Wiki I Ching

Deliverance 40.1.3.5.6 1 The Creative

From
40
Deliverance
To
1
The Creative

Lacking preparation
One has done the best they could but it is not enough.
taoscopy.com


Deliverance 40
Release from tension and obstacles.
Break free, adapt, and embrace change.
Find relief in newfound clarity.


Line 1
The situation is clear and straightforward.
There is no fault in proceeding.


Line 3
Carrying unnecessary burdens while seeking progress invites trouble.
It is wise to let go of what is not needed.


Line 5
Self-liberation leads to the ability to help others.
Personal growth is beneficial for the community.


Line 6
Taking decisive action against a high target leads to success.
Boldness and precision are rewarded.


The Creative 1
Pure potential.
Creative energy.
Initiate bold actions.



Original Readings

40
Deliverance


Other titles: Deliverance, The Symbol of Loosening, Release, Eliminating Obstacles, Taking-apart, Untangled, Solution, Dissolution, Relief, Unloose, Release of Tension

 

Judgment

Legge:Liberation finds advantage in the southwest. When the operation is completed, a return to stability brings good fortune. If operations are incomplete, it is best to finish them quickly.

Wilhelm/Baynes:Deliverance. The southwest furthers. If there is no longer anything (Sic) where one has to go, return brings good fortune. If there is still something (Sic) where one has to go, hastening brings good fortune.

Blofeld: Release. The west and south are favorable. Those with nothing to gain from going forward will find good fortune by turning back; those who do have much to gain from going forward must hasten to be sure of doing well. [This is not a time to stay where we are. If we have no good reason to advance, it is best to retreat.]

Liu: Liberation. The southwest benefits. If there is nothing for one where one has to go, then returning brings good fortune. If there is something in a place where one can go, then going quickly leads to good fortune.

Ritsema/Karcher: Taking-apart. Harvesting: Western South. Without a place to go: one's coming return significant. Possessing directed going: Daybreak significant. [This hexagram describes your situation in terms of reflection and release from tension. It emphasizes that analyzing and understanding things in order to be delivered from compulsion is the adequate way to handle it...]

Shaughnessy: Untangled: Beneficial to the southwest; there is nowhere to go; his coming in return is auspicious; there is someplace to go to spend the night; auspicious.

Cleary (1): For liberation, the southwest is beneficial. When going nowhere, the return brings good fortune; when going somewhere, promptness brings good fortune.

Cleary (2): For solution, the southwest is beneficial. Going nowhere, coming back is fortunate, etc.

Wu: Relief indicates advantage in the southwest. If he undertakes to do something without a cause, it will be auspicious for him to return to his former station. If he undertakes to do something with a cause, it will be auspicious for him to do it early.

 

The Image

Legge: Liberation shows a thunderstorm clearing the atmosphere. The superior man, in accordance with this, forgives errors and deals gently with crimes.

Wilhelm/Baynes: Thunder and rain set in: the image of Deliverance. Thus the superior man pardons mistakes and forgives misdeeds.

Blofeld: This hexagram symbolizes thunder and rain bringing release. The Superior Man tends to forgive wrongs and deals leniently with crimes. [The component trigrams suggest that a certain amount of forceful action is required.]

Liu: Thunder and rain come, symbolizing Liberation. The superior man forgives errors and pardons criminals.

Ritsema/Karcher: Thunder, rain, arousing. Taking-apart. A chun tzu uses forgiving excess to pardon offenses.

Cleary (1): Thunder and rain act, dissolving. Thus do superior people forgive faults and pardon crimes.

Cleary (2): Thunder and rain – solution. Etc.

Wu: There come thunder and rain; this is Relief. Thus the jun zi pardons inadvertent transgressors and extenuates (Sic) criminal offenders.

 

COMMENTARY

Confucius/Legge: Liberation shows the trigram of Movement above the trigram of Danger -- through movement there is an escape from peril. An early movement to the southwest wins the allegiance of the masses and returns the state to normalcy and equilibrium. When heaven and earth are freed from the grasp of winter, we have thunder and rain. When these come, the buds of the fruit-producing vegetation begin to open. Great indeed are the phenomena in the time ofLiberation.

