Let go and rise above obstacles to find strength and renewal amidst life's pressures.
From
59
Dispersion
To
28
Critical Mass
One doesn't concede anything to those who want to keep everything. taoscopy.com
Dispersion59
Adapt to situations by letting go of rigidity; dissolve obstacles through openness and flexibility.
↓ Line 3
Letting go of ego and personal desires leads to harmony and peace.
↓ Line 4
Breaking away from limiting associations can lead to greater opportunities and success.
↓ Line 6
Removing oneself from harmful situations or influences is wise and leads to safety.
↓ Critical Mass28
Embrace resilience during times of overwhelming pressure. Acknowledge the burden, make necessary adjustments, and seek support to prevent collapse. Balance is crucial for enduring success.
Other titles: Dispersion, Dissolution, Disintegration, Dispersal, Overcoming Dissension, Scattering,Dispersing, Unintegrated, Reuniting, Evaporation, Reorganization, New Deal, Re-Shuffle, Course Correction, Catharsis
Judgment
Legge: Expansion intimates that there will be progress and success. The king goes to his ancestral temple. It will be advantageous to cross the great stream. It will be advantageous to be firm and correct.
Wilhelm/Baynes:Dispersion. Success. The king approaches his temple. It furthers one to cross the great water. Perseverance furthers.
Blofeld:Scattering -- success! The King has approached his temple. [An omen of safety.] It is advantageous to cross the great river (or sea). [I.e., to go on a long journey.] Persistence in a righteous course brings reward.
Liu: Dispersion. Success. The king approaches the temple. It is of benefit to cross the great water. It benefits to continue.
Ritsema/Karcher: Dispersing , Growing. The king imagines possessing a temple. Harvesting: wading the Great River. Harvesting Trial. [This hexagram describes your situation in terms of confronting obstacles, illusions and misunderstandings. It emphasizes that clearing away what is blocking the light is the adequate way to handle it. To be in accord with the time, you are told to: disperse what obstructs awareness!]
Shaughnessy: Dispersal: Receipt; the king approaches into the temple; beneficial to ford the great river; beneficial to determine.
Cleary (1): In Dispersal there is development. The king comes to have a shrine. It is beneficial to cross great rivers . It is beneficial to be correct.
Cleary (2):Dispersal is successful. The king goes to his ancestral temple. The benefit crosses great rivers. It is beneficial if correct.
Wu: Dispersion indicates pervasiveness. The king does homage to his ancestral temple. It will be advantageous to cross the big river, but only with perseverance.
The Image
Legge: The image of wind moving over water forms Expansion. The ancient kings, in accordance with this, presented offerings to God and established the ancestral temple.
Wilhelm/Baynes: The wind drives over the water: the image of Dispersion. Thus the kings of old sacrificed to the Lord and built temples.
Blofeld: This hexagram symbolizes wind blowing across the face of the waters. The kings of old built temples in which to sacrifice to the Supreme Lord of Heaven. [A temple is a place of safety from the ills of the world. The symbolism here is that the upper trigram forms a temple in which people are safe from the pit (the lower trigram); its middle line (five) signifies the King. The implication is that we should employ spiritual or moral means to preserve ourselves from the danger threatened by the lower trigram.]
Liu: Wind blowing over water symbolizes Dispersion. The ancient kings offered sacrifices to the Deity, then built temples.
Ritsema/Karcher: Wind moves above stream. Dispersing. The Earlier Kings used presenting tending-towards the supreme to establish the temples.
Cleary (1): Wind blows above water, Unintegrated. Thus ancient kings honored god and set up shrines.
Cleary (2): Wind travels over the water, dispersing. Ancient kings honored God and set up shrines.
Wu: The wind moves above water; this is Dispersion. Thus, the ancient kings made offerings to the Supreme Being and consecrated their ancestral temple.
COMMENTARY
Confucius/Legge: The dynamic line is central in the lower trigram, and the magnetic fourth line is correct in the upper trigram, uniting with the dynamic ruler above her. The king's mind is without any deflection as he goes to his ancestral temple. He rides over water in a vessel of wood, and will cross the great stream with success.
