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After Completion63
Completion; things fall into place, but remain cautious. Stability achieved, yet vigilance needed to sustain harmony.
↓ Line 2
Patience is required. What is lost will return in due time.
↓ Line 4
Even the best situations can deteriorate. Maintain vigilance and care.
↓ Line 6
Overreaching leads to peril. Recognize limits and avoid unnecessary risks.
↓ The Creative1
Pure potential. Creative energy. Initiate bold actions.
Original Readings
63 After Completion
Other titles: After Completion, The Symbol of What is Already Past, Already Fording, Already Completed, Settled, Mission Accomplished, Tasks Completed, After the End, A state of Climax
Judgment
Legge:Completion intimates progress and success in small matters. There is advantage in firm correctness. There had been good fortune in the beginning; there may be disorder in the end.
Wilhelm/Baynes: After Completion. Success in small matters. Perseverance furthers. At the beginning good fortune, at the end disorder.
Blofeld:After Completion -- success in small matters! Persistence in a righteous course brings reward. Good fortune at the start; disorder in the end. [Perhaps persistence may help to lessen the disorder that threatens to come upon us after some initial success.]
Liu: Completion. Success in the small. It benefits to continue. Good fortune at first; disorder in the end.
Ritsema/Karcher:Already Fording. Growing: the small. Harvesting Trial. Initially significant. Completing: disarraying. [This hexagram describes your situation in terms of an important move from one position to another. It emphasizes that actively proceeding with the crossing is the adequate way to handle it...]
Shaughnessy:Already Completed: Receipt; slightly beneficial to determine; initially auspicious, in the end disordered.
Cleary (1):Settlement is developmental, but it is minimized. It is beneficial to be correct. The beginning is auspicious, the end confused.
Cleary (2): Settlement is successful, even in small matters … etc.
Wu: Mission Accomplished indicates a small degree of pervasiveness and the advantage of being persevering. It is characterized by goodness in the beginning, but tumult in the end.
The Image
Legge: The image of water above fire formsCompletion. The superior man, in accordance with this, thinks of the evil that may come, and guards against it in advance.
Wilhelm/Baynes: Water over fire: the image of the condition in After Completion. Thus the superior man takes thought of misfortune and arms himself against it in advance.
Blofeld: This hexagram symbolizes water above fire. The Superior Man deals with trouble by careful thought and by taking advance precautions.
Liu: Water above fire symbolizes Completion. The superior man ponders danger and takes precautions against it.
Ritsema/Karcher: Stream located above fire. Already Fording. A chun tzu uses pondering distress and-also providing-for defending-against it.
Cleary (1): Water is above fire,Settled.Thus superior peopleconsider problems and prevent them.
Wu: There is water above fire; this is Mission Accomplished. Thus the jun zi conceives ways to prevent disaster.
COMMENTARY
Confucius/Legge: Progress and success in small matters, with advantage in firm correctness. The dynamic and magnetic lines are correctly arranged, each in its proper place. There has been good fortune in the beginning because the magnetic second line is in the center. In the end there is a cessation of effort, and disorder arises. The course that led to rule and order is now exhausted.
Legge: The two written Chinese characters translated here as Completion represent two ideas -- the symbol of being past or completed, and the symbol of crossing a stream -- with a secondary meaning of helping and completing. When combined, the two characters express the idea of successful accomplishment. The hexagram denotes the kingdom finally at rest -- the vessel of state has been brought safely across the great and dangerous stream, the distresses of the realm have been relieved and its disorders rectified. Small things need to be completed: the new government must be consolidated and its ruler must, without noise or clamor, go on to perfect what has been wrought with firm correctness and without forgetting the inherent instability of all human affairs. That every line of the hexagram is in its correct place, and has its proper correlate emphasizes the intimation of progress and success.
The K'ang-hsi editors compare this hexagram and the next with number eleven, Harmony, and number twelve, Divorcement, observing that the goodness of Harmony is concentrated, as here, in the second line. Disorder after completion is inevitable. All things move on with a constant process of change. Disorder succeeds to order, and again order to disorder.
NOTES AND PARAPHRASES
Judgment: All's well that ends well, but the new cycle demands as much willpower as the last. Make no drastic choices during a transition.
The Superior Man anticipates conflict and is prepared for it in advance.