Legge: The written Chinese character for Liberation is the symbol of unloosing -- untying a knot or unraveling a complication. This hexagram denotes a condition in which the obstruction and difficulty of the preceding figure have been removed. The lesson is how this new and better state of the kingdom should be dealt with. If no tasks remain to be completed, the sooner things resume their normal course the better. If further operations are necessary, let them be accomplished without delay. The K'ang-hsi editors say that moving to the south and west is the same as returning to normality.

Thunder and rain clear the atmosphere, and a feeling of oppression is relieved. The images of springtime in the Confucian commentary refer to the gentle policy of a conquering ruler who forgives the opposition of those who cease to offer resistance.

 

NOTES AND PARAPHRASES

Judgment: Do what obviously needs to be done and return to stability as soon as possible.

The Superior Man forgives, forgets, and bears no grudges. (i.e., Stability is more important than fixing blame or haggling over who is right.)

If the thirty-ninth hexagram of Impasse is turned upside down it becomes the fortieth hexagram of Liberation or Deliverance. The two figures represent opposite situations: if Impasse creates tension, then Liberation releases it. The upper trigram of Movement ascends to escape from the lower trigram of Danger, giving us an unambiguous image of freedom and relief.

Apart from all personification, the whole of space in which life finds itself has a malevolently spiritual character, and the "demons" themselves are as much spatial realms as they are persons. To overcome them is the same thing as to pass through them, and in breaking through their boundaries this passage at the same time breaks their power and achieves the liberation from the magic of their sphere.
H. Jonas --The Gnostic Religion

Legge's commentary in the preceding hexagram explains that the "southwest" is the direction of "earth," the fertile lowland where life is natural and uncontrived. Confucius tells us here that an early move in this direction will win the "allegiance of the masses." Psychologically interpreted, this refers to the inner kingdom of the psyche, where “the masses” are the drives, emotions and archetypal complexes which make up our being. The symbolism suggests a conscious freeing up of inner tension.

These forces, therefore, must not be left to run wild, but should be disposed of in harmless ways or, better still, used for constructive purposes: creative activities of various kinds; the rebuilding of our personality, contributing to our Psychosynthesis.
Roberto Assagioli -- Psychosynthesis


Line 1

Legge: The first line, magnetic, shows that its subject will commit no error.

Wilhelm/Baynes: Without blame.

Blofeld: No error!

Liu: No blame. [If you receive this line you can expect success in your undertakings.]

Ritsema/Karcher: Without fault.

Shaughnessy: There is no trouble.

Cleary (1): No blame.

Wu: No error.

 

COMMENTARY

Confucius/Legge: The dynamic fourth line and the magnetic first line are in correlation. We judge rightly in saying that its subject will commit no error. Wilhelm/Baynes: On the border between firm and yielding there should be no blame. Blofeld: the conjunction of yielding and firm (namely, lines one and two) (Sic) implies freedom from error. Ritsema/Karcher: Solid and supple's border. Righteous, without fault indeed. Cleary (2): At the border of hard and soft, etc. Wu: Where the strong-minded and the softhearted meet, there is on balance no error.

Legge: There is a magnetic line instead of a dynamic one in the first place, but this is compensated for by her dynamic fourth line correlate.

 

NOTES AND PARAPHRASES

Siu: At the outset, the man is freed from obstacles and is recuperating in peace.

Wing: You have surmounted the difficulties in your current endeavor. The path has been cleared and progress will continue. Use this time to consolidate your position.

Editor: Blofeld's interpretation of the Confucian commentary is anomalous -- correctness is found in the tension between lines one and four (not one and two). To be magnetic in a dynamic place and dynamic in a magnetic place suggests a continuous adjustment to changing circumstances. Wilhelm's Confucian commentary provides a good image of this kind of adaptation: "On the border between firm and yielding there should be no blame." Sometimes this line can mean a confirmation of a hypothesis, speculation or attitude -- it is saying "affirmative" to your query.

