One is able to receive compliments without others knowing what it is about. taoscopy.com
Small Powers62
Focus on the details. Embrace humility and small steps to achieve success. Avoid overreaching or taking on too much to prevent failure.
↓ Line 1
This line warns against overreaching or attempting too much. It suggests that one should be cautious and avoid taking unnecessary risks.
↓ Line 5
This line indicates that while conditions may seem unfavorable, success is still possible through careful and precise actions. It suggests that one should focus on what can be achieved rather than what seems impossible.
↓ Line 6
This line warns against missing opportunities or failing to connect with others. It suggests that one should be mindful of their actions and avoid isolation or detachment.
↓ Fellowship13
Unity through shared purpose and community effort.
Original Readings
62 Small Powers
Other titles: Preponderance of the Small, The Symbol of Excess in Small Things, The Small get by, Slight Excess, Small Exceeding, Small Surpassing, Excess of the Small, Small gains, Conscientiousness, Smallness in Excess, Exceeding the Mean, Proliferation of Details, "Like a bird, do not fly too high or attempt too much because this will lead to disaster." -- D.F. Hook
Judgment
Legge:Small Powers indicates that there will be progress and attainment in small affairs, but not in great affairs. It will be advantageous to be firm and correct. It is like the song of a flying bird: It is better to descend than to ascend. In this way there will be good fortune.
Wilhelm/Baynes:Preponderance of the Small. Success. Perseverance furthers. Small things may be done; great things should not be done. The flying bird brings the message: It is not well to strive upward, it is well to remain below. Great good fortune.
Blofeld:The Small Get By -- success! Persistence in a righteous course brings reward. Small things can be accomplished now, but not great ones. When birds fly high, their singing is out of tune. The humble, but not the mighty, are favored now with great good fortune. [To aim high now would be to put ourselves out of accord with the times.]
Liu:Slight Excess. Success. Continuing is of benefit. Undertaking small things, not great things. The song of the flying bird. It is not good to go up; it is good to stay below. Great good fortune. [Slight Excess signifies the slight excess or small mistake that can prevent the achievement of great things.]
Ritsema/Karcher:Small Exceeding, Growing. Harvesting Trial. Permitting Small
Affairs. Not permitting Great Affairs. Flying bird: abandoning's sound. Above not proper, below proper. The great significant. [This hexagram describes your situation in terms of an overwhelming variety of encounters and details. It emphasizes that an excessive concern with adapting yourself to these inner and outer events is the adequate way to handle it...]
Shaughnessy: Small Surpassing : Receipt; beneficial to determine; possible for little service, but not possible for great service. The sound left by the flying bird is not proper for ascent but is proper for descent; greatly auspicious.
Cleary (1):Predominance of the small is developmental, beneficial if correct. It is suitable for a small affair but not for a great one. The call left by a flying bird should not rise but descend. This is very auspicious.
Cleary (2):Small excess turns out all right. It is beneficial to be correct. It is all right for small matters, not for great matters. A flying bird leaves its cry; it should not ascend but descend – then there will be great good fortune.
Wu: Excess of the Small indicates pervasiveness and the advantage of being persevering. One may succeed in doing small business, but not big one. Like the lingering sound of a bird flying by, it is not suitable to go upward, but suitable to go downward. Great fortune.
The Image
Legge: The image of thunder above a hill forms Small Powers. The superior man, in accordance with this, in his conduct exceeds in humility, in mourning exceeds in sorrow, and in his expenditure exceeds in economy.
Wilhelm/Baynes: Thunder on the mountain: the image of Preponderance of the Small. Thus in his conduct the superior man gives preponderance to reverence. In bereavement he gives preponderance to grief. In his expenditures he gives preponderance to thrift. [The superior man derives an imperative from this image: he must always fix his eyes more closely and more directly on duty than does the ordinary man, even though this might make his behavior seem petty to the outside world. He is exceptionally conscientious in his actions.]
Blofeld: This hexagram symbolizes thunder over the mountains. The Superior Man now acts with too much reverence, experiences too much sorrow from bereavement and is overly thrifty in satisfying his needs.
Liu: Thunder over the mountain symbolizes Slight Excess. The superior man's conduct is overly humble; In mourning he laments exceedingly, and he is stingy in his spending.
Ritsema/Karcher: Above mountain possessing thunder. Small Exceeding. A chun tzu uses moving Exceeding to reach-to courtesy. A chun tzu uses losing Exceeding to reach-to mourning. A chun tzu uses availing of Exceeding to reach-to parsimony.
