Wiki I Ching

The Wanderer 56.4.6 15 Modesty

From
56
The Wanderer
To
15
Modesty

One stands one's ground so that others are not surprised.
taoscopy.com


The Wanderer 56
Embrace the journey.
Stay adaptable and attentive.
Balance independence with humility.
Success comes from accepting change and being resourceful.


Line 4
Temporary security is achieved, but there is still unease and potential for conflict.


Line 6
Neglect and carelessness lead to loss and regret; maintain vigilance to avoid misfortune.


Modesty 15
Embrace humility and balance; let modesty guide your actions for harmonious progress.



Original Readings

56
The Wanderer


Other titles: The Wanderer, The Symbol of the Traveler, The Exile, Sojourning, The Newcomer, To Lodge, To Travel, Traveling, The Stranger, Strangers, The Traveling Stranger, The Outsider, The Alien, The Gnostic, The Tarot Fool, Wandering, Homeless, Uncommitted, On Your Own, "Can refer to being out of one's element." -- D.F. Hook

 

Judgment

Legge: Transition means that small attainments are possible. If the traveling stranger is firm and correct, there will be good fortune.

Wilhelm/Baynes:The Wanderer. Success through smallness. Perseverance brings good fortune to the wanderer.

Blofeld:The Traveler -- success in small matters. Persistence with regard to traveling brings good fortune.

Liu: The Exile. Small success. To continue leads to good fortune.

Ritsema/Karcher:Sojourning, the small: Growing. Sojourning, Trial: significant. [This hexagram describes your situation in terms of wandering journeys and living in exile. It emphasizes that mingling with others as a stranger whose identity comes from a distant center is the adequate way to handle it...]

Shaughnessy:Traveling. Small receipt. Traveling; determination is auspicious.

Cleary (1): Travel is developmental when small; if travel is correct, it leads to good fortune.

Cleary (2): Travel has a little success. Travel is auspicious if correct.

Wu:Traveling indicates small pervasion. Perseverance will bring auspiciousness.

 

The Image

Legge: A fire on the mountain -- the image of Transition. The superior man exerts cautious wisdom in his punishments, and does not permit prolonged litigation.

Wilhelm/Baynes: Fire on the mountain: the image of The Wanderer. Thus the superior man is clear-minded and cautious in imposing penalties, and protracts no lawsuits.

Blofeld: This hexagram symbolizes fire upon a mountain. The Superior Man employs wise caution in administering punishments and does not suffer the cases brought before him to be delayed.

Liu: Fire over the mountain symbolizes the Exile. The superior man is careful and clever in imposing punishments, and does not delay the cases brought.

Ritsema/Karcher: Above mountain possessing fire. Sojourning. A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating.

Cleary (1): There is fire atop a mountain, transient. Thus superior people apply punishments with understanding and prudence, and do not keep people imprisoned.

Cleary (2): Fire on a mountain – traveling. Etc.

Wu: There is fire on the mountain; this is Traveling. Thus the jun zi exercises the utmost deliberations in exacting punishments such that prisoners will not be detained without cause.

 

COMMENTARY

Confucius/Legge:Transition indicates that there may be some small attainment and progress -- the magnetic line occupies the central place in the upper trigram, and is obedient to the dynamic lines above and below it. We also have the attributes of Keeping Still connected with Intelligence in the lower and upper trigrams. Hence it is said that there may be some small attainment and progress. If the traveling stranger is firm and correct as he ought to be, there will be good fortune. Great is the time and great is the right course to be taken under these circumstances!

Legge: The written Chinese character for this hexagram denotes people traveling abroad, and is often translated as Strangers. The figure addresses itself to traveling strangers, and tells them how they ought to comport themselves through the cultivation of humility and firm correctness. By means of these they would escape harm, and make progress. The status of traveling stranger is seen as too low to expect great things of them.

It is assumed that the wanderer is in the position of the fifth line. The ideas of humility, docility, calmness and intelligence are derived from the attributes of the component trigrams. These are all characteristics which are proper to a stranger, and are likely to lead to advancement and attainment of his desires. Concerning the Image, K'ung Ying-ta comments: "A fire on a mountain lays hold of the grass, and runs with it over the whole space, not stopping anywhere long, and soon disappearing -- such is the emblem of the traveler."