Legge: The hexagram of Expansion denotes a state of dissipation or dispersion. It shows men's minds alienated from correctness and sure to go on to disorder. Here an attempt is made to show how the situation should be remedied.
The lower trigram represents Water, and the upper, Wind. Wind moving over water evaporates it, and suggests the idea of dispersion. Success is intimated because there are dynamic lines occupying the central places in the trigrams. The king's piety moves the spirits by its sincerity -- when the religious spirit rules men's minds, there will be no alienation from what is right and good. Under such conditions even hazardous enterprises may be undertaken.
The second sentence of the Confucian commentary literally begins: "The king is indeed in the middle..." This means that his heart and mind are set on the central truth of what is right and good. The ancestral temple signifies the recognition that sincere religious practices counteracted the tendency to mutual alienation and selfishness among men. The wooden vessel refers to one of the attributes of the upper trigram, which is Wood. It suggests a boat riding on water (the lower trigram), hence: crossing the great water.
NOTES AND PARAPHRASES
Judgment: Focus on the ideals of the Work and maintain your will. A major synthesis is possible.
The Superior Man subdues his ego to attain his latent potential.
Because of the intimate relationship between this figure and hexagram number 45, Contraction, I have chosen the title of Expansionto best emphasize their polarity.
The "ancient kings and sages" are more mythical than historical, so we can assume that they symbolize archetypal forces ("gods") within the psyche -- of whom the ego is only the current spacetime representative (i.e., servant- facilitator). The Self is the focal point, the center of this multidimensional awareness complex.
In both timeless and spaceless experiences, the mundane world is virtually excluded. Of course, the converse is true of the mundane state of daily routine, in which the oceanic unity with the universe, in ecstasy and Samadhi, is virtually absent. Thus, the mutual exclusiveness of the "normal" and the exalted states, both ecstasy and Samadhi, allows us to postulate that man, the self- referential system, exists on two levels: as "Self" in the mental dimension of exalted states; and as "I" in the objective world, where he is able and willing to change the physical dimension "out there.” R. Fischer -- "A Cartography of the Ecstatic and Meditative States," Science:174, 1971
The symbol of a temple, where one worships one's ancestors may be taken as the perfect gestalt of the Work as it exists outside of spacetime, as well as the karmic repository of all previous incarnations. It represents both the completed Work and the Work in progress. That the family temple was regarded in China as symbolic of an ideal standard of perfection such as this, is implied in the following passage:
Diplomatic negotiations were carried on in the ancestral temple, in the veritable presence, it was believed, of the ancestors; diplomatic banquets were given there, also. Even a proposal of marriage was received by the father of the prospective bride in his ancestral temple, in the presence of the spirits ... (The world of Confucius), we must remember, was one in which there was a nearly complete breakdown of moral standards ... Only in the performance of religious ceremonies could there still be found, consistently, a type of conduct regulated by a socially accepted norm of behavior, in which men's actions were motivated by a pattern of cooperative action, rather than swayed by the greed and passions of the moment. H.G. Creel -- Confucius and the Chinese Way
Psychologically, Expansion depicts a state of inner pressure capable of fruitful resolution if it can be properly guided. The king in the Image (in this case, the ego) sacrifices for a high ideal: the good of the Work. Legge's commentary tells us that the "second sentence of the Confucian commentary literally begins: `The king is indeed in the middle...'" This suggests a combination of his second and third sentences into the paraphrase: "The king steers a middle course when crossing the water to the ancestral temple." This gives the image of a vessel and the proper way to guide it toward a destination. Anyone who has ever steered a boat with a rudder knows that to over-correct on either side is a mark of poor seamanship: the goal is to maintain a dynamic balance in our guidance of the Work. Lines two and five represent proper course-correction because they are both in the middle of their respective trigrams.
