3
Legge: The third line, magnetic, shows its subject bringing round herself whatever can give pleasure. There will be evil.
Wilhelm/Baynes: Coming joyousness. Misfortune.
Blofeld: Coming joy -- misfortune! [The relation between the misfortune indicated by this line and coming joy is not very clear. Interpreting it rather loosely, the passage can be taken to mean that we shall suffer misfortune at a time when we are expecting something which would afford us happiness; in other words, the expected joy may not materialize.]
Liu: Coming joyousness. Misfortune. [Do not follow another blindly, or mistakes and danger will result.]
Ritsema/Karcher: Coming Opening, pitfall.
Shaughnessy: Coming usurpation; inauspicious.
Cleary (1): Imported joy is not good.
Cleary (2): Coming for delight is inauspicious.
Wu: He comes to seek joy. Foreboding.
COMMENTARY
Confucius/Legge: The evil is shown by the inappropriateness of the line's place. Wilhelm/Baynes: Its place is not the proper one. Blofeld: Misfortune is indicated by the unsuitable position of this line. Ritsema/Karcher: Situation not appropriate indeed. Cleary (2): Being out of place. Wu: His position is improper.
Legge: The K'ang-hsi editors say that the threatened evil to the subject of line three is due to her excessive devotion to pleasure. She should be strong, but the desire for pleasure leads her to the evil results described.
Anthony: Desire for things to be better, more relaxed or pleasurable, is the beginning of self-pity, doubt and despair. Giving way to such feeling opens successively larger attacks by these same feelings. Fear, restlessness, desire, pride, jealousy or anger are similar strong elements which quickly take over and cause movement which is no longer self-governed. Thus we lose our direction. If we look for any way to solve our problems other than to follow our path modestly and “without purpose,” we are certain to be put through distressing situations. For this reason, it is best not to dwell on how things “should be,” a thought which springs from these strong elements.
NOTES AND PARAPHRASES
Siu: Evil threatens the man because of his excessive devotion to idle pleasures.
Wing: Total abandonment to outside pleasures and diversions is only momentarily fulfilling. These indulgences in idle distractions will surely bring misfortune. True happiness will be found in the person full of his own nature.
Editor: Most commentaries mention self-indulgence or lack of control which allow outside forces to enter and overwhelm one's will to serve the Work. I have found Anthony’s insights, which bear little conformity with general interpretations of what constitutes “joy,” to be particularly appropriate.
The Nefesh (animal soul) cannot see beyond its sensual or sensory range. While it is true to say the arguments of the body are shrewd, they are never deeply considered, as many a foolish moment of passion has shown in its result. Z.B.S. Halevi -- A Kabbalistic Universe
A. Your lack of control leaves you vulnerable to disintegrating influences.
B. Your outlook is simplistic and immature: You are self-indulgent.
Line 5
Legge: The fifth line, dynamic, shows its subject trusting in one who would injure him. The situation is perilous.
Wilhelm/Baynes: Sincerity toward disintegrating influences is dangerous.
Blofeld: Faith in what is disintegrating leads to trouble. [Presumably, we put our trust in the continuance of something which, perhaps unknown to us, is already beginning to crumble away.]
Liu: Confidence in what is decaying is dangerous. [If you get this line, you should expect trouble caused by an unworthy person.]
Shaughnessy: Sincerity in flaying; there is danger.
Cleary (1): There is danger in trusting plunderers.
Cleary (2): There is inspiration in sincerity toward the fallen.
Wu: He shows confidence in the one that may strip him: a sign of danger.
COMMENTARY
Confucius/Legge: His place is that which is correct and appropriate. Wilhelm/ Baynes: The place is correct and appropriate. Blofeld: However, this line is suited to its position (hence the trouble will hardly amount to much). Ritsema/Karcher: Situation correcting appropriate indeed. Cleary (2): Being sincere toward the fallen, the position is indeed appropriate. Wu: “He shows confidence in the one that may strip him,” because of his position.
Legge: The danger to line five is from the magnetic line six above, in whom he is represented as trusting. Possibly his own strength and sincerity of mind may be perverted into instruments of evil; but possibly they may operate beneficially. The correctness of his position seems to contradict his trusting of the line above, who can only injure him. On the contrary, it should keep him from doing so. The commentators have seen this, and say that the paragraph is intended by way of caution.
Anthony: This means we are sincere in listening to negative ideas, such as the temptation to pursue self-advantage, or listening to doubt, impatience, fear, or pride, as in “having rights.”
NOTES AND PARAPHRASES
Siu: The man associates with destructive people and exposes himself to perils. There is the possibility that his own strength and sincerity may be perverted into instruments of evil.
Wing: You are contemplating a relationship with an inferior element. Such a commitment is dangerous, for you will be drawn into peril. You must now be more selective in order to protect yourself.
