Wiki I Ching

Dispersion 59.1.6 60 Limitation

Dissolve barriers to create harmony, find strength in structure to channel your growth.

From
59
Dispersion
To
60
Limitation

One observes enormous progress despite the difficulties.
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Dispersion 59
Adapt to situations by letting go of rigidity; dissolve obstacles through openness and flexibility.


Line 1
Initiating action with energy and determination leads to success.


Line 6
Removing oneself from harmful situations or influences is wise and leads to safety.


Limitation 60
Set boundaries and apply discipline to create balance and order in life.
Prioritize moderation and clear limits for greater focus and harmony.



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Original Readings

59
Dispersion


Other titles: Dispersion, Dissolution, Disintegration, Dispersal, Overcoming Dissension, Scattering,Dispersing, Unintegrated, Reuniting, Evaporation, Reorganization, New Deal, Re-Shuffle, Course Correction, Catharsis

 

Judgment

Legge: Expansion intimates that there will be progress and success. The king goes to his ancestral temple. It will be advantageous to cross the great stream. It will be advantageous to be firm and correct.

Wilhelm/Baynes:Dispersion. Success. The king approaches his temple. It furthers one to cross the great water. Perseverance furthers.

Blofeld:Scattering -- success! The King has approached his temple. [An omen of safety.] It is advantageous to cross the great river (or sea). [I.e., to go on a long journey.] Persistence in a righteous course brings reward.

Liu: Dispersion. Success. The king approaches the temple. It is of benefit to cross the great water. It benefits to continue.

Ritsema/Karcher: Dispersing , Growing. The king imagines possessing a temple. Harvesting: wading the Great River. Harvesting Trial. [This hexagram describes your situation in terms of confronting obstacles, illusions and misunderstandings. It emphasizes that clearing away what is blocking the light is the adequate way to handle it. To be in accord with the time, you are told to: disperse what obstructs awareness!]

Shaughnessy: Dispersal: Receipt; the king approaches into the temple; beneficial to ford the great river; beneficial to determine.

Cleary (1): In Dispersal there is development. The king comes to have a shrine. It is beneficial to cross great rivers . It is beneficial to be correct.

Cleary (2):Dispersal is successful. The king goes to his ancestral temple. The benefit crosses great rivers. It is beneficial if correct.

Wu: Dispersion indicates pervasiveness. The king does homage to his ancestral temple. It will be advantageous to cross the big river, but only with perseverance.


The Image

Legge: The image of wind moving over water forms Expansion. The ancient kings, in accordance with this, presented offerings to God and established the ancestral temple.

Wilhelm/Baynes: The wind drives over the water: the image of Dispersion. Thus the kings of old sacrificed to the Lord and built temples.

Blofeld: This hexagram symbolizes wind blowing across the face of the waters. The kings of old built temples in which to sacrifice to the Supreme Lord of Heaven. [A temple is a place of safety from the ills of the world. The symbolism here is that the upper trigram forms a temple in which people are safe from the pit (the lower trigram); its middle line (five) signifies the King. The implication is that we should employ spiritual or moral means to preserve ourselves from the danger threatened by the lower trigram.]

Liu: Wind blowing over water symbolizes Dispersion. The ancient kings offered sacrifices to the Deity, then built temples.

Ritsema/Karcher: Wind moves above stream. Dispersing. The Earlier Kings used presenting tending-towards the supreme to establish the temples.

Cleary (1): Wind blows above water, Unintegrated. Thus ancient kings honored god and set up shrines.

Cleary (2): Wind travels over the water, dispersing. Ancient kings honored God and set up shrines.

Wu: The wind moves above water; this is Dispersion. Thus, the ancient kings made offerings to the Supreme Being and consecrated their ancestral temple.

 

COMMENTARY

Confucius/Legge: The dynamic line is central in the lower trigram, and the magnetic fourth line is correct in the upper trigram, uniting with the dynamic ruler above her. The king's mind is without any deflection as he goes to his ancestral temple. He rides over water in a vessel of wood, and will cross the great stream with success.

Legge: The hexagram of Expansion denotes a state of dissipation or dispersion. It shows men's minds alienated from correctness and sure to go on to disorder. Here an attempt is made to show how the situation should be remedied.