 

NOTES AND PARAPHRASES

Judgment: During a Transition, keep your willpower great and your expectations small.

The Superior Man sees clearly and does not embroil himself in complexity. He is clear-minded and cautious in judging the truth of the situation, maintaining detachment from the social milieu.

Wilhelm's translation of the title of this hexagram is The Wanderer. A wanderer is one who has no home, or who is between one home and another. This reminds us of the gnostic notion of the "Alien": the incarnate soul exiled to wander in the space-time dimension (i.e., this world).

The alien is that which stems from elsewhere and does not belong here ... The stranger who does not know the ways of the foreign land wanders about lost; if he learns its ways too well, he forgets that he is a stranger and gets lost in a different sense by succumbing to the lure of the alien world and becoming estranged to his own origin ... The recollection of his own alienness, the recognition of his place of exile for what it is, is the first step back; the awakened homesickness is the beginning of the return.
Hans Jonas -- The Gnostic Religion

In the broadest interpretation then, the message in the Judgment: "If the traveling stranger is firm and correct, there will be good fortune" can refer to not becoming entangled in the affairs of this world in which we wander -- an idea emphasized in the first line. Ritsema/Karcher state it explicitly -- defining our challenge as "mingling with others as a stranger whose identity comes from a distant center." This is good general advice for anyone seriously engaged in the Work, since the "distant center" ("God," or the Self) represents the essence we incarnated to serve.

We are strangers in this world, and the body is the tomb of the soul, and yet we must not seek to escape by self- murder; for we are the chattels of God who is our herdsman, and without his command we have no right to make our escape.
Pythagorean ethic

In more specific situations, the hexagram symbolizes a transitional phase. Lines two, three and four all depict "Inns" or temporary resting places (commonly experienced in dreams as images of hotels or motels). The symbolism is identical: the psyche is reflecting an interim situation during a state of Transition.

By definition, a transition is fluid and not yet fixed. Depending upon the choices made, one can go in different directions. In terms of consciousness, it is obvious that the transition can be from a lower state of awareness to a higher one, or vice-versa. Because a transition is an opportunity for deliberate choice-making, the Confucian commentary concludes with: "Great is the time and great is the right course to be taken under these circumstances!"

Lines one, three and six depict very negative situations involving ignorant, arrogant choices. We think of the ego blindly pushing the river of its desires, unable to see the unfortunate consequences it thereby engenders. Line two suggests a solid resting place during our journey, while line four depicts a tenuous, though not necessarily incorrect, similar situation. The fifth line counsels a kind of sacrifice to the ruler (the Self) which results in an eventual reward. The message is to let the Self guide you through a Transition.

 

SUGGESTIONS FOR MEDITATION

Hexagram number fifty-six is the reverse of hexagram number fifty-five. Compare the role of the superior man in the Image of each figure. How are they the same? How are they different? What are the differences and similarities of the component trigrams of each hexagram, and how do they affect their respective meanings?

Notes, August 15, 2009: A new paraphrase of the Judgment and Image:

The Gnostic Alien. Small attainments are possible if the Alien keeps a clear head and maintains his self-discipline. The initiated Adept is intelligent, discreet, and displays vigilant wisdom: he maintains and protects his gnosis via cautious reserve in worldly disputes, eschewing needless contention. [He can do this because he knows that this is an illusory reality: a set-up, a trap, a Loosh factory created by the Demiurge.] A chun tzu uses brightening consideration to avail-of punishing and-also not to detain litigating. [In other words “do the work in the place in which you find yourself” quickly, and efficiently, with as few entanglements as possible under the circumstances. Shun new karma. Implicit is that this experience is preparation for the bodhisattva vow.]


Line 4

Legge: The fourth line, dynamic, shows the traveler in a resting place, having also the means of livelihood and the axe, but still saying: "I am not at ease in my mind."

Wilhelm/Baynes: The wanderer rests in a shelter. He obtains his property and an ax. My heart is not glad.

Blofeld: The traveler reaches a place where he obtains the money needed for his expenses, yet laments that there is no joy in his heart. [Were we to travel or continue to travel now, though material difficulties would not arise, we should not experience any happiness.]

