Connect deeply with your inner truth, let clarity guide your path, allowing beauty to manifest in every moment.
From
61
Inner Truth
To
22
Grace
One is calling for a complete standstill of measures that one considers to be unbearable. taoscopy.com
Inner Truth61
Inner truth and sincerity lead to harmony and trust. Genuine communication fosters unity. Be truthful with yourself and others to create meaningful connections.
↓ Line 2
Sincere communication and mutual understanding bring harmony and shared joy.
↓ Line 3
Emotional fluctuations and uncertainty can be resolved through finding a true companion.
↓ Line 5
True sincerity creates connections and understanding, leading to a harmonious outcome.
↓ Grace22
Refinement and grace enhance your presence. Focus on beauty and elegance in actions, but do not let appearance overshadow substance. Simplicity often holds the truest value.
Other titles: The Symbol of Central Sincerity, Inward Confidence, Inner Truthfulness, Sincerity, Centering- Conforming, Central Return, Faithfulness in the Center, Sincerity in the Center, Insight, Understanding, The Psyche, "Take the middle road and avoid extremes." -- D.F. Hook
Judgment
Legge: Inner Truth moves even pigs and fish, and leads to good fortune. There will be advantage in crossing the great stream. There will be advantage in being firm and correct.
Wilhelm/Baynes:Inner Truth. Pigs and fishes. Good fortune. It furthers one to cross the great water. Perseverance furthers.
Blofeld: Inward Confidence and Sincerity. Dolphins -- good fortune! It is advantageous to cross the great river (or sea). Persistence in a right course brings reward.
Liu:Inner Truthfulness. Sea Lions -- good fortune. It is of benefit to cross the great water.
Ritsema/Karcher:Centering Conforming, hog fish significant. Harvesting: wading the Great River. Harvesting trial. (Hog fish, T’UN YU: aquatic mammals; porpoise, dolphin; intelligent aquatic animals whose development parallels the human; sign of abundance and good luck.) [This hexagram describes your situation in terms of the relation between your inner core and the circumstances of your life. It emphasizes that bringing your central concerns and your life situation into a sincere and reliable accord is the adequate way to handle it...]
Shaughnessy:Central Return: the piglet and fish are auspicious; harmonious: beneficial to ford the great river; beneficial to determine.
Cleary (1): Faithfulness in the center is auspicious when it reaches even pigs and fish . It is beneficial to cross great rivers. It is beneficial to be correct.
Cleary (2): Sincerity in the center is auspicious when simple-minded ... etc.
Wu:Sincerity moves piglets and fishes. Auspicious. It will be advantageous to cross the big river with perseverance.
The Image
Legge: Wood on a Marsh -- the image of Inner Truth. The superior man deliberates about cases of litigation and delays the infliction of death.
Wilhelm/Baynes: Wind over lake: the image of Inner Truth. Thus the superior man discusses criminal cases in order to delay executions.
Blofeld: This hexagram symbolizes wind blowing over a marshy lake. The Superior Man devotes careful thought to his judgments and is tardy in sentencing people to death.
Liu: The wind over the lake symbolizes Inner Truthfulness. The superior man judges criminals and postpones capital punishment.
Ritsema/Karcher: Above marsh possessing wind. Centering Conforming. A chun tzu uses deliberating litigating to delay dying.
Cleary (1): There is wind above a lake, with truthfulness between them. Thus superior people consider judgments and postpone execution.
Cleary (2): There is wind over a lake, with sincerity in the center. True leaders consider judgments and postpone execution.
Wu: There is wind above the marsh: this is Sincerity. Thus, the jun zi deliberates the verdicts and enjoins the death sentence.
COMMENTARY
Confucius/Legge:Inner Truth shows two magnetic lines occupying the innermost part of the hexagram, with dynamic lines in the centers of the trigrams. We see the attributes of Cheerfulness and Flexible Penetration -- sincerity thus symbolized reaches even to pigs and fishes and will transform the country. We see one riding on the symbol of Wood, which forms an empty boat -- hence it is advantageous to cross the great stream. The virtue of Inner Truth requires firm correctness and shows the proper response of man to heaven.
Legge: Inner Truth denotes the highest quality of man, giving its possessor the power to prevail with spiritual beings, with other men and with lower creatures. There are two magnetic lines in the center and two dynamic lines above and below them. The magnetic lines represent the heart and mind free from all preoccupation, without any consciousness of self. The two dynamic lines immediately above and below them are each in the center of their respective trigram, and denote the solid virtue of one so free from selfishness.