Cleary (1): There is thunder over a mountain, exessively small. Thus superior people are excessively deferential in conduct, excessively sad in mourning, excessively frugal in consumption.
Cleary (2): Thunder over a mountain – small excess. Genteel people are exceedingly deferential in conduct, exceedingly sad in mourning, and exceedingly abstemious in consumption.
Wu: Thunder rolls over the mountain; this is Excess of the Small. Thus the jun zi conducts himself with a little excess in respect to others, a little excess in sorrow at mourning, and a little excess in frugality in expenditure.
COMMENTARY
Confucius/Legge: In Small Powers we see the magnetic lines exceeding the others, and giving the intimation of progress and attainment. To be advantageous, such excesses must be associated with firm correctness, and must always be in harmony with the requirements of the time. The magnetic lines are in the central places, and hence it is said that small excesses may be done in small affairs with good effect. Of the dynamic lines, one is not in its proper place, and the other is not central; thus it is said that small excesses should not be done in great affairs. In the hexagram we have the symbol of the flying bird, whose song reminds us that it is better to descend than ascend. To ascend is contrary to what is reasonable in the case, while to descend is natural and right.
Legge: The meaning of this hexagram in which an excess of yin lines prevails, may be grasped by contrasting its image with that of hexagram number twenty-eight, Critical Mass, in which an excess of yang lines prevails. Here the idea is the prevalence of small or inferior powers, and the lesson to be learned is how to distinguish essentials from non-essentials. Is it ever good to deviate from the established course of procedure? The answer is that it is permissible only in small matters, but never in matters of import. Sometimes form may be dispensed with, but never substance, and the thing must always be done responsibly and with appropriate humility. The symbol of the bird is to teach humility -- it is better for it to descend, keeping near to where it can perch and rest, than to ascend into the homeless regions of the upper air.
NOTES AND PARAPHRASES
Judgment: Ground your flights of fancy.
The Superior Man bends over backwards to be correct.
Small Powers shows the preceding figure of Inner Truth turned inside-out. Here the magnetic lines are all on the outside -- uncontained and uncontrolled. The hexagram often reflects a situation in which the "archetypes": the passions, appetites, emotions, drives and instincts have left their proper places within the psyche and are flying free like birds escaped from the zoo. Most of the lines either depict the danger of such a situation or warn about how to control it.
In this inflated, compulsive state of identity, we and the drive are at our most harmful; the drive will unfold and we will act out its extreme, inappropriate and destructive side. In the process we get the worst of it, along with the other people involved. The wrong thing usually happens at the wrong time and in the wrong place. A capacity for moving toward differentiation and transforming the drive will not arise until the state of identity has been dissolved. This requires a confrontation of the drive as a Thou, as something that is not I, as something separate from ourselves. Only at this point can the inner dialogue begin. Until then the drive remains unconscious, primitive and destructive. Only after the identity has been dissolved by learning to experience the drive as an autonomous entity that is separate from the ego, do we get a chance to choose a right time and place and to develop the positive potential of the drive. E.C. Whitmont --The Symbolic Quest
Interestingly, the only line that seems to be correctly "out of its cage" is the second -- suggesting a situation in which an intuitive inner wisdom takes proper precedence over the usual firm correctness of "reason."
Line 1
Legge: The first line, magnetic, suggests the idea of a bird flying, and ascending until the issue is evil.
Wilhelm/Baynes: The bird meets with misfortune through flying. [A bird ought to remain in the nest until it is fledged. If it tries to fly before this, it invites misfortune.]
Blofeld: A bird in flight brings misfortune.
Liu: A bird encounters misfortune when it soars.
Ritsema/Karcher: Flying bird: using a pitfall.
Shaughnessy: The flying bird brings inauspiciousness.
Cleary (1): A bird that flies thereby brings misfortune.
Wu: The flying bird gets its misfortune.
COMMENTARY
Confucius/Legge: Nothing can be done to avoid this issue. Wilhelm/Baynes: Here there is nothing to be done. Blofeld: There is nothing we can do about it. [The bird is merely a symbol; we are due to encounter misfortune which we are powerless to avert.]Ritsema/Karcher: Wherefore not permitted thus indeed. Cleary (2): Nothing can be done about it. Wu: It cannot be helped.