Fortunate, indeed, is the man who takes exactly the right measure of himself, and holds a just balance between what he can acquire and what he can use, be it great or be it small.
-- P.M. Latham

A. A position of dynamic (as opposed to static) balance between opposing forces is free of error.

Line 3

Legge: The third line, magnetic, shows a porter with his burden, yet riding in a carriage. He will only tempt robbers to attack him. However firm and correct he may try to be, there will be cause for regret.

Wilhelm/Baynes: If a man carries a burden on his back and nonetheless rides in a carriage, he thereby encourages robbers to draw near. Perseverance leads to humiliation.

Blofeld: Traveling with both luggage-bearers and a carriage, he attracted the attention of robbers. To persist would bring misfortune. [This could mean that someone bearing luggage on his back rides in a carriage. In any case, the Chinese additional commentaries explain that the passage refers to those who usurp privileges to which they are not entitled by rank or merit.]

Liu: A man carries goods on his back and rides in a carriage – thus invites robbers to come. To continue brings humiliation.

Ritsema/Karcher: Bearing, moreover riding. Involving outlawry culminating. Trial: abashment.

Shaughnessy: Carrying on the back and riding in a cart brings robbers to arrive; determination is distressful.

Cleary (1): Riding bearing a burden causes enemies to arrive. Even being righteous one is humiliated.

Cleary (2): Carrying and riding brings on enemies. It is right to be humiliated.

Wu: A man bearing a load rides in a carriage. What he swaggers is conducive to robbery. Even though he does nothing wrong, he will be humiliated.

 

COMMENTARY

Confucius/Legge: For a porter with his burden to be riding in a carriage is a thing to be ashamed of. It is he himself that tempts the robbers to come. On whom besides can we lay the blame? Wilhelm/Baynes: He should really be ashamed of himself. When I myself thus attract robbers, on whom shall I lay the blame? Blofeld: Moreover, his using both of them was shameful. If I were to act thus and bring robbers down on me, who but myself would be to blame? Ritsema/Karcher: Truly permitting the demoniac indeed. Originating-from my involving arms. Furthermore whose fault indeed. Cleary (2): Carrying and riding are both disgraceful. One brings attack by oneself – who else is to blame? Wu: It is a shame for a bearer to ride in a carriage. He exposes himself to robbery. Who else is to be blamed?

The Master said:The makers of the I Ching may be said to have known the philosophy of robbery. The I Ching says, "He is a burden-bearer, and yet rides in a carriage, thereby exciting robbers to attack him." Burden- bearing is the business of an inferior man. A carriage is the vehicle of a gentleman. When an inferior man rides in the vehicle of a gentleman, robbers will think of taking it from him. When one is insolent to those above him, and oppressive to those below, robbers will wish to attack him. Careless laying up of things excites to robbery, as a woman's adorning of herself excites to lust. What the I Ching says about the burden-bearer's riding in a carriage, and exciting robbers to attack him shows how robbery is called out.

Legge: The third line is magnetic where it should be dynamic. In the top place of the lower trigram it suggests the idea of a porter riding in a carriage. People will say: "How did he get there? The things cannot be his own." Therefore robbers will attack and plunder him since he can't protect himself or accomplish anything good.

 

NOTES AND PARAPHRASES

Siu: The man has obtained material goods and comfort and seeks a life of ease which does not suit his nature. Like a woman's self-adornment which excites to lust, this way of life merely invites robbers and leads to humiliation.

Wing: You have been able to assume a somewhat powerful position, which you do not know how to control. You pretend to be something that you are not. This invites envy. If you continue in this way you will suffer humiliation at the hands of others who would usurp your position.

Editor: Receiving this line can be a reprimand for an unworthy attitude. It shows one who aspires beyond his station, or who incorrectly seeks an easy solution to his problems. If this is the only changing line, the hexagram becomes number thirty-two,Consistency, the corresponding line of which begins: "Shows one who does not constantly maintain his virtue..." The idea is that a desire to move ahead quickly tempts one into an improper response to the situation at hand. Sometimes the context of the question can suggest that the "vehicle" (carriage) is the oracle itself -- you want it to answer a question you can figure out for yourself. The porter's burden is an obvious responsibility or duty. The robbers are anything that would harm the Work.