The sixty-third hexagram is the reference hexagram which depicts the correlation of properly matched dynamic and magnetic lines. On the basis of this figure, all of the other hexagrams (except the first and second, which are their "parents"), are compared. Yet, despite the fact that every line is in its proper place, not one of them has an easy auspice, and both the Judgment and Image are subdued and cautionary. The general idea is that as long as we draw breath in this spacetime dimension, our lives and Work are incomplete. Cycles complete themselves, certainly, but Completion in that sense is the "completion" of the full moon, which as soon as it reaches maximum brilliance immediately begins to wane.
Among those engaged in psycho-spiritual work, there is a great deal of energy focused on "enlightenment," and the natural desire of each aspirant to attain that state of consciousness as soon as possible. Many there are who wander from one conception of the Work to another in the hope that this particular discipline, or that particular Guru will provide the transcendent answer that the last one didn't.
This is a very deceptive illusion, because the chances that any given individual will attain perfect enlightenment in any given lifetime are probably miniscule to the point of insignificance. (How many truly enlightened beings have you ever met in your life?)
But the first signs of this symbolism are far from indicating that unity has been attained. Just as alchemy has a great many procedures, ranging from the "work of one day" to the "the errant quest" lasting for decades, so the tensions between the psychic pair of opposites ease off only gradually; and, like the alchemical end- product, which always betrays its essential duality, the united personality will never quite lose the painful sense of innate discord. Complete redemption from the sufferings of this world is and must remain an illusion ... The goal is important only as an idea; the essential thing is the opus which leads to the goal: that is the goal of a lifetime. In its attainment "left and right" are united, and conscious and unconscious work in harmony. Jung-- Psychology of the Transference
The Work is a slow, organic process of transforming unconscious forces, which demands almost superhuman levels of discipline to accomplish. One can make a great deal of progress in one lifetime, but the Work can not be said to be complete until physical death “completes” it -- at that point, assuming the ego has acquired enough strength of will, perhaps one can facilitate a "permanent" synthesis of the forces one has spent a lifetime in training. Death is the doorway back to our Source, and if we enter that doorway consciously and correctly we can consolidate a great deal of power which will serve us well in the next cycle, in whatever dimension that cycle may take place.
It is even doubtful whether a man can arrive at the summit of all perfection as long as he lives in an imperfect physical form, because the imperfections of the form hamper the spirit, and only a spirit that has outgrown the necessity to live in a physical form may be said to have arrived at that high degree of perfection at which a perfect knowledge of self, and consequently a perfect knowledge of the universe is obtained. F. Hartmann --Paracelsus: Life and Prophecies
Line 2
Legge: The second line, magnetic, shows its subject as a wife who has lost her carriage-screen. There is no occasion to go in pursuit of it. In seven days she will find it.
Wilhelm/Baynes: The woman loses the curtain of her carriage. Do not run after it; on the seventh day you will get it.
Blofeld: The lady loses the blind from her chariot window. She should not go in search of it, for she will recover it in seven days.
Liu: A lady loses her carriage curtain. Without seeking it, it will be regained within seven days.
Ritsema/Karcher: A wife losing her veil. No pursuit. The seventh day: acquiring.
Shaughnessy: The wife loses her hair; do not follow, in seven days you will get it.
Cleary (1): A woman loses her protection. Do not pursue; you will get it in seven days.
Cleary (2): A woman loses her protection. Let her not give chase: she will find it in seven days.
Wu: A woman has lost the curtain of her carriage. There is no need to look for it. After seven days it will be found.
COMMENTARY
Confucius/Legge: The course pursued is that indicated by the central position of the line. Wilhelm/Baynes: As a result of the middle way. Blofeld: Restraint or moderation will be rewarded. Ritsema/Karcher: Using centering tao indeed. Cleary (2): Because of her balanced course. Wu: Because she take a middle course.
Legge: The second line is magnetic and in her proper place. With her dynamic correlate in line five, she might be expected to take action, but she is central and correct – a lady who has lost her carriage screen. She will not advance further so soon after success has been achieved, but keeps herself in hidden retirement. Let her not seek the screen. The seven days is a cycle of completion running its course -- then a new period when action will be proper shall have commenced.
NOTES AND PARAPHRASES
Siu: The man is not accorded the protective confidence of his superiors. In his desire to achieve something, he is tempted to seek it and draw it to himself. He should not do so, but should remain patient and faithful. What is truly his will come to him eventually.