The lower trigram represents Water, and the upper, Wind. Wind moving over water evaporates it, and suggests the idea of dispersion. Success is intimated because there are dynamic lines occupying the central places in the trigrams. The king's piety moves the spirits by its sincerity -- when the religious spirit rules men's minds, there will be no alienation from what is right and good. Under such conditions even hazardous enterprises may be undertaken.

The second sentence of the Confucian commentary literally begins: "The king is indeed in the middle..." This means that his heart and mind are set on the central truth of what is right and good. The ancestral temple signifies the recognition that sincere religious practices counteracted the tendency to mutual alienation and selfishness among men. The wooden vessel refers to one of the attributes of the upper trigram, which is Wood. It suggests a boat riding on water (the lower trigram), hence: crossing the great water.

 

NOTES AND PARAPHRASES

Judgment: Focus on the ideals of the Work and maintain your will. A major synthesis is possible.

The Superior Man subdues his ego to attain his latent potential.

Because of the intimate relationship between this figure and hexagram number 45, Contraction, I have chosen the title of Expansionto best emphasize their polarity.

The "ancient kings and sages" are more mythical than historical, so we can assume that they symbolize archetypal forces ("gods") within the psyche -- of whom the ego is only the current spacetime representative (i.e., servant- facilitator). The Self is the focal point, the center of this multidimensional awareness complex.

In both timeless and spaceless experiences, the mundane world is virtually excluded. Of course, the converse is true of the mundane state of daily routine, in which the oceanic unity with the universe, in ecstasy and Samadhi, is virtually absent. Thus, the mutual exclusiveness of the "normal" and the exalted states, both ecstasy and Samadhi, allows us to postulate that man, the self- referential system, exists on two levels: as "Self" in the mental dimension of exalted states; and as "I" in the objective world, where he is able and willing to change the physical dimension "out there.”
R. Fischer -- "A Cartography of the Ecstatic and Meditative States," Science:174, 1971

The symbol of a temple, where one worships one's ancestors may be taken as the perfect gestalt of the Work as it exists outside of spacetime, as well as the karmic repository of all previous incarnations. It represents both the completed Work and the Work in progress. That the family temple was regarded in China as symbolic of an ideal standard of perfection such as this, is implied in the following passage:

Diplomatic negotiations were carried on in the ancestral temple, in the veritable presence, it was believed, of the ancestors; diplomatic banquets were given there, also. Even a proposal of marriage was received by the father of the prospective bride in his ancestral temple, in the presence of the spirits ... (The world of Confucius), we must remember, was one in which there was a nearly complete breakdown of moral standards ... Only in the performance of religious ceremonies could there still be found, consistently, a type of conduct regulated by a socially accepted norm of behavior, in which men's actions were motivated by a pattern of cooperative action, rather than swayed by the greed and passions of the moment.
H.G. Creel -- Confucius and the Chinese Way

Psychologically, Expansion depicts a state of inner pressure capable of fruitful resolution if it can be properly guided. The king in the Image (in this case, the ego) sacrifices for a high ideal: the good of the Work. Legge's commentary tells us that the "second sentence of the Confucian commentary literally begins: `The king is indeed in the middle...'" This suggests a combination of his second and third sentences into the paraphrase: "The king steers a middle course when crossing the water to the ancestral temple." This gives the image of a vessel and the proper way to guide it toward a destination. Anyone who has ever steered a boat with a rudder knows that to over-correct on either side is a mark of poor seamanship: the goal is to maintain a dynamic balance in our guidance of the Work. Lines two and five represent proper course-correction because they are both in the middle of their respective trigrams.

Expansionis the inverse of the following hexagram of Restrictive Regulations. What is there confined and hoarded is here dispensed -- but this dispensation must conform with the ultimate good of the Work. Not just any release of tension will do -- it must recombine itself into a new and better organization, as imaged in the fourth line. If this new order is a proper one, the released tension precipitates a catharsis, as imaged in line five.