Liu: The exile finds rest in a sanctuary. He regains his valuables. He is not happy in his heart.

Ritsema/Karcher: Sojourning, tending-towards abiding. Acquiring one's own emblem-ax. My heart not keen.

Shaughnessy: In traveling, staying put, he gets his goods and ax; my heart is not happy.

Cleary (1): Traveling in the right place, one obtains resources and tools, but one’s heart is not happy.

Wu: The traveler rests in his lodge. He has the amenities, but he is not at ease.

 

COMMENTARY

Confucius/Legge: Although in a resting place, he has not got his proper position. Even with a livelihood and an axe his mind is not at ease. Wilhelm/Baynes: He has not yet obtained his place. He is not yet glad at heart. Blofeld: His wandering to that place is indicated by the unsuitable position of this line; his obtaining money for expenses brings him no joy. Ritsema/Karcher: Not-yet acquiring the situation indeed. The heart not-yet keen indeed. Cleary (2): One has not gotten a position. One’s heart is not yet happy. Wu: His position is improper. He is still not at ease.

Legge: Line four is dynamic, but in a magnetic place. Hence, although he is without a lodging-house, he does have a shelter which is not very secure. He can use the axe for defense, but is still uneasy in his mind. The K'ang-hsi editors observe that the mention of the axe makes us think of caution as a quality desirable in a wanderer.

 

NOTES AND PARAPHRASES

Siu: Although the inferior man finds a resting place and a means of livelihood, his aspirations are greater than his capabilities. He remains ill at ease, a stranger in a strange environment.

Wing: Though you are on your way toward the attainment of your goals, you are constantly aware that you have not arrived. This state of mind leaves you feeling uneasy -- knowing you must move on, and yet anxious to protect and hold intact that which you have already accomplished.

Editor: Here the wanderer is "camping out," so to speak -- occupying a temporary position during a transition. The axe, analogous to the sword (or any metallic cutting instrument), can symbolize mental discrimination. (Cf. The suit of swords in the Tarot.) The image is of one who has the power to comprehend his situation and the resources to advance to a new position, yet is still in a very tenuous and ill-defined state of being. The issue could go either way.

This realization is extremely important from a practical standpoint, for it implies that only constant attention to the unconscious, an inner devoted tribute, is sufficient to enlist its cooperation. The unconscious realms cannot be analyzed away, cannot be defeated in battle, but, at best, by conscious confrontation, can be taken into account within the limits of one's individual capacity.
E.C. Whitmont --The Symbolic Quest

A. A synthesis is only tentative -- gains are vulnerable to loss.

B. Consolidate and defend your position. You have all you need, but could lose it.

C. An incomplete idea or concept needs nourishment and careful discrimination to make it secure.

Line 6

Legge: The sixth line, dynamic, suggests the idea of a bird burning its nest. The stranger, thus represented, first laughs and then cries out. He has lost his ox-like docility too readily and easily. There will be evil.

Wilhelm/Baynes: The bird's nest burns up. The wanderer laughs at first, then must needs lament and weep. Through carelessness he loses his cow. Misfortune.

Blofeld: A bird manages to burn its own nest. At first the traveler laughs, but then has cause to shout and weep. A cow is lost through carelessness -- misfortune! [Presumably, someone's carelessness causes him misfortune which excites our mirth -- until we discover that we ourselves are deeply involved in the resulting loss.]

Liu: A bird's nest burns. The exile laughs in the beginning, laments later. He loses his cow by being careless. Misfortune.

Ritsema/Karcher: A bird burning its nest. Sojourning people beforehand laughing, afterwards crying-out sobbing. Losing the cattle, tending-towards versatility. Pitfall.

Shaughnessy: A crow disorders its nest; the traveler first laughs and later weeps and wails, losing an ox at Yi; inauspicious.

Cleary (1): A bird turns (Sic) its nest. The traveler first laughs, afterward cries. Losing the ox at the border, there is misfortune.

Cleary (2): ... Losing the cow while at ease is unfortunate.

Wu: Like a bird burning its own nest, the traveler first laughs with joy and then howls in sorrow. Like losing a cow in the field, it is foreboding.