Wing: You are suddenly exposed, whether by your own hand or by circumstances beyond your control. Do nothing. Don't try to cover up, or attempt to make a case for your position. This time of conspicuousness will soon pass.
Editor: The image of the hexagram suggests a high water mark -- the point at which a cycle is completed. Beyond this point is the beginning of a whole new cycle. The second line is the ruler of the hexagram -- a magnetic, receptive, yin line who remains fully devoted to the dynamic yang line, her husband, in the fifth place. A magnetic force is vulnerable during a period of completion -- it must remain in place until the synthesis is complete and the next cycle begins.
When a patient begins to feel the inescapable nature of his inner development, he may easily be overcome by a panic fear that he is slipping helplessly into some kind of madness he can no longer understand. More than once I have had to reach for a book on my shelves, bring down an old alchemist, and show my patient his terrifying fantasy in the form in which it appeared four hundred years ago. This has a calming effect, because the patient then sees that he is not alone in a strange world which nobody understands, but is part of the great stream of human history, which has experienced countless times the very things that he regards as a pathological proof of his craziness. Jung -- Alchemical Studies
A. An image of temporary vulnerability: take no action until the situation matures.
Line 4
Legge: The fourth line, magnetic, shows its subject with rags provided against any leak in her boat, and on guard all day long.
Wilhelm/Baynes: The finest clothes turn to rags. Be careful all day long.
Blofeld: Amidst the fine silk are ragged garments -- be cautious throughout the livelong day!
Liu: One has silk clothes but wears rags. Be cautious all day. [This line indicates that you can expect to have enough money to live comfortably.]
Ritsema/Karcher: A token: possessing clothes in-tatters. Completing the day, a warning. [Token, HSU: halves of a torn piece of silk which identify the bearers when joined.]
Shaughnessy: The short coat has jacket wadding; in winter days be warned.
Cleary (1): With wadding to plug leaks, one is watchful all day.
Cleary (2): There are rags in fine cloth – be alert all the time.
Wu: Rags are used to plug leaks. This is a matter of concern all day long.
COMMENTARY
Confucius/Legge: She is on guard all the day -- she is in doubt about something.
Wilhelm/Baynes: There is cause for doubt. Blofeld: This indicates that doubt and suspicion are now prevalent. Ritsema/Karcher: Possessing a place to doubt indeed.
Cleary (2): There is doubt. Wu: There are doubts.
Legge: Line four is magnetic and has advanced into the trigram symbolizing Water and Peril. She will be cautious and prepare for evil.
NOTES AND PARAPHRASES
Siu: Evils are occasionally uncovered but quickly glossed over during periods of prosperity and cultural advance. The man is not complacent about such readily hidden defects and takes earnest steps toward their correction.
Wing: Elements of decay can be found in the situation of your inquiry. Watch your step.
Editor: Wilhelm, Blofeld and Liu all juxtapose the image of rags with clothing, or fine silk. The message is to not be deluded by what seems to be a favorable situation. Maintain constant awareness and make your choices with extreme care. Regardless of appearances you're in a position of risk.
Complexes that are not granted reality by consciousness and are not dealt with as "powers" to be taken seriously, but are dealt with by repression, tend to take hold in an unadapted, primitive, regressive, compulsive and destructive fashion. This results in what we call neurotic or psychotic disturbances. E.C. Whitmont -- The Symbolic Quest
A. Something valuable is threatened -- extreme care is called for.
Line 6
Legge: The sixth line, magnetic, shows its subject with even her head immersed. The position is perilous.
Wilhelm/Baynes: He gets his head in the water. Danger.
Blofeld: His head gets wet -- trouble!
Liu: His head gets wet. Danger. [Avoid evil persons lest you yourself become tainted.]
Ritsema/Karcher: Soaking one's head. Adversity.
Shaughnessy: Wetting his head; danger.
Cleary (1): When the head gets wet, one is in danger.
Cleary (2): Getting the head wet is dangerous.
Wu: The fox immerses his head in water. Perilous.
COMMENTARY
Confucius/Legge: How could such a state continue long? Wilhelm/Baynes: How can one endure this for long? Blofeld: But this sort of trouble can scarcely last long. [We must expect some trouble but perhaps not very serious and not likely to endure.] Ritsema/Karcher: Wherefore permitting lasting indeed? Cleary (2): How can one last long? Wu: How long can it last?