The trigram of Wood above the trigram for a Lake or Marsh suggests a boat crossing the great stream. The pigs and fishes symbolize the rudest and most obstinate of men. Ch'eng-tzu observes: "We have in the sincerity shown in the upper trigram superiors condescending to those below them in accordance with their peculiarities, and we have in that of the lower those below delighted to follow their superiors. The combination of these two things leads to the transformation of the country and state."
NOTES AND PARAPHRASES
Judgment: It is a great accomplishment when Inner Truthalters archetypal forces within the psyche. The ego’s devotion to the Work is the means to this end.
The Superior Man carefully differentiates his options and avoids drastic measures. (Can sometimes mean: "Don't act until you are sure of all the facts.")
Anyone who monitors his dreams and other images knows that the unconscious is a continuous wellspring of psychic energy. Jung has observed that we are probably dreaming all of the time -- the only reason we don't usually notice this is because the conscious mind is so powerful that the more subtle manifestations of the psyche are eclipsed. Since consciousness consists of only the upper layers of a deep continuum of awareness it is obvious that we are being continuously "created from within." The ultimate source of our being is not easily accessible, but all of the empirical evidence points to a "Self" which transcends the space-time continuum -- i.e., lives in another "dimension."
The capacity to nullify space and time must somehow inhere in the psyche, or, to put it another way, the psyche does not exist wholly in time and space. It is very probable that only what we call consciousness is contained in space and time, and that the rest of the psyche, the unconscious, exists in a state of relative spacelessness and timelessness. Jung --Letters
This seemingly exotic concept was written by Jung in 1939, yet today the theories of the quantum physicists are approaching the point where awareness itself will be recognized as space-time transcendent.
In the modern Kaluza-Klein theory all the forces of nature, not merely gravity, are treated as manifestations of spacetime structure. What we normally call gravity is a warp in the four spacetime dimensions of our perceptions, while the other forces are reduced to higher-dimensional spacewarps. All the forces of nature are revealed as nothing more than hidden geometry at work ... There is a deep compulsion to believe in the idea that the entire universe, including all the apparently concrete matter that assails our senses, is in reality only a frolic of convoluted nothingness, that in the end the world will turn out to be a sculpture of pure emptiness, a self-organized void. Paul Davies -- Superforce
The physicists now hypothesize an eleven-dimensional universe, and state that the seven "extra" dimensions are somehow "rolled up to a very small size" so that they are not apparent to our senses. If we are going to hypothesize such fantastic realms it is more elegant to hypothesize consciousness itself as emanating from an extra-dimensional source. This is the Pleroma of the Gnostics and Alchemists, the upper and lower worlds of shamanism, or in Jungian parlance: the Objective Psyche or Collective Unconscious.
The familiar spacetime of our conscious experience consists of three linear dimensions, plus time. Time is considered a dimension, but not like the other three -- one can go up, down, forward and backward, to the left or right at will, but one cannot go back to this morning or forward to next Thursday afternoon. The time dimension is a continuous "now" and we experience it and the other three dimensions from the reference point of consciousness -- we are the center from which all dimensions radiate. Consciousness is like time in that it is always "now," and since consciousness emerges from within in a continuous and autonomous flow, we can legitimately hypothesize that we emanate from a power source in another dimension. We are a kind of continuous explosion from within -- a microcosmic version of the "Big Bang" which originated the universe, and which, incidentally, is still exploding-expanding outward into space.
If everything that is recognizable is so only because it has separated itself from the "all and nothingness," leaving its complementary half behind in the unmanifested state, then the earth too must have its complementary half in the unmanifested state, and the force of gravitation it exerts on all the creatures and objects living on it is the striving for reunification between the earth and its unmanifested complementary half which has been left behind in the void as its negative reflection. The earth's gravitational pull thus draws all the earth towards the void which stands beyond time and space, in order to bring about this reunion. If the earth were to yield, all the earth and everything on it would disappear into the center, into the void. But that would be a return to the paradisiacal unity -- to God -- to bliss! Elisabeth Haich -- Initiation
The image of the hexagramInner Truth gives us the idea of an "empty" center -- as good an image as could be devised from the structural components of the trigrams to show the inner source of human consciousness. The pigs and fishes of the Judgment are the archetypal complexes which must be tamed through the process of the Work, and to "cross the great stream" with firm correctness is to accomplish this holy task.