Expansionis the inverse of the following hexagram of Restrictive Regulations. What is there confined and hoarded is here dispensed -- but this dispensation must conform with the ultimate good of the Work. Not just any release of tension will do -- it must recombine itself into a new and better organization, as imaged in the fourth line. If this new order is a proper one, the released tension precipitates a catharsis, as imaged in line five.
The form, then, in which our complexes confront us is the form in which the fundamental materials of our human structure come into our here-and-now existence. Like crystals they are always imperfect to some extent and often unrecognizable or grossly disfigured in comparison with the “ideal” shape, the shape that would represent the “pure” incorporation of the crystal scheme. But we have to meet them in this more or less imperfect or distorted form and out of this form we have to transform them into something that may be more akin to the aboriginal “intent” inherent in their archetypal cores. This undertaking, this process, is what Jung calls individuation. E.C. Whitmont -- The Symbolic Quest
SUGGESTIONS FOR MEDITATION
The Judgment of hexagram number forty-five, Contraction, also mentions the king going to his ancestral temple. A close comparison of this figure with Expansion will reveal much about the dynamics of the Work.
Line 3
Legge: The third line, magnetic, shows its subject discarding any regard to her own person. There will be no occasion for repentance.
Wilhelm/Baynes: He dissolves his self. No remorse.
Blofeld: Self-centered thoughts are dispersed -- no regret!
Liu: He dissolves his egotism. No remorse. [A person should be wary of disaster: if it occurs, he may not be able to escape its results.]
Ritsema/Karcher: Dispersing one's body. Without repenting.
Shaughnessy: Dispersing his torso; there is no trouble.
Cleary (1): Dispersing the self, there is no regret.
Wu: He distributes his personal belongings to others. There will be no regret.
COMMENTARY
Confucius/Legge: She has no regard for her own person. Her aim is directed to what is external to herself. Wilhelm/Baynes: His will is directed outward. Blofeld: The will is fixed upon something external to our own well-being. Ritsema/Karcher: Purpose located outside indeed. Cleary (2): The aim is outside. Wu: His goal is to reach out.
Legge: Line three is magnetic in a dynamic place. Although we might fear an excessive self-regard which would render her useless in the work of the hexagram, she discards selfishness and will do nothing shameful. There is a change of style in the Chinese text at this point. As Wang Sheng-tzu (Yuan dynasty) says -- "Here and henceforth the scattering is of what should be scattered, that which should not be scattered may be collected."
NOTES AND PARAPHRASES
Siu: The man disregards his own personal interests in order to work for the benefit of others.
Wing: The proposed task is so great and difficult that you will need to put all personal concerns aside. Working toward common goals will greatly benefit your inner strength; there is no regret in such selflessness.
Editor: This line changes the hexagram to number fifty-seven, translated by Blofeld as Willing Submission. The idea of selfless devotion to the Work is clearly implied. Liu's version is the most concise, depicting "the sacrifice of egotism (in favor of the higher possibilities within the situation)." Note that Wang Sheng-tzu’s commentary (see Legge above) suggests the alchemical principle of solve et coagula – a profound concept from the Perennial Philosophy.
The actual realization or living incarnation of the Self, however, requires the presence of a disciplined ego to function as a responsible and conscious executor, in the limited world of the here and now, of the Self's intentions and visions. E.C. Whitmont --Return of the Goddess
A. Subdue your ego -- the Work takes precedence over your limited, divisive fixations.
Line 4
Legge: The fourth line, magnetic, shows its subject scattering the different parties in the state, which leads to great good fortune. From the dispersion she collects again good men standing out, a crowd like a mound, which is what ordinary men would not have thought of.
Wilhelm/Baynes: He dissolves his bond with his group. Supreme good fortune.
Dispersion leads in turn to accumulation. This is something that ordinary men do not think of.
Blofeld: He disperses his group of companions [Namely a group of people who have proved themselves inimical to the public good] -- sublime good fortune! Dispersion leads to accumulation, but this is not something that ordinary people understand. [This is an auspicious time to "cast our bread upon the waters." Acts of great generosity are now essential to our success.]