 

COMMENTARY

Confucius/Legge: He would not listen to the truth about the course to be pursued. Wilhelm/Baynes: Being at the top as a wanderer rightly leads to being burnt up. In the end he hears nothing. Blofeld: The top of this hexagram signifies burning. The loss of a cow through carelessness means that no news will ever be obtained of something we have lost (or are about to lose). Ritsema/Karcher: Using Sojourning to locate- in the above. One's righteousness burning indeed. Completing absolutely-nothing: having hearing indeed. Cleary (2): Because the travel is in a high place, it is just to be destroyed. After all one does not listen. Wu: Traveling at this top position amounts to burning oneself. The misfortune of losing a cow in the field is something he has not heard of.

Legge: Line six is dynamic in a magnetic place at the outer limit of the trigram of Clarity -- he will be arrogant and violent, the opposite of what a wanderer should be, and the issue will be evil. Humility cannot co-exist with haughty arrogance, and his careless self-sufficiency has shut his mind against all the lessons of wisdom.

 

NOTES AND PARAPHRASES

Siu: The newcomer becomes careless, imprudent, and violent at the height of his distinction.

Wing: By losing yourself in the drama of a new situation and by involving yourself in details that have nothing whatsoever to do with the development of your own principles, you detach yourself from the very foundation of your original aims. Misfortune.

Editor: A bird, as a creature of the air, the realm of thought, can symbolize an idea or concept. A nest suggests the foundation, or resting place of a thought -- a necessary premise upon which the thought is founded. To burn up a necessary premise, foundation, or whatever, suggests thought that has transcended the bounds of reality -- i.e., fantasy, or illusion. If this is the only changing line, the hexagram becomes number sixty-two, Small Powers, the corresponding line of which also images a bird transcending its proper bounds. The wanderer here is arrogant, and as Legge points out, "carelessly self-sufficient." The line sometimes implies some harsh truths about an overly intellectual approach to life.

An inflated consciousness is always egocentric and conscious of nothing but its own existence. It is incapable of learning from the past, incapable of understanding contemporary events, and incapable of drawing right conclusions about the future. It is hypnotized by itself and therefore cannot be argued with. It inevitably dooms itself to calamities that must strike it dead.
Jung -- Psychology and Alchemy

A. Criminal negligence creates an irretrievable loss.

B. Image of a stupid idea.

15
Modesty


Other titles: Modesty, The Symbol of Humility, Moderation, Humbling, Respectful/Humble, Yielding/Retiring. 1. Obtaining this hexagram implies that modesty is needed in our attitude, meaning, to allow ourself to be led without resistance. – C.K. Anthony. 2. A Humble or modest person is thought of as having an “empty or unoccupied” mind, meaning a mind without prejudice. – Chung Wu. 3. Only superior people who practice Tao know where to stop, disregard what they have and appear to have nothing. – T. Cleary.

 

Judgment

Legge:Temperance indicates successful progress. Temperancebrings a good issue to the superior man's undertakings.

Wilhelm/Baynes: Modesty creates success. The superior man carries things through.

Blofeld:Modesty brings success. The Superior Man is able to carry affairs through to completion.

Liu: Modesty: success. The superior man can continue to work to the end.

Ritsema/Karcher: Humbling, Growing. A chun tzu possesses completing. [This hexagram describes your situation in terms of the necessity to cut through pride and complication. It emphasizes that keeping your words unpretentious is the adequate way to handle it...]

Shaughnessy: Modesty: Receipt; the gentleman has an end.

Cleary (1):Humility is developmental. The superior person has a conclusion.

Cleary (2):Humility gets through. A leader has a conclusion.

Wu:Humility is pervasive. The jun zi will have grace in death.

 

The Image

Legge: A mountain hidden within the earth -- the image of Temperance. The superior man, in accordance with this, diminishes his excesses to augment his insufficiencies, thus creating a just balance.

Wilhelm/Baynes: Within the earth, a mountain: the image of Modesty. Thus the superior man reduces that which is too much, and augments that which is too little. He weighs things and makes them equal.