Legge: Line one is magnetic in a dynamic place, and possessed by the idea of exceeding the limitations of the hexagram. Her correlate is the dynamic fourth line, belonging to the trigram of Movement, so that instead of being repressed from her tendency to ascend, she is actually stimulated to do so. Nothing can be done to avoid an evil issue because she brings it on herself.
NOTES AND PARAPHRASES
Siu: At the outset, the man should heed the case of a bird leaving the nest before it is fledged. He should spend his early life learning the traditional ways in order to avoid wasting his energies in senseless jousting.
Wing: If you are considering an extraordinary plan, forget it. The time and your position could not be more inappropriate. Your destiny lies in the ordinary or traditional, and anything beyond that would lead you into danger.
Editor: Despite the gloomy Confucian commentary, my experience with this line has usually been conditional: "If the bird flies, disaster is inevitable." The implicit conclusion is: "If the bird doesn't fly, it will escape the unpleasant consequences." The image of the bird (an air creature symbolizes a thought, concept or idea) can suggest blue-sky thinking that will only end up lost in space. Wilhelm’s commentary offers the idea of a fledgling trying to fly before it is ready, suggesting that the impulse to act may be more premature than improper.
If we do not know what moves us we are in no position to understand what we are doing, nor are we in any position to choose what we wish to do. We may think we decide what we want to do but what actually happens may be quite another matter. Without an awareness of the psychic fields in which we operate, any idea of freedom of will, decision or of relationship is an illusion. E.C. Whitmont --The Symbolic Quest
A. You have allowed your thoughts to run away with you.
B. You are in over your head -- have exceeded your ability to cope with the reality of the situation.
Line 5
Legge: The fifth line, magnetic, suggests the idea of dense clouds, but no rain, coming from our borders in the west. It also shows the prince shooting his arrow, and taking the bird in a cave.
Wilhelm/Baynes: Dense clouds, no rain from our western territory. The prince shoots and hits him who is in the cave. [The man in the cave is line two. The word for shooting means shooting with an arrow attached to a line for the purpose of dragging in the game that has been shot. The connection arises from the fact that the present line and the second line are related through similarity of kind.]
Blofeld: Dense clouds come from the western outskirts, but no rain falls. The prince shoots an arrow and hits someone in a cave.
Liu: Heavy clouds come from the west, but no rain. What the duke shoots he takes from the cave.
Ritsema/Karcher: Shrouding clouds, not raining. Originating- from my Western suburbs. A prince, a string-arrow grasping another located-in a cave.
Shaughnessy: The dense clouds do not rain from our western pasture; the duke shoots and takes the skin in the cavern.
Cleary (1): Dense clouds not raining come from my neighborhood. The ruler shoots another in a cave.
Cleary (2): Dense clouds do not rain, coming from one’s western province. The prince shoots, catching the quarry in the den.
Wu: There are dense clouds, but no rain coming from our western countryside. The duke gets what is in the cave with an arrow tied to a string. [This implies that he solicits and gets the assistance of his correlate, the second yin line.]
COMMENTARY
Confucius/Legge: There are dense clouds, but no rain -- the line is in too high a place. Wilhelm/Baynes: He is already above. Blofeld: Dense clouds and no rain points to their having risen too high. [Something which could have been of great help to us passes us by.] Ritsema/Karcher: Above climaxing indeed. Cleary (2): ( The clouds) have already risen. Wu: The clouds have been blown away by high winds.
Legge: Line five, though in the ruler's seat, is magnetic, and incapable of doing anything great. It is a yin line, and too high. If the line were yang, the auspice would be different. He is called the prince because of the ruler's seat, and the bird in the cave that he captures is the subject of line two.
Anthony: To distrust our path is to distrust the Sage who guides us. We cannot make our way in the hidden world alone; we need the Sage’s help, which can only be obtained through a modest acceptance of our fate.
NOTES AND PARAPHRASES
Siu: Because of the lack of able helpers, the prince is unsuccessful in his attempts to set the world in order. He searches intently for the required talents among those who have retired from the public scene. The right man with a demonstrated record of achievement is finally found and the difficult task completed.
Wing: Your strength is adequate to bring forth that which you desire, but your position is not appropriate. You will need help from others. Modestly seek such assistance from qualified people and you can accomplish your aim.