Liu: He disperses his group. Great and fortune. (Sic.) He disperses his hills (property). Ordinary people do not think of this.
Ritsema/Karcher: Dispersing one's flock, Spring significant. Dispersing possessing the hill-top. In-no-way hiding, a place to plunder.
Shaughnessy: Dispersing his flock; prime auspiciousness. Dispersal has a hillock; it is not that about which the younger sister thinks.
Cleary (1): Dispersing the crowd is very auspicious. On dispersal there is gathering, inconceivable to the ordinary.
Wu: He disbands cliques. Great fortune. A few mounds remain. This is not what ordinary people can anticipate.
COMMENTARY
Confucius/Legge: Brilliant and great are her virtue and service. Wilhelm/Baynes: His light is great.Blofeld: In this context, sublime good fortune connotes glory. Ritsema/Karcher: Shining great indeed. Cleary (2): The illumination is great. Wu: What he does is right and brilliant.
Legge: Line four, though magnetic, is in its correct place, and adjoins the dynamic fifth-line ruler. The subject of four therefore fitly represents the minister, whose task is to assume a great part in remedying the evil of dispersion. She brings divisive partisanship to an end, and re-assembles those who had been divided into a great body so that they stand out conspicuously like a hill.
NOTES AND PARAPHRASES
Siu: The man brings dissent and partisanship to an end by his transcendent view of life's interrelationships. He rises above personal friendships to assemble good men from near and far.
Wing: Here you can bring dissent and discord to an end. The perspective that comes with far-reaching ideals and concerns for the general welfare will allow you to transcend partisan interests. In this way you will find extraordinary success.
Editor: Psychologically interpreted, "parties in the state" can symbolize obsolete attitudes and limiting beliefs held by complexes within the psyche. The image suggests a process of psychic re-organization. One is reminded of the alchemical aphorism: Solve et coagula, et habebis magisterium. (“Separate and recombine, and you will have the masterpiece.”) This refers to the differentiation of all the aspects of a situation for the purpose of recombining them into a totally new entity.
Ultimately all conflicts of man are not only created by his, let us say, wrong conscious attitude, but by the unconscious itself in order to reunite the opposites on a higher level. Therefore this situation, where some religious doctrine or teaching or tradition is poisonous and destructive to the physical instinctuality of man, is not only to be viewed as a catastrophe or as a deviation from the original pattern, but just as much a device of the unconscious psyche to bring forth higher consciousness. M.L. Von Franz -- Alchemical Active Imagination
A. Breaking up old patterns of perception makes room for new ideas.
Line 6
Legge: The sixth line, dynamic, shows its subject disposing of what may be called his bloody wounds, and going to separate himself from his anxious fears. There will be no error.
Wilhelm/Baynes: He dissolves his blood. Departing, keeping at a distance, going out, is without blame.
Blofeld: Dispersing blood (i.e. fending off injury or violence), he keeps it at a distance -- no blame! [The text of the original is so unclear that the additional commentaries all disagree as to the meaning of dispersing blood, but the general idea is perfectly clear from the commentary on the line.]
Liu: Dissolving his (coagulated) blood. Departing to a remote place. No blame.
Ritsema/Karcher: Dispersing one's blood. Departing far-away, issuing-forth. Without fault.
Shaughnessy: Dispersing his blood, he departs, warily exiting.
Cleary (1): Dispersing the blood, going far away, there is no fault.
Wu: At the time of dispersion, he disperses what hurts himand alleviates what worries him. No error.
COMMENTARY
Confucius/Legge: His bloody wounds are gone. He is far removed from the danger of injury. Wilhelm/Baynes: He keeps at a distance from injury. Blofeld: This means keeping evil at a distance. Ritsema/Karcher: Distancing harm indeed. Cleary (2): Scattering the blood means avoiding harm. Wu:“He disperses what hurts him,” because he is able to distance it.