Blofeld: This hexagram symbolizes a mountain in the centre of the earth. The Superior Man takes from where there is too much in order to augment what is too little. He weighs things and apportions them fairly. [The component trigrams symbolize a mountain surrounded by flat earth, thus suggesting too much in one place and too little in others.]

Liu: The mountain within the earth symbolizes modesty. The superior man reduces the excess and increases the lacking; he weighs and then equalizes all things.

Ritsema/Karcher: Earth center possessing mountain. Humbling. A chun tzu uses reducing the numerous to augment the few. A chun tzu uses evaluating beings to even spreading-out.

Cleary (1): There are mountains in the earth; modesty. Thus does the superior person decrease the abundant and add to the scarce, assessing things and dealing impartially.

Cleary (2): … Leaders assess people and give impartially, by taking from the abundant and adding to the scarce.

Wu: There is a mountain inside earth; this is Humility. Thus the jun zi takes excess from the more to enrich the less and measures goods to ensure fair distribution. [To prepare oneself to accept what is fair among all his fellow men is the essence of humility.]

 

COMMENTARY

Confucius/Legge: It is the way of heaven to dispense its blessings downwards, and the way of earth to radiate its influence upwards. Both heaven and earth diminish the full to augment the lowly. Spiritual beings inflict calamity on the proud and bless the meek, and men resent ostentation and love temperance. Temperanceenlightens an honorable office, and neither will men ignore it in lowly positions. Thus does the superior man attain his ends. [Emphasis editor's -- Ritsema/Karcher translate "spiritual beings" [Kuei Shen] as: "The whole range of imaginal beings both inside and outside the individual; spiritual powers, gods, demons, ghosts, powers, fetishes.”]

Legge: An essay on temperance rightly follows that on abundant possessions. The third line, dynamic among five magnetic lines, in the topmost place of the trigram of Keeping Still, is the ruler of the hexagram. He is the representative of Temperance -- strong, but self-effacing. The idea is that temperance is the way to permanent success.

The Confucian commentary deals generally with the subject of temperance, showing how it is valued by heaven and earth, by spirits and by men. The descent of the heavenly influences, and the low position of the earth are both symbolic of temperance. The heavenly influences are seen in the daily fluctuations of the sun and moon, and the fertility of the earth correspondingly waxes and wanes with the seasons.

The Daily Lecture says:"The five yin lines above and below symbolize the earth; the one yang line in the center is the mountain in the midst of the earth. The many yin lines represent men's desires; the one yang line represents the heavenly principle. The superior man, looking at this symbolism, diminishes the multitude of human desires within him, and increases the single shoot of the heavenly principle; so does he become grandly just, and can deal with all things evenly according to the nature of each. In whatever circumstances or place he is, he will do what is right.”

 

NOTES AND PARAPHRASES

Judgment:Temperance means maintaining a dynamic/magnetic balance of forces to attain success.

The Superior Man maintains equilibrium in all that he does.

The most common translation of the title for this hexagram is Modesty, but I have chosen Temperance as a title more expressive of the ideas in the Image and Confucian commentary. The words “modesty” and “humility” often carry a connotation of weakness in western usage, and “temperance,” meaning to temper or regulate, is more expressive of the dynamic strength of will required to restrain and modulate the drive to dominate every situation.

The Image shows a mountain hidden beneath the earth--the quiet, invincible power of sheer will is hidden from view, yet it influences everything. Who observing such a level surface would know that the bulk of Mt. Everest was buried beneath it? Temperance means that one's power is hidden, that the fluctuations of heaven and earth are kept in such dynamic/magnetic balance as to be invisible to ordinary vision. The temperate person is strong enough to bear the weight of the world when that is necessary for the Work.

Marcus Aurelius, the Stoic Roman Emperor, was arguably the most powerful man of his time, yet his temperance and modesty showed him to fulfill the ideal of the superior man. Only the truly strong can be truly modest.

And let this truth be present to thee in the excitement of anger, that to be moved by passion is not manly, but that mildness and gentleness, as they are more agreeable to human nature, so also are they more manly; and he who possesses these qualities possesses strength, nerves and courage, and not the man who is subject to fits of passion and discontent. For in the same degree in which a man's mind is nearer to freedom from all passion, in the same degree also is it nearer to strength.
Marcus Aurelius