Editor: The message is unambiguous:A correct position is threatened by a negative influence. Cleary’s Buddhist translation: “There is inspiration in sincerity toward the fallen” is anomalous in my experience.
That happens when you get into a state in which you are not yourself, or into an emotional upset where you lose control of yourself, but afterwards wake up completely sober and look at the stupid things you did during your possessed state and wonder what got into you: something got hold of you, you weren't yourself, though while you were behaving like that you thought you were -- it was just as if an evil spirit or the devil had got into you. ... We would say, more neutrally, an autonomous complex temporarily replaces the ego complex; it feels like the ego at the time, but it isn't, for afterwards, when dissociated from it, one cannot understand how one came to do or think such things. M.L. Von Franz -- On Divination and Synchronicity
A. Overcome your fascination with forces that would spoil the Work.
B. You place your trust in illusions: "Stop indulging yourself."
Line 6
Legge: The sixth line, magnetic, shows the pleasure of its subject in leading and attracting others.
Wilhelm/Baynes: Seductive joyousness.
Blofeld: Joy in the form of allurement. [This suggests the superficial joy offered by attractions that would make no appeal to the Superior Man.]
Liu: Enticing joyousness.
Ritsema/Karcher: Protracting Opening.
Shaughnessy: Shadowyusurpation.
Cleary (1): Induced joy.
Cleary (2): Induced delight.
Wu: He attracts others to enjoy life.
COMMENTARY
Confucius/Legge: Her virtue is not yet brilliant. Wilhelm/Baynes: Line six is not bright. Blofeld: This sort of joy is experienced by the unenlightened. Ritsema/ Karcher: Not-yet shining indeed. Cleary (2): Induced delight is not enlightened.
Wu: “ He attracts others to enjoy life,” but his action is reproachable.
Legge: The symbolism of line six is akin to that of three. Line three attracts others around herself for the sake of pleasure; the subject of this line leads them to follow herself in quest of it. The action of the hexagram should culminate and end in line five, but the subject has not yet understood the willpower by which the love of pleasure should be controlled.
Anthony: If we are irresolute, the pressures that vanity exerts in the form of self-pity, impatience, restlessness or desire, may cause us to stray from our path. Such impulses, if not firmly resisted, will take over, at least temporarily. Of all evils, vanity is the most seductive, therefore the most dangerous.
NOTES AND PARAPHRASES
Siu: Vanity in his leadership causes the man to become dependent upon external conditions and chances for satisfaction.
Wing: You are totally given over to external conditions. Your sense of well-being springs not from within, but from what satisfaction you can find in the outside world. Because of this you are subject to the mercy of chance and the fates of others.
Editor: Blofeld renders the line as: "Joy in the form of allurement.” Wilhelm uses the concept of "seduction" to illustrate the idea, and Liu says: "enticement." Shaughnessy’s“shadowy usurpation” suggests a kind of demonic possession, and sometimes this interpretation feels more accurate than any of the others. It is instructive to note that Wilhelm's commentary on this line states that the seduction refers to the situation confronting the querent rather than the querent's attitude per se: "It rests with him whether he will let himself be seduced." Intrapsychically, you are being self-indulgent toward an inferior impulse or emotion.
For every one is in the joy of his heart when he is in his ruling love; and so, on the other hand, he is in anguish of heart when he is withheld from it. This is the common torment of hell, out of which innumerable others arise. Swedenborg – Apocalypse Explained
A. You are being tempted by base desires or illusions.
B. Some sort of self-indulgence or “shadowy usurpation” is indicated.
Other titles: The Cauldron, The Vessel, Rejuvenation, Cosmic Order, The Alchemical Vessel, "A complete transformation of a person or circumstance." -- D.F. Hook
Judgment
Legge: The Sacrificial Vessel means great progress and success.
Wilhelm/Baynes:The Cauldron. Supreme good fortune. Success.
Blofeld: A Sacrificial Vessel -- supreme success!
Liu:The Cauldron. Great good fortune. Success.
Ritsema/Karcher:The Vessel, Spring significant. Growing. [This hexagram describes your situation in terms of the imaginative capacity of a sacred vessel. It emphasizes that securing and imaginatively transforming the material at hand is the adequate way to handle it. To be in accord with the time, you are told to: hold and transform things in the vessel!]
Shaughnessy:The Cauldron: Prime auspiciousness; receipt.
Cleary (1): The cauldron is basically good; it is developmental.
Cleary (2): The Cauldron is very auspiciously developmental.
Wu: The Cauldron indicates great auspiciousness and pervasiveness.
The Image
Legge: Wood under a fire -- the image of a Sacrificial Vessel. The superior man maintains his correctness in every situation to secure the appointment of heaven.
Wilhelm/Baynes: Fire over wood: the image of The Cauldron. Thus the superior man consolidates his fate by making his position correct.
