Other titles: Dispersion, Dissolution, Disintegration, Dispersal, Overcoming Dissension, Scattering,Dispersing, Unintegrated, Reuniting, Evaporation, Reorganization, New Deal, Re-Shuffle, Course Correction, Catharsis
Judgment
Legge: Expansion intimates that there will be progress and success. The king goes to his ancestral temple. It will be advantageous to cross the great stream. It will be advantageous to be firm and correct.
Wilhelm/Baynes:Dispersion. Success. The king approaches his temple. It furthers one to cross the great water. Perseverance furthers.
Blofeld:Scattering -- success! The King has approached his temple. [An omen of safety.] It is advantageous to cross the great river (or sea). [I.e., to go on a long journey.] Persistence in a righteous course brings reward.
Liu: Dispersion. Success. The king approaches the temple. It is of benefit to cross the great water. It benefits to continue.
Ritsema/Karcher: Dispersing , Growing. The king imagines possessing a temple. Harvesting: wading the Great River. Harvesting Trial. [This hexagram describes your situation in terms of confronting obstacles, illusions and misunderstandings. It emphasizes that clearing away what is blocking the light is the adequate way to handle it. To be in accord with the time, you are told to: disperse what obstructs awareness!]
Shaughnessy: Dispersal: Receipt; the king approaches into the temple; beneficial to ford the great river; beneficial to determine.
Cleary (1): In Dispersal there is development. The king comes to have a shrine. It is beneficial to cross great rivers . It is beneficial to be correct.
Cleary (2):Dispersal is successful. The king goes to his ancestral temple. The benefit crosses great rivers. It is beneficial if correct.
Wu: Dispersion indicates pervasiveness. The king does homage to his ancestral temple. It will be advantageous to cross the big river, but only with perseverance.
The Image
Legge: The image of wind moving over water forms Expansion. The ancient kings, in accordance with this, presented offerings to God and established the ancestral temple.
Wilhelm/Baynes: The wind drives over the water: the image of Dispersion. Thus the kings of old sacrificed to the Lord and built temples.
Blofeld: This hexagram symbolizes wind blowing across the face of the waters. The kings of old built temples in which to sacrifice to the Supreme Lord of Heaven. [A temple is a place of safety from the ills of the world. The symbolism here is that the upper trigram forms a temple in which people are safe from the pit (the lower trigram); its middle line (five) signifies the King. The implication is that we should employ spiritual or moral means to preserve ourselves from the danger threatened by the lower trigram.]
Liu: Wind blowing over water symbolizes Dispersion. The ancient kings offered sacrifices to the Deity, then built temples.
Ritsema/Karcher: Wind moves above stream. Dispersing. The Earlier Kings used presenting tending-towards the supreme to establish the temples.
Cleary (1): Wind blows above water, Unintegrated. Thus ancient kings honored god and set up shrines.
Cleary (2): Wind travels over the water, dispersing. Ancient kings honored God and set up shrines.
Wu: The wind moves above water; this is Dispersion. Thus, the ancient kings made offerings to the Supreme Being and consecrated their ancestral temple.
COMMENTARY
Confucius/Legge: The dynamic line is central in the lower trigram, and the magnetic fourth line is correct in the upper trigram, uniting with the dynamic ruler above her. The king's mind is without any deflection as he goes to his ancestral temple. He rides over water in a vessel of wood, and will cross the great stream with success.
Legge: The hexagram of Expansion denotes a state of dissipation or dispersion. It shows men's minds alienated from correctness and sure to go on to disorder. Here an attempt is made to show how the situation should be remedied.
The lower trigram represents Water, and the upper, Wind. Wind moving over water evaporates it, and suggests the idea of dispersion. Success is intimated because there are dynamic lines occupying the central places in the trigrams. The king's piety moves the spirits by its sincerity -- when the religious spirit rules men's minds, there will be no alienation from what is right and good. Under such conditions even hazardous enterprises may be undertaken.