The form, then, in which our complexes confront us is the form in which the fundamental materials of our human structure come into our here-and-now existence. Like crystals they are always imperfect to some extent and often unrecognizable or grossly disfigured in comparison with the “ideal” shape, the shape that would represent the “pure” incorporation of the crystal scheme. But we have to meet them in this more or less imperfect or distorted form and out of this form we have to transform them into something that may be more akin to the aboriginal “intent” inherent in their archetypal cores. This undertaking, this process, is what Jung calls individuation.
E.C. Whitmont -- The Symbolic Quest

 

SUGGESTIONS FOR MEDITATION

The Judgment of hexagram number forty-five, Contraction, also mentions the king going to his ancestral temple. A close comparison of this figure with Expansion will reveal much about the dynamics of the Work.


Line 1

Legge: The first line, magnetic, shows its subject engaged in rescuing from the impending evil and having the assistance of a strong horse. There will be good fortune.

Wilhelm/Baynes: He brings help with the strength of a horse. Good fortune.

Blofeld: Helping others with the strength of a horse – good fortune!

Liu: To rescue one with a strong horse. Good fortune.

Ritsema/Karcher: Availing-of a rescuing horse, invigorating significant.

Shaughnessy: Holding aloft a horse; auspicious; regret is gone.

Cleary (1): Act to save the horse. Vigor will have good results.

Cleary (2): For rescue, it is fortunate that the horse is strong.

Wu: To rescue with the aid of a strong horse is auspicious.

 

COMMENTARY

Confucius/Legge: The good fortune is due to the natural course pursued by its subject. Wilhelm/Baynes: Is based on its devotion. Blofeld: Results from willing accord with others. Ritsema/Karcher: Yielding indeed. Cleary (2): The fortune of the first yin is in following. Wu: The auspiciousness comes from an amiable relationship.

Legge: Line one, at the commencement of the hexagram, tells us that the evil has not yet made great progress, and that dealing with it will be easy. But the subject of the line is magnetic in a dynamic place. She cannot cope with the evil herself. She must have help, and she finds it in a strong horse, which is understood to symbolize the subject of the dynamic second line. The "natural course” that line one pursues is that required by the circumstances of the time.

 

NOTES AND PARAPHRASES

Siu: At the outset, the man overcomes misunderstanding through a precise and energetic response to the needs of the moment.

Wing: You can see the very beginning of discord. This is fortunate indeed, for it is far easier to reunify and overcome separation when it first arises. Good fortune.

Editor: Both the Wilhelm and Legge commentaries tell us that line two is the horse referred to here. It follows that if line two is the horse, then we can think of line one as its "rider.” Horses symbolize raw energy, and suggest the instinctual-emotional components of the psyche. The rider would be the ego who controls this energy. See the commentary on line two for additional insights.

One might compare the relation of the ego to the id with that between a rider and his horse. The horse provides the locomotor energy, and the rider has the prerogative of determining the goal and guiding the movements of his powerful mount towards it. But all too often in the relations between the ego and the id we find a picture of the less than ideal situation in which the rider is obliged to guide his horse in the direction in which it itself wants to go.
Sigmund Freud

A. The situation demands all of your energy. Concentrate your forces and do your utmost to guide the Work through difficulty.

B. Emotional energy serves the will.

C. Seek help.

Line 6

Legge: The sixth line, dynamic, shows its subject disposing of what may be called his bloody wounds, and going to separate himself from his anxious fears. There will be no error.

Wilhelm/Baynes: He dissolves his blood. Departing, keeping at a distance, going out, is without blame.

Blofeld: Dispersing blood (i.e. fending off injury or violence), he keeps it at a distance -- no blame! [The text of the original is so unclear that the additional commentaries all disagree as to the meaning of dispersing blood, but the general idea is perfectly clear from the commentary on the line.]

Liu: Dissolving his (coagulated) blood. Departing to a remote place. No blame.

Ritsema/Karcher: Dispersing one's blood. Departing far-away, issuing-forth. Without fault.

Shaughnessy: Dispersing his blood, he departs, warily exiting.

Cleary (1): Dispersing the blood, going far away, there is no fault.

Wu: At the time of dispersion, he disperses what hurts himand alleviates what worries him. No error.

 

COMMENTARY

Confucius/Legge: His bloody wounds are gone. He is far removed from the danger of injury. Wilhelm/Baynes: He keeps at a distance from injury. Blofeld: This means keeping evil at a distance. Ritsema/Karcher: Distancing harm indeed. Cleary (2): Scattering the blood means avoiding harm. Wu:“He disperses what hurts him,” because he is able to distance it.