Blofeld: This hexagram symbolizes fire upon wood. The Superior Man, taking his stance as righteousness requires, adheres firmly to heaven's decrees.
Liu: Fire above wood symbolizes the Caldron. The superior man makes his destiny firm with a correct position.
Ritsema/Karcher: Above wood possessing fire. The Vessel. A chun tzu uses correcting the situation to solidify fate.
Cleary (1): There is fire on top of wood; a cauldron. Thus do superior people stabilize life in the proper position.
Cleary (2): Fire over wood -- The Cauldron . Leaders stabilize their mandate by correcting their position.
Wu: There is fire on wood; this is The Cauldron . Thus the jun zi rectifies his position and consecrates the mandate.
COMMENTARY
Confucius/Legge: The image of the Sacrificial Vessel shows us wood entering a fire, which suggests the idea of cooking. The sages cooked their sacrifices to God and nourished their able ministers with feasts. We have the trigrams of Flexible Obedience and Quick Intelligence, with the magnetic line advanced to the ruler's place and responded to by her dynamic correlate below. All these things give the auspice of successful progress.
Legge: The written Chinese character for Sacrificial Vessel represents a cauldron with three feet and two "ears" used for cooking and preparing food for both the table and the altar. The hexagram pictures this vessel -- the divided first line represents the feet, the three undivided lines above represent the body, the divided fifth line shows the ears (or carrying rings), and the top line is the handle by which the container is carried or suspended from a hook.
The lesson of the hexagram is that the nourishing of men of talent and virtue intimates great progress and success. The K'ang-hsi editors point out that the distinction between hexagram number forty-eight, The Well, and this one is the difference between the nourishment of the people in general and the specific nourishing of worthy men. They add that the reality of sacrifice is nourishing in this regard.
NOTES AND PARAPHRASES
Judgment: You are the Sacrificial Vessel.
The Superior Man holds to the principles of the Work to attain transcendence.
The usual name for this hexagram is The Cauldron -- specifically, a type of food-containing vessel which was used in ancient China for religious sacrifices. I prefer Blofeld’s title of the Sacrificial Vessel as more evocative of the ideas presented in the figure.
When the forty-ninth hexagram of Transformation is turned upside down, it becomes the fiftieth hexagram of the Sacrificial Vessel, thus giving us some valuable insights into the nuances of meaning in each of the figures. The combined ideas of transformation and a cauldron used for sacrifices remind us of the alchemical vessel or retort which "cooked" its contents and transformed them into a higher state of matter -- turned lead into gold in the popular conception. Of course, the true esoteric purpose of the alchemist was psychological, not physical.
The vessel of the alchemists, like the circle of the psyche and the mandala, must be closed if the transformation process is to proceed satisfactorily. For the alchemists, the process took place in the material substances collected in the retort. For us, this is a symbol representing a similar process taking place within the psyche. Thus it is said that a wall must be securely built about the psyche before the reconciliation of the opposites can take place within it, and before the new center of the individual can be created. ... For if anything is lost the process is nullified and the final product will be incomplete, imperfect. So long, for instance, as the individual continues to project his deficiencies, or his values, upon circumstances or upon another, he does not have an impervious vessel ... Thus the contents essentially involved in the transformation are seen to be the irrational, instinctual, not yet human factors of the psyche, the nonego. The human and civilized factors, those subject to the will, make up the wall of the vessel. M.E. Harding -- Psychic Energy
Now an ancient Chinese cauldron used to contain food intended for religious sacrifices is not the same thing as a hermetically sealed alchemical retort made to withstand extreme pressures, but symbolically they are identical images. The ego sacrifices its autonomy for the good of the Work in the same way that the alchemist devotes his entire life to the transformation of base metal into gold -- i.e., to transform his psyche by following the extreme discipline of the Work. Thomas Cleary’s Taoist I-Ching explicitly tells us that this is the meaning intended here:
The work of refinement is the means by which to sublimate earthly energy and stabilize celestial energy, causing the raw to ripen and the old to be renewed, whereby it is possible to illumine the mind and to solidify life. Therefore the cauldron is basically good and it has a developmental path. The basis is the potential of everlasting life of goodness; the cooking of the great medicine in the cauldron is the firing of this living potential to make it incorruptible and permanent. But in this path there is process and procedure; even the slightest deviation and the gold elixir will not form. Therefore people must first thoroughly investigate the true principle. Liu I-ming
SUGGESTIONS FOR MEDITATION
In his commentary Legge mentions that the Chinese see an analogy between this figure and hexagram number forty-eight, The Well. Compare the two figures, noting the similarities between the first, third, fifth and sixth lines. The component trigrams of the Sacrificial Vessel appear in reverse sequence in hexagram number thirty-seven, Family. What other similarities are there in the two figures? How is the idea of a family analogous to the idea of a sacrificial vessel?