The second sentence of the Confucian commentary literally begins: "The king is indeed in the middle..." This means that his heart and mind are set on the central truth of what is right and good. The ancestral temple signifies the recognition that sincere religious practices counteracted the tendency to mutual alienation and selfishness among men. The wooden vessel refers to one of the attributes of the upper trigram, which is Wood. It suggests a boat riding on water (the lower trigram), hence: crossing the great water.
NOTES AND PARAPHRASES
Judgment: Focus on the ideals of the Work and maintain your will. A major synthesis is possible.
The Superior Man subdues his ego to attain his latent potential.
Because of the intimate relationship between this figure and hexagram number 45, Contraction, I have chosen the title of Expansionto best emphasize their polarity.
The "ancient kings and sages" are more mythical than historical, so we can assume that they symbolize archetypal forces ("gods") within the psyche -- of whom the ego is only the current spacetime representative (i.e., servant- facilitator). The Self is the focal point, the center of this multidimensional awareness complex.
In both timeless and spaceless experiences, the mundane world is virtually excluded. Of course, the converse is true of the mundane state of daily routine, in which the oceanic unity with the universe, in ecstasy and Samadhi, is virtually absent. Thus, the mutual exclusiveness of the "normal" and the exalted states, both ecstasy and Samadhi, allows us to postulate that man, the self- referential system, exists on two levels: as "Self" in the mental dimension of exalted states; and as "I" in the objective world, where he is able and willing to change the physical dimension "out there.” R. Fischer -- "A Cartography of the Ecstatic and Meditative States," Science:174, 1971
The symbol of a temple, where one worships one's ancestors may be taken as the perfect gestalt of the Work as it exists outside of spacetime, as well as the karmic repository of all previous incarnations. It represents both the completed Work and the Work in progress. That the family temple was regarded in China as symbolic of an ideal standard of perfection such as this, is implied in the following passage:
Diplomatic negotiations were carried on in the ancestral temple, in the veritable presence, it was believed, of the ancestors; diplomatic banquets were given there, also. Even a proposal of marriage was received by the father of the prospective bride in his ancestral temple, in the presence of the spirits ... (The world of Confucius), we must remember, was one in which there was a nearly complete breakdown of moral standards ... Only in the performance of religious ceremonies could there still be found, consistently, a type of conduct regulated by a socially accepted norm of behavior, in which men's actions were motivated by a pattern of cooperative action, rather than swayed by the greed and passions of the moment. H.G. Creel -- Confucius and the Chinese Way
Psychologically, Expansion depicts a state of inner pressure capable of fruitful resolution if it can be properly guided. The king in the Image (in this case, the ego) sacrifices for a high ideal: the good of the Work. Legge's commentary tells us that the "second sentence of the Confucian commentary literally begins: `The king is indeed in the middle...'" This suggests a combination of his second and third sentences into the paraphrase: "The king steers a middle course when crossing the water to the ancestral temple." This gives the image of a vessel and the proper way to guide it toward a destination. Anyone who has ever steered a boat with a rudder knows that to over-correct on either side is a mark of poor seamanship: the goal is to maintain a dynamic balance in our guidance of the Work. Lines two and five represent proper course-correction because they are both in the middle of their respective trigrams.
Expansionis the inverse of the following hexagram of Restrictive Regulations. What is there confined and hoarded is here dispensed -- but this dispensation must conform with the ultimate good of the Work. Not just any release of tension will do -- it must recombine itself into a new and better organization, as imaged in the fourth line. If this new order is a proper one, the released tension precipitates a catharsis, as imaged in line five.
The form, then, in which our complexes confront us is the form in which the fundamental materials of our human structure come into our here-and-now existence. Like crystals they are always imperfect to some extent and often unrecognizable or grossly disfigured in comparison with the “ideal” shape, the shape that would represent the “pure” incorporation of the crystal scheme. But we have to meet them in this more or less imperfect or distorted form and out of this form we have to transform them into something that may be more akin to the aboriginal “intent” inherent in their archetypal cores. This undertaking, this process, is what Jung calls individuation. E.C. Whitmont -- The Symbolic Quest
SUGGESTIONS FOR MEDITATION
The Judgment of hexagram number forty-five, Contraction, also mentions the king going to his ancestral temple. A close comparison of this figure with Expansion will reveal much about the dynamics of the Work.