Editor: There are two sets of images here -- the first suggests an accumulation of latent energy and the second the grasp of something concealed. Rain symbolizes the union of heaven and earth -- the connection between higher and lower, inner and outer. Dense clouds therefore represent a buildup of unreleased tension: union has yet to be accomplished. The arrow shot into the cave with a line attached to it traditionally symbolizes the link between this line’s magnetic second-line correlate. (Meditation on the differences between the two lines and their respective messages is often useful in discerning subtle ego/Self relationships.) The arrow suggests discrimination or comprehension -- to shoot an arrow into the heart of something is a conscious, active attempt to pierce its essence, to comprehend it. To shoot into the darkness of a cave symbolizes seeking comprehension of what is unknown or unconscious; it can also suggest "a shot in the dark" -- a guess. Only Legge identifies the target as a bird – the other translations are less specific: the object is “something or someone” hidden from consciousness. As a creature of the air, a bird represents thoughts, ideas, concepts, intelligible answers, etc. , so this often applies in the interpretation. (Note how central the bird symbol is in this hexagram.) The line suggests one seeking comprehension of an unknown situation or process and receiving relatively little satisfaction -- the answer is out of reach ("too high") in the imagery of the Confucian commentary. If this is the only changing line, the new hexagram created is Number 31, Influence, which often carries the connotation of “importuning” – suggesting that perhaps you are seeking information which the oracle has no intention of providing, or you are incapable of understanding at this stage: it’s too high, it’s beyond you. (See commentary on Hex 31 for more details.) Also compare this line with the virtually identical message in the Judgement of Hexagram 9: ’TheTaming Power of the Small has success. Dense clouds, no rain from our western region.’ This repetition of the theme of ’smallness’ (in all of its possible connotations) is useful to contemplate here.
Thus does the Archer hunt his quarry, for as the huntsman seeks to kill his prey for food, so does the (Self) seek out conscious contact with its projection (the ego) for similar reasons, for the fully illuminated man is he who is dead to the domination of the lower worlds, using his vehicles in the lower worlds for the ends of his higher nature. Gareth Knight -- Qabalistic Symbolism
A. A build-up of tension without release: You are groping in the dark. Play it by ear until the situation clarifies. Don’t get ahead of yourself.
B. The answer to your question is beyond your present ability to comprehend.
Line 6
Legge: The sixth line, magnetic, shows its subject not meeting the exigency of her situation, and exceeding her proper course. It suggests the idea of a bird flying far aloft. There will be evil. The case is one of calamity and self-inflicted injury.
Wilhelm/Baynes: He passes him by, not meeting him. The flying bird leaves him. Misfortune. This means bad luck and injury.
Blofeld: Instead of accosting him, he passed him by, The bird flew away from him -- misfortune in the form of natural calamity and deliberate injury.
Liu: He passes over someone, not meeting him. The birds fly away. Misfortune. There will be disaster.
Ritsema/Karcher: Nowhere meeting, Exceeding it. Flying bird radiating it. Pitfall. That designates Calamity and Blunder.
Shaughnessy: Not meeting him, but surpassing him; the flying bird is netted in it; inauspicious. This is called calamitous imperfection.
Cleary (1): Don’t overstay here. The flying bird is gone. This is called calamity.
Cleary (2): The flying birds leave. This is unfortunate. This is called calamity.
Wu: He meets with no one even though he applies the spirit of small excess. Like a bird flying away from other birds, he is alone. Foreboding. It will be catastrophic.
COMMENTARY
Confucius/Legge: The position indicates the habit of domineering. Wilhelm/ Baynes: He is already arrogant. Blofeld: The first sentence suggests that we behave too arrogantly. Ritsema/Karcher: Climaxing overbearing indeed. Cleary (2): Passing by without meeting is because of arrogance. Wu: Because he is too arrogant.
Legge: Line six is magnetic at the top of the trigram of Movement. She is possessed by the idea of the hexagram to an extreme degree, and is incapable of keeping herself under restraint.
NOTES AND PARAPHRASES
Siu: The man does not know how to control his preoccupation with trivia. His overshooting and restlessly pressing on bring disappointment and calamity to himself and his people.
Wing: Your ambitions may be too great. In an aggressive attempt to reach an unrealistic goal you will meet with disaster.
Editor: Wilhelm and Blofeld both translate "domineering" as "arrogance," thus creating an image of rising above one's proper station (exceeding the mean) through over-confidence or pride. If we accept the universal symbol of the bird as emblematic of thoughts or thought processes, the line becomes a commentary on the dangers of excessive intellectualism. Compare this line with the sixth line of hexagram number fifty-six.