The acceptance of the need to relate to a power or powers beyond our personal control and rational comprehension does not necessitate, indeed does not even permit, abandonment of our personal responsibility but rather requires of us that in the domain of the personal life assigned to us our own responsibility must be exerted to the limits.
E.C. Whitmont -- The Symbolic Quest

A. "There's no such thing as a free lunch." Get your head out of the clouds and assume your responsibilities.

B. Did you expect a spiritual helicopter to take you to the top of the mountain?

Line 5

Legge: The fifth line, magnetic, shows the superior man (the ruler) executing his function of removing whatever is injurious to the idea of liberation, in which case there will be good fortune, and confidence in him will be shown even by the inferior men.

Wilhelm/Baynes: If only the superior man can deliver himself, it brings good fortune.

Blofeld: Only the Superior Man brings release. Good fortune! It is up to lesser men to put their trust in him. [This could also mean "He has confidence in lesser men."]

Liu: Only the superior man can liberate himself from entanglement. Good fortune. Thus the inferior man trusts him.

Ritsema/Karcher: A chun tzu holding-fast possesses Taking- apart. Significant. Possessing conformity, tending-towards Small People.

Shaughnessy: The gentleman only is untangled; auspicious; there is a return among the little men.

Cleary (1): In this the superior person has liberation, which is fortunate; there is earnestness in regard to the inferior person.

Cleary (2): The developed person has a solution, which is fortunate. There is sincerity toward a petty person.

Wu: The jun zi is relieved of what has implicated him. This is auspicious. It would be a lesson to the little men.

 

COMMENTARY

Confucius/Legge: When he removes the barriers to liberation the inferior men will of themselves retire. Wilhelm/Baynes: The superior man delivers himself, because inferior men then retreat. Blofeld: But when the Superior Man offers them release, they take to their heels. [Perhaps this means the true release involves release from selfishness -- a lesson which men of little merit have no desire to learn!] Ritsema/Karcher: Small People withdrawing indeed. Cleary (2): The developed person has a solution. The petty person withdraws. Wu: The jun zi is relieved and the little men will resign.

Legge: Line five is magnetic in a dynamic place, but the place is that of the ruler, whose duty is to promote liberation by removing all barriers to harmony within the kingdom -- especially all the inferior men symbolized by the divided lines. He can do this with the help of his dynamic correlate in the second line. Then even the inferior men will change their ways, and conform to his will. "The inferior men retire" means that believing in the sincerity of the ruler's determination to remove all evil men, they either retire of themselves or strive to conform to his wishes.

 

NOTES AND PARAPHRASES

Siu: The man drives away inferior people through an inner resolve and makes a complete mental and spiritual break. They recognize his earnestness, withdraw of their own accord, and even extend begrudging approval.

Wing: In order to eliminate an inferior habit or situation you must first make an inner resolve to overcome it. Only you can save yourself. Once you are liberated, inferior elements will retreat into the background and you will win the respect you deserve. Good fortune.

Editor: The context of the line does not lend itself to the usual gender symbolism used in this book. Wilhelm renders this in a conditional sense: "If only the superior man can deliver himself..." Blofeld and Liu say that "only the superior man" can liberate himself. There is the implication that your "superiority" may be in question. You are challenged to take appropriate action to liberate yourself from your fetters. This will be in accordance with the ruler's central place and an active balancing of forces as imaged in the relationship with the second line correlate.

For when the body gets out of equilibrium, we look to which side it inclines in becoming unbalanced, and then oppose it with its contrary until it returns to equilibrium. When it is in equilibrium, we remove that counterbalance and revert to that which keeps the body in equilibrium. We act in a similar manner with regard to moral habits.
Maimonides

A. Identify and eliminate the problem or limiting belief. Clear the psyche of inhibitions.

B. If you stop indulging your weaknesses they will eventually leave you alone.

Line 6

Legge: In the sixth line, magnetic, we see a feudal prince with his bow shooting at a falcon on the top of a high wall, and hitting it. The effect of this action will be in every way advantageous.

Wilhelm/Baynes: The prince shoots at a hawk on a high wall. He kills it. Everything serves to further.

Blofeld: The prince shot an arrow and killed a hawk perching on a high wall. Everything is favorable!