Through all ages men have sought, and some have found; there is a door through which we can pass out on to the higher planes, but that door is within the soul, it is an enlargement of consciousness whereby we perceive these things to which we have hitherto been blind, and from such perception comes the sense of reality which is lacking while we perceive nothing but appearances. Whoso has this wider vision is freed from the limitations of the five physical senses; his memory extends back beyond birth, and his hopes go forward beyond death ... Having all aspects of his own nature harmoniously developed, he is at one with all aspects of the universe, nothing is alien to him, and no form of existence is hostile. The path of life is open before him and he treads it with joy. D. Fortune -- The Esoteric Philosophy of Love and Marriage
Line 2
Legge: The second line, dynamic, shows its subject like the crane crying out in her hidden retirement, and her young ones responding to her. It is as if it were said: "I have a cup of good spirits," and the response were, "I will partake of it with you."
Wilhelm/Baynes: A crane calling in the shade. Its young answers it. I have a good goblet. I will share it with you.
Blofeld: A crane sings in the shade; its young ones follow suit. [This symbolizes a longing in which others share.] I have a fine goblet and will share it with you. [We should allow others to benefit from something or some circumstance which is valuable to us.]
Liu: A crane calls in the shade; its young ones respond. I have a good goblet (wine, virtue) to share with you.
Ritsema/Karcher: Calling crane located-in yin. One's son-hood harmonizing it. I possess a loved wine-cup. Myself associating, simply spilling it.
Shaughnessy: A calling crane in the shade, its young harmonizes with it: We have a good chalice, I will down it with you.
Cleary (1): A calling crane is in the shade, its fledgling joins it; I have a good cup, which I will quaff with you.
Wu: A crane cries in the shade and her young chime in. “I have fine wine. I would like to share it with you.”
COMMENTARY
Confucius/Legge: Her young ones respond to her from the common wish of the inmost heart. Wilhelm/Baynes: This is the affection of the inmost heart. Blofeld: `Its young ones follow suit' indicates heartfelt desire. Ritsema/Karcher: Centering the heart desiring indeed. Cleary (2): The fledgling joining in is the heart’s desire. Wu: The harmony comes from within.
The Master said: "The superior man occupies his apartment and sends forth his words. If they be good, they will be responded to at a distance of more than a thousand miles -- how much more will they be so in the nearer circle! If his words be evil, they will awaken opposition at a distance of more than a thousand miles – how much more will they do so in the inner circle! Words issue from one's person, and proceed to affect the people. Actions proceed from what is near, and their effects are seen at a distance. Words and action are the spring and hinge of the superior man. The movement of that hinge and spring determines glory or disgrace. His words and actions move Heaven and Earth -- may he be careless in regard to them?"
Legge: The young ones of the crane are represented by line one. The symbolism suggests two men brought together by their sympathy in virtue. The subject of the line is the effect of sincerity. As one bond of loving regard unites the mother bird and her young, so answers the heart of man to man.
NOTES AND PARAPHRASES
Siu: The man voices his feelings and defends his deeds by clear explanations, which exert a far-reaching chain reaction.
Wing: Here insight and influence are in their finest hour. The deeds you do, the words you speak, resonate in the hearts and minds of others near and far. You may expect a fortunate and beneficial response from your environment.
Editor: We see here a hidden mother bird calling to her young to share a cup of spirits. (Wilhelm, Blofeld and Liu all translate "hidden retirement" as "shade.") The image is of a mother who cannot be seen -- i.e., a hidden source. Psychologically interpreted, this suggests the inner Self, and the shade suggests the darkness of the unconscious from which the Self calls to us. The young birds who respond to the call are the complexes of the psyche, including, of course, the conscious ego-complex. Despite conscious negative associations of alcohol with intoxication, "spirits" are a common dream symbol for the action of the spirit on consciousness. (Aqua Vitae, literally: "water of life," means alcohol or hard liquor.) The overall image then is one of the Self and its complexes united by their common "spirit."
As concerning the most sovereign form of soul in us we must conceive that heaven has given it to each man as a guiding genius -- that part which we say dwells in the summit of our body and lifts us from earth toward our celestial affinity, like a plant whose roots are not in earth, but in the heavens. And this is most true, for it is to the heavens, whence the soul first came to birth, that the divine part attaches the head or root of us and keeps the whole body upright. Plato -- The Timaeus
A. An image of affinity and connectedness which may be hidden or not readily apparent.
B. Self and satellites united in accord: Nourishment which comes from within.
Line 3
Legge: The third line, magnetic, shows its subject having met with her mate. Now she beats her drum, and now she leaves off. Now she weeps, and now she sings.