Wherever there is identity, as we have seen, there is compulsiveness. When we are identical with a drive we never question why we are moving or where we are going: there is only automatic response to an impulse. This state of compulsiveness, moreover, gives us the feeling of being carried by a tremendous force of energy, in much the same way that an automobile going at the speed of eighty miles an hour may give us a feeling of exhilaration: We are really going fast now! This exhilaration, this unquestioning feeling of assurance that "I'm really going, and I'm going fine and well" is called inflation. E.C. Whitmont -- The Symbolic Quest
A. You have missed the mark. Arrogance or overconfidence have put your head in the clouds.
13 Fellowship
Other titles: Fellowship with Men, The Symbol of Companionship, Lovers, Beloved Friends, Like-minded persons, Concording People, Gathering Men, Sameness with People, Universal Brotherhood, Fellowship, Community, United, Human Association, Union of Men, Integration of Forces, Minor Synthesis, Cliques, Concordance, To Be In Accord With, Confirmation
Judgment
Legge: Union of Forces appears in the remote districts of the country, indicating progress and success. It will be advantageous to cross the great stream. It will be advantageous to maintain the firm correctness of the superior man.
Wilhelm/Baynes:Fellowship with Men in the open. Success. It furthers one to cross the great water. The perseverance of the superior man furthers.
Blofeld:Lovers (friends) in the open -- success! It is advantageous to cross the great river (or sea). [To make any kind of journey.] The Superior Man will benefit if he does not slacken his righteous persistence.
Liu: Fellowship of men in the open (countryside). Success. It benefits one to cross the great water. It benefits the superior man to continue his task.
Ritsema/Karcher: Concording People , tending-towards the countryside. Growing. Harvesting: wading the Great River. Harvesting: chun tzu, Trial. [This hexagram describes your situation in terms of sharing a goal with others. It emphasizes that finding ways to cooperate with and harmonize people's efforts is the adequate way to handle it...]
Shaughnessy: Gathering men in the wilds; receipt; beneficial to ford the great river; beneficial for the gentleman to determine.
Cleary (1):Sameness with people in the wilderness is developmental. It is beneficial to cross great rivers. It is beneficial for a superior person to be upright.
Cleary (1): … Beneficial for a leader to be correct.
Wu: Fellowship in the open is pervasive, etc. … It will be advantageous to the jun zi who perseveres.
The Image
Legge: The images of heaven and fire form Union of Forces. The superior man, in accordance with this, distinguishes things according to their kinds and classes.
Wilhelm/Baynes: Heaven together with fire: the image of Fellowship with Men. Thus the superior man organizes the clans and makes distinctions between things.
Blofeld: This hexagram symbolizes heaven (the sun) and fire representing a pair of lovers. The Superior Man treats everything in a manner proper to his kind. [an analogy (based on the component trigrams) between the sun and fire, which to some extent are of a kind.]
Liu: Fire goes up to heaven, symbolizing Fellowship with Men. The superior man organizes his kinship group (party), and sorts them out.
Ritsema/Karcher: Heaven associating-with fire. Concording People. A chun tzu uses sorting the clans to mark-off the beings.
Cleary (1): Heaven with fire, sameness with others; superior people distinguish things in terms of categories and groups.
Cleary (2): … Leaders distinguish beings in terms of classes and families.
Wu: Heaven above and fire below form Fellowship. The jun zi distinguishes things by their kinds.
COMMENTARY
Confucius/Legge: In Union of Forces the magnetic line has the central place of influence and responds to her correlate line in the upper trigram of Strength. The hexagram takes its name from the upper trigram of Strength lending its power to the lower trigram of Clarity and Intelligence. This represents the correct course of the superior man. It is only the superior man who can comprehend and affect the minds of all under the sky.
Legge: Union of Forces describes a condition which is the opposite of the preceding hexagram of Divorcement. What was there distress and obstruction is here a union of forces. But it must be based entirely on the good of the whole, without any taint of selfishness.
The dynamic line correctly in the fifth place occupies the most important position, and has for his correlate the magnetic second line, also in her correct place. The one female line is naturally sought after by all the male lines. The editors of the K'ang-hsi edition would make the second line respond to all of the lines of the upper trigram, as being more agreeable to the idea of union.