Line 1
Legge: The first line, magnetic, shows its subject engaged in rescuing from the impending evil and having the assistance of a strong horse. There will be good fortune.
Wilhelm/Baynes: He brings help with the strength of a horse. Good fortune.
Blofeld: Helping others with the strength of a horse – good fortune!
Liu: To rescue one with a strong horse. Good fortune.
Ritsema/Karcher: Availing-of a rescuing horse, invigorating significant.
Shaughnessy: Holding aloft a horse; auspicious; regret is gone.
Cleary (1): Act to save the horse. Vigor will have good results.
Cleary (2): For rescue, it is fortunate that the horse is strong.
Wu: To rescue with the aid of a strong horse is auspicious.
COMMENTARY
Confucius/Legge: The good fortune is due to the natural course pursued by its subject. Wilhelm/Baynes: Is based on its devotion. Blofeld: Results from willing accord with others. Ritsema/Karcher: Yielding indeed. Cleary (2): The fortune of the first yin is in following. Wu: The auspiciousness comes from an amiable relationship.
Legge: Line one, at the commencement of the hexagram, tells us that the evil has not yet made great progress, and that dealing with it will be easy. But the subject of the line is magnetic in a dynamic place. She cannot cope with the evil herself. She must have help, and she finds it in a strong horse, which is understood to symbolize the subject of the dynamic second line. The "natural course” that line one pursues is that required by the circumstances of the time.
NOTES AND PARAPHRASES
Siu: At the outset, the man overcomes misunderstanding through a precise and energetic response to the needs of the moment.
Wing: You can see the very beginning of discord. This is fortunate indeed, for it is far easier to reunify and overcome separation when it first arises. Good fortune.
Editor: Both the Wilhelm and Legge commentaries tell us that line two is the horse referred to here. It follows that if line two is the horse, then we can think of line one as its "rider.” Horses symbolize raw energy, and suggest the instinctual-emotional components of the psyche. The rider would be the ego who controls this energy. See the commentary on line two for additional insights.
One might compare the relation of the ego to the id with that between a rider and his horse. The horse provides the locomotor energy, and the rider has the prerogative of determining the goal and guiding the movements of his powerful mount towards it. But all too often in the relations between the ego and the id we find a picture of the less than ideal situation in which the rider is obliged to guide his horse in the direction in which it itself wants to go. Sigmund Freud
A. The situation demands all of your energy. Concentrate your forces and do your utmost to guide the Work through difficulty.
B. Emotional energy serves the will.
C. Seek help.
Line 3
Legge: The third line, magnetic, shows its subject discarding any regard to her own person. There will be no occasion for repentance.
Wilhelm/Baynes: He dissolves his self. No remorse.
Blofeld: Self-centered thoughts are dispersed -- no regret!
Liu: He dissolves his egotism. No remorse. [A person should be wary of disaster: if it occurs, he may not be able to escape its results.]
Ritsema/Karcher: Dispersing one's body. Without repenting.
Shaughnessy: Dispersing his torso; there is no trouble.
Cleary (1): Dispersing the self, there is no regret.
Wu: He distributes his personal belongings to others. There will be no regret.
COMMENTARY
Confucius/Legge: She has no regard for her own person. Her aim is directed to what is external to herself. Wilhelm/Baynes: His will is directed outward. Blofeld: The will is fixed upon something external to our own well-being. Ritsema/Karcher: Purpose located outside indeed. Cleary (2): The aim is outside. Wu: His goal is to reach out.
Legge: Line three is magnetic in a dynamic place. Although we might fear an excessive self-regard which would render her useless in the work of the hexagram, she discards selfishness and will do nothing shameful. There is a change of style in the Chinese text at this point. As Wang Sheng-tzu (Yuan dynasty) says -- "Here and henceforth the scattering is of what should be scattered, that which should not be scattered may be collected."
NOTES AND PARAPHRASES
Siu: The man disregards his own personal interests in order to work for the benefit of others.