Wilhelm/Baynes: He finds a comrade. Now he beats the drum, now he stops. Now he sobs, now he sings. [Here the source of a man’s strength lies not in himself but in his relation to other people. No matter how close to them he may be, if his center of gravity depends on them, he is inevitably tossed to and fro between joy and sorrow.]
Blofeld: He makes an enemy. Beating a drum by fits and starts, he weeps and sings in turn. [We are conscious of having made an enemy, but we cannot make up our minds what to do about it. The implication is that we should have more courage.]
Liu: One meets a person. Suddenly he beats a drum, and suddenly he stops; then he weeps, then he sings. [You can expect to gain sometimes, but also to lose sometimes; in happiness hides sadness, but from sadness will spring joy.]
Shaughnessy: Getting an enemy: now drumming, now weary, now crying, now singing.
Cleary (1): Finding enemies , sometimes drumming, sometimes stopping, sometimes crying, sometimes singing. [Believing in what is not to be believed will inevitably destroy faith. This is faith that takes the false to be true.]
Cleary (2): Finding a mate … etc. [All of this is due to lack of virtuous qualities and being out of place.]
Wu: He meets with his counterpart. Sometimes he drums, sometimes he stops, sometimes he wails, and sometimes he sings.
COMMENTARY
Confucius/Legge: The position of the line is not the appropriate one for it. Wilhelm/ Baynes: The place is not appropriate. Blofeld: His beating the drum by fits and starts is indicated by the unsuitable position of this line. Ritsema/Karcher: Situation not appropriate indeed. Cleary (2): The position is not appropriate. Wu: Because he is out of place. [The judgment describes how circumstances may influence the action of a person, but makes no comments on his behaviors.]
Legge: The mate of line three is line six. Although they are matched as correlates, each is in an inappropriate place. The idea is that sincerity, not left to itself, is influenced from outside which causes changes and uncertainty in one's moods.
NOTES AND PARAPHRASES
Siu: The man depends on others for his joys and sorrows, which generates an uncertainty of moods. His sincerity is impure and contaminated with external influences.
Wing: You depend upon your external relationships to dictate your mood or to gauge your confidence in yourself. This can sometimes elevate you to the heights of joy or banish you to the depths of despair. Possibly you may enjoy such range in emotion.
Editor: Note the close similarity between this line and line three of Hexagram #30, Clarity:"In the light of the setting sun, men either beat the pot and sing or loudly bewail the approach of old age. Misfortune” (Wilhelm). Here, line three is unduly influenced by her sixth line correlate, who is portrayed as a crowing cock: an egotistical sham. Blofeld, Shaughnessy and Cleary (1) describe an enemy; Ritsema/Karcher call it “acquiring antagonism.” Whatever it is, the influence is not consistent with proper management of the Work. This suggests the psychic processes of the average human being. With her choices largely influenced by unconscious forces (which her correlate would probably call "free will"), her life is largely determined by circumstances beyond her control. At its most neutral, the line images the waxing and waning of fortune: "The Lord giveth, and the Lord taketh away."
But this duality would seem to alternate; what is victor today is the vanquished tomorrow; what guides us today becomes secondary and subordinate tomorrow. And everything is equally mechanical, equally independent of will, and leads equally to no aim of any kind. The understanding of duality in oneself begins with the realization of mechanicalness and the realization of the difference between what is mechanical and what is conscious. This understanding must be preceded by the destruction of the self-deceit in which a man lives who considers even his most mechanical actions to be volitional and conscious and himself to be single and whole. Gurdjieff
A. An image of inconstancy and lack of will. Unstable effort and lack of centeredness (perhaps influenced by egotistical illusions) create consistently inconclusive results.
Line 5
Legge: The fifth line, dynamic, shows its subject perfectly sincere, and linking others to him in closest union. There will be no error.
Wilhelm/Baynes: He possesses truth, which links together. No blame.
Blofeld: He seems to be pulled forward by his confidence in what he is doing -- no error!
Liu: His truthfulness is steadfast. No blame. [Good fortune in everything.]
Ritsema/Karcher: Possessing conformity, binding thus. Without fault.
Shaughnessy: There is a return linkedly; there is no trouble.