The upper trigram is that of Heaven, the lower is of Fire, whose tendency is to mount upwards. This image suggests the fire ascending, blazing to the sky and uniting with it. All these ideas are in harmony with the notion of union, but it must be free of all factionalism, and this is indicated by its being in the remote districts of the country, where people are unsophisticated and free from the corrupting effects of urban intrigue. Although a union from such motives can cope with the greatest difficulties, yet a word of caution is added.
NOTES AND PARAPHRASES
Judgment: Connections are being made. If you are able to maintain your will, it is advisable to push for a synthesis .
The Superior Man differentiates and prioritizes; he sorts and evaluates his options.
This is another image of union -- not the supreme union of hexagram number eleven, Harmony, but a subordinate union of forces within the psyche which builds toward an eventual grand alliance. The component trigrams show the union of Strength and Clarity, suggesting that a certain level of mental comprehension is involved. To receive the hexagram without changing lines is often a confirmation of your particular thought -- saying, in effect: "You've made the connection."
Comprehension (synthesis) involves making distinctions (analysis) -- a paradoxical process in which one must divide before one can (re)unite. (This is the solve et coagula of alchemy.) Thus we see the superior man in the Image creating categories to bring about union -- this is discrimination directed toward reclassification or rectification. For example, a heterogeneous mixture of vegetable and flower seeds is made meaningful when one sorts them into their separate categories. The disparate elements then become coherently "united" -- in I Chingterms, each line obtains its proper correlate as in Hexagram number 63.
(Dialectic) alternates between synthesis and analysis until it has gone through the entire domain of the intelligible and has arrived at the principle. Stopping there, for it is only there that it can stop, no longer busying itself with a multitude of objects since it has arrived at unity, it contemplates. Plotinus -- The Enneads
The Chinese name of this hexagram includes the word Jen, which is apparently a difficult concept, since many philosophers have spent a good deal of energy in trying to define it:
Jen has been variously translated as benevolence, perfect virtue, goodness, human-heartedness, love, altruism, etc. None of these expresses all the meanings of the term. It means a particular virtue, benevolence, and also the general virtue, the basis of all goodness. ...Neo-Confucianists interpreted it as impartiality, the character of production and reproduction, consciousness, seeds that generate, the will to grow, one who forms one body with Heaven and Earth, or "the character of love and the principle of mind." In modern times, it has even been equated with ether and electricity... Wing-Tsit Chan -- A Source Book in Chinese Philosophy
Chu Hsi defines Jen as the "character of the mind" (psyche) and "the principle of love" (union). Interpreted in this way we are enabled to apprehend the essence of the word "love," which is union -- becoming one with its object. I have chosen the title of Union of Forces to emphasize intra-psychic dynamics which are not immediately obvious in Wilhelm's title of Fellowship with Men. For example in dealing with questions pertaining to the Work, the concept of "ego states" or "subpersonalities" is often relevant to the symbolism of this hexagram:
The human self has been described here as composed of different ego states separated by boundaries. It has been likened to the structure of political principalities. From clinical observation we find that ego states can cooperate for mutual well-being, like allied nations against a common enemy. An ego state may become split, like East and West Germany, or fracture into many segments, like the Austro-Hungarian Empire. Ego states may become cognitively dissonant and hostile to each other, like Syria and Israel. In fact, the behavior of ego states within an individual is not unlike that between individuals, and between those groups of individuals called countries. Why should the behavior of human "stuff" not be substantially similar at all levels of its organizations? ...The evidence of self division into ego states is significant, and an equally tenable hypothesis might be that the states and boundaries of political entities have been imposed by men on each other because these represent an externalization of the internal divisions in their own selves. J.G. Watkins -- The Therapeutic Self
This hexagram's "shadow side" reveals circumstances preventing the union of entities or forces, more than those conditions promoting fruitful affiliation. Note that only the first and fifth lines of the figure depict a positive synthesis; the first one is minor, and in the case of line 5, union is attained only after much struggle. Line 2 reveals a clique or faction situation opposed to the general welfare, and lines 3 and 4 are images of recalcitrant forces unable to either join or attack the alliance. The sixth line depicts a partial union (probably the most common outcome in general experience), which the Confucian commentary nevertheless minimizes. Out of six lines then, only two describe anything like complete fellowship. I have received this hexagram without changing lines when the context of the question revealed an “incestuous,” clique-type situation, so not all "fellowship" or Union of Forcesis necessarily an ideal configuration.