Legge: Line six is dynamic, with a magnetic third line correlate. However, because three is at the top of the trigram of Peril, six avoids her company. He does this in the spirit of dispersion, and therefore incurs no blame.
NOTES AND PARAPHRASES
Siu: The man removes the sources of danger and bloodshed.
Wing: Avoidance of danger is necessary at this time, both for yourself and especially for those of your concern. This should be accomplished in whatever way possible. Depart the situation if necessary. You will not be blamed for such action.
Editor: Wilhelm emphasizes in his commentary the idea of one who helps his kin avoid danger. Psychologically, this means to keep your "inner family” from harm. If this is the only changing line, the hexagram becomes number twenty-nine, Danger, suggesting a serious situation demanding a careful choice of options. Wu’s translation seems to convey the idea most succinctly.
ONE STEP BACKWARD TAKEN
Not only sands and gravels
Were once more on their travels,
But gulping muddy gallons
Great boulders off their balance
Bumped heads together dully
And started down the gully.
Whole capes caked off in slices.
I felt my standpoint shaken
In the universal crisis.
But with one step backward taken
I saved myself from going.
A world torn loose went by me.
Then the rain stopped and the blowin g
And the sun came out to dry me.
Robert Frost
A. For the good of the Work avoid any confrontation with disruptive elements.
B. Protect the psyche from harm. Avoid danger.
C. Disperse your anger, righteous indignation, etc.
Other titles: Preponderance of the Great, The Symbol of Great Passing, Excess, Great Excess, The Passing of Greatness, Great Surpassing, Great Gains, Experience, Greater than Great, Greatness in Excess, Dominance by the Mighty, The Passing of Greatness, Excess of the Great, Law of Karma
Judgment
Legge:Critical Mass depicts a weak beam. Under such conditions it is advantageous to move in any direction whatever. Success is indicated.
Wilhelm/Baynes:Preponderance of the Great. The ridgepole sags to the breaking point. It furthers one to have somewhere to go. Success.
Blofeld:Excess! The ridgepole sags. It is favorable to have some goal (or destination) in view. Success! [A glance at the hexagram will show that it is too heavy in the middle and too weak at the ends. A number of firm lines is generally auspicious, but there can be too much of a good thing!]
Liu: Great Excess. The ridgepole is crooked. It benefits to go anywhere. Success.
Ritsema/Karcher:Great Exceeding, the ridgepole sagging. Harvesting; possessing directed going. Growing. [This hexagram describes your situation in terms of your connection to a ruling principle. It emphasizes that pushing the guiding idea beyond ordinary limits and accepting the results is the adequate way to handle it...]
Shaughnessy: Great Surpassing: The ridgepole bows upward; beneficial to have someplace to go; receipt.
Cleary (1): When the great is excessive, the ridgepole bends. It is good to go somewhere; that is developmental. [When the ridgepole snaps, the whole house falls down. In the same way, practitioners of the Tao who promote yang too much, who do not know when enough is enough, who can be great but cannot be small, suffer damage to their spiritual house.]
Cleary (2): When greatness passes, the ridgepole bends. It is beneficial to have somewhere to go, for you will succeed.
Wu:Excess of the Great indicates a beam that warps. It will be advantageous to have undertakings. It will be pervasive.
The Image
Legge: The image of trees beneath a marsh forms Critical Mass. The superior man, in accordance with this, fearlessly stands alone, and stays retired from the world without regret.
Wilhelm/Baynes: The lake rises above the trees: the image of Preponderance of the Great. Thus the superior man, when he stands alone, is unconcerned, and if he has to renounce the world, he is undaunted.
Blofeld: This hexagram symbolizes a forest submerged in a great body of water. The Superior Man, though standing alone, is free from fear; he feels no discontent in withdrawing from the world. [This is suggested by the component trigrams. Water is necessary for the nourishment of the trees, but too much of it can cause serious damage.]
Liu: The lake rising over the trees symbolizes Great Excess. The superior man, when isolated, is undisturbed. If he has to retreat from society, he feels no regret.