Cleary (1): With faithfulness that is firm, there is no fault.
Cleary (2): With sincerity that is firm, there is no fault.
Wu: Sincerity can unite people as if connecting them with strings. No blame.
COMMENTARY
Confucius/Legge: The place of the line is the correct and appropriate one. Wilhelm/ Baynes: The place is correct and appropriate. Blofeld: This is indicated by the correct position of this ruling line. Ritsema/Karcher: Situation correcting appropriate indeed. Cleary (2): The position is correct. Wu: It comes from the proper position.
Legge: Line five is dynamic and in the central place of the ruler. He is the sage on the throne whose sincerity goes forth to bind all in union with himself.
Wilhelm/ Baynes: This describes the ruler who holds all elements together by the power of his personality. Only when the strength of his character is so ample that he can influence all who are subject to him, is he as he needs to be. The power of suggestion must emanate from the ruler. Without this central force, all external unity is only deception and breaks down at the decisive moment.
NOTES AND PARAPHRASES
Siu: The perfect sincerity of the sage on the throne binds all in union with himself.
Wing: This is the position of a true ruler. Such a person holds to virtuous goals and principles and emanates, to those all around him, the overwhelming force of his character. Others cling to him, and there is no blame in this.
Editor: The line and its commentaries present a highly accurate image of the individuation process in its concentrated essence. The goal of the Work is to unite all of the disparate aspects of the psyche into a harmonious whole. If this is the only changing line, the hexagram becomes number forty-one, Compensating Sacrifice, the corresponding line of which images a profound and beneficial increase: “Someone does indeed increase him. Ten pairs of tortoises cannot oppose it. Supreme good fortune” (Wilhelm). Psychologically interpreted, this is the seat of the Self in the hexagram of Inner Truth.
Behold, the kingdom of God is within you. Luke 17: 21
A. Inner Truth links powers together within the psyche.
Other titles: Grace, The Symbol of Decoration, Elegance, Gracefulness, Luxuriance, Adorning, Public Image, Adornment, Beauty, Conceit, Vanity, Veneer, Façade, Manners, Embellishment, Superficiality, Superficial Appearances, Form vs. Function, "Art," Ego-trips, "Often refers to conceit, vanity or beauty. It stresses that the content is more important than the outward appearance." -- D.F. Hook
Judgment
Legge: Persona should be given its due, but there is no advantage in allowing it to advance and take the lead.
Wilhelm/Baynes:Grace has success. In small matters it is favorable to undertake something.
Blofeld: Elegance. Success! Some small advantage can be derived from having a particular goal (or destination). [The implication is that the advantage is not sufficient to make it worth while to seek that goal or destination unless no special difficulty or inconvenience is involved. The arrangement of the lines in this hexagram is very similar to that in the previous one, but it is adjudged much more suitable. The general idea is that, like nature, we should conform to a regular and well ordered pattern of behavior which, since we are human beings and not mere animals, involves a high degree of refinement. From the point of view of divination, it would seem that this is a time to watch carefully so as to learn how those involved in the situation think and behave, the better to influence them for the good when the opportunity arises.]
Liu:Gracefulness, success. Small undertakings benefit.
Ritsema/Karcher: Adorning , Growing. The small, Harvesting: possessing directed going. [This hexagram describes your situation in terms of its outward presentation. It emphasizes that building intrinsic value by embellishing appearance and displaying valor is the adequate way to handle it...]
Shaughnessy: Luxuriance : Receipt; a little beneficial to have someplace to go.
Cleary (1):Adornment is developmental. It is beneficial to go somewhere in a minimal way.
Cleary (2):Adornment is successful. It is beneficial to go somewhere in a small way.
Wu:Adornment is pervasive and shows small advantage of an undertaking. [Adornment does not change the nature of what it adorns, but merely makes what it adorns appear more attractive. In other words, the change is mostly superficial but not substantive…]
The Image
Legge: Fire at the foot of the mountain -- the image of Persona. Thus the superior man adorns his rule with grace, but makes important decisions in conformance with higher laws.
Wilhelm/Baynes: Fire at the foot of the mountain: the image of Grace. Thus does the superior man proceed when clearing up current affairs. But he dare not decide controversial issues in this way.