Legge: Line six is dynamic, with a magnetic third line correlate. However, because three is at the top of the trigram of Peril, six avoids her company. He does this in the spirit of dispersion, and therefore incurs no blame.

 

NOTES AND PARAPHRASES

Siu: The man removes the sources of danger and bloodshed.

Wing: Avoidance of danger is necessary at this time, both for yourself and especially for those of your concern. This should be accomplished in whatever way possible. Depart the situation if necessary. You will not be blamed for such action.

Editor: Wilhelm emphasizes in his commentary the idea of one who helps his kin avoid danger. Psychologically, this means to keep your "inner family” from harm. If this is the only changing line, the hexagram becomes number twenty-nine, Danger, suggesting a serious situation demanding a careful choice of options. Wu’s translation seems to convey the idea most succinctly.

ONE STEP BACKWARD TAKEN

Not only sands and gravels

Were once more on their travels,

But gulping muddy gallons

Great boulders off their balance

Bumped heads together dully

And started down the gully.

Whole capes caked off in slices.

I felt my standpoint shaken

In the universal crisis.

But with one step backward taken

I saved myself from going.

A world torn loose went by me.

Then the rain stopped and the blowin g

And the sun came out to dry me.

Robert Frost

A. For the good of the Work avoid any confrontation with disruptive elements.

B. Protect the psyche from harm. Avoid danger.

C. Disperse your anger, righteous indignation, etc.

60
Limitation


Other titles: Restrictive Regulations, Restraint, Regulations, Articulating, Receipt, Restraining, Containment

 

Judgment

Legge:Restrictive Regulations bring progress and success, but if they are severe and difficult they cannot be permanent.

Wilhelm/Baynes:Limitation. Success. Galling limitation must not be persevered in.

Blofeld:Restraint -- success! It is wrong to persist in harsh restraint.

Liu: Limitation. Success. Bitter limitation should not be continued.

Ritsema/Karcher:Articulating, Growing. Bitter Articulating not permitting Trial. [This hexagram describes your situation in terms of confused relations. It emphasizes that making limits and connections clear, particularly through speech, is the adequate way to handle it...]

Shaughnessy: Receipt. Withered moderation; one may not determine.

Cleary (1):Discipline is developmental, but painful discipline is not to be held to. [Discipline means having limits that are not to be exceeded. This hexagram represents practicing obedience in unfavorable circumstances, adaptably keeping to the Tao. The situation may be up to others, but creation of destiny is up to oneself. When discipline gets to the point of inflicting suffering, it brings on danger itself even where there was no danger; you will only suffer toil and servility which is harmful and has no benefit.]

Cleary (2): Regulation is successful, but painful regulation is not to be held to.

Wu: Regulation indicates pervasiveness. Excessive regulation should not be obstinately pursued. [Sometimes the meaning of conservation or moderation is implied. Although the idea of regulation is convincing, it should not be applied blindly without regard to conditions.]

 

The Image

Legge: Water over a lake -- the image of Restrictive Regulations. The superior man constructs methods of numbering and measurement, and examines the nature of virtuous conduct.

Wilhelm/Baynes: Water over lake: the image of Limitation. Thus the superior man creates number and measure, and examines the nature of virtue and correct conduct.

Blofeld: This hexagram symbolizes water held in a dyke above a marshy lake. The Superior Man employs a system of regulations in his plans for the widespread practice of virtue.

Liu: Water above the lake symbolizes Limitation. The superior man devises number and measure, and measures conduct and virtue.

Ritsema/Karcher: Above marsh possessing stream. Articulating. A chun tzu uses paring to reckon the measures. A chun tzu uses deliberating actualizing-taoto move.

[Actualize-tao: ...ability to follow the course traced by the ongoing process of the cosmos... Linked with acquire, TE: acquiring that which makes a being become what it is meant to be.]

Cleary (1): There is water over a lake, regulated. Thus superior people determine measures and discuss various actions.

Cleary (2): … Leaders establish numbers and measures, and consider virtuous conduct.