Liu: A duke shoots a hawk on the high wall and catches it. Everything is beneficial.

Ritsema/Karcher: A prince avails-of shooting a hawk, tending- towards the high rampart's above. Without not Harvesting: catching it.

Shaughnessy: The duke herewith shoots a hawk on the top of a high wall, bagging it; there is nothing not beneficial.

Cleary (1): The prince shoots at a hawk on a high wall and gets it, to the benefit of all.

Wu: The duke aims his arrow at a hawk perching on a high city wall. He bags the predator. Nothing is disadvantageous.

 

COMMENTARY

Confucius/Legge: Thus he removes the promoters of rebellion. Wilhelm/ Baynes: Thereby he delivers himself from those who resist. Blofeld: This means that he was able to liberate himself from perverse men. Ritsema/ Karcher: Using Taking- apart rebelling indeed. Cleary (2): The lord shoots the hawk to solve the conflict. Wu: To relieve the threat of sedition.

The Master said: "The falcon is a bird of prey; the bow and arrow is a weapon of war; the shooter is a man. The superior man keeps his weapon concealed about his person, and waits for the proper time to move; doing this, how should his movement be other than successful? There is nothing to fetter or embarrass movement, and hence when he comes forth, he succeeds in his object. The language speaks of movement when the instrument necessary to it is ready and perfect."

Legge: Line six is the highest line in the figure, but not the place of the ruler. Hence he appears as a feudal duke, who carries out the idea of the figure against inferior men.

 

NOTES AND PARAPHRASES

Siu: Using hitherto concealed, ready, and perfect instruments, the man removes the powerful promoter of obstruction and rebellion.

Wing: Prepare yourself to forcefully dispense with a great adversary. This is done with careful planning and clever timing. This is a formidable enemy so you must be constantly alert. When you have removed this obstacle to your progress, everything that you attempt will succeed.

Editor: The line does not lend itself to the usual gender symbolism. Prince: Minor official -- the ego. Bow: The tension and release of aimed power -- conceptualization. Arrow: Perception, realization, that which pierces the heart of the matter. Hawk/Falcon: A predator bird. Swedenborg says: "Birds signify such things as relate to the understanding, and thence to thought and deliberation." The hawk, then, is aggressive, dangerous thinking. Confucius calls him a "promoter of rebellion," hence: undisciplined thinking, the source of an illusion. Wall: From the outside, it defines a space, outlines a perimeter; from the inside, it is protection from what lies outside: a division between one state or condition and another. A "high" wall suggests the realm of thought, ideas. The wall is the threshold, and the falcon is the guardian of the threshold.

Now the mind flies forth like an arrow from a cross-bow, to be the arbiter of right and wrong. Now it stays behind as if sworn to an oath, to hold on to what it has secured.
Chuangtse

In this quote from Chuangtse, the first sentence describes the action of the prince, and the second sentence describes the function of the threshold guardian -- in this case the hawk. The line suggests the elimination of an illusion which thereby liberates one to explore a whole new realm of thought or experience.

A. Attain liberation by identifying and eliminating a dangerous entrenched thought, idea, attitude, concept or limiting belief which has been preventing a resolution of the matter at hand.

1
The Creative


Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father

 

Judgment

Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.

Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.

Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.

Liu:The Creative brings great success, benefiting all through perseverance.

Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]

Shaughnessy:The Key: Primary reception; beneficial to determine.

Cleary(1):Heavencreates, develops, brings about fruition and consummation.

Cleary(1): The creative is successful; this is beneficial if correct.

Wu:The Originator is primordial, pervasive, prosperous and persevering.

 

The Image

Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.

Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.

Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.

Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.

Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.

Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.

Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.

 

COMMENTARY

Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.

Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.

The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.

 

NOTES AND PARAPHRASES

Judgment:The Dynamic is the life force itself.

The Superior Man tirelessly furthers the Great Work of Transformation.

The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:

In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.

This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.

Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.

When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."

The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."

In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.

There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit.
F. Hartmann -- Paracelsus: Life and Prophecies

 

SUGGESTIONS FOR MEDITATION

To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:

1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.

2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.

3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.