Blofeld: This hexagram symbolizes fire at the foot of a mountain. The Superior Man, desiring to ensure the enlightened functioning of the various departments of state, dare not make light decisions regarding legal matters. [The component trigrams, fire below mountain, suggest a brilliance which cannot be perceived from afar. The Chinese commentators go on to suggest that this symbolizes a firm and somewhat severe exterior which hides brilliance and the beauty within. For purposes of divination, this should be taken as a pattern for our comportment in the matter at issue.]
Liu: Fire illuminates the base of the mountain symbolizing Gracefulness. Thus the superior man clarifies ordinary affairs, but does not judge lawsuits.
Ritsema/Karcher: Below mountain possessing fire. Adorning. A chun tzu uses brightening the multitudinous standards without daring to sever litigating.
Cleary (1): There is fire below the mountain, adorning it. Thus do superior people clarify governmental affairs, without presumptuous adjudication. [What superior people see in this is that just as the light of a fire below a mountain is not great, when people are lacking in capacity their vision is not far reaching; therefore the superior people administer and clarify the simple matters of governmental affairs, and do not act presumptuously in difficult matters of adjudication… Not judging presumptuously thus has the meaning of respect for life.]
Wu: There is fire at the foot of the mountain; this is Adornment. The jun zi brings openness to administering civil affairs, but refrains from judging cases in criminal litigation.
COMMENTARY
Confucius/Legge: In Persona we see the magnetic central line ornamenting the dynamic lines of the lower trigram, and hence it is said that ornament should have free course. On the other hand, the dynamic top line ornaments the magnetic lines of the upper trigram, and hence it is said that there will be little advantage if ornament is allowed to advance and take the lead. The elegance and intelligence of the lower trigram is regulated by the restraint of the upper trigram. This suggests the observances which adorn human society. We observe the ornamental figures of the sky, and thereby ascertain the changes of the seasons. We observe the ceremonial customs of society, and understand how transformation is accomplished in the world.
Legge: Persona is the symbol of what is ornamental and of the act of adorning. As there is adornment in nature, so should there be in society, but its place is secondary to that which is substantial.
The K'ang-hsi editors say that the magnetic line coming and ornamenting the two dynamic lines in the lower trigram shows how substantiality should have the benefit of ornamentation. The dynamic line ornamenting the two magnetic lines in the upper trigram shows how ornamentation should be restrained by substantiality. Ornament has its use, but it should be kept in check.
The figures of the sky are all the heavenly bodies in their relative positions and various movements, producing day and night, heat and cold, etc. The observances of society are the ceremonies and performances which regulate and beautify the intercourse of men.
"A mountain," says Ch'eng-tzu, "is a place where we find grass, trees, and a hundred other things. A fire burning below it throws up its light, and brings them all out in beauty. This gives the idea of ornament, or being ornamented. The various processes of government are small matters, and elegance and ornament help their course, but great matters of judgment demand the simple, unadorned truth.”
NOTES AND PARAPHRASES
Judgment: There's nothing wrong with showing a little style, but don't become so identified with a role that it makes your decisions for you.
The Superior Man displays wit and charm when that is appropriate, but relies upon shrewd discernment when making serious choices.
Confucius points out the correct attitude for this hexagram in his third sentence -- the elegant intelligence, or "brilliant wit" of the lower trigram is being "sat on" by the mountain of the upper trigram. Brilliant wit is often just an "ornament" to make one look clever in the company of others. Like seasoning on food, a little bit ofPersona or ornamentation is life-enhancing, but too much curry powder overwhelms the meal.
Jung's conception of the Persona points out the fact that it is a major vehicle for the complexes to express themselves under the guise of social interaction:
(The Persona) is only a mask for the collective psyche, a mask that feigns individuality, and tries to make others and oneself believe that one is individual, whereas one is simply playing a part in which the collective psyche speaks. Jung -- The Relations between the Ego and the Unconscious
For an urban shipping clerk to wear cowboy clothes may be a legitimate expression of his personality, or it may be the only outlet available for repressed portions of his psyche. When he begins driving a pickup truck and frequenting Country-Western bars we might suspect that his role is playing him and the real Self is being masked by excessive ornamentation orPersona.
The person cannot be more than an instrument for the manifestation of the self. But people get so attached to their mask that they cannot free themselves from it any more ... They make a king out of the servant and separate themselves from their true being. They force their higher self into exile, into the unconscious. Elisabeth Haich --Initiation
To receive this hexagram without changing lines suggests that perhaps you are more focused on form than meaning, or that superficial appearances are concealing something more substantive in the situation. Look deeper – what’s really going on?