Legge: The topmost line is magnetic and on the outermost edge of the trigram of Peril. Her action is violent and dangerous, like that of one attempting to cross a ford and being plunged over her head in the water.
Anthony: We “look back” when we presume that the struggle is over, that we can relax and enjoy the situation. We must be firm and go forward, or the work will be undone.
NOTES AND PARAPHRASES
Siu: Needless violence and self-glorification upon completion of a difficult undertaking cause the man to fall back into misfortune.
Wing: You have initiated significant action. Do not assume that things will follow their course while you simply watch and wait. This type of attitude is both vain and perilous. You have created responsibilities for yourself. Shirking them will invite grave danger.
Editor: Wilhelm's commentary suggests the idea of not turning back after making a dangerous transition. The situation has not yet been consolidated and can easily deteriorate: what might be Completion can instead become an aborted synthesis and a regression to a lower level. Alternately, Legge’s image of the line with “even her head immersed” suggests wooly-headedness – you aren’t seeing things clearly. This prevents a transition to a clear state of consciousness. Symbolically to have one’s head immersed in water portrays thought overwhelmed by emotion.
Another said, "I will follow you, sir, but first let me go and say good-bye to my people at home." Jesus said to him, "Once the hand is laid on the plow, no one who looks back is fit for the kingdom of God." Luke 9: 61-62
A. You have passed the point of no return in the current cycle of growth -- regression now portends disaster.
B. You've gone too far to turn back now.
C. Your incomprehension prevents illumination in the matter at hand.
D. Emotions prevent clear thinking.
1 The Creative
Other titles: The Creative, The Symbol of Heaven, The Creative Principle, Force, The Key, Creativity, The Originating, Creative Power, Primal Power, Yang, The Life Force, Kundalini, God the Father
Judgment
Legge:The Dynamic represents what is great and originating, penetrating, advantageous, correct and firm.
Wilhelm/Baynes:The Creative works sublime success, furthering through perseverance.
Blofeld: The Creative Principle . Sublime Success! Persistence in a righteous course brings reward.
Liu:The Creative brings great success, benefiting all through perseverance.
Ritsema/Karcher:Force: Spring Growing Harvesting Trial. [This hexagram describes your situation in terms of the primal spirit power that both creates and destroys. It emphasizes that dynamic, unwearied persisting, the action of Force, is the adequate way to handle it. To be in accord with the time, you are told to: persist!]
Shaughnessy:The Key: Primary reception; beneficial to determine.
Cleary(1):Heavencreates, develops, brings about fruition and consummation.
Cleary(1): The creative is successful; this is beneficial if correct.
Wu:The Originator is primordial, pervasive, prosperous and persevering.
The Image
Legge: Heaven, in its motion, gives the idea of strength. The superior man, in accordance with this, nerves himself to ceaseless activity.
Wilhelm/Baynes: The movement of heaven is full of power. Thus the superior man makes himself strong and untiring.
Blofeld: This hexagram symbolizes the power of the celestial forces in motion, wherewith the Superior Man labors unceasingly to strengthen his own character.
Liu: Heaven moves powerfully; the superior man strengthens himself unceasingly.
Ritsema/Karcher: Heaven moves persistingly. A Chun tzu uses originating strength not to pause.
Cleary(1): The activity of heaven is powerful; superior people thereby strengthen themselves ceaselessly.
Wu: Heaven moves in full strength. Thus the jun zi strives ceaselessly to be self-reliant.
COMMENTARY
Confucius/Legge: All things owe their inception to the vast and originating power of The Dynamic. It contains all the meaning of the word: Heaven. Clouds move, rain falls, and the myriad things appear in their created forms. The sages comprehend the link between the end and the beginning. They understand how the changes of the six lines of the hexagram are accomplished, each in its season, and with this knowledge they ascend toward Heaven as though mounted on six dragons. The intent of The Dynamic is to transform everything so that it reflects its correct nature as originally conceived by the mind of Heaven. Thereafter, this great harmony is preserved in union and firm correctness. The sage appears aloft, high above all things, and the myriad states are harmoniously united.