Ritsema/Karcher: Marsh submerging wood. Great Exceeding. A chun tzu uses solitary establishing not to fear. (A chun tzu uses) retiring-from the age without melancholy.
Cleary (1): Moisture destroys wood in excess. Thus superior people stand alone without fear, and leave society without distress.
Cleary (2): Moisture destroys wood. Developed people, etc. [Only when sustained by the power to stand alone without fear and avoid society without distress can learning be firmly rooted and development have a proper basis; then it is possible to refine and support the mediocre.]
Wu: Marsh covers over wood; This is Excess of the Great. Thus the jun zi stands alone without fear and withdraws from the world without melancholy.
CONFUCIAN COMMENTARY
Confucius/Legge: Excess is weakly supported at either end, with weakness in both the lowest and topmost lines. The dynamic lines are in excess, but two of them are in the central positions. The trigrams of Flexibility and Satisfaction indicate that there will be advantage in moving in any direction whatever -- there will be success. Great indeed is the work to be done during this extraordinary time.
Legge: Extraordinary times require extraordinary skill in their management. The figure shows two magnetic lines at top and bottom, with four dynamic lines between them -- giving the image of a great beam unable to sustain its own weight. Lines two and five are both dynamic and central however, and from this and the attributes of the component trigrams a good auspice is obtained.
NOTES AND PARAPHRASES
Judgment: A stressful situation is best managed with a comprehensive strategy. (Or: in the chess game of life, one succeeds by planning several moves in advance.)
The Superior Man serves The Work by going his own way, regardless of public opinion.
Wilhelm titles this hexagram Preponderance of the Great. I prefer R.L. Wing's paraphrase of Critical Massas more evocative of the figure's meaning in modern terminology.
In Critical Mass four dynamic lines lurk inside of the hexagram, weakly contained at top and bottom by two magnetic lines. This energetic concentration could explode in an unpredictable release of force, and hence the Judgment tells us to move now (remember: non-action is also action) to avoid unwanted consequences. (Often the outcome is predictable – be prepared to just walk away if and when that is your best move.)
Legge’s translation of the Judgment is:
"...It is advantageous to move in any direction whatever. "
This is a different message than Wilhelm's:
"...It furthers one to have somewhere to go."
Legge’s version implies an almost hysterical flight from danger while Wilhelm's rendition suggests prior intention and planning. The latter interpretation is definitely what is meant here, as confirmed by Cleary’s Buddhist commentary:
When the transformative path is flourishing, contaminations easily arise; it is best to set up guidelines and regulations. When meditation work is advanced, ignorance is about to dissolve; it is best to exercise the mind skillfully.
Coupled with Cleary’s translation of the Image as: “Developed people stand alone without fear, avoid society without distress,” the idea is that one should follow one's best intuition and ignore popular illusions, political correctness or inner fears. (Psychologically: conventional thinking, socially conditioned reflexes, knee-jerk responses, etc.). During a time of Critical Mass, pay close attention to direction from the Self to preserve the Work. This is not the time to follow the crowd. Sometimes this can mean that you are obliged to go it alone – one of the Work’s frequent tests (Cf. line 6):
The Gulf is something that has to be leaped, and leaped alone, stripped of all hindering burdens, in faith ... It is thus one of the crisis points of spiritual progress because of the great temptation to turn back from the unknown to the apparent safety of known things, and to succumb to this temptation is to lose all the fruits of past endeavor. G. Knight -- A Practical Guide to Kabbalistic Symbolism
SUGGESTIONS FOR MEDITATION
Compare the Judgment and Image of this hexagram with those of hexagram number 32, Consistency.
Anthony: We must regain modesty through the effort to rid ourself of strong elements that cause us to press forward. The strong elements may exist in someone else, causing them to assault us with their fear, mistrust or doubt. Strong refers to impetuous movement to resolve what is ambiguous … We can meet the challenge by remaining detached and letting things go through their changes … To be truly rich is to remain modest; to be truly powerful is to remain reticent.