Wing: The proposed task is so great and difficult that you will need to put all personal concerns aside. Working toward common goals will greatly benefit your inner strength; there is no regret in such selflessness.
Editor: This line changes the hexagram to number fifty-seven, translated by Blofeld as Willing Submission. The idea of selfless devotion to the Work is clearly implied. Liu's version is the most concise, depicting "the sacrifice of egotism (in favor of the higher possibilities within the situation)." Note that Wang Sheng-tzu’s commentary (see Legge above) suggests the alchemical principle of solve et coagula – a profound concept from the Perennial Philosophy.
The actual realization or living incarnation of the Self, however, requires the presence of a disciplined ego to function as a responsible and conscious executor, in the limited world of the here and now, of the Self's intentions and visions. E.C. Whitmont --Return of the Goddess
A. Subdue your ego -- the Work takes precedence over your limited, divisive fixations.
Line 4
Legge: The fourth line, magnetic, shows its subject scattering the different parties in the state, which leads to great good fortune. From the dispersion she collects again good men standing out, a crowd like a mound, which is what ordinary men would not have thought of.
Wilhelm/Baynes: He dissolves his bond with his group. Supreme good fortune.
Dispersion leads in turn to accumulation. This is something that ordinary men do not think of.
Blofeld: He disperses his group of companions [Namely a group of people who have proved themselves inimical to the public good] -- sublime good fortune! Dispersion leads to accumulation, but this is not something that ordinary people understand. [This is an auspicious time to "cast our bread upon the waters." Acts of great generosity are now essential to our success.]
Liu: He disperses his group. Great and fortune. (Sic.) He disperses his hills (property). Ordinary people do not think of this.
Ritsema/Karcher: Dispersing one's flock, Spring significant. Dispersing possessing the hill-top. In-no-way hiding, a place to plunder.
Shaughnessy: Dispersing his flock; prime auspiciousness. Dispersal has a hillock; it is not that about which the younger sister thinks.
Cleary (1): Dispersing the crowd is very auspicious. On dispersal there is gathering, inconceivable to the ordinary.
Wu: He disbands cliques. Great fortune. A few mounds remain. This is not what ordinary people can anticipate.
COMMENTARY
Confucius/Legge: Brilliant and great are her virtue and service. Wilhelm/Baynes: His light is great.Blofeld: In this context, sublime good fortune connotes glory. Ritsema/Karcher: Shining great indeed. Cleary (2): The illumination is great. Wu: What he does is right and brilliant.
Legge: Line four, though magnetic, is in its correct place, and adjoins the dynamic fifth-line ruler. The subject of four therefore fitly represents the minister, whose task is to assume a great part in remedying the evil of dispersion. She brings divisive partisanship to an end, and re-assembles those who had been divided into a great body so that they stand out conspicuously like a hill.
NOTES AND PARAPHRASES
Siu: The man brings dissent and partisanship to an end by his transcendent view of life's interrelationships. He rises above personal friendships to assemble good men from near and far.
Wing: Here you can bring dissent and discord to an end. The perspective that comes with far-reaching ideals and concerns for the general welfare will allow you to transcend partisan interests. In this way you will find extraordinary success.
Editor: Psychologically interpreted, "parties in the state" can symbolize obsolete attitudes and limiting beliefs held by complexes within the psyche. The image suggests a process of psychic re-organization. One is reminded of the alchemical aphorism: Solve et coagula, et habebis magisterium. (“Separate and recombine, and you will have the masterpiece.”) This refers to the differentiation of all the aspects of a situation for the purpose of recombining them into a totally new entity.
Ultimately all conflicts of man are not only created by his, let us say, wrong conscious attitude, but by the unconscious itself in order to reunite the opposites on a higher level. Therefore this situation, where some religious doctrine or teaching or tradition is poisonous and destructive to the physical instinctuality of man, is not only to be viewed as a catastrophe or as a deviation from the original pattern, but just as much a device of the unconscious psyche to bring forth higher consciousness. M.L. Von Franz -- Alchemical Active Imagination
A. Breaking up old patterns of perception makes room for new ideas.
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.