Legge: For the Chinese, the dragon has been from the earliest times a symbol of dignity, wisdom, sovereignty and sagehood. It is the symbol of the superior man, and especially the "great man," exhibiting all the virtues and attributes of Heaven. Although the dragon's home is in the water, it can disport itself on land, and also fly through the air.
The sage rules in the world of men as Heaven rules nature. He sees the connection between the end and the beginning as the law of cause and effect in the operations of nature and human affairs. The various steps in that course are symbolized by the lines of the hexagram, and the ideal sage, conducting his ideal government, is represented as driving through the sky in a carriage drawn by six dragons.
NOTES AND PARAPHRASES
Judgment:The Dynamic is the life force itself.
The Superior Man tirelessly furthers the Great Work of Transformation.
The image of a dragon appears in every line of this hexagram, except the third. Like most symbols, the dragon has both a positive and a negative aspect. In Western myth, it is usually an adversary which the hero must conquer before he can obtain a treasure or often, a captive maiden. The Chinese, on the other hand, regard the dragon positively. Blofeld comments:
In China, the dragon has always been regarded as a highly admirable creature of celestial origin. Dragons provide rain; make rivers run and rule the ocean. The European dragon is clearly of another species.
This seeming anomaly may say more about how east and west perceive the forces of nature, rather than refer to any true differences in the forces perceived.
Wilhelm compares the dragon to the electrical energy within a thunderstorm -- as lightning it can destroy us, but in the form of electricity it can be harnessed to do useful work. A dragon is nothing if not a huge serpent, and this suggests the idea of the "serpent power," or Kundalini energy which when aroused in the human body has been likened to a sudden jolt of electricity running up from the base of the spine to the top of the head. The Kundalini force is equated in turn with sexual energy -- dynamic power which ensures the continuance of all but the most primitive of living organisms. Without the powerful energy of sexuality, life as we know it could not exist.
When the dragon remains unconquered in the cave-like depths of the unconscious, the life force autonomously rules our lives and we become passive vehicles for random desires and appetites. This "electricity" will flow wherever it finds a circuit of least resistance, and under these conditions an individual's life is largely "created" by chance and circumstance. When one begins the Work, the task of Individuation, one assumes the role of the hero or warrior, who does battle with the dragon in order to bring it under his will. This is a great struggle, and success is not guaranteed, but if one is able to control the primordial power of the life force, the treasure (or the maiden, which in the male psyche amounts to the same thing), is obtained. This is tantamount to attaining a higher level of consciousness -- in its highest form it constitutes "enlightenment."
The symbolism of all of the hexagrams works on many different levels, and this is especially true of the first two, which must be studied together for a full comprehension of each. (Kabbalists, for example, will recognize in these two figures the same forces found in Chokmah and Binah on the Tree of Life.) For the purposes of this comparison it must be noted that the first hexagram symbolizes Heaven, and the second symbolizes Earth: Force and Form. (As consciousness is to the body it inhabits, so Force is to Form and Heaven to Earth.) Form is magnetic, or "negative" in polarity, and Force is dynamic, or "positive."
In esoteric symbolism "Heaven" does not mean the universe above us -- it means the consciousness within us. This polarity is also reflected in the relationship between the ego and the Self -- in a properly regulated psyche, the ego is always magnetic to the dynamic Self.
There is an invisible universe within the visible one, a world of causes within the world of effects. There is force within matter, and the two are one, and are dependent for their existence on a third, which is the mysterious cause of their existence. There is a world of soul within a world of matter, and the two are one, and caused by the world of spirit. F. Hartmann -- Paracelsus: Life and Prophecies
SUGGESTIONS FOR MEDITATION
To get a fuller grasp of the numinously beautiful structure of the I Ching and the transcendent reality which it reflects, one should meditate on each of the hexagrams as often as possible -- one can never exhaust their meaning. The first two hexagrams (because they are the "cosmic parents" of all the others), are especially rich in their associations. Here are a few suggestions for meditation:
1. Compare and contrast the general ideas in the first three hexagrams, noting how the third is a logical progression of the first two.
2. The Confucian commentary on The Dynamic is particularly rich in meaning. Read it over and over again -- it contains the principles of the Work as outlined in more detail in the other hexagrams. Compare the sixth sentence with the ideas in hexagram number twenty, Contemplation.
3. Compare the first two hexagrams with hexagram number eleven, Harmony, and number twelve, Divorcement, noting the implications of the symbolism in terms of the proper management of the Work.