Wu: There is water above the marsh; this is Regulation. Thus, the jun zi enacts statutes and deliberates virtues. [A study of the limits and merits will avert difficulties.]

 

COMMENTARY

Confucius/Legge: Progress and attainment are seen in the equally divided dynamic and magnetic lines, with the dynamic lines in the central places. If the regulations are severe and difficult, the course of action will come to an end. We see a cheerful attitude directing the course amidst peril. The rules are correctly initiated by the ruler in the fifth place. Heaven and earth observe their regular cycles and complete the four seasons. When rulers frame their laws according to just limitations, the resources of the state suffer no injury, and the people receive no hurt.

Legge: The written Chinese character which denotes Restrictive Regulations means the regular division of a whole, such as the division of the seasons of the year into ninety-day periods clearly marked by the solstices and equinoxes. Whatever makes regular division may be denominated by a "restrictive regulation," and there enter into it the ideas of ordering and restraining. The hexagram deals with the regulations of government enacted for the guidance and control of the people. An important point is made that these regulations must be adapted to the circumstances and not made too strict and severe.

Ch'eng-tzu says on the Image: "The water which a lake or marsh will contain is limited to a certain quantity. If the water flowing in exceeds that amount, it overflows. This gives us the idea of Restrictive Regulations."

 

NOTES AND PARAPHRASES

Judgment: Restrictive Regulations are necessary for growth, but severe restriction must itself be limited.

The Superior Man differentiates his options in relation to the goals of the Work.

The Work itself is nothing if not a rigid structure imposed upon one's life -- a "restrictive regulation" of the ego's illusion of freedom of choice. Ordinary people insist that their lives are ordered by the intelligent exercise of free will, but this "freedom" is more commonly just a rationalization for the activity of autonomous complexes. No one can look objectively at the current state of the world and seriously claim that it reflects either rational order or balanced perception. Collective human experience on this planet is determined by the whims of archetypal forces expressing themselves through the unconscious psyches of six-billion people.

The Work then, is a restrictive regulation of these autonomous forces -- it is a limitation, a containment of the expression of instinct and desire. We are reminded of the alchemical vessel which is hermetically sealed to prevent its contents from escaping before they have been transmuted into gold. If the alchemist miscalculates his "methods of numbering and measurement" the vessel becomes a kind of bomb: the seal breaks, the contents explode, and the Work is ruined. This is what is meant by "if the regulations are severe and difficult, the course of action will come to an end." If we restrict the contents of the vessel beyond their capacity for confinement the psyche boils over in some degree of rebellion. This is no minor thing -- depending on the circumstances, severe psychotic reactions can be created in this manner.

On the other hand, the ego thinks that all but the most minor restrictions are severe and difficult, and it is constantly on the verge of rebellion. As always, it is the Self which must determine how far the restrictive regulations can be taken. From its perspective outside of spacetime it is best able to determine how much pressure the psyche can take -- frequently it is far more (or sometimes far less) than the ego thinks possible.

The Confucian commentary observes: "We see a cheerful attitude directing the course amidst peril." This refers to the lower trigram of Cheerfulness encountering the upper trigram of Peril or Danger. The restrictions of the Work are more often than not unpleasant and risky, constantly verging on some kind of an explosion. An attitude of cheerful acceptance enables one to survive these difficult trials. This is an extremely important concept, because without it one can all too easily fall into a suicidal despair. The Work can become an impossible burden unless one learns how to approach stress and hardship with an almost irreverent sense of humor. (This in itself is an essential lesson about how to purge the ego of its myopic notions of what it will and will not "accept" in life.)

There is an old Zen proverb that says: "Hell, also, is a place to live in." The message is clear: be of good cheer, because without it you are sure to fail.

The seeming inevitability of conflict among the archetypal "powers" can cause us to experience life as a hopeless, senseless impasse. But the conflict can also be discovered to be the expression of a symbolic pattern still to be intuited. It can be lived as if it were a drama, the play of life or of the gods, for the purpose of experiencing an ultimate meaning ... When one can feel with Goethe that "everything transient is but a symbol," then meaning can be found not only in creativity, joy and love but also in impasse, suffering and conflict. Then life can be lived as a work of art.
E.C. Whitmont -- The Symbolic Quest